Logan Mader
Logan Conrad Mader (born November 16, 1970) is a Canadian record producer, songwriter, and guitarist, renowned for his contributions to heavy metal music as a performer and behind-the-scenes collaborator.[1] Best known as a founding member and original lead guitarist of the heavy metal band Machine Head, Mader co-wrote and performed on the group's seminal debut album Burn My Eyes (1994) and follow-up The More Things Change... (1997), helping establish the band's aggressive groove metal sound during the 1990s.[2][3] After departing Machine Head in 1997 due to personal and band tensions, Mader briefly joined Soulfly as a touring guitarist in 1998, contributing to live performances during the band's early years under Max Cavalera.[4] He then co-founded the alternative metal band Medication in 1999 alongside Ugly Kid Joe vocalist Whitfield Crane and Soulfly drummer Roy Mayorga, releasing the self-titled album Medication in 2002 on Locomotive Records.[5] In 2014, Mader formed the melodic death metal band Once Human in Los Angeles, serving as its primary guitarist, programmer, and producer; the group has released three studio albums, including The Life I Remember (2015), Evolution (2017), and Scar Weaver (2022), featuring vocalist Lauren Hart and showcasing Mader's blend of technical riffs and atmospheric elements.[3][1] Transitioning to production in the early 2000s, Mader has become a sought-after figure in metal, owning The Edge of the Earth Studios in Los Angeles and founding Dirty Icon Productions.[6] His production and mixing credits include Gojira's The Way of All Flesh (2008), Five Finger Death Punch's self-titled debut (2007), DevilDriver's The Last Kind Words (2007), Cavalera Conspiracy's Inflikted (2008), Fear Factory's Mechanize (2010), and Septicflesh's Codex Omega (2017), emphasizing his signature style of raw intensity, punchy low-end, and clarity in dense arrangements.[2][4] Mader reunited with Machine Head for the Burn My Eyes 25th-anniversary tour in 2019, performing alongside original drummer Chris Kontos, and continues to balance production work with occasional live appearances.[7]Early life
Birth and upbringing
Logan Conrad Mader was born on November 16, 1970, in Montreal, Quebec, Canada.[1] He possesses Canadian-American dual nationality, having been born in Canada to American parents. Mader grew up in Oakland, California.[8][9]Musical beginnings
Logan Mader developed an early interest in heavy metal music during his teenage years, influenced by the vibrant Bay Area thrash metal scene in Oakland, California, where he grew up after being born in Montreal, Quebec, Canada.[9] As a self-described "Bay Area thrash metal kid," Mader acquired his first guitar and taught himself to play through dedicated daily practice in his bedroom, honing his skills over several years without formal instruction.[9] This informal, self-directed education in guitar playing ignited his passion for music performance and laid the groundwork for his future explorations into recording techniques.[9]Musical career
Machine Head
Logan Mader joined Machine Head in October 1991 as a founding member and lead guitarist, forming the band alongside vocalist and rhythm guitarist Robb Flynn, bassist Adam Duce, and drummer Tony Costanza in Oakland, California.[10] Originally from Canada, Mader's relocation to the United States earlier that year enabled his participation in the group's inception.[2] As lead guitarist, Mader made significant contributions to Machine Head's debut album Burn My Eyes (1994), co-writing several tracks and delivering prominent guitar solos that helped define the band's aggressive sound.[3] The album, released via Roadrunner Records, propelled Machine Head to prominence in the groove metal scene, blending thrash influences with heavy, riff-driven grooves and earning critical acclaim for its intensity.[11] Mader continued his songwriting role on the follow-up The More Things Change... (1997), where he provided key riffs and solos amid heightened creative pressures within the band.[4] Machine Head's ascent in the mid-1990s included extensive touring that solidified their status in heavy metal, with Mader participating in high-profile support slots opening for Slayer across Europe and the UK, as well as U.S. dates with Napalm Death and Obituary.[4] These tours, along with headline shows, exposed the band to international audiences and built a dedicated following, though the relentless schedule contributed to internal strains, including Mader's struggles with substance abuse and heavy drinking.[3] By early 1998, burnout from years of non-stop touring and creative differences over the band's direction led to Mader's departure, as he sought to explore production work and new musical outlets.[4] He cited a desire for fresh creative pursuits behind the scenes, amid personal self-destructive tendencies that had intensified during the band's rise.[3] In March 2019, Mader reunited with Machine Head for a guest performance slot on the Burn My Eyes 25th anniversary tour, joining Flynn and original drummer Chris Kontos for select European dates to celebrate the landmark album.[12] Describing the experience as "awesome and very emotional," Mader highlighted the positive vibes and nostalgia of performing the classic material live after more than two decades.[3]Soulfly
Following his departure from Machine Head, Logan Mader joined Soulfly as guitarist in 1998 to support the band's debut album during its world tour.[13] Formed by Max Cavalera after leaving Sepultura, Soulfly blended heavy metal with tribal and Brazilian influences, and Mader's addition came shortly after the album's April release, replacing initial guitarist Jackson Bandeira for live performances.[14] He contributed to the band's early touring phase, including appearances at major festivals like Dynamo Open Air and Ozzfest.[15] During this period, Mader also participated in recording a remix of the track "Quilombo" for the band's limited-edition digipak release.[13] This collaboration highlighted his role in extending the album's promotional material amid the intense touring schedule. Mader's time with Soulfly ended in January 1999, as he sought to pursue his own creative projects.[13] He was replaced by Mikey Doling, allowing the band to continue without interruption while Mader shifted focus toward forming new endeavors.[16]Medication
Following his departure from Soulfly in early 1999, Logan Mader formed the alternative metal band Medication as a creative reset, teaming up with vocalist Whitfield Crane, formerly of Ugly Kid Joe, whom he had befriended during the 1998 Ozzfest tour.[5][17] The duo recruited guitarist B. Blunt (formerly of A Day in the Life) and bassist Kyle Sanders (ex-The Piece Dogs), while drummers rotated, including Roy Mayorga (ex-Soulfly) for early performances.[5][18] The band members lived together in Los Angeles for about 18 months to collaborate intensively on songwriting and rehearsals.[17] Medication developed a forceful yet melodic alternative metal sound, blending heavy riffs with accessible rock elements.[5] They debuted live under the temporary name Pale Demons at The Gig on Melrose in Los Angeles, followed by shows on the Hollywood circuit to build local buzz.[17] Signing with Spain-based Locomotive Music, the band released a self-titled five-song EP in 2002, which included tracks like "Something New" and "Underwater," serving as a promotional sampler for their full-length debut.[19][20] Later that year, they issued their sole studio album, Prince Valium, produced by Bill Kennedy and featuring songs such as "Loaded Gun" and "Nothing Left," emphasizing groove-oriented alternative metal.[20] Promotional efforts included a 14-date UK tour to support the releases and generate international exposure.[17] The band's activities halted after February 2003, when a planned European tour was canceled and they parted ways with Locomotive Music amid the label's U.S. branch closure and operational mismatches with their modern rock style.[18][20] Member shifts and internal decisions to pursue solo projects further contributed to the amicable dissolution, ending Medication's run after four years.[18]Stereo Black
Stereo Black was formed in June 2003 by Logan Mader and Lucas Banker, initially under the name New Black, as a collaborative songwriting project aimed at creating music for film and television synchronization licensing.[21][22][23] The project emerged shortly after the dissolution of Mader's previous band, Medication, marking a shift toward non-touring, studio-based work focused on commercial placements rather than live performances.[24] By early 2004, the band had renamed itself Stereo Black and recorded a demo featuring tracks such as "Save Me," "Slip Away," and "Broken Wings," which were tailored for potential media use.[22] The project evolved into a low-profile endeavor emphasizing original compositions suitable for soundtracks and advertisements, with Mader handling guitars and vocals alongside Banker and occasional collaborators.[21] A notable example of its success in this niche came in 2011, when Stereo Black's track "Denial" was featured on the Scream 4 original motion picture soundtrack, demonstrating the project's viability for sync licensing opportunities.[25] Other singles, including "Damaged" and "Emotional Mess," were released digitally during this period, further aligning with the goal of media-tailored music production.[26] By 2017, Mader described Stereo Black as a completed studio project, winding it down to concentrate on his growing production career and the formation of his new performing band, Once Human.[23] This transition reflected a broader pivot away from licensing-focused songwriting toward full-band activities and behind-the-scenes work.[1]Once Human
Once Human is a melodic death metal band formed in 2014 in Los Angeles, California, by guitarist Logan Mader and vocalist Lauren Hart, along with initial members including bassist Skyler Howren, drummer Dillon Trollope, and guitarist Max Karon.[27][28] The project marked Mader's return to performing after years focused on production, with the lineup coalescing around Hart's powerful vocals and Mader's riff-driven songwriting to create a sound blending groove metal aggression with melodic elements.[8] The band released their debut album, The Life I Remember, in September 2015 via earMUSIC, establishing a foundation in heavy, technical metal with progressive influences.[29] This was followed by Evolution in February 2017, which refined their style toward more atmospheric and melodic structures, and Scar Weaver in February 2022, further emphasizing melodic death metal characteristics through intricate guitar work and dynamic vocal delivery.[30][31] These releases highlighted the band's evolution from raw intensity to a polished fusion of genres, with Mader handling production duties to integrate his extensive studio expertise into the Once Human sound.[28] Once Human has conducted multiple tours to support their albums, including headline runs in North America and Europe, as well as opening slots for acts like Fear Factory.[8] Their first Australian shows occurred in late 2017 and early 2018, extending to additional dates amid strong fan reception in the region.[32][33] As of November 2025, no new releases have been announced, though Mader continues to contribute as the band's guitarist, primary songwriter, and in-house producer.[31][3]Production work
Early productions
Mader's interest in production emerged during his tenure with Machine Head, where he observed and assisted in the recording process for the band's debut album Burn My Eyes (1994), produced by Colin Richardson at Fantasy Studios in Berkeley, California. The sessions, conducted on 2-inch analog tape, exposed Mader to meticulous engineering techniques, including the challenges of analog mixing at Scream Studios in Los Angeles, which took two weeks due to recall issues but resulted in a sound that has endured. This hands-on experience laid the groundwork for his technical skills, influencing his later emphasis on clarity and intensity in metal recordings.[9] Following his departure from performing roles in the late 1990s, Mader transitioned to production in the early 2000s by securing a $10-per-hour engineering position in Hollywood studios, where he honed his craft on demo sessions using a Roland VS-1680 digital workstation. His initial forays included engineering duties on his band Medication's self-titled EP (2002), co-produced by the group at NRG Recording Studios in Los Angeles alongside Bill Kennedy. This project marked his first credited studio role, blending his performer background with emerging production responsibilities on tracks like "Something New" and "Under Water." Similarly, for Stereo Black—another band he co-founded in 2003—Mader co-produced their untitled demo in Amsterdam with electronic producer Junkie XL, incorporating electronic elements into the nu-metal sound to attract licensing opportunities, though it remained unreleased commercially.[9][34][22] By 2003–2006, Mader began freelance work on metal projects, producing Italian thrash band K-Again's EP Memories of an Evolution (recorded 2003, released 2005 via Underscore Lab/Musicast), which he helmed at Audio Lab Recording Studio and Dave's Room in Los Angeles to capture their aggressive, groove-oriented style. He also mixed and mastered track 5 ("The End") on Roadrunner United's all-star album The All-Star Sessions (2005), contributing to the project's anniversary celebration by blending contributions from multiple Roadrunner artists like Dino Cazares and Matt Heafy. Further solidifying his early portfolio, Mader produced, engineered, mixed, and mastered Media Lab's debut album Bleeding Memory (2006, self-released), emphasizing the Los Angeles rock band's experimental edge through sessions that highlighted dynamic guitar work and atmospheric elements. These efforts represented Mader's shift from band insider to independent producer, focusing on emerging acts in the metal and rock scenes.[35][36][37]Dirty Icon Productions
Dirty Icon Productions was co-founded by Logan Mader and Lucas Banker in 2007 as a Los Angeles-based production team specializing in heavy metal music production, recording, mixing, and mastering services.[38] The company operates from a studio in the Hollywood Hills, providing a professional environment for artists to create high-impact recordings.[4] The production team quickly gained prominence through collaborations with major acts in the metal genre, leveraging Mader's extensive experience to deliver aggressive, polished sounds that emphasize clarity and intensity. Notable early projects include mixing and mastering Five Finger Death Punch's debut album The Way of the Fist (2007), which helped launch the band's career with its raw energy and tight production.[39] Similarly, Dirty Icon handled mixing and mastering for Gojira's The Way of All Flesh (2008), DevilDriver's Pray for Villains (2009), and Septicflesh's symphonic death metal album Titan (2014), where Mader's work enhanced the orchestral elements alongside heavy riffs.[40][41][42] These efforts solidified Dirty Icon's reputation for expertise in capturing the dynamic range of metal subgenres, from groove to death metal.[43] By the early 2020s, Dirty Icon continued to work with established and emerging artists, including engineering and mixing for Alphoenix's single "Return of the Savior" (2022)[44] and producing Savage Existence's album Bright Lights (2024), demonstrating ongoing innovation in blending traditional metal aggression with modern production techniques.[45] The company's workflow emphasizes collaborative engineering, often involving co-production to tailor sounds to each artist's vision while maintaining a signature heavy, precise mix. Mader's production for his own band Once Human further integrates Dirty Icon's capabilities into high-profile releases within the metal scene.Discography
As a performer
Logan Mader served as the lead guitarist for Machine Head on their debut studio album Burn My Eyes, released in 1994 on Roadrunner Records. He also performed lead guitar duties on the band's follow-up album The More Things Change..., issued in 1997, also via Roadrunner Records. Mader performed lead guitar on Soulfly's Tribe EP, released in 1999 on Roadrunner Records.[46] Mader co-founded the band Medication and played guitar on their self-titled EP, released in 2002 on Locomotive Music. In 2003, Mader formed Stereo Black (initially announced as New Black) and performed lead vocals and guitar on their self-titled album, a CD-ROM release issued independently in 2005.[47] Mader founded the melodic death metal band Once Human in 2014 and has served as their guitarist on all studio releases to date. These include the debut album The Life I Remember (2015, earMUSIC), Evolution (2017, earMUSIC), and Scar Weaver (2022, earMUSIC). Mader has made several guest appearances as a performer on other projects. He contributed guitar on multiple tracks for Roadrunner United's The All-Star Sessions (2005, Roadrunner Records).As a producer
Logan Mader began his production career in the early 2000s, contributing to projects involving his own bands before expanding into freelance work for other artists. His early credits include engineering and production on the self-titled EP by Medication, released in 2002, where he handled Pro Tools engineering on multiple tracks alongside band production duties.[19] For Stereo Black, the band he co-founded in 2003, Mader served as producer on their demo recordings and subsequent projects through 2009, including tracks like "Emotional Mess 2" from their licensing-focused output.[26] In 2006, Mader co-founded Dirty Icon Productions in Los Angeles, which became a hub for his mixing and production efforts on heavy metal albums. During this era, he mixed and mastered Five Finger Death Punch's debut album The Way of the Fist (2007), contributing to its aggressive sound that helped launch the band's career.[48] He also produced, engineered, and mixed Dommin's Mend Your Misery (2006), blending gothic rock elements with polished production. For Gojira, Mader engineered the drums, mixed, and mastered The Way of All Flesh (2008), enhancing the album's dynamic range and intensity.[49] DevilDriver's Pray for Villains (2009) credits Mader as producer, engineer, and mixer, delivering a brutal groove metal aesthetic. Other notable works include producing Cavalera Conspiracy's Inflikted (2008) and mixing W.A.S.P.'s Dominator (2007).[50] Mader's production role extended to co-producing Septicflesh's Titan (2014), where he shaped its symphonic death metal orchestration alongside the band.[51] In recent years, he has focused on self-producing Once Human's albums, including The Life I Remember (2015), where he handled production, mixing, and guitar performance; Evolution (2017), which he fully produced and mixed; and Scar Weaver (2022), emphasizing epic, modern metal production.[30][52] Freelance credits up to 2025 remain limited in public documentation, with ongoing work through Dirty Icon on select metal projects, though specific new albums post-2022 are not fully detailed in available sources.[2]| Artist | Album/Project | Year | Role | Source |
|---|---|---|---|---|
| Medication | Medication (EP) | 2002 | Engineer, Band Producer | https://www.discogs.com/release/765173-Medication-Medication |
| Stereo Black | Demos/Projects (e.g., "Emotional Mess 2") | 2003–2009 | Producer | https://www.youtube.com/watch?v=TqBDeSPoiiY |
| Five Finger Death Punch | The Way of the Fist | 2007 | Mixing, Mastering | https://www.discogs.com/release/35087138-Five-Finger-Death-Punch-The-Way-Of-The-Fist |
| Dommin | Mend Your Misery | 2006 | Producer, Mixing | https://en.wikipedia.org/wiki/Mend_Your_Misery |
| Gojira | The Way of All Flesh | 2008 | Drum Engineering, Mixing, Mastering | https://www.discogs.com/master/53717-Gojira-The-Way-Of-All-Flesh |
| DevilDriver | Pray for Villains | 2009 | Producer, Engineering, Mixing | https://en.wikipedia.org/wiki/Pray_for_Villains |
| Cavalera Conspiracy | Inflikted | 2008 | Producer, Mixing | https://www.discogs.com/label/731274-Dirty-Icon-Productions |
| W.A.S.P. | Dominator | 2007 | Mixing, Mastering | https://www.discogs.com/label/731274-Dirty-Icon-Productions |
| Septicflesh | Titan | 2014 | Co-Producer | https://www.discogs.com/release/13419236-Septicflesh-Titan |
| Once Human | The Life I Remember | 2015 | Producer, Mixing | https://www.therockpit.net/2016/logan-mader-once-human/ |
| Once Human | Evolution | 2017 | Producer, Mixing | https://www.therockpit.net/2016/logan-mader-once-human/ |
| Once Human | Scar Weaver | 2022 | Producer | https://thembluemidnights.wordpress.com/2022/03/25/once-human-scar-weaver-album-vinyl-review/ |