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Lowboy

A lowboy is a chest or side table approximately three feet (one meter) high, featuring drawers and typically cabriole legs, often used as a dressing table or vanity.^[1] The term "lowboy" is an American English collectors' term for this piece of furniture, also known as a low chest of drawers, which originated in 17th-century Europe as a versatile storage solution and gained prominence in 18th-century America, where it served primarily as bedroom furniture for storing clothing and personal items.^[2] Lowboys evolved from earlier chests on stands, developing into a more table-like form with a flat, overhanging top suitable for grooming or writing, reflecting practical needs in colonial households.^[3] The term "lowboy" dates to the early 18th century, derived from "low" (indicating its height) and "boy" (a diminutive for furniture), distinguishing it from taller counterparts like the highboy.^[4] Crafted mainly from woods such as oak, walnut, or mahogany, lowboys often incorporated secondary woods like pine or maple for drawers and were adorned with brass hardware, including knobs and escutcheons, for both functionality and ornamentation.^[2] Key stylistic periods include the William and Mary style (early 18th century) with trumpet-turned legs, the Queen Anne style featuring carved skirts and claw-and-ball feet, and the Chippendale style with intricate cabriole legs and sometimes portable dressing mirrors.^[2]^[3] By the Federal period in the late 18th century, lowboys began to be supplanted by more specialized dressing tables, though their elegant, compact design continues to influence antique furniture appreciation today.^[2]

Origins and History

Early Development in England

The lowboy originated in late 17th-century England as a low dressing table or side table featuring one or more drawers, designed as a compact alternative to bulkier case furniture for personal grooming and storage needs.^[5] This form emerged around the 1680s amid the Restoration period's emphasis on functional yet elegant domestic pieces, reflecting the growing availability of imported woods and refined joinery techniques.^[6] Influenced by earlier Restoration-era designs, the lowboy evolved from simple joined oak tables—often used as gate-leg or refectory stands—to incorporate shallow drawers beneath a flat top, providing convenient access for toiletries and linens without dominating small spaces.^[7] These early iterations prioritized practicality for the expanding merchant and professional classes, whose households demanded versatile bedroom furnishings amid urban growth in London and provincial towns. Key early examples consist of oak lowboys with flat tops supported by turned legs and sometimes cross-stretchers for stability, as seen in surviving pieces dated to the 1690s.^[8] Such forms are first documented in English household inventories from the 1690s, where they appear as "dressing tables" or "low chests," indicating their integration into middle-class interiors for daily use. The lowboy's popularity surged during the reign of William III and Mary II (1689–1702), a period marked by Dutch-influenced aesthetics and increased trade that made finer woods like walnut accessible to the emerging middle class.^[8] Crafted for bedroom settings, these pieces facilitated private dressing rituals, underscoring the era's shift toward more intimate domestic arrangements. The lowboy contrasted with its taller counterpart, the highboy, by emphasizing accessibility over vertical storage.^[5]

Adoption and Evolution in America

The lowboy arrived in colonial America through English immigrants in the late 17th and early 18th centuries, with initial production occurring in New England workshops during the William and Mary period (1690–1730). These early American examples, adapted from English prototypes, utilized local woods such as black walnut, maple, poplar, and eastern white pine, reflecting the settlers' reliance on available resources to replicate familiar forms.^[9] By the 1720s, American lowboy design evolved with a shift from occasional use of oak—common in the sturdiest 17th-century pieces—to black walnut as the dominant material, enabling finer veneering and a warmer aesthetic suited to the Queen Anne period (1730–1760). Cabinetmakers incorporated cabriole legs during this era, enhancing the furniture's elegance and aligning with broader trends toward curved, comfortable forms; production spread from Boston to other port cities via intercoastal trade.^[10]^[9]^[11] Production peaked in the mid-18th century, particularly in Philadelphia and Newport, Rhode Island, where workshops crafted regionally distinctive lowboys by the 1740s–1750s. Philadelphia artisans, drawing inspiration from Thomas Chippendale's The Gentleman and Cabinet-Maker's Director (1754), transitioned to mahogany for its durability and rich grain, producing pieces with bold Rococo carvings that sometimes circulated back to English markets through colonial trade networks. In the Southern colonies, neoclassical influences emerged around the 1760s, introducing straighter lines and lighter proportions to lowboy designs while maintaining core case furniture elements.^[10]^[12]

Physical Characteristics

Basic Structure

The lowboy, a compact chest of drawers designed for tabletop use, typically measures 28 to 32 inches in height, 30 to 36 inches in width, and approximately 20 inches in depth, providing a flat top surface suitable for dressing or display purposes.^[13] These dimensions ensure the piece remains low-profile and accessible, evolving briefly from earlier English table forms adapted for storage in colonial America. Its drawer configuration generally features one or two tiers comprising 2 to 4 drawers total, most commonly a single full-width drawer above three smaller drawers flanking a central one, all housed within a rectangular case without any upper cabinetry.^[14] The case is supported by four to six legs, which may be cabriole for elegance or turned for simplicity, elevating the drawers to a functional height. Key structural elements include the frieze, a decorative horizontal band positioned above the drawers and below the top surface; the skirt, often a curved apron extending below the drawers to connect the case to the legs; and bracket feet at the base, which provide stability and a subtle elevation.^[15]^[16] This functional design prioritizes easy access to contents while seated, setting the lowboy apart from taller storage pieces like the highboy by emphasizing portability and convenience for personal grooming or bedside use.^[3]

Materials and Construction

Early English lowboys, dating prior to 1700, were primarily constructed from oak, selected for its strength and local abundance in Britain.^[17] By the early 18th century, American makers shifted to walnut for its fine grain and workability, with mahogany becoming prevalent in pieces from the 1720s onward due to its durability and luxurious appearance.^[18]^[19] This transition reflected increasing trade access to imported hardwoods and a preference for warmer tones in colonial interiors.^[20] Construction emphasized robust joinery suited to handmade production, with mortise-and-tenon joints securing the frame for structural integrity against daily use.^[21] Drawers relied on dovetail joints at the corners to resist pulling apart over time, ensuring reliable drawer function.^[22] Boards were hand-sawn for precision, and secondary woods like eastern white pine were used for drawer bottoms and backs, offering lightweight support while minimizing expansion issues.^[23] Hardware typically included cast brass pulls and escutcheons, which were produced in England and imported to the American colonies, providing both practical access and subtle decoration.^[20]^[24] Finishes involved applications of beeswax or spirit varnishes to enhance the wood's natural patina and offer protection from wear.^[25] To achieve balance in these low-profile pieces, legs distributed weight evenly across the cabriole or turned forms. Quarter-sawn lumber was favored in colonial settings to counteract warping caused by fluctuating humidity levels, as its radial grain pattern promoted greater stability.^[26]^[27]

Stylistic Variations

William and Mary Style

The William and Mary style represents the earliest significant iteration of the lowboy, a low chest of drawers originally derived from the basic structure of a table with added drawers for storage. Named after the joint reign of King William III and Queen Mary II, this style flourished in England from 1689 to 1714, with American colonial versions emerging in the 1690s and continuing into the 1720s, reflecting influences from Dutch and French Baroque designs adapted to local craftsmanship.^[28]^[24] Key features of William and Mary lowboys include sturdy, turned or trumpet-shaped legs that provide elevation and stability, often connected by flat stretchers in an X or H configuration; flat tops with minimal overhang to maintain a compact profile; and rectangular drawers framed by ogee molding for subtle contouring. These elements emphasized geometric restraint and functionality, making the lowboy suitable for use as a dressing table in modest interiors.^[29]^[30] Decorative elements were restrained yet refined, incorporating simple inlays such as oyster veneer—thin, fan-shaped slices of wood creating a shimmering effect—or ebony stringing along drawer edges and aprons to highlight the grain without overwhelming the form. In some cases, a cushioned top was added to transform the piece into a practical dressing table, enhancing its versatility in daily household routines.^[31]^[32] Notable examples include English walnut lowboys from the late 17th century, prized for their rich figuring and trumpet legs braced by serpentine stretchers, as seen in period pieces documented in furniture histories. American versions, often crafted in oak for durability, occasionally appeared as part of coordinated sets with rush-seated stools, underscoring the style's adaptation to colonial practicality and available materials.^[28]^[33]

Queen Anne and Chippendale Styles

The Queen Anne style (c. 1710–1750) marked a shift toward graceful, flowing lines in lowboy design, emphasizing elegance and comfort over the preceding William and Mary period's rigid symmetry.^[34] Lowboys in this style typically featured cabriole legs that curved outward at the knee and inward at the ankle, terminating in pad feet or early claw-and-ball feet for a sense of lightness and movement.^[35] Drawers often displayed serpentine fronts, creating undulating curves that enhanced the piece's organic form, while scalloped skirts added a delicate, feminine touch to the base.^[36] In regional American production, particularly in Newport, Rhode Island, Queen Anne lowboys innovated with block fronts, where drawers alternated between convex and concave panels for a bold, three-dimensional effect that became a signature of local cabinetmakers like the Townsend-Goddard family.^[34] A notable example is a mahogany lowboy from Philadelphia, dating to the 1730s, constructed with secondary woods like oak and tulip poplar, showcasing the style's refined proportions and subtle shell carving on the apron.^[37] Transitioning into the Chippendale era (c. 1740–1770), lowboys evolved with increased intricacy and eclecticism, incorporating influences from Gothic, Chinese, and Rococo aesthetics while retaining Queen Anne's cabriole form.^[35] Advancements included robust ball-and-claw feet, where the claw gripped a carved ball, symbolizing strength and grip; pierced galleries along the top edges for added ventilation and decoration; and carved motifs such as chinoiserie pagodas or Gothic arches on aprons and knees.^[38] These elements created a more dynamic, visually layered appearance, often executed in mahogany for its rich grain and workability. Philadelphia remained a center for Chippendale lowboys, blending local carving traditions with imported design ideas from Thomas Chippendale's The Gentleman and Cabinet-Maker's Director (1754).^[22] A key example is a circa 1760 lowboy featuring fretwork aprons with interlaced patterns and ball-and-claw feet, exemplifying the period's fusion of functionality and ornate detailing.^[22]

Usage and Cultural Significance

Traditional Uses

The lowboy primarily served as a dressing table in 18th-century households, providing a flat top suitable for placing a mirror or looking glass during grooming routines, while its drawers accommodated personal items such as brushes, combs, pomade pots, scent bottles, toiletries, and jewelry.^[39] Its low height, typically around table level with cabriole or turned legs, enabled comfortable seated access for these activities.^[39] In affluent colonial homes, lowboys were commonly placed in bedrooms, known as chambers, where they functioned as essential grooming stations; they were frequently produced and sold as part of matching sets paired with taller high chests of drawers for coordinated storage in these private spaces or adjacent parlors.^[39]^[40] Period account books from the 1720s document these pairings, with examples like walnut or cedar sets valued between £6 and £13, reflecting their integration into bedroom furnishings.^[40] Among colonial elites, the lowboy symbolized social status and prosperity, as its presence in inventories highlighted the economic standing of owners through the use of fine woods like mahogany or walnut in higher-end pieces. These inventories from the 1720s often listed such furniture alongside other luxury goods in the estates of wealthy merchants and gentry, underscoring their role in displaying refined domestic life.^[40] In England, lowboys or equivalent dressing tables were adapted as versatile side tables in drawing rooms or parlors.^[41] In America, their sturdy tops and accessible height led to practical adaptations, such as serving as writing surfaces for correspondence or candle stands for bedside illumination.

Collectibility and Modern Relevance

Lowboys, particularly authenticated 18th-century examples, command significant value in the antique market due to their rarity and craftsmanship, with desirable pieces from regions like New England or Philadelphia often fetching tens of thousands of dollars at auction. For instance, an American Queen Anne lowboy attributed to early makers sold for $66,000 at Case Antiques, reflecting strong demand for items with strong provenance and original features such as cabriole legs and figured wood veneers.^[42] Stylistic variations in Queen Anne designs further enhance collectible appeal by distinguishing high-end examples from more common forms.^[43] Restoration of antique lowboys focuses on preserving structural integrity while maintaining historical authenticity, with common repairs addressing wear on cabriole legs and drawer mechanisms using period-matched woods like mahogany or walnut to ensure seamless integration.^[44] Authentication often employs dendrochronology for pieces with oak components or related timbers, analyzing tree-ring patterns to verify age and origin, as demonstrated in studies of 17th- and 18th-century European and American furniture.^[45] In contemporary design, lowboys inspire adaptations that blend traditional forms with modern functionality, such as high-end reproductions by Ethan Allen featuring solid cherry construction, dovetailed drawers, and signature cabriole legs for traditional interiors.^[46] More accessible versions appear in flat-pack formats from retailers like IKEA, offering low-profile chests of drawers that echo the compact storage concept without ornate legs, suitable for minimalist spaces.^[47] Culturally, lowboys hold enduring significance, prominently displayed in institutions like the Metropolitan Museum of Art, where an 18th-century American example highlights colonial woodworking techniques in the American Wing collection.^[13] Their low, legged profile has influenced mid-20th-century modern furniture, evident in streamlined low chests by designers like those at Brown Saltman, which retain the horizontal emphasis for bedroom storage while adopting clean lines and exotic woods.^[48]

References

[1]
LOWBOY Definition & Meaning - Merriam-Webster
The meaning of LOWBOY is a chest or side table about three feet (one meter) high with drawers and usually with cabriole legs.
[2]
Lowboy Furniture - Guide to Value, Marks, History - WorthPoint
Lowboys appeared in America during the 18th-century, predominantly as bedroom furniture for storing clothes. Later, lowboys were used as dressing tables.
[3]
A Short History of Chests of Drawers - FineWoodworking
**Summary of Lowboys Section:**
[4]
Lowboy - Etymology, Origin & Meaning
lowboy(n.) also low-boy, "chest of drawers on short legs," 1891, a hybrid from low (adj.) + French bois "wood" (see bush). Compare highboy.Missing: furniture | Show results with:furniture
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Metropolitan Vanities:The History of the Dressing Table December ...
Mar 24, 2014 · The poudreuse in France, and the low boy, Beau Brummel, and shaving table in England served as models for the dressing table. Jean-François ...
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English Furniture, 1660-1714: From Charles II to Queen Anne
English Furniture describes the development of fashionable English furniture between the restoration of Charles II in 1660 and the death of Queen Anne in ...Missing: lowboy | Show results with:lowboy
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English Furniture, 1660–1714 - The Chipstone Foundation
In his reconstruction of such developments, Bowett draws largely on bills submitted to wealthy patrons by top tradesmen such as Richard Price, Gerrit Jensen, ...Missing: lowboy | Show results with:lowboy
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[PDF] Furniture of the Pilgrim century, 1620-1720, including colonial ...
A THREE-DRAWER Hadley Chest, owned by Mr. Chauncey C. Nash. The only other Hadley chest known with three drawers is in the Deerfield. Museum.<|control11|><|separator|>
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A WILLIAM AND MARY OAK LOWBOY , LATE 17TH CENTURY
Free deliveryA William and Mary oak lowboy late 17th century. The three frieze drawers above a shaped apron on turned legs with x-stretcher and bun feet.
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### Summary of Lowboy (Dressing Tables) in Colonial America, 1730–1790
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[PDF] Colonial furniture in America
The American colonies do not seem to have adopted these designs until. Page ... From this time forward the history of furniture can readily be followed from.
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May 1, 2018 · In print, Chippendale's designs spread throughout the British empire, following the routes of the expanding maritime trade and colonization in ...Missing: influence lowboys
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Lowboy - American - The Metropolitan Museum of Art
The American Wing's ever-evolving collection comprises some 20,000 works by African American, Euro American, Native American, and Latin American artists, ...
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18th Century Queen Anne Lowboy - Cafiero Select Home
The chest has ample storage space in the form of one full-length drawer above three smaller drawers, each equipped with brass bail pulls. Tall cabriole legs ...
[17]
Queen Anne Lowboy - Jeffrey Tillou Antiques
... drawer with three drawers below, the central drawer is fan carved, above a lobed shaped skirt supported by cabriole legs ending on pad feet. Condition ...
[18]
Apron / Skirt / Frieze - Buffalo Architecture and History
An apron, skirt, or frieze is the under-framing connecting legs to the top, or a strip below a table top, or a perpendicular face below the lowest drawer.Missing: bracket | Show results with:bracket
[19]
The Feet on Furniture: Bracket Feet - The Source - WordPress.com
May 31, 2019 · Bracket feet are in the shape of a bracket and feature a straight corner edge and curved inner edge. Bracket feet have been used in English case furniture ...Missing: lowboy frieze skirt apron
[20]
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[21]
Queen Anne Walnut Lowboy - 16 For Sale on 1stDibs
1–4 day delivery 7-day returnsEnglish Queen Anne Walnut Lowboy with Original Brasses & Pad Feet, Circa 1740. $16,500. Located in Lambertville, NJ. A classic American Queen Anne walnut ...
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– The highboy was developed with cabriole legs. – Lowboys became popular dining room pieces. Page 45. Artisans of the Valley www ...
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Philadelphia Chippendale Lowboy - Whispering Woodworks
• Pinned mortise and tenon and handcut dovetail joinery throughout the piece. ... • All drawers feature handcut dovetails at all four corners - with solid wood ...Missing: frames pine
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Materials for 17th-century Work, a la Follansbee - Lost Art Press Blog
Apr 25, 2023 · Primary materials were oak (white and red), often riven. Case pieces used Eastern white pine, Atlantic white cedar, and white pine for bottoms/ ...Missing: lowboy hardware
[27]
William & Mary Style - Buffalo Architecture and History
The most important new forms introduced during the period, the highboy and lowboy, clearly illustrate the stylistic change that had taken place: these pieces ...
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Free deliveryOver 60 full-color photos and illustrations. Bonus technique articles on making cabriole legs, building dovetailed drawers, and cutting twin tenons. Join ...Missing: structure | Show results with:structure
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How do I prevent home-center wood from warping? - WOOD Magazine
Feb 27, 2025 · Begin by choosing boards with as much quartersawn or riftsawn grain [Photos A and B] as possible; they will be more stable. Minimize flatsawn grain.
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Jul 1, 2019 · The William and Mary style, also known as early Baroque in museum circles, dates from about 1695 through the mid-1720s.
[33]
[PDF] The practical book of period furniture, treating of furniture of the ...
14. Additional characteristic forms of decoration. 64. 15a. Notching. 65. 156. Pear drop. 65. 16. Characteristic mounts. 68. CHAPTER III—William and Mary la ...
[34]
William & Mary Furniture: 1689 - 1725 - BayneBox.com
Aug 14, 2017 · This style of furniture derives its name from the Dutch William III of Orange and his wife, Mary II, who became joint monarchs of England in 1689.Missing: 1680s | Show results with:1680s
[35]
A GEORGE II WALNUT LOWBOY | Christie's
A WILLIAM AND MARY WALNUT, OYSTER VENEER, POSSIBLY OLIVEWOOD BANDED AND INLAID CHEST ON STAND. EstimateGBP 7,000 – GBP 10,000. Price realisedGBP 7,050. Follow.
[36]
English 18th Century William and Mary Style Oyster Veneer Walnut ...
English 18th Century William and Mary Style Oyster Veneer Walnut Lowboy with 3 Drawers, Turned Legs and X form Stretcher · Export as PDF · Print Tearsheet.
[37]
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Dec 23, 2010 · ... rush-seated ladderback armchair, 1750-1780, “probably made in ... Even more dramatic than these pieces is a 1724 William and Mary lowboy ...<|separator|>
[38]
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early example, a dressing table, or lowboy, notable for its supremely satisfying propor- tions and rich brown patina, has recently been added to the ...<|separator|>
[39]
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Cabriole leg the most characteristic leg found on Queen Anne and Chippendale furniture; it curves outward at the top with a broad “knee” and then curves ...Missing: lowboy scholarly
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Philadelphia Circa 1740. Primary Wood: Mahogany Secondary Woods: Oak, Tulip Poplar, White Cedar. Height: 29 3/8 inches. Width: 33 1/8 inchesMissing: 1730s | Show results with:1730s
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[44]
Bulletin of the American Philosophical Society Library, new series
Only three of the £9-10-0 model were of undesignated wood. The rest were described as from woods other than walnut: mahogany, cedar, cherry and maple. The next ...<|separator|>
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Lowboys and tallboys were popular furniture pieces in 18th Century Britain and America, with the lowboy most often used as a dressing-table or a side-table.Missing: 1690s | Show results with:1690s
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18th Century Desks - Antiques Boutique
14-day returns18th Century Oak Writing Table Low Boy The Desk stands on neat turned.
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American Queen Anne Lowboy, ex. Israel Sack / Charles K. Davis
Lot 225: American Queen Anne Lowboy, ex. Israel Sack / Charles K. Davis. SOLD! for $66,000.00. (Note: Prices realized include a ...
[50]
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Free deliveryThis form of three-drawer pier-table executed for the bedroom apartments was called a 'dressing table' in the early 18th century, but at the end of the century ...
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Techniques for Restoring and Reviving Antique Furniture - Circaphiles
Restoration involves observing period, repairing veneer, rebuilding structure, and using finishes like French polish, wax, and shellac.
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Over the last 30 years, more than 70 pieces of furniture from the Rijksmuseum collection (Amsterdam, the Netherlands) have been dated using dendrochronology ...
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Ethan Allen Georgian Court Lowboy Dresser | Chairish
In stock Rating 4.2 (12) A solid cherry Georgian Court lowboy dresser or chest of drawers by Ethan Allen with Queen Anne style cabriole legs.
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Low Dressers - Short Chests of Drawers - IKEA
4.5 2K · 2–4 day deliveryA low dresser offers storage space without consuming too much wall space. Explore the IKEA range and choose between different styles today.
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John Keal for Brown Saltman Mid-Century Cane Lowboy - 1stDibs
Rating 4.7 (42) · 1–4 day delivery · 7-day returnsTogether, they created stunning mid-century modern solid wood furniture with Art Deco influences. Brown Saltman side tables, cocktail tables and credenzas ...