MKTO
MKTO is an American pop duo consisting of vocalists Malcolm Kelley and Tony Oller. The name is an initialism for "Misfit Kids and Total Outcasts." They formed the group in 2010 after meeting on the set of the TeenNick television series Gigantic, where they portrayed best friends and bonded over their shared interest in music.[1][2] The pair released their debut single "Thank You" in 2012, followed by the breakout hit "Classic" in 2013, which peaked at number 14 on the Billboard Hot 100 and achieved platinum certification in multiple countries.[2][3] Their self-titled debut album arrived in January 2014 via Columbia Records, featuring additional singles "God Only Knows" and "American Dream," and has amassed over one billion global streams to date.[2][4] Following their early success, MKTO experienced periods of hiatus and lineup changes, including a temporary breakup in 2017 and Oller's departure in 2021 amid personal challenges, but the duo reunited in 2025 and embarked on a world tour, including headlining shows in Australia.[5][6] Known for their blend of pop hooks, hip-hop influences, and nostalgic lyrics, MKTO has earned multiplatinum status and has continued to release new music, including the single "Potion" in 2025.[2][7][8]Members
Malcolm Kelley
Malcolm David Kelley was born on May 12, 1992, in Bellflower, California.[9] He spent the first eleven months of his life in foster care before being adopted by Gary and Patricia Kelley, who also adopted his sister Sydney two months later.[10] Of biracial heritage, with an African-American biological father and white biological mother, Kelley grew up in a supportive family that encouraged his early interest in the entertainment industry.[10] Kelley began his acting career at age five, appearing in small roles on television shows such as The District, NYPD Blue, The Guardian, Boston Public, Judging Amy, The Practice, and Without a Trace.[9] His breakthrough came at age 10 with the lead role of young Antwone Fisher in the 2002 film Antwone Fisher, directed by Denzel Washington.[9] Subsequent notable roles included Lil' Saint in the dance film You Got Served (2004), young Walt Lloyd in the ABC series Lost (2004–2006), and a supporting part in the comedy The House Bunny (2008).[9] He gained further recognition for portraying Finn in the TeenNick series Gigantic (2010–2011), where he met Tony Oller, leading to the formation of the pop duo MKTO.[9] Prior to MKTO, Kelley's music interests included songwriting, which he pursued alongside his acting.[11] Within MKTO, Kelley contributed as a primary songwriter, rapper, and singer, infusing the duo's pop sound with hip-hop elements drawn from his personal style. He delivered the rap verse on their breakthrough single "Classic" (2012), which peaked at number 14 on the Billboard Hot 100 and helped propel their self-titled debut album to gold certification in 2014. His vocal and lyrical input shaped tracks emphasizing catchy hooks and rhythmic flows, contributing to the duo's commercial success with over one million records sold worldwide by 2014.[12] Following MKTO's hiatus in 2017, Kelley focused on solo endeavors, balancing acting and independent music releases through 2024.[13] In acting, he appeared in films such as Detroit (2017), True to the Game (2017), The Tomorrow Man (2019), Dutch (2021), and Real Talk (2022), alongside guest roles on series including Insecure (2016–2021), The Rookie (2018–present), and Angel (2024).[9] These projects allowed Kelley to pursue creative freedom outside the duo format. In 2025, Kelley reunited with Oller as MKTO, with the duo announcing a world tour including headlining shows in Australia in October.[14]Tony Oller
Anthony Michael Oller was born on February 25, 1991, in Taylorville, Illinois, and raised in Houston, Texas, where he attended Emmott Elementary School.[15] From a young age, he showed interest in entertainment, beginning to act and sing at age 9 with various commercial, film, and voice-over credits in the Houston area.[16] By age 12, Oller was commuting frequently to Los Angeles to pursue opportunities, eventually relocating there at 18 to advance his career.[16] Oller's early acting roles gained prominence on television, including his lead portrayal of Danny Neilson on the Disney Channel short-form series As the Bell Rings from 2007 to 2009.[17] He followed this with the role of Walt Moore on TeenNick's drama series Gigantic in 2010, a project during which he met Malcolm Kelley, leading to their later musical collaboration.[16] Additional film appearances around this time included supporting parts in Beneath the Darkness (2011) and The Purge (2013).[18] Within MKTO, Oller primarily handled lead vocals, providing the melodic foundation to Kelley’s rapping style, while contributing as a co-writer on key tracks such as the debut single "Thank You," which he helped craft alongside Kelley and producers Evan "Kidd" Bogart, Emanuel Kiriakou, and Andrew Goldstein.[19] This songwriting involvement extended to other duo material, blending pop and hip-hop elements central to their sound. On August 17, 2021, Oller publicly announced his departure from MKTO via social media, expressing gratitude for the experience while signaling his intent to move forward independently: "Mkto has been one hell of a ride. But I'm moving on from the band and excited for the future and thank you for the amazing memories from all of these years."[5] From 2021 to 2024, Oller focused on solo pursuits in music and acting, continuing to develop his talents outside the duo format through independent projects.[16] In 2025, Oller reunited with Kelley as MKTO, with the duo announcing a world tour including headlining shows in Australia in October.[14]Career
2010–2012: Formation
Malcolm Kelley and Tony Oller first met in 2010 while co-starring as best friends on the TeenNick television series Gigantic. Their on-screen chemistry translated off-screen, as the two bonded quickly over shared interests in music and entertainment during filming.[20][11] Following the cancellation of Gigantic in 2011, Kelley and Oller, both former child actors, began collaborating on songwriting sessions inspired by their parallel experiences navigating fame from a young age. These informal jams evolved into a deliberate decision to form a musical duo, with the pair posting cover songs on YouTube and honing their pop-hip-hop sound together. Their early work emphasized relatable themes of youth and outsider perspectives, drawing from personal stories of feeling like misfits in the industry.[20] In 2011, they formalized their group name as MKTO, a blend of their initials—Malcolm Kelley and Tony Oller—that also acronymically represented "Misfit Kids and Total Outcasts," reflecting their self-perceived identities as unconventional talents in Hollywood. The duo produced early demos during this period, experimenting with genre-blending tracks that showcased their vocal harmonies and rap elements, which they shared at small industry showcases to build buzz.[21][22] By 2012, after performing at key music industry events that caught the attention of executives, MKTO secured a recording deal with Columbia Records, marking their transition from aspiring songwriters to signed artists. This signing paved the way for professional production support and set the stage for their major-label entry.[23][24]2012–2014: Debut album and breakthrough
In 2012, following their formation and initial signing to Columbia Records, MKTO began recording their self-titled debut album in collaboration with producers Emanuel Kiriakou, Andrew Goldstein, and others including Carl Falk and Rami Yacoub.[25] The album blended pop, hip-hop, and R&B elements, with the duo co-writing several tracks alongside songwriters like Evan "Kidd" Bogart and Lindy Robbins. Released internationally on January 30, 2014, in Australia and New Zealand, and in the United States on April 1, 2014, via Columbia Records, MKTO debuted at number one on the ARIA Albums Chart and reached number 31 on the US Billboard 200.[26][27] The breakthrough came with the lead promotional single "Classic," released on June 19, 2013, which peaked at number 14 on the US Billboard Hot 100 after debuting at number 96. Written by Bogart, Goldstein, Kiriakou, and Robbins, the track's nostalgic lyrics and upbeat production resonated widely, earning 3× Platinum certification from the RIAA for over three million units sold in the US. Its accompanying music video, directed by Josh Forbes and featuring the duo in a high school-themed narrative, premiered on YouTube on June 20, 2013, and garnered millions of views shortly after release.[28] Follow-up singles further solidified their success. "Thank You," initially released as their debut single on November 12, 2012, achieved a peak of number 2 on the ARIA Singles Chart in Australia and was certified 3× Platinum by ARIA. "God Only Knows," released on November 29, 2013, reached number 11 on the ARIA Singles Chart and earned Platinum certification from ARIA, while its music video depicted the duo in emotional, cinematic scenes. These tracks contributed to the album's momentum, with "Classic" in particular driving international airplay. To promote the album, MKTO embarked on extensive touring and media appearances, opening for pop acts such as Emblem3 on their #BandLife Tour in 2013 and performing on television shows including Good Morning America, where they debuted "American Dream" on July 3, 2014. Early TV spots on programs like The Ellen DeGeneres Show and radio festivals helped build their fanbase, leading to their first headlining American Dream Tour in summer 2014.[29][30]2015–2016: Bad Girls EP
In mid-2015, MKTO announced their first extended play, Bad Girls EP, following the success of their debut album, with the project serving as a bridge to their sophomore effort. The EP was released on July 24, 2015, via Columbia Records, comprising four tracks that showcased a shift toward funk-infused pop sounds. Key songs included the title track "Bad Girls" and "Just Imagine It," blending upbeat rhythms with introspective lyrics about personal agency and global harmony.[31] The lead single, "Bad Girls," was released digitally on June 2, 2015, marking the duo's return after a year-long hiatus from new music. Premiered on Good Morning America, the track peaked at number 80 on the ARIA Singles Chart in Australia, reflecting modest commercial traction compared to their earlier hits. Thematically, "Bad Girls" celebrates bold, unapologetic women through its lyrics, portraying them as confident figures who defy expectations—"I love them bad girls doin' bad things / Lookin' hot with an attitude"—which resonated as an anthem of female empowerment in fan interpretations and reviews.[32][33][34] Subsequent promotion highlighted "Just Imagine It" as an additional single, released alongside the EP on July 24, 2015, with an acoustic music video following in October 2015. The song, envisioning a utopian world free of conflict, received limited chart exposure but garnered praise for its optimistic message and potential as a motivational track. A full music video arrived in April 2020 amid the duo's reunion efforts, underscoring its enduring appeal. Overall, the EP's rollout emphasized international markets, with targeted promotions in Australia—where the lead single charted—and Asia, including live performances to build regional fanbases.[35][31][36]2017–2020: Hiatus and disbandment
In March 2017, Tony Oller announced on Twitter that MKTO was taking an indefinite hiatus, effectively putting the duo on hold following the promotion of their Bad Girls EP.[37] The break was primarily driven by Oller's personal battle with addiction, which he later described as a significant factor in the duo's need for time apart to focus on health and recovery.[38][12] During the hiatus, Kelley and Oller began work on material for a second studio album in 2017, recording tracks including "How Can I Forget," but the project was ultimately canceled in 2018 without a full release.[39] In June 2018, the duo briefly reunited and signed with BMG Rights Management for independent single releases, marking a shift from their previous deal with Columbia Records. They debuted the new collaboration with the single "How Can I Forget" in September 2018, followed by additional tracks like "Shoulda Known Better" in 2019. In 2020, they released further independent singles "Simple Things" in January, "Party With My Friends" in March, and "How Much" in May, though no cohesive album materialized.[40][41][42][43] The COVID-19 pandemic disrupted their momentum in 2020, after which group activities ceased, culminating in Oller's announcement of departure in 2021.[5]2021–2024: Solo pursuits
In August 2021, Tony Oller announced via Twitter that he was leaving MKTO to pursue individual opportunities in music and acting, stating, "I'm moving on."[5] This marked a further extension of the duo's hiatus, with Oller shifting focus to personal projects amid the evolving entertainment landscape. Meanwhile, Malcolm Kelley maintained his acting career, appearing as Dutch in three episodes of the BET+ series Angel in 2023.[]https://www.imdb.com/title/tt26218006/fullcredits/ He also featured in the 2024 documentary Getting Lost, which explored the making of the TV series Lost.[]https://www.imdb.com/title/tt27098641/fullcredits/ On the music front, Kelley contributed to independent releases outside the duo, including a feature on the track "She Know" by DJ Nick Slay alongside Savon M, from the 2023 album Saint-NickSlay.[]https://music.apple.com/us/artist/malcolm-kelley/1723095172 From 2021 to 2024, MKTO engaged in no collaborative activities or new group music, prolonging their separation as both members pursued separate paths.[]https://popentertainmentblog.com/2025/01/15/mkto-back-together-for-a-good-cause/ This period fueled ongoing fan interest in a potential reunion, though none materialized until later.2025–present: Reunion and upcoming projects
In early 2025, MKTO announced their reunion with a performance at the "Hold On Til Dawn" benefit concert in Orlando, Florida, on January 26, supporting suicide prevention efforts through the American Foundation for Suicide Prevention.[44][45] Following the reunion, the duo signed with Universal Attractions Agency in February 2025 to handle bookings for festival, fair, and college performances as they resumed touring after nearly a decade.[46][47] The initial appearance expanded into a full 2025 world tour, featuring U.S. dates such as June 20 at Summer Jam in Eau Claire, Wisconsin; August 8 at Musikfest in Bethlehem, Pennsylvania; and September 27 at The Big E in West Springfield, Massachusetts, alongside Australian shows on October 30 at 170 Russell in Melbourne and October 31 at The Metro Theatre in Sydney.[48][49][50][14]Artistry
Musical style
MKTO's music is primarily rooted in pop, incorporating significant influences from hip-hop and R&B to create a dynamic, genre-blending sound characterized by infectious hooks and rhythmic rap verses.[51][52] This fusion allows the duo to deliver upbeat tracks that balance melodic choruses with spoken-word elements, appealing to a broad audience through their energetic and accessible style.[53] In their debut era, MKTO's sound emphasized retro-inspired pop with nostalgic undertones, evident in songs like "Classic," which evokes mid-20th-century vibes through its harmonious melodies and vintage production techniques blended with modern polish.[54] The duo's vocal interplay is a key feature, with Tony Oller's smooth, soulful singing providing melodic anchors that contrast Malcolm Kelley's agile rapping, creating a layered texture that enhances their pop-rap hybrid.[55] This approach results in lively, anthemic tracks that prioritize catchiness and emotional delivery over complexity.[52] Over time, MKTO's style evolved toward a more experimental edge, particularly with the 2015 Bad Girls EP, where they incorporated funk and bluesy elements into their pop framework, marking a departure from their initial retro leanings. Tracks like the title song feature groovy basslines and rhythmic grooves reminiscent of 1970s funk, adding a bolder, more mature dimension to their production while retaining core pop hooks and rap infusions.[56][31] This shift reflected greater creative involvement from the duo in songwriting and production, allowing for a fresher, less formulaic sound in subsequent releases.[56]Influences and themes
MKTO's music draws heavily from a diverse array of artists encountered during the duo's formative years, blending classic R&B, rock, and pop elements into their sound. Malcolm Kelley was introduced to R&B by his father, attending concerts featuring acts like Keith Sweat and The Whispers as a child, while Tony Oller grew up listening to classic rock icons such as ZZ Top and Pat Benatar, courtesy of his father's record collection.[57] Both members cite Michael Jackson, Prince, and Marvin Gaye as key influences, with Kelley specifically highlighting Jackson's impact on his vocal and performance style, and Oller drawing inspiration from Justin Timberlake's seamless transition from acting to music.[58][52] These childhood exposures shaped their appreciation for genre-blending artists who combined soulful melodies with rhythmic innovation, informing MKTO's eclectic approach without direct imitation. Central to MKTO's lyrical content are themes of youthful romance, self-empowerment, and outsider identity, often rooted in the duo's personal experiences as self-proclaimed "misfits." The group's name, an acronym for "Misfit Kids and Total Outcasts," encapsulates their high school struggles with bullying and feeling like outsiders, a motif that empowers listeners to embrace nonconformity.[59] Songs like "Thank You" deliver a sarcastic yet uplifting message of resilience, thanking detractors for fueling their determination, while tracks such as "Classic" celebrate timeless romance through vivid, empowering imagery of authentic connection over superficial trends.[52] This outsider narrative fosters a sense of belonging for fans navigating similar challenges, positioning MKTO as relatable advocates for self-acceptance. Over time, MKTO's themes evolved from playful, fun-loving anthems to more introspective reflections on relationships, mirroring the duo's personal growth. Early works like "Classic" capture the exuberance of young love with lighthearted, celebratory lyrics, but later singles such as "How Can I Forget" and "How Much" delve into nostalgia, heartbreak, and the complexities of love and communication, recounting vivid memories of past romances through flashbacks and emotional vulnerability.[40][60] Kelley has shared that the song stemmed from his own experiences jumping in and out of relationships during a turbulent period, marking a shift toward raw, relational introspection.[38] The duo's acting backgrounds significantly influence their performative songwriting style, infusing lyrics with dramatic flair and collaborative energy derived from on-screen chemistry. Having met on the set of TeenNick's Gigantic, Kelley and Oller credit their acting experiences with honing a natural rapport that translates into vivid, narrative-driven songs designed for emotional delivery.[20] This underdog perspective—from actors pivoting to music—lends an authentic, theatrical quality to their writing, emphasizing storytelling that resonates like scripted scenes while maintaining genuine vulnerability.[52]Discography
Studio albums
MKTO's debut studio album, self-titled MKTO, was released on January 30, 2014, by Columbia Records. The record marked the duo's entry into the pop music scene, blending upbeat tracks with rap-infused elements and collaborations from artists like Ne-Yo and Jessica Ashley. It debuted at number one on the ARIA Albums Chart in Australia and peaked at number 31 on the US Billboard 200. The album sold over one million copies worldwide. Critics received the album positively as a solid pop debut, praising its consistency, catchy hooks, and enjoyable variety across tracks. Reviewers highlighted the duo's charismatic delivery and witty lyrics, noting how the material maintained energy without filler.| No. | Title | Featured artist | Length |
|---|---|---|---|
| 1 | "Thank You" | 3:49 | |
| 2 | "Classic" | 2:55 | |
| 3 | "God Only Knows" | 3:15 | |
| 4 | "American Dream" | 3:45 | |
| 5 | "Could Be Me" | Ne-Yo | 3:30 |
| 6 | "Forever Until Tomorrow" | 3:05 | |
| 7 | "Wasted" | 3:07 | |
| 8 | "Heartbreak Holiday" | 3:18 | |
| 9 | "Nowhere" | 3:10 | |
| 10 | "No More Second Chances" | Jessica Ashley | 3:32 |
| 11 | "Goodbye Song" | 3:22 | |
| 12 | "Hank's Drum" | 2:41 | |
| 13 | "Siesta Del Rio" | 2:23 |
Extended plays
MKTO released their sole extended play, Bad Girls, on July 24, 2015, through Columbia Records. The four-track EP marked a return following their 2014 debut album, showcasing a funk-infused pop sound with contributions from longtime collaborator Emanuel Kiriakou, who served as producer alongside Andrew Goldstein on several tracks. Intended to preview material for a potential second studio album, it highlighted the duo's evolving style while bridging their early breakthrough hits to new directions.[61] The track listing includes:| No. | Title | Length |
|---|---|---|
| 1 | "Bad Girls" | 3:14 |
| 2 | "Afraid of the Dark" | 3:16 |
| 3 | "Monaco" | 3:47 |
| 4 | "Just Imagine It" | 4:10 |
Singles
MKTO's discography includes several singles that contributed to their breakthrough in the pop music scene, with notable success on international charts and certifications reflecting strong sales and streaming performance. Their debut singles "Thank You" and "Classic" established them as a commercial force, particularly in Australia and the US, where they earned multiple platinum certifications. Later releases, including those during their hiatus, maintained a steady output of pop tracks, while their 2025 reunion has brought renewed attention to both re-released and new material. The duo has limited featured appearances on other artists' singles, with their most prominent being a guest spot on Simple Plan's "Summer Paradise" remix in 2013. Promotional singles like "God Only Knows," released in 2013 to support their debut album, received radio airplay but did not achieve major chart success, peaking at number 11 on the ARIA Singles Chart.| Title | Year | Selected Chart Peaks | Certifications |
|---|---|---|---|
| "Thank You" | 2012 | ARIA: #2; Belgium (Ultratip Flanders): #37; Netherlands (Single Top 100): #36; US Mainstream Top 40: #36 | ARIA: 4× Platinum (280,000 units); RMNZ: Platinum (30,000 units) |
| "Classic" | 2013 | US Billboard Hot 100: #14; ARIA: #9; NZ Top 40: #7; UK Singles (OCC): #24 | RIAA: 2× Platinum (2,000,000 units); ARIA: 3× Platinum (210,000 units); BPI: 3× Platinum (1,800,000 units); RMNZ: Platinum (30,000 units); IFPI Sweden: Platinum (40,000 units)[64][65] |
| "Bad Girls" | 2015 | No major chart peaks; limited airplay on US pop radio | None reported |
| "Superstitious (That Girl)" | 2016 | ARIA: #80; no other major peaks | None reported |
| "How Can I Forget" | 2018 | No major chart peaks; moderate streaming success with over 120 million Spotify streams | None reported[66] |
| "Party With My Friends" | 2020 (re-promoted 2025) | No major chart peaks; featured in reunion tour promotions | None reported; available via official streaming links as part of 2025 activities[8] |
| "How Much" | 2020 (upcoming re-release/pre-save 2025) | No major chart peaks from initial release | None reported; pre-save available for 2025 promotion[8] |