Fact-checked by Grok 2 weeks ago

Maathi Yosi

Maathi Yosi is a 2010 Tamil-language written and directed by Nanda Periyasamy. The story revolves around four close friends—Pandi, Mangaa, , and Maari—who live as vagabonds and decide to relocate to after being compelled to leave their village, where they encounter a who significantly alters their paths. Produced by PSSR Films with music composed by Guru , the film features Harish in the lead role as Pandi, alongside Shammu, , , and . It received a moderate reception, earning a 5.8 out of 10 rating on from limited user reviews.

Development

Script and direction

Nandha Periyasamy wrote and directed Maathi Yosi as his second feature film, following the lukewarm reception of his 2005 debut Oru Kalluriyin Kathai. The script develops as a coming-of-age crime drama that traces the direct repercussions of impulsive actions by young protagonists, emphasizing accountability through narrative progression rather than mitigating circumstances. This approach aligns with causal linkages between early delinquency and subsequent isolation, without attributing outcomes to broader societal interventions. The title Maathi Yosi, translating to "Think Differently," encapsulates the core directive of the script: a call for protagonists to enact voluntary shifts in mindset and behavior amid escalating personal crises. Periyasamy's vision, informed by patterns of rural youth vagabondage, prioritizes depictions of self-driven course corrections over external salvations, reflecting a deliberate rejection of deterministic excuses in favor of agentic responses. Script development preceded the film's production, with initial conceptualization rooted in real-world instances of rural misconduct precipitating urban exile and introspection. Periyasamy's directorial choices in executing reinforce individual agency by structuring key sequences around unvarnished cause-effect chains, where characters confront the tangible fallout of their decisions without softening. This method underscores the film's thesis on proactive rethinking as the pathway to resolution, distinguishing it from contemporaneous dramas that often invoke systemic factors for character arcs.

Pre-production

The pre-production of Maathi Yosi was overseen by producer P. S. Sekar Reddy through his banner PSSR Films, which financed the project as a modest debut venture for director . This phase focused on logistical groundwork, including team assembly and resource allocation tailored to the film's emphasis on rural slang and coming-of-age themes, prioritizing empirical narrative authenticity over expansive marketing. Key planning decisions centered on selecting debut composer Guru Kalyan, whose score was chosen to underscore the story's gritty realism and dialect-driven dialogue without relying on high-cost orchestral elements, reflecting the production's constrained scale indicative of independent efforts in 2010. Kalyan's involvement marked his entry into film scoring, with tracks nominated for Best Debutant awards, aligning the musical groundwork with the film's low-key feasibility rather than commercial hype. Overall, these preparations underscored a pragmatic approach, verifying cast suitability for rural portrayals and limiting scope to essential elements like script refinement for causal character arcs from village life to urban strife.

Cast and crew

Principal cast

Harish portrays Pandi, the lead character embodying a vagabond entangled in the repercussions of communal misdeeds among friends.
enacts the female protagonist, introduced as a catalyst for reevaluation in the protagonists' shift from rural delinquency.
plays Maanga, depicts Onaan, and assumes the role of Mari, collectively representing peers mired in shared irresponsibility that underscores causal outcomes of .

Supporting roles and crew

The supporting cast included veteran actor in a key secondary role, alongside , who portrayed the uncle of the character Baby, and , contributing to depictions of interpersonal conflicts arising from the protagonists' circumstances in the rural village setting. These performances underscored the relational strains and authority dynamics that propel the narrative's central conflicts without embellishment. Cinematographer Vijay Armstrong provided the film's visual framework, employing straightforward shots to convey the unpolished transition from village life to urban challenges, avoiding stylized effects that might soften the depicted hardships. Editor managed the pacing of the deliberate, unhurried storyline, ensuring that the sequence of events methodically revealed the fallout from the characters' decisions, as noted in contemporary reviews for effectively sustaining the film's grounded tempo despite its measured progression. This technical restraint aligned with the production's intent to present causal outcomes realistically, free from narrative acceleration or gloss.

Plot summary

Rural origins and conflict

In the rural village of Kadavur near , the film introduces four inseparable friends—Pandi, Maanga, Kona, and Maari—who sustain a vagabond existence through habitual petty thefts, brawls, and disruptive antics that disrupt local order. Their bond, forged in idleness and mutual loyalty, drives a cycle of escalating misdeeds, beginning with small-scale pilfering from shops and fields, which they justify as amid limited opportunities but which stem primarily from repeated choices to evade responsibility rather than seek legitimate work. Village residents frequently attribute unrelated crimes to the group due to their notoriety, reinforcing their isolation yet failing to deter further recklessness, as the friends prioritize thrill and defiance over reform. This pattern intensifies when a with the village president's son—sparked by the group's taunting and refusal to back down—escalates into , resulting in the son's fatal by one of the during a heated scuffle on a local street. The incident, witnessed by onlookers, underscores the causal link between their unchecked bravado and irreversible , as prior warnings from elders and minor run-ins with authorities had not prompted behavioral change. Far from portraying as an excusing force, the narrative depicts Kadavur's dynamics as a setting where personal agency dictates outcomes, with the friends' decisions alienating them from community structures like family oversight or village councils that might otherwise intervene. The killing shatters any pretense of minor rebellion, branding the group as fugitives and compelling their exodus from the village under threat of reprisal from the president's influential kin, who mobilize locals for pursuit. This inciting felony, occurring amid routine village tensions over land and authority, highlights how the friends' self-perpetuated lawlessness transforms interpersonal rivalry into homicide, without external coercion as the dominant factor. Empirical portrayals avoid idealizing rural life, showing Kadavur as a stratified community where the president's family wields de facto power through patronage and intimidation, yet the protagonists' role in provoking the fatal clash remains central to the conflict's origin.

Urban transformation

Following their forced departure from the village, the protagonists—Pandi, Maanga, Onaan, and Maari—flee to , where they confront the harsh realities of urban anonymity and economic precarity. Initially resorting to petty survival tactics amid the city's indifferent sprawl, the group acquires a for self-protection, navigating threats from opportunistic locals and their own impulsive tendencies. This phase underscores their adaptation struggles, including scavenging for food and shelter in unfamiliar environments, without reliance on familial or communal networks previously available in rural . A pivotal encounter occurs when the friends stumble upon Baby, portrayed by , who is ensnared by her exploitative uncle's schemes in the urban underbelly. Their decision to intervene and rescue her from imminent entrapment marks a turning point, not through dramatic heroism but via incremental choices that force individual reckoning with past recklessness. This interaction, grounded in the gritty context of Chennai's marginal spaces, prompts each friend to confront personal agency, shifting from collective bravado to introspective reevaluation of their trajectories. The ensuing sequence eschews facile redemption arcs, emphasizing volitional shifts amid ongoing adversities like interpersonal conflicts and moral dilemmas in the city. Rather than external saviors, the highlights how and relational frictions catalyze "thinking differently," altering their life courses through self-initiated adaptations, such as tentative pursuits of over aimless wandering. This progression reflects realistic survival dynamics, where transformation emerges from persistent, unglamorous challenges rather than contrived interventions.

Production process

Filming locations

The rural portions of Maathi Yosi were primarily filmed on location in Kadavur village, situated in the of , to authentically capture the socio-economic hardships and youthful antics central to the characters' early experiences. This approach leveraged the area's natural rural landscapes, avoiding artificial sets to underscore the causal influences of village isolation on the protagonists' worldview. Production for these sequences aligned with the film's overall , spanning late 2009 to early prior to its March release. Urban scenes, depicting the protagonists' migration and subsequent adaptation struggles, were shot in , utilizing the city's dense streets and infrastructure to convey the jarring transition from rural simplicity to metropolitan chaos. Location scouting focused on real urban environments to enhance narrative realism, reflecting practical budgetary decisions typical of independent productions during that era.

Technical execution

Cinematography for Maathi Yosi was provided by Vijay Armstrong, who utilized a raw, unpolished approach to depict the harsh aftermath of , particularly through dynamic handling of and sequences that conveyed the physical toll of urban violence. Armstrong's technique involved deliberate contrasts between dark and light tones, enhancing the film's atmospheric in portraying the protagonists' into without artificial gloss. This visual strategy prioritized empirical depiction of consequences over stylized , aligning with the narrative's focus on unvarnished street life in . Editing responsibilities fell to , whose work maintained relatively tight pacing in high-tension scenes despite the script's inherent slow build-up and repetitive progression, which occasionally obscured clear causal links between character decisions and outcomes. Bhaskar's cuts effectively streamlined the raw footage from , emphasizing sequential realism in group dynamics and conflicts, though the overall rhythm suffered from unresolved narrative gaps that diluted the precision of cause-and-effect progression. processes, completed prior to the film's March 12, 2010 release, centered on refining these elements without extensive digital effects, reflecting resource constraints typical of an debut venture. The technical execution as a whole demonstrated competent handling of core production techniques suited to a low-budget , with strengths in visual authenticity but evident shortcomings in sustaining narrative clarity, attributable to directorial inexperience and script limitations rather than procedural errors. No advanced were employed, keeping the focus on practical shots that grounded the film's exploration of and in observable, unembellished reality.

Soundtrack

Composition details

The soundtrack of Maathi Yosi was composed by the music director duo Guru Kalyan, comprising Guru and Kalyan, marking their debut in feature films. The features six tracks, with all lyrics written by , and was released prior to the film's March 2010 premiere. Guru Kalyan's score incorporates regional percussion elements, such as in tracks like the traditional kummi-style song, to evoke the raw, folk-infused soundscape of rural settings. This approach prioritizes gritty, beat-driven arrangements over lush melodies, mirroring the protagonists' internal conflicts and societal frictions through sparse, tension-building instrumentals that underscore poor decision-making without indulgent emotional layering. The , in particular, supports narrative escalation by amplifying disruptions in the characters' lives, fostering a sense of urgency tied to themes of misguided youth and reformative upheaval.

Song reception

The soundtrack of Maathi Yosi, composed by debutant duo Guru Kalyan, elicited mixed responses from critics, with praise concentrated on select tracks evoking folk traditions amid broader dismissals of uninspired melodies. Behindwoods commended "Athili Pithili" for its authentic kummi-style rhythm announcing a girl's coming-of-age, enhanced by harmonium-like notes and thavil percussion that lent rustic charm, though it noted a Telugu influence rendering it accessible yet regionally flavored. Similarly, Milliblog singled out "Methuvai Methuvai" as the sole track warranting attention for its melodic appeal, while faulting the album's remaining songs for forgettable compositions and suboptimal vocal selections that undermined narrative integration. Feedback highlighted discrepancies between musical strengths and the film's demands, where -rooted elements in tracks like "Athili Pithili" aligned with rural themes but repetitive structures echoed the movie's pacing critiques without elevating playback appeal. Forums described the songs as underwhelming overall, failing to compensate for scripting flaws and contributing to a sense of haste in their placement. No evidence of chart success or widespread radio play emerged, underscoring the soundtrack's niche reception confined to enthusiasts of traditional infusions rather than traction. Rediff further critiqued the hurried song insertions as disruptive to emotional beats, prioritizing expediency over seamless fit.

Release

Premiere and distribution

Maathi Yosi received a theatrical release on March 12, 2010, in , primarily targeting theaters as a regional Tamil-language production. The distribution was managed by its production banner, PSSR Films, which handled the rollout for this venture without evidence of multiplex chains or pan-Indian expansion. No dedicated events, such as galas or special screenings, were documented in contemporaneous reports, aligning with the film's modest scale and focus on local accessibility over high-profile launches. This limited scope constrained initial audience exposure to Tamil-speaking demographics in southern , typical for low-budget dramas lacking backing from larger studios.

Marketing efforts

The primary promotional materials for Maathi Yosi included trailers and posters that leveraged the film's title, translating to "Think Differently," to position it as an unconventional coming-of-age tale appealing to younger viewers exploring themes of rural mischief and urban adaptation. A key trailer, released on February 23, 2010, featured excerpts of the four protagonists' escapades, from village pranks to city challenges, distributed via platforms like YouTube to generate online interest. An audio launch event took place on February 10, 2010, at a venue, unveiling the soundtrack composed by Guru Kalyan with lyrics by , intended to create pre-release buzz through radio and event coverage tying music to the narrative's youthful energy. Media outreach was modest, featuring pre-release interviews with cast members such as , who in a Times of India discussion highlighted the film's "very different" approach to portraying vagabond youths from navigating , aiming to differentiate it from conventional . Previews in outlets like Behindwoods further teased the production's scale, noting involvement of over 1,000 extras in crowd scenes to underscore its ambitious yet grounded scope. Given director Nandha Periyasamy's debut status, efforts remained constrained to these elements, with posters generating initial curiosity but limited follow-through in widespread or tie-ins beyond the audio .

Reception and analysis

Critical evaluations

Maathi Yosi garnered mixed , with for its values and authentic rural portrayal tempered by widespread criticism of its derivative and predictable plotting. Reviewers noted the film's adherence to familiar rural drama tropes, such as and factional violence, despite the title's implication of innovative thinking. For Nandha Periyasamy's debut feature, the effort in capturing village dynamics and character chemistry was acknowledged, though many deemed the narrative lacking depth and logic. Technical aspects received some commendation; highlighted applause-inducing sequences depicting the protagonists' adjustment to urban life in , crediting effective editing and cinematography in those moments. Similarly, praised the film's solid production values, accurate use of rural slang, costumes, and mindset, alongside heart-warming camaraderie among the four lead actors—Harish, , , and Alex—which sustained engagement in the first half. However, these strengths were undermined by the second half's illogical twists, excessive , and a frustrating climax that prioritized spectacle over coherence. Critics predominantly faulted the script for failing to deliver originality or "maathi yosi" (out-of-the-box) elements, instead recycling clichés from Madurai-set films like Subramaniapuram. The Times of India rated it 2/5 stars, calling it "yet another clone" with no fresh ideas, where rural boys' migration to the city devolves into formulaic retribution. Rediff.com labeled it "mediocre," stating "there’s precious little of Maathi Yosi in the screenplay" due to abrupt shifts, pointless subplots like a suicide, and poor background score that diluted emotional impact. The Hindu critiqued the screenplay's pivot to a "much-travelled track," observing that social issues, such as caste-based evils in remote areas, are superficially addressed without innovative exploration. Behindwoods echoed concerns over plot conveniences, such as unchecked killings that strain credibility and undervalue audience intelligence, reinforcing the view that the director's unconventional premise adheres only superficially to the title's promise. While IndiaGlitz recognized the professional execution and hard work of the cast and crew, it concluded that these could not compensate for a story mired in predictability. Overall, the consensus positioned Maathi Yosi as a technically competent but narratively unremarkable entry in the genre, highlighting the challenges for new filmmakers in breaking from established conventions.

Commercial outcomes

Maathi Yosi, released on 12 March 2010, registered poor performance at the , with limited theatrical earnings insufficient to offset expenses. The film's commercial shortfall stemmed from decisions favoring an unoriginal rural crime drama template—mirroring films like —which failed to differentiate it in a market saturated with over 150 releases that year, diluting audience interest amid stronger competitors. Casting newcomers such as Harish, , and , without established stars to drive turnout, further constrained its draw, resulting in negligible regional penetration beyond initial screenings.

Thematic interpretation

The central theme of Maathi Yosi posits that escaping entrenched cycles of and delinquency requires a deliberate shift in personal thinking, framing "thinking differently" as the pivotal mechanism for individuals to recognize and act on the direct causal links between their choices and ensuing hardships. This perspective prioritizes self-directed , wherein protagonists from marginalized rural backgrounds confront the tangible repercussions of habitual recklessness—such as escalating conflicts born from bravado and peer reinforcement—rather than attributing outcomes solely to immutable socio-economic barriers like or . By rooting in internal resolve and , the narrative challenges deterministic explanations of group delinquency, asserting that avoidable patterns of mutual enabling among youths can be disrupted through individual agency, independent of systemic interventions. The film's portrayal underscores how undisciplined camaraderie amplifies personal failings into communal , yet holds that breaking this requires proactive self-correction, not passive victimhood or external . Characters' in ineffectual village antics and subsequent urban misadventures illustrates the self-perpetuating nature of poor decisions, with the imperative to "think differently" emerging as a call to impose structure on impulses, thereby averting inevitable escalation. This counters prevailing cultural tendencies to normalize delinquency as an inexorable product of disadvantage, instead applying a realist lens to : actions incur predictable costs, and reversal demands owning them without deflection to group identity or circumstance. While Maathi Yosi achieves a raw authenticity in depicting the visceral struggles of adolescent males—marked by swagger, banter, and the thin veil of toughness over underlying aimlessness—it falls short in rigorously tracing consequence chains, resulting in arcs that gesture toward without substantiating the discipline needed for sustained change. Critics have observed that the underdeveloped progression limits deeper into how unexamined habits calcify into irreversible trajectories, diluting the potential for a fuller causal dissection of redemption's demands. Nonetheless, the work's strength lies in its unvarnished exposure of volatility, prompting viewers to weigh personal pivot points against the inertia of collective folly.

References

  1. [1]
    Maathi Yosi (2010) - IMDb
    Rating 5.8/10 (19) Four best friends, Pandi, Mangaa, Kona and Maari, live for each other and are vagabonds. They decide to go to Chennai after they are forced to leave their ...
  2. [2]
    Watch Maathi Yosi - JioHotstar
    Oct 17, 2019 · The lives of four petty criminals change when they head to Chennai, where they come across a woman who alters the course of their lives. Watch Maathi Yosi ...
  3. [3]
    Maathi Yosi HD Movie | மாத்தி யோசி | Harish | Shammu | Gopal
    Oct 7, 2023 · ayngaran Watch HD Full Movie ' Maathi Yosi ' The Movie ' Maathi Yosi ' Was Directed by Nandha Periyasamy, and Produced by PSSR Films.
  4. [4]
    Shoddy script spoils 'Maathi Yosi' (Tamil Movie Review) - India Forums
    Mar 14, 2010 · Director Nandha Periyasamy's second directorial venture after 'Oru Kalluriyin Kathai' (2005) does have something new in the form of backdrop, ...
  5. [5]
    Maathi Yosi (Tamil-2010) – 'Yosi' before Watching! | Bibin's WordPress
    May 27, 2010 · Circumstances and their own deeds force them to leave their village??or else they'll be caught. They jump into a truck from sitting on a tree, ...Missing: direction | Show results with:direction
  6. [6]
    Maathi Yosi - - Deepan Boopathy
    The central narrative of “Maathi Yosi” revolves around five different individuals, each hailing from distinct socio-economic backgrounds. These include a ...
  7. [7]
    Maathi Yosi Tamil Movie Trailer | Review | Stills - webindia123
    Maathi Yosi Cast / Crew. DIRECTOR: Nanda Periasamy. BANNER: PSSR Films. PRODUCER:P S Sekar Reddy. CINEMATOGRAPHER: Vijay Armstrong. MUSIC DIRECTOR:Guru Kalyan.
  8. [8]
    Review: Maathi Yosi is mediocre - Rediff.com
    Mar 12, 2010 · The more the Madurai slang, the merrier! That's the case with PSSR Movies' Tamil film Maathi Yosi (Think Differently -- the tagline probably ...Missing: producer | Show results with:producer
  9. [9]
    Tamil Movie Previews - Maathi Yosi | Shammu | Harish | Alex
    Starring: Shammu, Harish, Alex, Gopal, Visak. Direction: Nandha Periyasaami Music: Guru Kalyan Production: Pssr films. A dissection of the society to see what ...<|separator|>
  10. [10]
    Guru Kalyan - IMDb
    Guru Kalyan. Composer: Kotti. Guru Kalyan is known for Kotti (2010), Maathi Yosi (2010) and oh ni rehna (2024).
  11. [11]
    GURU KALYAN | Songtradr Profile
    Guru Kalyan is an Indian Film music composer who primarily works in Tamil films. Debut movie Maathi Yosi in 2010 was nominated for Best Debutant Music Director.
  12. [12]
    Tamil Movie Reviews - Maathi Yosi | Shammu | Harish - Behindwoods
    Starring: : Shammu, Harish, Alex, Gopal, Visak. Direction: Nandha Periyasaami Music: Guru Kalyan Production: Pssr films. Maathi Yosi is director Nanda ...Missing: producer | Show results with:producer
  13. [13]
    Maathi Yosi (2010) - Full cast & crew - IMDb
    Cast · Alex · Alex · Onaan · Gopal · Gopal · Maanga · Harish · Harish · Pandi · G.M. Kumar · G.M. Kumar · Lokesh · Lokesh · Mari · Ravi Mariya · Ravi Mariya. (as S.Missing: principal actors
  14. [14]
    Maathiyosi Cast & Crew | Cast Of Maathiyosi Tamil Movie - FilmiBeat
    Maathiyosi' has 4 newcomers in lead role including Late Editor Ganesh's son Harish. The film is about 4 ruffians across the downsouth crossroads and their ...Missing: principal | Show results with:principal
  15. [15]
    Maathi Yosi - Reviews, film + cast • Letterboxd
    Cast · Crew · Details · Genres · Releases. Cast. Shammu Gopal Alex Arish Kumar. Director Director. Nandha Periyasamy. Producer Producer. Shekar Reddy. Writer ...
  16. [16]
    Maathiyosi | Rotten Tomatoes
    Cast & Crew ; Nanda Periyasamy thumbnail image. Nanda Periyasamy. Director ; Harish thumbnail image. Harish. Actor ; Gopal thumbnail image. Gopal. Actor ; Alex ...Missing: principal | Show results with:principal
  17. [17]
    Mathiyosi review. Mathiyosi Tamil movie review, story, rating
    Tamil Movie News - IndiaGlitz Tamil provides Movie News & cast crew details of Tamil Cinema and Tamil Movie Reviews. Get updated Latest News and information ...Missing: cinematography | Show results with:cinematography
  18. [18]
    Maathi Yosi (2010) - Plot - IMDb
    Summaries. Four best friends, Pandi, Mangaa, Kona and Maari, live for each other and are vagabonds. They decide to go to Chennai after they are forced to leave ...
  19. [19]
    Engaging tale of gore - The Hindu
    May 13, 2010 · Writer-director Rasu Madhuravan's film is a bloody tale of five friends and their childhood pangs that make criminals of them.Missing: plot summary
  20. [20]
    Maathi Yosi Movie Review {2/5} - Times of India
    Rating 2.0 · Review by Bhama Devi RaviCast ; Shammu. Actress ; Ponvannan. Actor ; Harish. Producer, Actor, Director ; Lokesh. Actor ; Nandha Periyasamy. Director ...
  21. [21]
    Mathiyosi - vijay armstrong
    'Maathi Yosi' (English: Think Differently) is a 2010 Indian Tamil-language drama film written and directed by Nandha Periyasamy and music by Guru Kalyan.
  22. [22]
    Maathi Yosi (2010) - FilmiClub
    Maathi Yosi is a 2010 Indian Tamil costume drama film released on Mar 12, 2010. The film is directed by Nanda Periswamy, produced by Shekar Reddy.<|separator|>
  23. [23]
  24. [24]
    Guru Kalyan - Alchetron, The Free Social Encyclopedia
    Oct 12, 2024 · Guru Kalyan ("Gugan", "Kotti", "Maathi Yosi") is the name of a Tamil feature film music director duo, composed of Guru and Kalyan.
  25. [25]
    Maathiyosi (Original Motion Picture Soundtrack) - EP - Apple Music
    Listen to Maathiyosi (Original Motion Picture Soundtrack) - EP by Guru Kalyan on Apple Music. 2010. 6 Songs. Duration: 20 minutes.Missing: composer | Show results with:composer
  26. [26]
    Maathiyosi - All Songs - Download or Listen Free - JioSaavn
    Maathiyosi is a Tamil album released in 2010. There are a total of 6 songs in Maathiyosi. The songs were composed by Guru Kalyan, a talented musician.Missing: composer | Show results with:composer
  27. [27]
    Tamil Music Reviews - Maathiyosi | Shammu | Visak
    A traditional 'kummi' like song that announces the 'coming of age' of a young girl. Charming harmonium-like notes and thavil sounds add color to this song with ...Missing: themes | Show results with:themes
  28. [28]
    Music review: Maathiyosi (Tamil – Gurukalyan) - Milliblog!
    Feb 12, 2010 · NW1W. Methuvai methuvai is the only track that deserves a passing listen – the rest has forgettable tunes and even worse choice of singers.Missing: analysis | Show results with:analysis
  29. [29]
    Maathiyosi (Original Motion Picture Soundtrack) - EP by Guru Kalyan
    Listen to Maathiyosi (Original Motion Picture Soundtrack) on Spotify · EP · Guru Kalyan · 2010 · 6 songs. ... ℗ 2010 Sony Music Entertainment India Pvt. Ltd.Missing: composer | Show results with:composer
  30. [30]
    Maathi Yosi (2010) - Release info - IMDb
    IMDbPro. All topics. Maathi Yosi (2010). Release info. Maathi Yosi. Edit. Release date. India. March 12, 2010. Also known as (AKA). (original title). Maathi ...Missing: Tamil premiere distribution
  31. [31]
  32. [32]
    Maathi Yosi (Trailer) - YouTube
    Feb 23, 2010 · Watch the trailer of Tamil film 'Maathi Yosi' directed by Nanda Periyasami. Harish, Alex, Gopal, Visak and Shammu play the lead roles.
  33. [33]
    Maathiyosi Audio Launch Pictures | nowrunning
    Feb 10, 2010 · Maathiyosi Audio Launch . Event Photos. ... 1/24 Maathiyosi Audio Launch. 1/24 Maathiyosi Audio Launch. Pictures. 2/24 Maathiyosi Audio Launch.
  34. [34]
    Maathiyosi audio launched - Filmibeat
    Feb 19, 2010 · The Audio launch of the Movie Maathiyosi was held at Sathyam Cinemas. The film is directed by Nanda Periyasamy.
  35. [35]
    Maathi Yosi is a very different film:Gopal | Kannada Movie News
    Jan 16, 2017 · Maathi Yosi is a very different film:Gopal. TNN / Updated: Jan 16 ... KJo's Production house halts pre-release screenings.
  36. [36]
    Right Ya Wrong, Atithi Tum Kab Jaoge (ongoing), remnants of ...
    Mar 11, 2010 · In fourth place is Maathi Yosi, which had created a buzz thanks to its posters, but was unable to capitalise on it. In fifth place is ...<|separator|>
  37. [37]
    Not so different, after all - The Hindu
    Mar 19, 2010 · The story and screenplay shift to a much-travelled track. On the way director Nanda Periyasamy touches upon a social evil, said to be still extant in remote ...Missing: debut | Show results with:debut
  38. [38]
    Maathiyosi Tamil Movie: Release Date, Cast, Story, Ott, Review ...
    Maathiyosi' has 4 newcomers in lead role including Late Editor Ganesh's son Harish. The film is about 4 ruffians across the downsouth crossroads and their ...
  39. [39]
    2010 Tamil Hit Movies Top 10 List,2010 Tamil Hit & Flops Movies List
    Aug 14, 2011 · The film was made with a budget of Rs 14 crores and has earned Rs 18 crores at the box office. Undoubtedly the film enrolled itself as the first ...