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Marty Raybon

Marty Raybon (born December 8, 1959) is an American country music singer, songwriter, and musician best known as the lead vocalist and co-founder of the Grammy-winning band Shenandoah. Born in Sanford, Florida, and raised in Jacksonville, Florida, Raybon began his musical journey early, joining his father's bluegrass band, the American Bluegrass Express, at age eight and performing on local talent shows. His influences included artists like Mel Street, which fueled his aspirations in country music. In 1984, Raybon co-founded Shenandoah in Muscle Shoals, Alabama, serving as the band's lead singer and contributing to its signature vocal harmonies. From 1987 to 1994, Shenandoah released six studio albums and achieved significant commercial success with six No. 1 singles on the Billboard Hot Country Songs chart, including "The Church on Cumberland Road," "Sunday in the South," "Two Dozen Roses," and "Next to You, Next to Me." The band's collaboration with Alison Krauss on "Somewhere in the Vicinity of the Heart" earned them a Grammy Award for Best Country Collaboration with Vocals in 1996. Shenandoah also received accolades such as the Academy of Country Music's Vocal Group of the Year in 1991 and the Country Music Association's Vocal Event of the Year in 1995. After disbanded in 1997, Raybon pursued a solo career, releasing his self-titled debut album in 2000 on Capitol Nashville, which featured the Top 40 hit "Cracker Jack Diamond." He continued with independent releases and navigated personal challenges, including overcoming and becoming a born-again Christian in 1991, which influenced his music's themes of faith and redemption. In the , Raybon returned to his roots, forming the band and releasing the album The Back Forty in 2013; he later signed with Billy Blue Records in 2021 for acoustic and projects, issuing singles like "Walking the Floor" and "A Little Bit of Living." Raybon rejoined Shenandoah in 2014, and the group has remained active, touring extensively and scoring a No. 1 hit in 2020 with a re-recorded "Two Dozen Roses" featuring . As of 2025, Shenandoah continues to perform, with Raybon delivering notable acoustic sets, such as a dedication of "Beulah Land" at a event, and appearing on national television like in July to promote their enduring hits.

Early years

Childhood and family

Marlon "Marty" Raybon was born on December 8, 1959, in . Although born in the rural South, Raybon spent much of his early years in after his family relocated there, where he was immersed in a musical environment from a young age. At around eight years old, he made his first public appearance by performing on a local , showcasing an early interest in music. Raybon grew up in a close-knit family deeply involved in , with his father leading bands such as the American Bluegrass Express and Heartbreak Mountain. He and his brothers, including Tim Raybon—who would later become a musical collaborator—and Rick Raybon (d. 2021), participated in the family band, which was based in and performed at regional events. This household dynamic provided Raybon with foundational exposure to bluegrass traditions, blending skills and vocal harmonies that shaped his early musical identity. Details on Raybon's formal education are limited, but he completed high school at Clay High School in , following family moves within the state during his youth. By his mid-teens, around age 15, Raybon had a pivotal moment of inspiration while listening to country artist Mel Street's song "Looking Out My Window Through the Pain," solidifying his commitment to a music career amid his rural Southern upbringing.

Musical beginnings

Raybon's interest in music was profoundly shaped by his family's musical heritage, with his father Kenny Raybon playing and encouraging performances from a young age. As a teenager around age fifteen, he experienced a pivotal moment upon hearing Mel Street's "Looking Out My Window Through the Pain" on the radio, which ignited his aspiration to pursue a professional career by evoking deep emotions through song. This inspiration, building on an earlier appearance on a local at age eight, marked the beginning of his focused dedication to music. In 1975, Raybon launched his professional career in Florida, joining the family band American Bluegrass Express alongside his brothers Tim and Rick, with his father on , performing traditional covers of artists like and . The band quickly gained traction on the Southeast's bluegrass circuits, playing at campgrounds, parks, and annual festivals across , where they honed Raybon's lead vocals and the group's signature tight harmonies. Their success culminated in winning the Florida State Bluegrass Band Championship five consecutive times during the late 1970s, establishing them as one of the region's top draws and providing Raybon with essential stage experience. Throughout the late 1970s and early 1980s, Raybon continued building his vocal prowess through formative gigs in local venues and regional tours across the Southeast and Midwest, blending bluegrass with emerging country influences. These performances, often in intimate club settings and festival circuits, allowed him to refine his emotive delivery while navigating the demands of consistent touring. By the early 1980s, he had also sung lead with the band Heartbreak Mountain for about a year and a half, expanding his reach to areas like Charlotte, North Carolina, and Paducah, Kentucky, further solidifying his transition toward broader country performances.

Career

Time with Shenandoah

Marty Raybon co-founded the country band in 1984 in , alongside drummer Mike McGuire, bassist Ralph Ezell, Jim Seales, and keyboardist Stan Thorn, serving as the group's and acoustic . The band signed with and released their self-titled debut album in 1987, which included moderate hits like "Stop the Rain" and "My Mama's Out of Town." Their breakthrough came with the 1989 follow-up album , featuring three consecutive No. 1 singles on the chart: "The Church on Cumberland Road," "Sunday in the South," and "." This album peaked at No. 1 on the chart and achieved platinum certification for sales exceeding one million copies. Shenandoah's success continued into the early 1990s with albums like In the Run (1991), which produced the No. 1 hit "Next to You, Next to Me" and earned certification, and The Reason Why (1992), featuring the top-five single "Rockin' with the Rhythm of the Rain." Over their initial tenure, the band charted 26 singles on the chart, including additional No. 1 hits such as "If Bubba Can Dance (I Can Too)" in 1994, and amassed over eight million combined sales across ten studio releases, three of which were certified . Raybon's emotive and songwriting contributions, including co-writing tracks like "I Want to Be Loved Like That," helped define the band's signature blend of heartfelt ballads and uptempo country narratives. Raybon departed at the end of 1997 amid personal struggles, including burnout from extensive touring—often 310 days a year—and battles with alcohol addiction, leading to a band hiatus. The group briefly reformed without him in 2000 but did not achieve the same commercial heights. In 2014, Raybon rejoined as lead singer, revitalizing the band with renewed tours and new recordings, including the 2018 live album , which marked their highest Country Album Sales chart debut in over 30 years. In 2023, the band released a re-recorded version of "" featuring , which reached No. 1 on the Country and All-Genre charts.

Solo recordings

Raybon's solo career began with his debut , Marty Raybon, released in 1995 on , which emphasized Christian themes through tracks like "Master of the Wood" and "The Peace of Loving You." This project marked a departure toward gospel-infused while he was still associated with , showcasing his versatile honed from band performances. In 2000, Raybon issued a second self-titled on Nashville, featuring the " Diamond," which reached No. 63 on the chart and evoked nostalgic rural storytelling. Another single from this release, "Searching for the Missing Peace," highlighted introspective faith-based lyrics, aligning with Raybon's growing emphasis on content. The blended traditional with personal narratives, reflecting his transition to independent artistry post-. Raybon's 2003 album Full Circle on Doobie Shea Records continued this evolution, with the single "Summertown Road" capturing themes of rural life and redemption through its heartfelt depiction of Southern upbringing. Produced with a focus on acoustic arrangements, the record solidified his move toward more intimate, roots-oriented sounds. By 2006, Raybon embraced more fully with When the Sand Runs Out on Scena Records, including the single "Shenandoah Saturday Night," a lively to his musical that underscored themes of and nostalgia. The album's gospel-leaning tracks, such as the title song, emphasized faith amid life's uncertainties. Subsequent releases deepened this bluegrass and gospel shift. This, That & the Other (2009, Synchoro Records) mixed covers and originals, exploring spiritual resilience in songs like "Travelin' Soldier." Hand to the Plow (2012, Rural Rhythm) focused on Christian themes, with tracks such as "I've Seen What He Can Do" affirming divine intervention. That same year, Southern Roots & Branches (Yesterday & Today) on Rural Rhythm revisited classic influences alongside new material, blending bluegrass covers with personal reflections on heritage. Raybon's 2013 album The Back Forty with his band Full Circle, released on Rural Rhythm, celebrated his 40 years in music and peaked at No. 14 on the Albums chart, featuring energetic tracks like "That Janie Baker" that highlighted his enduring vocal prowess in the genre. In 2021, Raybon signed with Billy Blue Records for and acoustic projects, releasing singles such as "Walking the Floor" that year and "A Little Bit of Living" in 2022. Across these works, Raybon's solo output consistently wove faith, rural imagery, and elements, distinguishing his post-band phase.

Other collaborations

In 1997, Marty Raybon formed the duo Raybon Brothers with his brother Tim Raybon, releasing a self-titled debut album on MCA Nashville that featured a mix of country and contemporary styles. The album's lead single, a cover of Bob Carlisle's "Butterfly Kisses," reached number 22 on the Billboard Hot 100 and number 37 on the Hot Country Songs chart, marking a brief crossover success for the project. The group disbanded later that year after the album's release, allowing Raybon to return to solo endeavors. Raybon has pursued numerous bluegrass collaborations beyond his core band work, often as a guest vocalist on albums and tracks that highlight his roots in the genre. One early example is his contributions to the 2006 album The Grass I Grew Up On, recorded with the bluegrass ensemble , which incorporated traditional instrumentation and themes from his upbringing. He has also featured prominently with & on shared projects, such as the 2021 compilation Country Faith Bluegrass, where Raybon's harmonies complemented Lawson's arrangements on gospel-infused bluegrass tunes. Post-2000, Raybon deepened his involvement in through collaborative recordings that reflected his Christian faith, often blending country vocals with quartet-style harmonies. A key project was the 2004 album The Gospel in Black and White with , which paired Raybon's leads with diverse ensemble performances on hymns and original spiritual songs. These efforts extended to broader faith-based initiatives, including appearances on compilations like Gonna Sing, Gonna Shout (2018), where he collaborated with artists such as Bradley Walker and High Road. Raybon's recent guest contributions have focused on bluegrass compilations and standalone singles, reinforcing his versatility in the genre. In 2014, he provided vocals for "Martha White, Lester & Earl," a tribute track with Terry Baucom and Buddy Melton that earned a nomination for Recorded Event of the Year at the International Bluegrass Music Awards. In 2024, Raybon sang lead on "Gimme Three Steps" for the Lynyrd Skynyrd tribute album Anthems: Honoring the Music of Lynyrd Skynyrd by the Artimus Pyle Band.

Personal life

Family and relationships

Marty Raybon has been married to his wife, , since around 1985. has played a steadfast supportive role in Raybon's life and career, standing by him through various personal and professional ups and downs. The couple resides primarily in and has raised three sons: Michael, Matthew, and Maxwell. As of 2018, they were grandparents to at least two grandsons, and Jamieson, with a third on the way; Raybon often expresses gratitude for the family blessings in his life. Raybon's music frequently reflects themes of family, love, and rural Southern values, drawing from his personal experiences as a husband and father; for instance, songs like "I Want to Be Loved Like That" capture enduring familial bonds and continuity across generations. Raybon maintains close ties with his siblings, particularly his brother Tim Raybon, a fellow with whom he collaborated in the Raybon Brothers duo during the late . The brothers, along with their late older brother Rick (who died in 2021), grew up immersed in music through their father's band, American Bluegrass Express, which laid the foundation for their shared musical heritage. Born in , but raised in , Raybon has remained deeply connected to his Southern roots, basing much of his life and career in while preserving strong links to his hometown.

Health challenges and faith

In the 1990s, Marty Raybon struggled with and , exacerbated by the demanding lifestyle of touring with , which contributed to legal and financial difficulties and nearly derailed his career. This culminated in a personal crisis in 1991 at age 31, when Raybon experienced a and hit rock bottom in his basement, leading to his spiritual conversion. Raybon's recovery began in 1991 through a profound on March 15, when he surrendered his life to during that basement moment, vowing to serve Him if healed from his addictions. He has publicly shared this in interviews, emphasizing how provided the strength to quit drinking and drugs abruptly by pouring out his hidden and committing to . This shift influenced his move toward , reflecting a deeper reliance on guidance for . Maintaining sobriety since 1991, Raybon is an ordained who has engaged in , serving as a guest speaker at churches and participating in faith-based events to counsel others facing . His ongoing commitment is evident in songs like those on his 2006 album When the Sand Runs Out, which incorporate themes of and . He left in 1997 to focus on , , and faith-aligned music projects. Post-recovery, this stabilized his personal life, with support—particularly from his Melanie—helping rebuild relationships while allowing a renewed focus on music that aligned with his faith.

Legacy and style

Influences and genre evolution

Marty Raybon's early musical influences were deeply rooted in the traditions of his family in and . His father, a player, taught Raybon and his brother Tim to play guitar and harmonize, instilling a foundation in from a young age. By eight years old, Raybon had joined his father's bands, American Bluegrass Express and Heartbreak Mountain, performing alongside his brothers Rick and Tim, who also sang together. These family experiences exposed him to classic acts like the Osborne Brothers and Jim and Jesse, shaping his appreciation for acoustic instrumentation and tight vocal harmonies characteristic of Southern sounds. A pivotal moment in Raybon's development came during his teenage years when he discovered through Mel Street's emotive songs. At fifteen, while working outdoors, Raybon heard Street's "Borrowed Angel" on the radio, an encounter that ignited his passion for conveying deep emotion through and broadened his influences beyond to include traditional country storytelling. This blend of bluegrass roots and country sensibilities informed his early professional aspirations. During the and 1990s, as lead singer of , Raybon helped pioneer neo-traditional country, emphasizing heartfelt lyrics and melodic hooks that echoed Southern authenticity while achieving mainstream success. Raybon's career evolved toward acoustic and in the 2000s, marking a return to his origins after departing in 1997. Albums like Southern Roots and Branches (2012) and The Back Forty (2013) with his band showcased this shift, featuring stripped-down arrangements of standards and original tracks that highlighted his acoustic prowess. His vocal style, a high range honed by quartets and family harmonies, draws parallels to , particularly in its lonesome, soaring quality suited to both genres. This evolution reflected a deliberate embrace of simpler, roots-oriented sounds over polished country production. Following his recovery from alcoholism in 2009, Raybon increasingly incorporated faith elements into his music, blending gospel themes with hybrid country-bluegrass arrangements. This post-recovery phase emphasized spiritual redemption, as seen in gospel-infused tracks on albums like Southern Roots and Branches, where songs such as "Beulah Land" combine acoustic bluegrass picking with harmonious, faith-centered lyrics. His work with Full Circle further exemplifies this genre fusion, merging country narratives with bluegrass instrumentation and overt Christian messages, a stylistic choice rooted in personal testimony and early spiritual influences like Billy Graham.

Impact on country and bluegrass

Marty Raybon played a pivotal role in the 1990s music boom as the lead singer of , a band that emerged as one of the genre's most prominent acts during the decade. With Raybon's distinctive voice at the forefront, released ten studio albums, three of which earned gold certification from the RIAA, and achieved 26 singles on Billboard's chart, including several No. 1 hits. This commercial success helped popularize heartfelt, narrative-driven songs that emphasized traditional themes, countering the era's pop-influenced trends and appealing to fans seeking authentic . Raybon's solo ventures in have significantly contributed to the genre's revival by bridging country and audiences, drawing in former listeners through his return to acoustic roots. Albums such as Southern Roots & Branches (2012) highlight his seamless integration of country sensibilities into arrangements, earning acclaim for revitalizing traditional sounds with modern appeal. His work with the band and subsequent solo projects has been warmly received in circles, fostering crossover interest and sustaining the genre's vitality amid evolving musical landscapes. Through mentorship and ongoing performances, Raybon has influenced younger vocalists in the gospel-country crossover space, sharing insights from his career to guide emerging talents in blending faith-infused narratives with and elements. His continued tours with and as a solo artist, including appearances at regional festivals, inspire local musicians by demonstrating the enduring power of . Raybon's songs, which often explore themes of faith, family, and Southern life, maintain cultural resonance, connecting with audiences at niche events and reinforcing the emotional core of these genres.

Awards and honors

Major recognitions

Marty Raybon's contributions to country and bluegrass music have earned him several prestigious awards, particularly during his tenure with Shenandoah and in his solo bluegrass career. In 1996, Raybon, as lead vocalist of Shenandoah, won a Grammy Award for Best Country Collaboration with Vocals for the duet "Somewhere in the Vicinity of the Heart" with Alison Krauss, featured on Shenandoah's album In the Run. This accolade highlighted the band's crossover success in blending country with broader vocal collaborations. Shenandoah and Krauss also won the Country Music Association's Vocal Event of the Year for the same collaboration in 1995. With , Raybon shared in the Academy of Country Music's Vocal Group of the Year award in 1991, recognizing the group's string of hits like "The Church on Cumberland Road" and "Next to You, Next to Me" that dominated the country charts. Transitioning to , Raybon received the International Bluegrass Music Association's (IBMA) Recorded Performance of the Year in 2013 for "Beulah Land" from his album Southern Roots & Songs of Faith. This win marked a significant milestone in his solo career, affirming his vocal prowess in the genre. In 2015, Raybon was honored with the Society for the Preservation of of (SPBGMA) Male Vocalist of the Year (Traditional) award. In 2025, Raybon was inducted into the North American Music Association International (N.A.C.M.A.I.) Hall of Fame.

Nominations overview

Marty Raybon's career spans and genres, earning him numerous nominations from prestigious music organizations, particularly during his tenure with in the late 1980s and early 1990s, as well as in his solo work in the . These recognitions highlight his vocal prowess and contributions to group performances across multiple award bodies. Raybon received Grammy nominations in the as lead singer of , all in categories emphasizing group vocal excellence. In 1991, was nominated for Best Country Performance by a Duo or Group with Vocal for "Ghost in This House." By 1996, secured a nomination for Best Country Performance by a Duo or Group with Vocal for "Darned If I Don't (Danged If I Do)." The Country Music Association (CMA) frequently acknowledged Shenandoah's rising prominence in the early 1990s through Vocal Group of the Year nominations. They were nominated in 1990, 1991, and 1992 for this honor. Additionally, in 1989, Shenandoah received a nomination for the Horizon Award, recognizing emerging talent. In the bluegrass realm, Raybon garnered International Bluegrass Music Association (IBMA) nominations reflecting his transition to the genre. In 2013, he was nominated for Male Vocalist of the Year and Gospel Recorded Performance of the Year for "Beulah Land." The next year, 2014, brought a nod for Recorded Event of the Year for "Martha White, Lester & Earl" (with Terry Baucom and Buddy Melton). Other notable nominations include the Academy of Country Music (ACM) Awards in 1990, where Shenandoah was recognized for Top New Vocal Duo or Group.)

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