Max Irons
Maximilian Paul Diarmuid Irons (born 17 October 1985) is an English-Irish actor and model known for his work in film and television, including roles in the fantasy drama Red Riding Hood (2011), the historical series The White Queen (2013), and the romantic drama The Wife (2018).[1] The son of Academy Award-winning actor Jeremy Irons and actress Sinéad Cusack—both prominent figures in the Cusack acting dynasty—Irons was born in Camden, London, and raised in a family steeped in theatrical tradition.[2] Despite his parents' initial discouragement from pursuing acting to avoid nepotism perceptions, he graduated from the Guildhall School of Music and Drama in 2008, where he trained in classical theater.[3] Irons began his professional career as a model, appearing in campaigns for luxury brands such as Burberry and Mango to support himself during drama school.[4] His acting breakthrough arrived with the lead role of Henry in Catherine Hardwicke's Red Riding Hood, a dark reimagining of the fairy tale that marked his transition to on-screen prominence opposite Amanda Seyfried.[5] Subsequent notable film roles include the human resistance fighter Jared Howe in Andrew Niccol's adaptation of The Host (2013), the aristocratic Miles in Lone Scherfig's The Riot Club (2014), and David Castleman in Björn Runge's The Wife (2018), for which he earned praise for his supporting performance alongside Glenn Close.[6][7] On television, Irons portrayed King Edward IV in the BBC's The White Queen (2013), a role that highlighted his ability to embody historical figures amid political intrigue.[8] He later starred as CIA analyst Joe Turner in the MGM+ spy thriller series Condor (2018–2020), based on the novel Six Days of the Condor, and appeared in the biographical miniseries The Little Drummer Girl (2018).[9] More recently, Irons has continued to diversify his portfolio with roles in period pieces, including Henry Hobday in the BBC/PBS miniseries Miss Austen (2025), a drama exploring the life of Jane Austen's sister Cassandra, co-starring his cousin Calam Lynch.[10]Early life and family
Birth and upbringing
Maximilian Paul Diarmuid Irons was born on October 17, 1985, in the London Borough of Camden, England, to actor Jeremy Irons and actress Sinéad Cusack.[11][12] Irons grew up splitting his time between London and the family's estate in Oxfordshire, where he was exposed to the arts from a young age in a household shaped by his parents' careers in acting.[13] His upbringing was privileged yet grounded, with his parents emphasizing a normal childhood away from the entertainment industry's spotlight. During his early years, Irons was diagnosed with dyslexia at the age of eight, which presented significant challenges in traditional learning environments, particularly with reading and writing.[14] The condition led to difficulties in school, where large class sizes and conventional teaching methods proved unsuitable, prompting adjustments such as smaller educational settings to better support his needs. Despite these hurdles, Irons developed strengths in visual and creative areas, which helped shape his personal development.[15]Family background
Max Irons was born into a prominent acting family, with his father, Jeremy Irons, being an acclaimed English actor who won the Academy Award for Best Actor for his role in Reversal of Fortune in 1991. His mother, Sinéad Cusack, is an Irish actress renowned for her stage and screen work, hailing from the esteemed Cusack acting dynasty. This heritage endowed Irons with a deep connection to the performing arts from an early age, blending English and Irish influences that shaped his cultural identity.[16] Irons has an older brother, Samuel Irons, who pursued a career as a professional photographer rather than acting, a path that influenced family expectations for Max. He also has an older half-brother, Richard Boyd Barrett, from his mother's previous relationship, adding layers to the family's blended dynamics.[17] On his maternal side, Irons' grandparents were the celebrated Irish actor Cyril Cusack, known for over 100 film roles and his co-founding of the Writers', Actors', Artists' and Musicians' Association (WAAMA), a precursor to the Irish Actors' Equity Association, and Maureen Cusack (née Kiely), an actress who performed alongside her husband in numerous productions, solidifying a multi-generational legacy in theater and film. This lineage exposed Irons to the industry's highs and lows, fostering an appreciation for its demands.[2] Despite their prominence, Irons' parents actively discouraged him from entering acting, urging him to follow a more stable career like his brother's in photography to avoid the profession's uncertainties.[18] This guidance stemmed from their own experiences with the field's instability, prompting Irons to initially explore other interests before committing to performance.[2] The family's Irish-English roots were further reinforced through relocations, including summers spent at their family home, Kilcoe Castle in West Cork, Ireland, where Irons immersed himself in his mother's heritage and developed a strong sense of bicultural identity.[16] These periods away from London provided a grounding contrast to urban life, influencing his worldview and resilience.Education
Schooling
Max Irons attended the Dragon School, a preparatory institution in Oxford, from ages 8 to 13. The school, established in 1877, is recognized for its emphasis on creative development and has educated notable figures in arts and sciences, providing a nurturing environment for young students' imaginative growth.[19] At age 13, Irons transferred to Bryanston School, a co-educational boarding school in Dorset, where he remained until age 18. He was expelled from Bryanston near the end of his time there after being caught having sex with another student.[20] Despite the school's progressive approach to education, Irons faced significant academic challenges due to his dyslexia, a condition diagnosed in his early years that severely impacted his ability to read and write; by age eight, he struggled to even spell his own name.[15] These difficulties persisted through his secondary education, where traditional teaching methods exacerbated his learning barriers, leading him to rely on charm and oral skills to mask his struggles.[20] During his time at Bryanston, Irons began exploring the performing arts through participation in school productions, which offered an outlet for his strengths in memorization and performance. At around age 15, he took on a lead role in a school drama festival, committing a 30-page script to memory despite his dyslexia—a process he described as liberating and a pivotal moment in building his confidence on stage. This early involvement highlighted his emerging interest in drama, contrasting with his academic hurdles.[20][21] To foster independence amid his boarding school experience, Irons took on part-time work, including a stint as head bartender at age 18 in a London establishment. This role, which he undertook after his parents reduced financial support, involved managing a busy bar and honing practical skills, though it paid modestly and occasionally tempted him into minor mischief like pilfering unclaimed drinks. Such jobs underscored his determination to stand on his own during his later school years.[22]Higher education and early career aspirations
Irons spent his gap year teaching drama to street children in Nepal before enrolling at the Guildhall School of Music and Drama in London, beginning his studies in 2005 and graduating with a B.A. in Acting in 2008.[20][4][20] The three-year program provided intensive training primarily focused on theatre, comprising approximately 99 percent stage work with limited emphasis on film techniques, alongside core elements such as voice production, movement, and classical performance skills.[23] Throughout his time at Guildhall, Irons addressed challenges posed by his dyslexia—a condition that had previously hindered his academic progress and early auditions—by developing performance strategies like full script memorization and mnemonic devices to build confidence in delivery.[4][13] He noted that dyslexia was prevalent among drama students, affecting around 45 percent of his cohort, and viewed the school's supportive environment as advantageous for creative individuals.[23] This training not only refined his technical abilities but also helped transform his perceived weakness into a strength for character interpretation. Despite growing up in an acting family, Irons' early aspirations were shaped by a desire to establish an independent career path, as his parents initially discouraged him from entering the profession due to its financial instability and demanding nature.[23][20] His commitment solidified around age 16 after successfully memorizing a 30-page script for a Neil LaBute play, shifting his focus from tentative interests to dedicated pursuit of acting. A pivotal moment came with his debut on-screen appearance as a curtain call boy in the 2004 film Being Julia, a minor role that ignited his enthusiasm for professional performance just before starting at Guildhall.[24][20] Following graduation, Irons weighed options including further travel and temporary employment, having previously worked as a barman and receptionist to support himself during and after school.[25][13] Ultimately, he committed fully to acting by performing in London fringe theatre productions, which served as a bridge to larger opportunities while allowing time to build experience independently.[13]Professional career
Modeling
Max Irons entered the modeling industry in 2006 when he was selected for Burberry's Autumn/Winter campaign, appearing alongside Kate Moss and other models in images photographed by Mario Testino.[26][27] This debut came shortly after his graduation from drama school and marked his introduction to high-profile fashion work.[4] He continued modeling to support himself financially in the early stages of his acting pursuits, stating that he was "pretty penniless" at the time and that the work "really helped financially."[28] In 2009, Irons became the face of Mango's HE by Mango menswear line for the Autumn/Winter season, featured in a campaign photographed by Francesco Carrozzini.[29][30] By 2012, he served as the ambassador for Macy's INC International Concepts Fall/Winter collection, modeling tailored suits and casual looks in promotional imagery.[31] These campaigns provided visibility in the fashion world, appearing in magazines like GQ, where he was later named one of the 50 Best-Dressed British Men in 2015 for his sharp, contemporary style.[32] Irons viewed modeling as a temporary means to sustain his ambitions, balancing it with acting training and early auditions without the pressure of immediate financial strain.[28] Around 2011, as his acting roles gained traction, he shifted focus away from modeling, though he has occasionally reflected positively on the experience.[33]Acting
Max Irons began his acting career with small roles in films such as Dorian Gray (2009), but his breakthrough came in 2011 with the lead role of Henry Lazar in the gothic fantasy Red Riding Hood, directed by Catherine Hardwicke and co-starring Amanda Seyfried.[34][35] This marked his first major feature film appearance, showcasing his ability to portray a romantic lead in a high-profile Warner Bros. production. His modeling background, which included campaigns for brands like Mango and Burberry, helped him secure early auditions by providing visibility in the entertainment industry.[25] Following this debut, Irons transitioned to more diverse roles in both film and television. In 2013, he portrayed Jared Howe in the science fiction adaptation The Host, opposite Saoirse Ronan, adapting Stephenie Meyer's novel into a tale of alien invasion and human resistance.[36] That same year, he took on the leading role of Edward IV in the BBC historical drama The White Queen, earning praise for his depiction of the impulsive Yorkist king in Philippa Gregory's adaptation of the Wars of the Roses.[8][37] In 2014, Irons starred as Miles Richards in The Riot Club, a satirical drama about Oxford's elite dining society, which provided his first leading role in a British production and highlighted his range in ensemble casts.[38] Irons continued building his profile with supporting roles in notable films, including Fritz Altmann in the Holocaust drama Woman in Gold (2015), opposite Helen Mirren, where he played the husband of a Holocaust survivor reclaiming stolen art.[39] In 2016, he led the ITV miniseries Tutankhamun as archaeologist Howard Carter, chronicling the discovery of the Egyptian pharaoh's tomb and earning acclaim for his portrayal of the determined explorer.[40][41] His television work peaked with the role of Joe Turner in the spy thriller series Condor (2018–2020), where he played a CIA analyst thrust into espionage after a massacre, demonstrating his aptitude for tense, action-oriented narratives across two seasons.[42] He also appeared that year in the AMC miniseries The Little Drummer Girl as Jed, a key figure in the espionage drama based on John le Carré's novel.[43] Later films included Yuri in the historical romance Bitter Harvest (2017), David Castleman in the award-winning The Wife (2018) alongside Glenn Close, and the enigmatic Alfred in the thriller Terminal (2018). In 2022, Irons starred as Malcolm Foxworth in the Lifetime miniseries Flowers in the Attic: The Origin, a prequel exploring the dark family dynamics in V.C. Andrews' series.[44] Critics have praised Irons for his versatility across genres, particularly in period dramas like The White Queen and thrillers such as Condor, where his performances blend emotional depth with physical intensity.[45] However, as the son of actors Jeremy Irons and Sinéad Cusack, he has faced perceptions of nepotism, which he has addressed by emphasizing the challenges of proving his merit in a competitive industry.[46] Irons has spoken about the statistical odds against success and his parents' initial discouragement, underscoring his determination to forge an independent path.[47] In recent years, Irons' career has evolved from romantic leads to more complex supporting characters, reflecting a deliberate shift toward nuanced roles that allow for greater artistic exploration. In 2025, he took the lead as Henry Hobday in the BBC/PBS miniseries Miss Austen, portraying a philosophical suitor in a story centered on Jane Austen's sister Cassandra.[10] He was also cast as Mycroft Holmes in Guy Ritchie's Young Sherlock series for Prime Video, with filming underway, and as the reclusive industrialist Jean Tessier-Ashpool in Apple TV+'s adaptation of William Gibson's Neuromancer.[48][49] Looking ahead, Irons has expressed interest in directing and producing to further control his creative output and expand beyond acting.[50]Personal life
Relationships and marriage
Max Irons began a long-term relationship with Sophie Pera, the creative director at Tatler, in 2013.[51][52][53] The couple married on November 30, 2019, in a candlelit evening ceremony at their home in Oxfordshire, England.[54][51][52] Originally envisioned as an elopement, the event expanded to include around 150 guests.[53] Irons and Pera share interests in fashion and the arts, with her role in high-profile editorial work complementing his early modeling career for brands like Burberry.[53][55] Despite the fame of his family, including parents Jeremy Irons and Sinéad Cusack, whose long marriage has influenced his views on lasting partnerships, Irons has emphasized valuing privacy in his personal life.[53][55] He avoids social media and has stated that he prefers a quiet countryside existence over public attention, noting in interviews that "what you do and who you love are nobody's business."[51][52][56]Family and privacy
In February 2023, Pera announced on Instagram that she was heavily pregnant with their first child, stating the baby was due any day now. The couple welcomed their daughter later that year, opting not to reveal her name publicly, in line with their preference for discretion.[51][57] The family resides in north London, specifically in Willesden, where Irons has described feeling a sense of rootedness amid the city's energy, though he occasionally expresses a pull toward the countryside reminiscent of his upbringing. Balancing the demands of fatherhood with his acting commitments has become a central aspect of his daily routine, as he navigates travel for roles while prioritizing time at home. This setup allows him to maintain a grounded family environment in the British capital.[53][58] Irons has consistently emphasized privacy in his personal life, rarely divulging details about his daughter or home life in public interviews, a deliberate contrast to the more open personas of his parents, Jeremy Irons and Sinéad Cusack, who have long been fixtures in the entertainment spotlight. He has expressed fatigue with media focus on his family background, preferring to shield his own nuclear family from similar scrutiny and allowing Pera to handle selective social media updates when appropriate. This approach underscores his commitment to protecting their young child's normalcy amid his rising profile.[59][60]Filmography
Film
| Year | Title | Role | Notes |
|---|---|---|---|
| 2004 | Being Julia | Curtain Call Boy | Uncredited extra[24] |
| 2009 | Dorian Gray | Lucius | Supporting role) |
| 2011 | Red Riding Hood | Henry Lazar | Supporting role |
| 2013 | The Host | Jared Howe | Supporting role |
| 2014 | The Riot Club | Miles Richards | Lead role |
| 2015 | Woman in Gold | Fritz Altmann | Supporting role |
| 2017 | Bitter Harvest | Yuri | Lead role |
| 2017 | Crooked House | Charles Hayward | Lead role |
| 2018 | The Wife | David Castleman | Supporting role |
| 2018 | Terminal | Alfie | Supporting role |
Television
Max Irons began his television career with leading roles in historical mini-series before transitioning to ongoing drama series.| Year | Title | Role | Notes |
|---|---|---|---|
| 2013 | The White Queen | Edward IV | Lead role in 10-episode BBC mini-series[61] |
| 2016 | Tutankhamun | Howard Carter | Lead role in 4-episode ITV mini-series[62] |
| 2018 | The Little Drummer Girl | Al | Supporting role in 6-episode BBC/AMC miniseries) |
| 2018–2020 | Condor | Joe Turner | Main role in Audience/MGM+ spy thriller series, 20 episodes[63] |
| 2022 | Flowers in the Attic: The Origin | Malcolm Foxworth | Lead role in 4-episode Lifetime miniseries[44] |
| 2025 | Miss Austen | Henry Hobday | Supporting role in 4-episode BBC/PBS Masterpiece mini-series[64] |
| 2025 | Young Sherlock | Mycroft Holmes | Series regular in Amazon Prime Video adaptation[48] |