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Mel Novak

Mel Novak (born Milan Mrdjenovich; June 16, 1934 – April 9, 2025) was an American character actor best known for his imposing portrayals of villains in and action films of the and 1980s. Born in , , to Serbian immigrant parents, Novak excelled as an athlete in his youth, earning 60 scholarship offers and signing a professional baseball contract with the before a injury ended his sports career. He transitioned to acting in the early , making his film debut in 1974 and ultimately appearing in over 70 feature films and numerous television shows, often performing his own stunts as a and former athlete standing at 6 feet 2 inches tall. Novak gained cult status for his menacing screen presence, with standout roles including the sniper Stick in Bruce Lee's (1978), the gangster Blue Eyes in Jim Kelly's (1974), and the gatekeeper in Chuck Norris's (1981). He also collaborated with prominent stars such as in (1975), in (1980), and in various projects, while guest-starring on television series like Mannix, , and . His career extended into the with appearances in low-budget films such as Syndicate Smasher (2017), Nemesis 5: The New Model (2017), and Arachnado (2019). Beyond acting, Novak was an ordained minister and dedicated humanitarian who spent over 38 years ministering to the homeless on ' and 37 years working with prisoners, claiming to have led more than 750,000 people to faith through his efforts. He volunteered with the for decades, survived 28 surgeries and a 2010 diagnosis, and was inducted into multiple halls of fame as well as the Academy of Motion Picture Arts and Sciences. Novak was previously married to Vera Novak, with whom he had two children, and he passed away from natural causes in Granada Hills, California.

Early life

Family and heritage

Mel Novak was born Milan Mrdjenovich on June 16, 1934, in , . His parents were Serbian immigrants who had settled in the Pittsburgh area, instilling in him a strong connection to his ethnic roots from an early age. Novak's Serbian heritage played a notable role in shaping his identity, as reflected in his original surname, Mrdjenovich (Serbian: Мрђеновић), which he later simplified for his professional career due to its challenging pronunciation for English speakers. Growing up in a working-class immigrant household near , he was exposed to traditional Serbian cultural elements, though specific family practices or parental occupations remain undocumented in available records. No siblings are mentioned in biographical accounts of his early life. The family's relocation to the Wilmerding area, where Novak attended high school, underscored the modest, community-oriented dynamics of their Pittsburgh suburb existence, providing a foundational backdrop for his later pursuits. This heritage informed his transition to the stage name Mel Novak in adulthood.

Pre-acting pursuits

Before entering the entertainment industry, Mel Novak pursued a career in professional sports, leveraging his athletic prowess developed during high school in Pennsylvania. An standout multisport athlete, he excelled in football, basketball, baseball, and track, earning 60 scholarship offers for football from major universities and 16 for basketball. Despite these opportunities, Novak opted to sign a professional baseball contract with the Pittsburgh Pirates organization in the 1950s, forgoing college to play for his hometown team. Novak's baseball aspirations were derailed by a severe rotator cuff injury sustained during play, which necessitated and left him functionally impaired for approximately seven years, effectively ending his athletic career. During this recovery period in the , he focused on and explored other avenues, drawing on his physical background for non-athletic pursuits. In his late 30s, around the late 1960s, Novak relocated from to , , seeking new opportunities after his sports career concluded. To support himself financially, he secured employment as a bodily injury at an insurance company, a role that provided stability while allowing flexibility for side endeavors. Concurrently, he entered the modeling industry, working in runway shows and magazine advertisements for several years, which highlighted his tall, imposing physique—standing at 6 feet 2 inches—and introduced him to creative fields. This period marked his initial foray into performance arts, as a modeling agent recognized his potential and recommended acting classes, building on minor experiences with school and local theater plays from his youth.

Acting career

1970s debut and breakthrough

Novak entered the film industry in 1974 with small roles in two blaxploitation action films, marking his debut as an actor. In Truck Turner, directed by Jonathan Kaplan and starring Isaac Hayes as a bounty hunter, Novak portrayed a doctor in a supporting capacity. That same year, he appeared as Blue Eyes, a gangster henchman, in Black Belt Jones, a martial arts vehicle for Jim Kelly produced by Fred Weintraub and directed by Robert Clouse, where his character was involved in mob-related conflicts over a community center. These early appearances showcased Novak's emerging screen presence in low-budget, high-energy genre cinema. His breakthrough came in 1978 with the role of Stick the Assassin in , Lee's posthumously released epic assembled from unfinished footage shot before Lee's 1973 death, with additional scenes directed by Clouse. Novak's character, a cold-blooded working for a (played by ), infiltrates a film set disguised as a stuntman to assassinate the protagonist, leading to intense confrontations including a climactic fight sequence with Lee. Filming for Novak's portions took place over seven weeks in , where he performed his own stunts, contributing to the film's gritty authenticity despite production challenges from piecing together disparate footage. This role significantly elevated Novak's profile, cementing his reputation as a formidable in action films and attracting attention from fans of Lee's legacy. Throughout the 1970s, Novak supplemented his film work with stunt performances and minor television roles, building experience in the industry. He doubled as a stuntman in projects like (1975), a post-apocalyptic starring , where his athletic background from prior physical training enabled him to handle demanding action sequences without a professional double. On television, he guest-starred as Elmo Bagley, a hitman, in a 1973 episode of ("A Matter of Principle"), and as a policeman in a 1971 episode of The F.B.I. ("Unknown Victim"), appearances that honed his tough-guy persona in episodic crime dramas. These varied gigs facilitated his shift from obscurity to a recognized figure in B-movie circles, particularly valued for his willingness to execute his own stunts, which added realism to his antagonistic characters.

1980s–1990s villain roles

In the and , Mel Novak solidified his reputation as a quintessential , often portraying menacing enforcers and antagonists in low-to-mid-budget thrillers and pictures, where his imposing physical presence and intense screen demeanor made him a go-to choice for tough-guy adversaries. His roles during this period frequently involved high-stakes confrontations, emphasizing a recurring of ruthless criminals or shadowy figures who clashed with heroic leads, contributing to his in the . One of Novak's standout performances came in An Eye for an Eye (1981), where he played Montoya, a brutal in a drug trafficking ring led by the sophisticated Morgan Canfield (). As Montoya, Novak's character serves as a key to undercover cop Sean Kane (), culminating in a visceral hotel room fight scene that highlights Montoya's aggressive combat style and Kane's prowess; the sequence underscores Montoya's arc from a mid-level to a direct threat, ending in his defeat during an intense hand-to-hand brawl. This collaboration with Norris marked Novak's second on-screen matchup with the action star, following their earlier encounter, and exemplified his ability to embody cold-blooded villains in revenge-driven narratives. Novak continued his villainous streak in Lovely but Deadly (1981), portraying Warren Lang, a whose operation preys on high school students, including the protagonist's cheerleader peers. In the film, Lang's revolves around his exploitation of vulnerable youth, leading to undercover confrontations that expose his operation's brutality; Novak's portrayal amplifies the tough-guy through scenes of and chases, reinforcing the movie's anti-drug message. Later in the decade, he appeared as Tom Andrews in Family Reunion (1989), a troubled family patriarch haunted by cult-related nightmares during a , where his possession-like influence drives the horror-thriller's tension and family conflicts. Andrews' role blends Novak's physical menace with psychological depth, as the character grapples with suppressed memories of a satanic massacre, ultimately confronting the evil forces tied to his past. Throughout these years, Novak's work evolved to incorporate increasingly demanding stunt sequences, as he performed his own fights and action beats without doubles, drawing on his background to execute realistic, high-impact choreography in films like Sword of Heaven (), where he played the antagonist Dirk opposite . This hands-on approach not only heightened the authenticity of his villainous defeats but also allowed him to collaborate closely with stars like Norris and Saxon, solidifying his niche in action cinema while building on his earlier establishment as a formidable opponent in fare.

2000s–2020s later projects

In the 2000s, Novak continued his acting career with roles in independent films that echoed his earlier villainous personas, often blending action with horror elements. He portrayed the Gustoff Slovak in the 2005 direct-to-video film Vampire Assassin, directed by and starring Ron Hall, where he confronted undead threats alongside actors like and . That same year, Novak appeared as a guest on the entertainment news program Eye on Entertainment, interviewed by host Dawna Lee Heising at the opening of Per Bernal's Studio, discussing his multifaceted career in acting and . Novak's recognition extended beyond acting in 2008 when he was inducted into the Martial Arts Hall of Fame in , honoring his contributions to cinema and his black belt expertise in and other disciplines. This period marked a shift toward lower-budget independent productions, where Novak embraced cult-favorite roles that leveraged his imposing presence and as a menacing from his 1980s and 1990s work. Entering the 2010s, Novak took on prominent villain parts in genre films, including the role of Cutter, a ruthless enforcer, in the 2015 action-comedy Samurai Cop 2: Deadly Vengeance, a fan-funded sequel that reunited him with Okamura and celebrated B-movie aesthetics. In 2017, he joined the anthology horror film Tales of Frankenstein as the mad scientist Dr. Mortality, a character in a segment fusing classic monster tropes with modern indie storytelling; production wrapped that year in Los Angeles. Through 2020, Novak remained active in indie cinema, appearing in projects like Tales for the Campfire 3 (2020) as Dr. Challis, contributing to his enduring cult status among fans of low-budget action and horror for his reliable portrayals of authoritative, often sinister figures.

Ministry and philanthropy

Ordination and early involvement

Mel Novak was ordained as a Christian in the early 1980s, following a profound personal calling to share . His stemmed from a during a visit to the Fred Jordan Mission on ' Skid , where he witnessed the suffering of the homeless and felt compelled to provide spiritual and practical support. Novak's early involvement in ministry began around 1983, when he started conducting chapel services, Bible studies on , and counseling sessions at missions, including the Union Rescue Mission and Fred Jordan Mission. Balancing this commitment with his acting career, he integrated his faith into his schedule by ministering on weekends and during breaks from film projects, viewing his experiences as part of a broader spiritual battle that deepened his resolve. Over the initial years, he distributed Bibles from his car trunk and prayed for individuals struggling with and despair, emphasizing through grace as described in Ephesians 2:8. His motivations were rooted in a personal faith journey marked by God's healing interventions in his life, including recovery from multiple injuries sustained during stunts, which he attributed to divine purpose. Born Milan Mrdjenovich to Serbian immigrant parents, Novak's heritage informed his resilient character, though his ministry focused on evangelical outreach rather than traditional denominational ties. This early phase laid the foundation for his lifelong dedication to reaching the marginalized, often alongside his family who supported his endeavors.

Key activities and impact

Novak dedicated over 38 years to work focused on and outreach in and beyond. He conducted chapel services and Bible studies on at the four primary missions, including the , while counseling and praying with individuals on the streets. In prisons, he preached in high-security facilities nationwide, delivering sermons in yards and cell blocks, and introduced the "Arsenal Prayer," which reached over 1,000,000 people and reportedly helped released inmates avoid . His philanthropic efforts included distributing more than 300,000 Bibles and 3,000 pairs of reading glasses to the homeless and incarcerated over 36 years, directly supporting faith-based communities in need. Novak also performed memorial services for several celebrities, such as Connors's and Tim Burton's , blending his ministerial role with his public profile. Additionally, he shared his in the 2016 Redeeming the Screens: Living Stories of Media "Ministers" Bringing the Message of Christ to the Entertainment Industry, where he noted how his acting career as a type enhanced his ability to connect with populations. Novak integrated his fame from into through speaking engagements and seminars on and , often held as weekend retreats or intensive sessions, allowing him to reach broader audiences in faith communities. These initiatives underscored his lasting impact on aiding the homeless and incarcerated, fostering spiritual growth and support networks in vulnerable populations.

Personal life and death

Family and relationships

Mel Novak was previously married to Vera Novak, with whom he had two daughters, Nikol and . Novak had three grandchildren: , , and Ryan, who were from his daughter and played significant roles in his family life during his later years. His grandson died of cancer in 2024.

Illness and passing

In the final years of his life, Mel Novak experienced age-related health decline, leading to his residence in a care facility in . He passed away on April 9, 2025, at the age of 90 in Granada Hills, California, due to natural causes. Novak's daughter, Nikol Conant, confirmed the news of his death to media outlets, noting his peaceful passing surrounded by family. Survivors include his daughters Nikol and , as well as his grandchildren. No public details on arrangements were immediately released, though Conant announced that Novak's memoirs, titled Cross Heirs, would be published posthumously in December 2025, offering insights into his life and faith. His passing marked the end of a multifaceted legacy as an , , and family man, remembered for his enduring contributions to film and .

Filmography

Film roles

Novak began his film career in the mid-1970s with supporting roles in and action films, often portraying antagonists or henchmen. He frequently performed his own stunts and fight scenes throughout his career, contributing to the physical intensity of his characters in and action genres.

1970s

1980s

  • Tom Horn (1980) as Corbett's Bodyguard
  • Lovely But Deadly (1981) as Warren Lang (performed own stunts)
  • An Eye for an Eye (1981) as Tony Montoya (performed own action sequences)
  • Force: Five (1981) as The Assassin (performed own stunts)
  • Sword of Heaven (1985) as Major Dirk St. Jones (stunt performer)
  • Family Reunion (1989) as Tom Andrews

1990s

  • Exit to Eden (1994) as Walker's Henchman
  • Dear God (1996) as Sidewalk Minister (uncredited)

2000s

Novak's roles in the 2000s were primarily in low-budget action and horror films, where he continued to handle his own action work.
  • Vampire Assassin (2005) as Gustoff Slovak (performed own stunts)
  • GiAnts (2008) as Jonathan Caine

2010s

In his later career, Novak appeared in numerous independent and cult films, including horror and sci-fi projects, often as authority figures or villains.
  • Kill Factor (2010) as The Chief
  • Samurai Cop 2: Deadly Vengeance (2015) as Cutter (cult indie film; performed own fight scenes)
  • Nemesis 5: The New Model (2017) as Hammerhead Leader
  • Syndicate Smasher (2017) as Milan
  • Toxic Tutu (2017) as Himself
  • Eternal Code (2019) as Mr. Pomeroy

2020s

  • Ash and Bone (2022) as Louie
  • Mega Ape (2023) as (unspecified role)

Television appearances

Mel Novak's television career featured a series of guest spots in crime and action-oriented series during the , followed by sporadic appearances in later decades, often as himself in interview formats or in supporting roles in productions. His early TV work emphasized tough, authoritative characters akin to his film villain personas, though typically in one-off episodes. Notable appearances include:
YearSeriesEpisodeRoleNotes
1971The F.B.I."Unknown Victim"PolicemanGuest role in season 6, episode 15.
1973"A Matter of Principle"Elmo BagleyGuest role in season 6, episode 17; his first major speaking TV part as a hit man.
1976The Blue Knight"Snitch's Karma"SteveGuest role in season 1, episode 9.
1976"Aggie"BartenderUncredited guest role in season 2, episode 21.
1976"The Balloon"First GuardSingle episode appearance in the sci-fi series.
2006Pastor Greg"Spooky"Man with DogGuest role in season 2, episode 6.
2016–2019Multiple episodes (e.g., "A Question of Fear")Richard Moresby / Maj. Reg DennyRecurring in two episodes of the anthology series.
2016Eye on Entertainment"Martial Arts Legend Mel Novak Guests on EOE"SelfInterview appearance in season 11, episode 10.
2017Eye on Entertainment"Behind the Scenes with Mel Novak"SelfBehind-the-scenes interview segment.
2021Everybody with Angela Williamson"A Conversation with Mel Novak: The Action Movie Villain with a Heart for the Broken Soul"SelfFinal notable TV appearance discussing his career and ministry.
These roles, while not as prolific as his film work, showcased Novak's versatility from law enforcement figures to interview subject, spanning over five decades. No recurring series roles were documented.

Bibliography

Book contributions

Mel Novak provided a personal account as one of the contributors to Gods in Polyester, or, A Survivor's Account of 70s Cinema Obscura, a 2004 collection edited by Suzanne Donahue and Mikael Sovijärvi and published by Succubus Press (ISBN 90-808700-1-3). His contribution consisted of original interview material reflecting on his roles in obscure, low-budget American films of the 1970s, such as Black Belt Jones (1974) and An Eye for an Eye (1981, though spanning the era's style). This testimony drew directly from his acting experiences in exploitation and action cinema, offering insider perspectives on the challenges and behind-the-scenes realities of B-movie production during that decade. Novak extended his literary involvement with a similar contribution to Gods in Spandex, or, A Survivor's Account of 80s Cinema Obscura, the 2007 follow-up volume also edited by Donahue and Sovijärvi and published by Succubus Press (ISBN 978-952-92-2409-8). In this book, his interview-based piece focused on his work in 1980s independent , including titles like Sword of Heaven (1985) and Force: Five (1981), highlighting the evolution of low-budget filmmaking aesthetics and his recurring portrayals of antagonists. These writings were informed by his extensive career in cult cinema, where he appeared in over 50 films, providing authentic narratives that enriched the books' approach to obscura cinema. No other verified book contributions, such as forewords or standalone chapters in film-related publications, are documented from his lifetime.

Memoirs

Cross Heirs is Mel Novak's personal , announced for posthumous publication in December 2025 by his daughter, Nikol Conant. The book serves as a capstone to his multifaceted life, encapsulating his experiences across , , and personal relationships. The memoir explores key themes from Novak's life, including his extensive acting career spanning over 70 feature films where he often portrayed villains and performed his own stunts, his decades-long commitment to ministry as an ordained minister sharing in prisons, missions, and on the streets, his profound faith journey involving reported miraculous healings from injuries and illnesses, and intimate reflections on his roles as a father and family man. These elements highlight his transition from tough guy to "gospel hitman," blending tales of resilience, redemption, and spiritual growth. Prior to Cross Heirs, Novak contributed chapters to earlier works like Gods in Polyester: A Survivor's Account of 70s Obscura, offering insights into the era's low-budget films. The memoir's creation, initiated in his later years, involved close family collaboration to finalize and prepare it for release following his passing.

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