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Misery Signals

Misery Signals was an American-Canadian band formed in in Milwaukee, Wisconsin, by former members of the disbanded groups , , and . The band blended progressions and aggression into their sound, characterized by complex time signatures, soaring melodies, and intense breakdowns, earning them influence in the scene. Their debut album, Of Malice and the Magnum Heart, was released in 2004 via Ferret Music, followed by Mirrors (2006) and Controller (2008), the latter two featuring vocalist Karl Schubach after original singer Jesse Zaraska's departure in 2006. After a hiatus from 2009 to 2013, during which guitarist Stuart Ross and bassist Kyle Johnson had left, Misery Signals reformed with Schubach and Johnson for their fourth album, Absent Light (2013). Zaraska and Ross then rejoined in 2014, restoring the original lineup of Zaraska (vocals), Ryan Morgan (guitar), Branden Morgan (drums), Ross (guitar), and Johnson (bass). The group released their fifth and final studio album, Ultraviolet, in 2020 and announced their disbandment in 2024 after 22 years, officially ending following the "Blood is Forever, Love is Forever" farewell tour featuring both Zaraska and Schubach, with a documentary of the same name released in 2025.

History

Formation (2002–2003)

Misery Signals was formed in 2002 in Milwaukee, Wisconsin, emerging from the dissolution of two influential hardcore bands: the local outfit 7 Angels 7 Plagues and the Canadian group Compromise. Guitarist Ryan Morgan and bassist Kyle Johnson, both alumni of 7 Angels 7 Plagues—which had disbanded amid internal tensions during the recording of their second album—took the lead in starting the new project, seeking to channel their shared musical vision into fresh territory. Vocalist Jesse Zaraska, who had fronted until its tragic end in a 2002 car accident that claimed the lives of two guitarists, relocated from to and joined the nascent band from its inception, bringing his experience from brief stints with as well. Drummer Branden Morgan, Ryan's twin brother and another veteran, rounded out the rhythm section shortly thereafter, having impressed during the prior band's final tour. This core lineup—Ryan Morgan on guitar, Branden Morgan on drums, Zaraska on vocals, and Johnson on bass—solidified the group's foundation, with second guitarist Jeff Aust from the disbanded joining to complete the early configuration. During 2002 and , the band focused on rehearsals in , honing a style that blended heavy, technical riffs with atmospheric melodies and Zaraska's dual delivery of clean and screamed vocals, influenced by the members' roots. They recorded a self-titled EP in 2003 at Bionic Studios, dedicating it to the memory of Compromise's late members Jordan Wodehouse and , which helped capture their evolving sound. Early performances included local Midwest gigs, such as a house show in , on December 10, 2002, establishing a presence in the regional scene. By late 2003, these efforts had attracted attention from record labels, highlighting the band's potential amid the burgeoning movement.

Ferret Music era (2004–2009)

In late 2003, Misery Signals signed with New Jersey-based label Ferret Music, marking a significant step in their professional development. Their debut full-length album, Of Malice and the Magnum Heart, followed on June 1, 2004, produced by at his Armoury Studios in . The record introduced the band's atmospheric sound, characterized by intricate guitar melodies, emotional depth, and dynamic shifts between aggression and melody, setting them apart in the genre. To support the album, Misery Signals undertook extensive North American touring, including a prominent 2004 run alongside , , and Zao, which helped solidify their presence in the metalcore underground. In early 2006, founding vocalist Jesse Zaraska amicably parted ways with the band after four years, prompting a lineup shift. Karl Schubach, formerly of the band I Hate Sally, joined as the new clean and screamed vocalist, bringing a fresh dynamic to their performances. The band quickly recorded and released their sophomore album, Mirrors, on August 22, 2006, via Ferret Music, which expanded on their melodic intensity while maintaining heavy breakdowns and soaring choruses. By 2008, Misery Signals had refined their sound further with Controller, released on July 22 and once again produced by , emphasizing lush production and progressive elements without guest collaborations. The album's cycle saw the band's tour schedule intensify, including European headline runs in 2008 and a 2009 jaunt with Your Demise and The Number Twelve Looks Like You, alongside continued North American dates. These efforts cultivated a dedicated within the scene, drawn to their blend of technical prowess and emotional resonance.

Hiatus and side projects (2009–2010)

Following the release of their 2008 album Controller, Misery Signals embarked on an extensive year-long world tour beginning in January 2009, which spanned , , , the , and . This period of relentless touring, coming after seven straight years , led to significant among the members, prompting the band to scale back activities significantly by late 2009 to prioritize personal lives, family, friendships, and individual creative pursuits. During this time of reduced band activity, vocalist Karl Schubach focused on his solo heavy metal project Solace, where he handled all instrumentation, writing, and production; the endeavor began yielding early material by late 2010, including studio updates and initial tracks. Guitarist Ryan Morgan contributed to the formation of the hardcore/punk band Burning Empires alongside former Misery Signals members Stu Ross and Kyle Johnson, as well as Andy Hurley of Fall Out Boy and Matt Mixon of 7 Angels 7 Plagues. Drummer Branden Morgan co-founded the pop-punk/post-hardcore outfit Lowtalker with Ross, Casey Hjelmberg, and Matt Keil of Comeback Kid, releasing the EP People Worry About Everything in June 2010. By mid-2010, the band faced further changes with the amicable departures of guitarist Stu Ross and bassist Kyle Johnson, who cited fatigue with the scene and a desire to explore directions, such as Ross's involvement with Living with Lions. The remaining core members—Schubach, Ryan , and Branden —held internal discussions about the band's path forward, emphasizing their commitment to continue despite the setbacks, driven by ongoing fan support and the resolution of personal strains from prolonged touring. They publicly assured supporters in November 2010 that Misery Signals would regroup in the coming months without disbanding, signaling a potential return to activity.

Reunion and Absent Light (2011–2015)

After a marked by personal conflicts, Misery Signals re-emerged in 2011 with a cover of Pink Floyd's "Us and Them" (featuring Karl Schubach on vocals) for the soundtrack to the Homefront. This marked the band's return to activity. The band hit the road that year with festival appearances and headlining shows, rebuilding momentum after their break. In 2012, Misery Signals entered the studio to record their fourth studio album, Absent Light, produced by guitarist Ryan Morgan and newcomer Greg Thomas (who joined on guitar), with mixing by and mastering by Alan Douches. Bassist Kyle Johnson also rejoined for the recording. To fund the project, the band launched a successful campaign that exceeded its goal by double, enabling an independent release while partnering with for distribution in . In , the album was self-released through the band's own efforts, reflecting their desire for creative control following the hiatus. Absent Light was released on July 23, 2013, and received praise for its sound, characterized by intricate guitar work, atmospheric interludes, and a blend of aggressive riffs with melodic bridges that pushed the genre's boundaries. The album's themes centered on personal loss, regret, and the search for hope amid despair, inspired by the band's experiences during their time apart, creating a bleak yet emotive arc across tracks like "Luminary" and "." Critics highlighted Schubach's vocals as a highlight, contributing to the record's emotional depth and technical prowess. To support the album, Misery Signals embarked on the "Absent Light Record Release Tour" in July and August 2013, joined by acts like and Intervals. The following year, founding vocalist Jesse Zaraska rejoined the band, and they celebrated the 10th anniversary of their debut album with the "Malice X Tour" in 2014, featuring Zaraska for a North American run that showcased career-spanning sets. Headlining tours continued into 2015, including European dates and festival slots, solidifying their return and fanbase reconnection before shifting focus to future projects.

Ultraviolet and later activity (2016–2023)

Following the release of Absent Light in 2013, Misery Signals maintained a low profile with sporadic live performances through 2016 and 2019. The band toured in November 2016 alongside Comeback Kid as part of the A.T. Tour, performing in venues such as ACB Hall in . In 2019, they resumed activity in , including a headline show at A38 Rocks in on June 11, where they played a set featuring tracks like "Set in Motion" and "The Failsafer," and a support slot for at in on March 23. These isolated appearances reflected the band's focus on preparation for new material amid members' commitments to other endeavors. In late 2019, Misery Signals began teasing fresh songs during live sets, including an early version of "Sunlifter," signaling the start of recording sessions for their fifth album, Ultraviolet. The project, which reunited the full original lineup, was formally announced on May 14, 2020, but production and promotion were significantly disrupted by the COVID-19 pandemic, leading to postponed studio work and tour plans. Ultraviolet was ultimately released on August 7, 2020, through Basick Records, incorporating ambient interludes and post-metal atmospheric elements that expanded on the band's melodic metalcore foundation. Critics praised the album's matured songwriting and emotional depth, with outlets like Sputnikmusic highlighting its balance of "beauty, chaos and everything in between" as a triumphant return after a seven-year hiatus. Singles such as "The Tempest" and "River King" were released ahead of the album, showcasing the dual-vocal dynamic and progressive structures that underscored its evolution. The pandemic severely curtailed live activity from 2021 to 2023, with planned North American headline tours featuring END and Neck of the Woods canceled or postponed indefinitely. In response, the band adapted by recording Live in Isolation, a remote in-studio performance captured in December 2020 across U.S. and Canadian locations due to border restrictions; this career-spanning set from all five albums was broadcast digitally on September 1, 2023. During this period, members resumed side projects, including drummer Branden Morgan's electronic endeavor LIGHTYRS, which saw continued releases building on its 2017 debut. These efforts allowed the band to sustain creative output amid global uncertainties, though traditional touring remained minimal until later years.

Disbandment and farewell tour (2024)

On April 2, 2024, Misery Signals announced their mutual decision to disband after 22 years, stating that the choice allowed them to conclude on a strong note while pursuing individual opportunities without future band obligations. The band's "Blood is Forever, Love is Forever Farewell Tour" ran from July to October 2024, spanning and select European dates, with sets featuring both vocalists Jesse Zaraska and Karl Schubach to represent their respective eras. North American legs began in on July 11 and included stops in cities like , , and , while European shows occurred in August across the , , , and . Tour highlights encompassed numerous sold-out performances and special guest appearances by acts such as END, With Honor, , Foreign Hands, and , drawing large crowds for career-spanning sets that celebrated the band's legacy. The final show took place on October 19, 2024, at Union Hall in , , marking the band's last live performance. In October 2025, the 25-minute documentary Love Is Forever, Blood Is Forever, directed by Morgan Tedd, became available for free streaming online, offering behind-the-scenes footage from the tour and capturing the band's final three performances, including the closer.

Musical style and influences

Musical style

Misery Signals' musical style is rooted in , characterized by a fusion of aggressive hardcore breakdowns, intricate riffs, and melodic clean singing that creates dynamic contrasts within their songs. Their sound often incorporates odd time signatures, chugging guitar riffs, and ambient interludes, evolving from the raw aggression of their early releases to more atmospheric and post-metal-infused compositions in later works. This blend establishes them as innovators in the genre, emphasizing technical proficiency and emotional depth over conventional heaviness. The band's use of dual vocalists contributes significantly to their , particularly after 2006, with harsh screamed vocals delivered by Jesse Zaraska or Karl Schubach providing intense, cathartic aggression, while clean vocals—often handled by the brothers—offer melodic, soaring counterpoints that heighten emotional tension. Early albums like Of Malice and the Magnum Heart feature Zaraska performing both screamed and clean parts, but subsequent records introduce layered vocal harmonies and spoken-word elements for added . This vocal interplay, combined with bright guitar melodies and progressive structures, allows for a balance of brutality and accessibility. Instrumentation plays a central role in their evolving sound, with guitarists Ryan Morgan and Stuart Ross delivering complex, math-rock-inspired riffs and layered acoustic elements that juxtapose heavy chugs with ethereal atmospheres. Drummer Branden Morgan's technical precision drives syncopated rhythms and blast beats, supporting the band's progressive leanings, while bassist Kyle Johnson's lines reinforce melodic foundations without overpowering the guitar work. Over time, their style shifts toward expansiveness, as seen in Absent Light and Ultraviolet, where ambient textures and film-score-like intros expand the framework into broader sonic landscapes. Lyrically, Misery Signals focuses on themes of personal struggle, , and , using vivid to explore , , mortality, and hope as outlets. Albums like Mirrors delve into introspective narratives of emotional turmoil and interpersonal challenges, reflecting the band's mission to channel raw human experiences through music. This thematic consistency underscores their foundation while allowing for progressive evolution, maintaining a sense of vulnerability amid technical aggression.

Influences

Misery Signals' sound was shaped by several pioneers active in the early 2000s, particularly through their adoption of aggressive song structures and emotional intensity. Bands like Converge and Poison the Well played a key role in this development, with Converge's chaotic and relentless approach to influencing the band's demolition of conventional song expectations, while Poison the Well's vocal and lyrical style directly impacted frontman Jesse Zaraska during his formative years. The incorporation of post-hardcore and progressive elements further defined the band's complexity, drawing from The Dillinger Escape Plan's innovative and boundary-pushing dynamics, which encouraged Misery Signals to experiment with unconventional rhythms and intensity. Additionally, progressive metal influences from contributed to the band's use of intricate time signatures and technical precision, revolutionizing their framework. Zaraska's prior experience with brought melodic hardcore sensibilities to Misery Signals, enhancing the band's emotional vocal delivery and melodic layering within aggressive contexts. Similarly, bassist/vocalist Karl Schubach's broader metal leanings, echoed in the band's nods to acts like Metallica and , expanded their sonic scope beyond pure hardcore roots. As part of the Canadian-American wave in the early 2000s, Misery Signals emerged alongside peers like , sharing a scene that emphasized raw energy and melodic aggression, which collectively influenced their career trajectory and collaborative ethos.

Band members

Current members

The final active lineup of Misery Signals, which performed on their farewell tour before the band's disbandment in , consisted of the following members, all of whom are now former following the group's dissolution. Jesse Zaraska served as lead vocalist from 2002 to 2006 and again from 2014 to 2024, renowned for his intense screamed delivery that defined the band's early sound. Ryan Morgan played and provided backing vocals throughout the band's entire run from 2002 to 2024, serving as the primary songwriter responsible for many of the group's intricate riffs and compositions. Branden Morgan, Ryan's brother, performed on drums from 2002 to 2024, contributing to the band's signature complex and dynamic rhythms. Stuart Ross was the rhythm guitarist and from 2002 to 2010 and then from 2014 to 2024, rejoining for the reunion and final tours. Kyle Johnson served as the band's bassist and co-founder from 2002 to 2010 and then from 2013 to 2024, contributing to their early demo, EP, and debut album Of Malice and the Magnum Heart, as well as the reunion era including Absent Light and Ultraviolet, with his playing helping define the group's melodic metalcore sound.

Former members

Karl Schubach handled lead vocals from 2006 to 2014, delivering both clean and screamed parts, particularly prominent on Mirrors, Controller, and Absent Light; he rejoined as a guest vocalist for the 2024 farewell tour alongside Zaraska. Jeff Aust joined as rhythm guitarist in 2002 shortly after the band's formation, filling a brief early role during their initial lineup stabilization from remnants of and . His tenure lasted only until 2003, when he departed amicably for personal reasons, allowing the band to recruit Stu Ross as his replacement. Post-departure, Aust pursued other musical endeavors, including a stint with the band With Honor. During the band's post- reformation in 2011, Kent Wren filled the bass position from 2011 to 2013, providing stability during the transition leading to Absent Light. Wren exited in early 2013 after accepting a offer, which conflicted with the band's touring and recording schedule. Gregory Thomas handled and backing vocals from 2011 to 2014, contributing to Absent Light and helping bridge the gap from the hiatus period with his technical riffing and production skills. He left in 2014 due to evolving band dynamics and commitments, later focusing on his studio work at Silver Bullet Studios and joining the hardcore supergroup END. The band also relied on touring musicians during the Ultraviolet cycle (2016–2020), including bass support to accommodate scheduling demands, though specific long-term contributors beyond the core lineup were not formally integrated.

Discography

Studio albums

Misery Signals released their debut studio album, Of Malice and the Magnum Heart, on June 1, 2004, through Ferret Music. Produced by , the record showcased the band's early blend of elements and aggressive breakdowns, establishing their reputation in the underground scene. The follow-up, Mirrors, arrived on August 22, 2006, also via Ferret Music. Co-produced by the band and Ben Schigel, it featured Karl Schubach on vocals for the first time and emphasized intricate guitar work alongside atmospheric passages. In 2008, the band issued Controller on July 22 through Ferret Music. Reuniting with producer , the album delivered a more refined and expansive sound, with layered production highlighting dynamic shifts between heaviness and melody. Absent Light, the group's fourth studio effort and first following their reunion, came out on July 23, 2013, in the United States via . Self-produced by guitarist Greg Thomas and the band after a successful campaign, it explored themes of light and darkness, earning acclaim for balancing ferocious riffs with emotive, orchestral-tinged interludes. The fifth and final album, , was released on August 7, , through . Recorded prior to the but delayed by global disruptions, it marked a return to the original lineup and focused on expansive, post-rock-infused structures.

EPs and splits

Misery Signals' self-titled EP, released in 2003 as a , featured four tracks—"The Year Summer Ended in June," "Lie Captive," "Like Yesterday," and "Dream Atlantic"—recorded and mixed at Bionic Studio in , , with limited distribution through Recordings. This pre-debut release showcased the band's early raw sound and was dedicated to the memory of Jordan Wodehouse and . Live in , a live recorded remotely during the , was released on September 1, 2023. It features performances of tracks from across the band's .

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