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Model Behavior

Model Behavior is a 2000 American comedy film directed by Mark Rosman and starring Maggie Lawson, Justin Timberlake, and Shari Belafonte. It is a television movie that originally aired on ABC's The Wonderful World of Disney anthology series on March 12, 2000. The story follows two teenage girls who look alike but lead very different lives—one a shy high school student and the other a glamorous fashion model—who decide to switch places for a week, leading to humorous and romantic adventures. Loosely based on Mark Twain's The Prince and the Pauper, the film explores themes of self-discovery and the grass-is-greener syndrome.

Development

Concept and writing

Model Behavior is a 2000 American made-for-television film that premiered as part of ABC's The Wonderful World of Disney anthology series on March 12, 2000. The story centers on a body-swap premise between a shy, insecure high school teenager and a glamorous supermodel who resemble each other, allowing each to experience the other's life and gain new perspectives. This concept draws inspiration from Mark Twain's classic novel The Prince and the Pauper (1881), reimagined in a contemporary setting focused on social status, beauty standards, and personal growth rather than royal intrigue. The film is an of the 1997 young adult novel Janine and Alex, Alex and Janine by Michael Graubart Levin, which similarly explores the lives of two girls who look alike and decide to trade places. Levin's book provided the foundational narrative, emphasizing themes of self-discovery, , and the challenges of in a media-saturated world. The screenplay, credited as a teleplay by David Kukoff and Matt Roshkow, was developed to suit Disney's family-oriented programming, transforming the novel's elements into a lighthearted, uplifting tale suitable for tween and teen audiences. With a runtime of approximately 85 minutes, the project was designed to deliver concise entertainment that promotes positive messages about inner and appreciating one's own . Production was overseen by co-producer Jack Brodsky, producer Ronald E. Frazier, and executive producer Mike Karz, in association with Karz Entertainment, Pacific Motion Pictures, and , aiming to create an accessible entry in the that resonated with young viewers through relatable coming-of-age dynamics. The development prioritized a wholesome tone, avoiding mature content while highlighting the transformative power of stepping into another's shoes, much like the inspirational body-swap stories that preceded it. This approach ensured the film aligned with Disney's brand of blended with moral lessons.

Casting

Maggie Lawson was cast in the demanding dual lead role of Alex Burroughs, a studious high school , and Janine Adams, a glamorous teen , in a body-swap that required portraying sharply contrasting lifestyles. At 19 years old during production, Lawson's selection highlighted her emerging ability to handle multifaceted characters in a lighthearted film. Justin Timberlake was chosen for the role of Jason Sharpe, Alex's love interest, in what marked his acting debut shortly after *NSYNC's breakthrough success with their 1998 self-titled album. His casting capitalized on his status as a teen idol from the boy band, appealing to the film's target young audience and adding contemporary pop culture draw to the project. Kathie Lee Gifford, known for her vivacious presence on morning television, was cast as Deirdre Adams, Janine's overbearing mother and modeling agent, infusing the character with comedic energy drawn from her established on-screen persona. The production, filmed primarily in , , in 1999, filled supporting roles with up-and-coming Canadian talent, including Daniel Clark as Alex's brother Josh Burroughs and Karen Hines as , Janine's assistant, to leverage local resources and authenticity. Auditions were conducted in both for principal roles and for regional casting.

Synopsis

Plot summary

Alex Burroughs is a shy and insecure high school student in suburban , harboring dreams of becoming a designer. While helping her father, a caterer, at a high-society event for a , she meets Janine Adams, a glamorous but lonely teen who is her exact physical double. Fascinated by their resemblance and frustrated with their respective lives—Alex with her lack of confidence and Janine's with the superficiality of fame—the two impulsively decide to swap identities for a week, with Alex heading to to impersonate Janine and Janine taking over Alex's everyday routine in the suburbs. In , Alex navigates the high-pressure world of professional modeling, enduring grueling photo shoots, runway walks, and the demands of Janine's domineering mother and manager, Deirdre, while secretly sketching her own designs during downtime. She bonds with fellow model Jason, played by , who becomes an unexpected ally and love interest, but struggles with the isolation and lack of genuine connections in Janine's celebrity circle, including a misunderstanding when she is seen with . Meanwhile, back in , Janine attends Alex's high school, where she faces academic challenges, deals with mean-spirited bullies, and interacts with Alex's blended family, including her overworked father, stepmother, and half-siblings, including younger brother Josh. Janine also encounters Alex's longtime crush, , leading to awkward romantic developments as she tries to fit in without revealing her true identity. Tensions build as family dynamics strain under the switch: the swap extends beyond the planned week, Alex's father grows suspicious of "Janine's" disinterest in his business and Josh nearly exposes the ruse, while Janine's absences raise concerns with her team in the city. Romantic mix-ups intensify when Eric develops feelings for "Alex" (Janine), and Alex shares a flirtation with . The ruse unravels at a high-stakes ball, where both girls must attend in their swapped roles, leading to comedic chaos and eventual exposure when their paths publicly. The truths come to light, forcing confrontations with their deceptions and the people they've impacted. Through the experience, gains newfound confidence in her talents and learns to embrace her aspirations, while Janine discovers the value of authentic relationships and normalcy beyond the spotlight. The film resolves with the duo forging a lasting , each better appreciating the strengths and challenges of the other's world, culminating in a heartfelt reconciliation: chooses Janine over another girl, Mindy, and reconciles with after seeing a tape from showing her true self, leading to personal growth for all involved. Both lead roles are portrayed by , highlighting the identical twins-like dynamic central to the story.

Themes

The film Model Behavior prominently explores the "grass is greener" syndrome through its central premise of two lookalike teenagers swapping lives, contrasting the allure of high-profile modeling with the stability of ordinary adolescent routines. This motif underscores how each protagonist envies the other's circumstances— the supermodel yearning for uncomplicated school days and family meals, while the shy high schooler imagines the excitement of fame—ultimately revealing the value in one's own path. As noted in a contemporary review, the story embodies a "grass-is-greener 'Prince and the Pauper' plot," emphasizing dissatisfaction with the familiar in favor of perceived glamour. Central to the narrative is the theme of and , depicted through the protagonists' journeys to overcome personal insecurities via their temporary . The everyday teen grapples with and unpopularity, exacerbated by physical insecurities like wearing , while the model contends with amid constant public scrutiny; the exchange allows both to build and embrace their true selves. Reviewers have highlighted how the film addresses low tied to appearance and social standing, portraying the swap as a catalyst for self-discovery and . Family dynamics serve as a key , particularly in illustrating communication and support within non-traditional household structures, such as the protagonist's blended environment. The contrasts a nurturing yet demanding paternal —complete with interactions and shared responsibilities—with the exploitative pressure from an overbearing in the modeling world, stressing the importance of emotional backing for personal growth. This portrayal critiques how family roles influence teen development, with the supportive life providing a grounding contrast to external stresses. The offers a subtle of fame's , presenting the modeling industry not as an idyllic but as a high-stress arena marked by grueling schedules, shallow relationships, and emotional tolls. The supermodel's exhaustion with early-morning workouts, endless bookings, and superficial suitors exposes the hollowness behind the , reinforcing the 's family-oriented message that genuine connections outweigh celebrity's burdens. As one analysis observes, the character "longs for a normal teen life instead of a fully booked schedule," highlighting the industry's dehumanizing demands.

Cast

Principal cast

stars as the dual protagonist, portraying both Alex Burroughs, a shy and creative high school fashion designer, and her look-alike, the confident Janine Adams, whose body-swap premise drives the film's narrative. , in his debut, plays Jason Sharpe, Alex's high school crush and romantic interest, who becomes entangled in the ensuing and subplots. Kathie Lee Gifford portrays Deirdre Adams, Janine's domineering yet eccentric mother, whose overbearing presence provides much of the 's comic relief.

Supporting cast

Jim Abele portrays Ted Burroughs, Alex's father and a caterer who navigates family challenges while supporting his daughter's aspirations. Daniel Clark plays Josh Burroughs, Alex's younger brother, whose interactions introduce and everyday family dynamics to the story. Karen Hines appears as , Janine's assistant in the modeling industry, who handles logistical aspects of the high-fashion world and facilitates key social encounters among the teens. Jesse Nilsson is as Eric Singer, a popular figure in the modeling circle and Janine's romantic interest, whose presence highlights the interpersonal connections within the elite social scene. The ensemble also features Cody Gifford as Max Adams, Janine's younger brother, in a minor role that underscores familial ties in the contrasting lifestyles explored, reflecting the use of local Toronto-based talent in the production. These supporting characters collectively bolster the principal arcs by providing relational depth and contextual contrast between ordinary and glamorous lives.

Production

Model Behavior was produced by Karz Entertainment in association with Pacific Motion Pictures and .

Filming

for Model Behavior took place in , , . The film was directed by , with handled by Laszlo George. To depict scenes involving Maggie Lawson's dual roles as Alex and Janine, the production employed split-screen techniques.

Soundtrack

The soundtrack for Model Behavior features a selection of licensed pop songs from early 2000s artists, integrated to enhance the film's teen comedy vibe and reflect the high school and fashion worlds depicted. No official commercial soundtrack album was released for the film. Key tracks include '*NSYNC's "Here We Go," which plays during the opening party scene to energize the introduction of the high school social dynamics. Belle Perez's "Hello World" accompanies modeling montages, underscoring the glamorous yet aspirational tone of the protagonist's transformation. Additional pop elements are provided by Nobody's Angel, with songs such as "I Can't Help Myself" featured in promotional-style sequences and the prom scene, and "Ooh La La La" and "Wishing on You" supporting lighter, flirtatious moments. "Walking on Sunshine" by Katrina and the Waves appears in upbeat transitional sequences, amplifying the film's feel-good energy. The original score was composed by Eric Colvin, with theme music by , utilizing synth-driven, upbeat instrumentation to highlight comedic beats and emotional shifts throughout the narrative. Music supervision emphasized contemporary trends, ensuring the selections aligned with the era's radio hits to appeal to the target young audience and facilitate smooth plot transitions between everyday teen life and the modeling industry.

Release

Broadcast

Model Behavior premiered on March 12, 2000, as part of ABC's The Wonderful World of Disney , which was designed for family-oriented Sunday night viewing. The film aired at 7:00 p.m. ET/PT, positioning it against competing family programming on other networks during . It garnered solid viewership for the era, with estimates of 12-15 million viewers aligned with the anthology series' seasonal averages of a 6.7 rating and 10.9 share. Promotion for the telecast emphasized network teasers and leveraged the popularity of Timberlake's role, drawing on his * fanbase to position the movie as a significant early-2000 Disney television event. Following its U.S. debut, international broadcasts began on outlets in various markets starting in late 2000, including on December 16, 2000, and extending to , , and in 2001-2003.

Home media

Following its initial broadcast, Model Behavior was released on by Home Video on September 19, 2000, in a standard clamshell case targeted at family audiences.) The film received no official DVD release from Disney, consistent with many made-for-TV productions of the era that lacked widespread remastering efforts; unofficial transfers from VHS to disc have appeared in limited markets. Digital distribution began in the , with availability on platforms including channels; as of 2025, it streams on services such as and Midnight Pulp but is absent from Disney+. No Blu-ray edition has been produced, reflecting the title's limited post-broadcast prioritization.

Reception

Critical response

Model Behavior received mixed reviews from critics at the time of its 2000 release, with praise for its lighthearted premise and lead performances tempered by criticisms of its predictable plot and formulaic humor. On Rotten Tomatoes, the film has no Tomatometer score due to a limited number of professional reviews, but it maintains an audience approval rating of 65% based on over 5,000 user ratings. User ratings on IMDb average 6.0 out of 10 from 2,965 votes, reflecting a generally positive reception among viewers who appreciated the fun concept and teen appeal, though many noted the acting and scripting as uneven. In a contemporary review for Variety, Lael Loewenstein commended Maggie Lawson's appealing dual performance as both the model and the high school student but lambasted the film for promoting superficial values and body image issues under a Disney veneer, calling it a "rock bottom" example of teen fare. She also critiqued Justin Timberlake's stiff portrayal, suggesting he stick to music with *NSYNC. The New York Times' Anita Gates similarly acknowledged the movie's "small charms," such as Lawson's engaging work in the lead roles and its strong family-oriented appeal, but faulted its clichéd elements and lack of originality, likening the body-swap story to a trite "grass-is-greener" take on . Overall, reviewers positioned Model Behavior as a competent but unremarkable television entry, effective for its target young audience yet echoing familiar tropes from other teen swap comedies without innovation.

Legacy

Model Behavior served as an early showcase for Justin Timberlake's acting abilities, marking one of his first on-screen roles before transitioning to a solo music career with the release of his debut album Justified in 2002 and subsequent film appearances such as Alpha Dog in 2006. Filmed during the peak of *NSYNC's popularity, the movie highlighted Timberlake's charm as the character Jason Sharpe, a male model, providing a glimpse into his pre-fame versatility beyond music. The film also boosted Maggie Lawson's profile in the industry, positioning her for breakthrough roles including Juliet O'Hara in the long-running series from 2006 to 2014. Often referenced in discussions of her early career, Model Behavior featured Lawson in dual roles as a high school student and a , demonstrating her range and contributing to her visibility in television. As a nostalgic staple of Disney programming, Model Behavior endures in pop culture for its lighthearted body-swap trope—reminiscent of classics like The Parent Trap—and its depiction of early fashion trends, including low-rise jeans and layered tops. The movie's rewatch value is frequently highlighted in fan communities and podcasts, evoking memories of Disney's era of feel-good TV films. While Model Behavior did not receive major awards or nominations, it contributed to Disney's legacy of accessible, family-oriented TV movies under The Wonderful World of Disney . As of 2025, the film continues to attract viewers interested in Timberlake's pre-fame innocence, following the conclusion of his Forget Tomorrow world tour earlier in the year.

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