More Adventurous is the third studio album by the American indie rock band Rilo Kiley, released on August 17, 2004, through Brute/Beaute Records, a self-made imprint distributed by Warner Bros. Records.[1][2] This major label debut, produced by the band alongside Mike Mogis, showcases a maturation in their sound, blending indie rock with pop, country, and folk influences while exploring themes of heartbreak, personal growth, and societal observation.[3][4] The album's title draws from a line in Frank O'Hara's poem "Meditations in an Emergency," reflected in the closing track's lyrics: "I read with every broken heart / we should become more adventurous."[4]Featuring 11 tracks, including standout singles like "It's a Hit," "Portions for Foxes," and "I Never," the record highlights the vocal interplay between co-founders Jenny Lewis and Blake Sennett, with Lewis's versatile songwriting driving narratives of emotional complexity and wry introspection.[5][3] Recorded primarily in Lincoln, Nebraska, at Presto! Recording Studios, it incorporates lush arrangements with acoustic ballads such as "The Absence of God" and more upbeat, synth-tinged numbers like "Does He Love You?," earning praise for its accessibility and emotional depth upon release.[3][6] Critically acclaimed, the album received a 6.7/10 from Pitchfork, which noted its "expertly honed and highly accessible" qualities, and has since been regarded as a pivotal work in indie rock, influencing subsequent projects by Lewis and Sennett.[3][4]
Background and recording
Development and songwriting
Following the success of their 2002 album The Execution of All Things on the indie label Barsuk Records, Rilo Kiley transitioned to a major label setup by forming their own imprint, Brute/Beaute Records, for More Adventurous, with distribution handled by Warner Bros. Records. This move marked the band's major-label debut and allowed for a broader sonic expansion beyond their earlier indie rock roots, incorporating more polished arrangements while retaining emotional intimacy. The album's development began in the wake of extensive touring for The Execution of All Things, as the band sought to evolve their sound through initial song sketches and demos that emphasized narrative-driven pop structures. The band had recently opened for Elliott Smith on tour, adding personal resonance to tracks like "Ripchord" and "It Just Is" after his death in October 2003.Songwriting duties were led primarily by vocalist Jenny Lewis and guitarist Blake Sennett, whose collaborative efforts shaped the album's core tracks with a focus on personal vulnerability and relational dynamics. Lewis's lyrics often drew from her influences in country, folk, and storytelling traditions, creating vivid scenes of love, loss, and self-reflection, while Sennett contributed melodic and vocal elements that complemented her style. Their partnership resulted in a cohesive collection that balanced introspective ballads with upbeat anthems, reflecting the band's maturation as songwriters.Several tracks carried specific literary and personal inspirations, underscoring the album's thematic depth. The title track "More Adventurous" alludes to Frank O'Hara's poem "Meditations in an Emergency," framing heartbreak as an impetus for emotional risk-taking. Similarly, "Portions for Foxes" draws from Psalm 63:10 in the Bible, evoking imagery of vulnerability and consequence in intimate encounters. Following the death of their friend Elliott Smith in October 2003, Sennett penned "Ripchord" as an elegy grappling with sudden loss, while Lewis contributed "It Just Is" as a companion tribute, capturing the inadequacy of grief in processing tragedy.
Recording sessions
The recording sessions for More Adventurous primarily took place during late 2003 and early 2004 at Presto! Recording Studios in Lincoln, Nebraska, with producer Mike Mogis overseeing the bulk of the work.[7] Additional sessions and mixing occurred at other facilities to accommodate the album's expanded instrumentation and guest contributions.[8] The project involved numerous guest musicians and contributors, including local talent such as a couple of doo-wop singers recruited from the University of Nebraska-Lincoln's music department for tracks like "Does He Love You?", whom the band treated to tacos after their Presto! session.[9]Mike Mogis handled production on most tracks, drawing from his Saddle Creek experience to create a lush, layered sound with elements like banjo, glockenspiel, and strings.[10]Mark Trombino co-produced select songs, including "Portions for Foxes" and "I Never", bringing a polished indie rock edge informed by his work with bands like Jimmy Eat World.[7] Jimmy Tamborello (of Dntel and the Postal Service) produced "Accidntel Deth", incorporating electronic experimentation to blend the band's indie pop with glitchy, atmospheric textures.[7]One notable anecdote from the sessions involves vocalist Jenny Lewis, who reportedly recorded her performance for "I Never" naked in the studio to capture the song's intended sense of emotional vulnerability.[11] The band's transition to Brute/Beaute Records—a Warner Bros. imprint—introduced timeline pressures, as they sought greater creative control and commercial promotion unavailable through their prior indie label, ultimately completing the album amid these shifts.[7] The final product runs 44:06 in length.[12]
Composition
Musical style
More Adventurous is classified as indie rock with significant influences from pop, folk, country, and elements of electronic music, marking a shift toward more accessible and polished sounds compared to the band's earlier lo-fi indie pop and alt-country leanings.[3][13] The album incorporates adult-alternative rock structures, blending easygoing pop melodies with edgy indie rock edges, while drawing on country traditions through Nashville-inspired arrangements and retro ballad aesthetics.[3][14] This major-label production under Warner Bros. and Brute/Beaute Records provides a glossy finish that enhances the genre-blending, making the music more radio-friendly without sacrificing the band's adventurous spirit.[3][10]The album's instrumentation features lush, layered arrangements that highlight a diverse array of sounds, including prominent pedal steel guitar for country-tinged textures, vibraphone and glockenspiel for atmospheric depth, and strings for emotional swells.[14][10] Electric guitars drive rock-oriented tracks like "Portions for Foxes," where they "spike and roar" to create dynamic energy, while acoustic elements and synthesizers support ballad-like sections in songs such as "The Absence of God."[3] Additional contributions include banjo, mandolin, flugelhorn, congas, shakers, and Wurlitzer, contributing to the album's eclectic shifts—such as the synthetic, electronica-infused production on "Accidntel Deth," co-produced by Jimmy Tamborello of Dntel.[10][15] These elements create a rich sonic palette that balances acoustic intimacy with electric drive.Production techniques emphasize Mike Mogis's expertise in crafting expansive soundscapes, blending acoustic and electric instruments through refined layering and mixing to achieve accessibility and maturity.[13][3] With nearly 30 contributors, including string arrangements by Nate Walcott, the album employs higher production values that eliminate quirky interludes from prior works, focusing instead on consistent, honed arrangements that showcase the band's growth.[10][3] This approach results in broader pop structures, with gentle melodies underpinned by passionate strings and varied percussion, enhancing the overall cohesion.[14]Compared to The Execution of All Things (2002), More Adventurous represents an evolution toward more adventurous and polished production, expanding from the earlier album's urgency and indie pop shifts to a huger, more ensemble-driven sound with increased instrumental diversity and pop accessibility.[3][10] The major-label resources allow for richer textures and genre experimentation, contrasting the lo-fi intimacy of the band's initial releases like Takeoffs and Landings (2001), while retaining core indie rock foundations.[10][3]
Lyrics and themes
The lyrics of More Adventurous delve into central themes of love, heartbreak, death, war, religion, and personal vulnerability, often presented through Jenny Lewis's confessional and diaristic style that exposes raw emotional complexities.[4] The album navigates the turbulence of romantic entanglements, as seen in the duet "Does He Love You?", where Lewis and Blake Sennett portray a love triangle involving infidelity, with the woman grappling with her affair and fading friendship, ultimately affirming her flawed independence in lines like "I am flawed if I'm not free."[4][10] This track exemplifies the emotional depth of duets on the album, blending vulnerability with a critique of marital expectations. Similarly, "Portions for Foxes" embraces the impermanence of messy, physical relationships with low-stakes detachment, alluding to Psalm 63:10 in its refrain "we'll all be portions for foxes," evoking mortality and biblical transience.[10]Specific songs further illuminate these motifs through intimate narratives and literary references. In "The Absence of God," Lewis confronts faith amid hardship and self-destructive impulses, singing "the need to destroy things creeps up on me every time" to highlight existential doubt and the illusion of stability in personal crises.[4] "A Man/Me/Then Jim" unfolds as a stream-of-consciousness account of loss and relational chaos, beginning with a high school friend's suicide and tracing a cycle of fleeting connections involving a man, the narrator, and Jim, underscoring themes of death and emotional disconnection.[16] The title track draws from Frank O'Hara's poetry to frame heartbreak as a catalyst for growth, with Lewis declaring "with every broken heart we should become more adventurous," rejecting conventional paths like marriage in favor of resilient self-discovery.[10] War and societal critique emerge in "It's a Hit," where Lewis lambasts political figures through vivid, unsubtle imagery, tying personal turmoil to broader conflicts.[3]Lewis's vocal delivery enhances these themes, shifting from whispery intimacy to powerful belts to convey vulnerability and intensity, as in the acoustic ballads "The Absence of God" and the title track.[3] Sennett's harmonies complement her, adding layers of emotional interplay, particularly in duets that amplify relational tension. The album's narrative arc progresses from chaotic interpersonal dynamics—marked by infidelity, loss, and societal pressures—to deeper existential reflections on faith, mortality, and personal evolution, creating a cohesive exploration of human fragility.[10][4]
Release and promotion
Release formats
More Adventurous was initially released on August 17, 2004, through Brute/Beaute Records, the band's self-imprint, with distribution handled by Warner Bros. Records.[17] The standard retail edition came in a jewel case CD format, containing the album's 11 tracks.[6] A limited edition version, restricted to 1,000 copies, was also issued in a digipak with exclusive artwork, available primarily at the release show and select outlets.[18] Additionally, a vinyl LP edition was released on Barsuk Records later that year.[19]International releases followed in 2004 and 2005, with the UK edition released on January 31, 2005, via Brute/Beaute Records; these variants maintained the core track listing with minimal changes in order or added content.[6] Other regions, including Europe, Canada, and Australia, received CD editions on Brute/Beaute in 2004, ensuring broad accessibility.[6]The album became available digitally through early platforms like iTunes upon its physical launch, facilitating immediate online access.[12] Over time, it expanded to streaming services such as Spotify. Packaging across editions featured cover art with abstract imagery evoking the album's thematic exploration, alongside liner notes crediting primary songwriters Jenny Lewis and Blake Sennett.[6]
Singles and media use
The singles extracted from More Adventurous for promotion included "It's a Hit", "Portions for Foxes", and "I Never". "It's a Hit" was initially released as a one-track promotional CD single in the United States in 2004 to build anticipation for the album.[20] A commercial edition followed in the United Kingdom on July 18, 2005, available as a CD single and 7-inch vinyl single at 45 RPM, featuring the title track backed with the non-album B-side "Patiently".[21] "Portions for Foxes" was issued as a CD single in the United Kingdom and Europe in 2005, including the album version alongside the B-side "A Town Called Luckey".[22] "I Never" appeared as a digital single in 2005, emphasizing its introspective balladry for radio and online play.Promotion for the album and its singles centered on live performances and visual media. Rilo Kiley embarked on a North American tour in the summer and fall of 2004, coinciding with the album's August release, featuring sets heavy on new material like "Portions for Foxes" and "It's a Hit" at venues such as the Troubadour in Los Angeles and intimate shows like the one at Pomona's Glass House in October.[23] Music videos enhanced visibility: the clip for "It's a Hit", directed by Andrew Bruntel and Matt Enlow, depicted the band in a surreal, protest-themed narrative blending performance and animation; while "Portions for Foxes", helmed by Brian Lazzaro, showcased the group in a minimalist, emotionally charged setting that highlighted Jenny Lewis's vocals.[24][25] These efforts, supported by Warner Bros. Records, aimed to transition Rilo Kiley from indie circuits to broader alternative rock audiences. In 2025, the band reunited for a tour, heavily featuring songs from More Adventurous, marking their first performances in over a decade.[26]Songs from More Adventurous gained traction through sync placements in television and film, amplifying the album's reach. "Portions for Foxes" debuted in the pilot episode of the ABC series Grey's Anatomy on March 27, 2005, underscoring a pivotal romantic scene and later appearing on Grey's Anatomy: The Original Soundtrack, Vol. 1.[27] "I Never" featured in the 2005 romantic comedyMust Love Dogs, playing over a key emotional montage and inclusion on its official soundtrack, while also soundtracking a reflective moment in Grey's Anatomy season 4, episode 8 ("Forever Young").[28] Additionally, the title track "More Adventurous" was licensed for the 2005 comedy Wedding Crashers soundtrack, contributing to its compilation of indie and pop tracks inspired by the film.[29] These media uses helped position the album's eclectic indie pop within mainstream entertainment, fostering organic exposure beyond traditional radio promotion.
Reception
Critical reception
Upon its release in 2004, More Adventurous received generally favorable reviews from music critics, who praised its expanded sonic palette and emotional resonance while noting some unevenness in its genre explorations. The album earned a Metacritic aggregate score of 75 out of 100, indicating "generally favorable reviews," based on 23 critic assessments.[30]Critics frequently highlighted Jenny Lewis's vocals and songwriting as standout elements, with her versatile delivery blending vulnerability and wit across folk, pop, and rock influences. Robert Christgau commended its emotional depth in tackling themes like war, love, and self-reflection through well-crafted narratives that elevated the band's maturity.[31]AllMusic rated it 4 out of 5 stars, lauding the record's adventurous spirit and Lewis's ability to infuse personal introspection with broader social commentary, marking a polished evolution from the band's earlier indie roots.[17]Pitchfork gave it a 6.7 out of 10, appreciating Lewis's "pure and versatile" voice on tracks like "Portions for Foxes" and the mature acoustic ballads "Absence of God" and the title track, though faulting some lyrical awkwardness.[3]Some reviewers offered mixed assessments, critiquing the album's glossy production for occasionally softening its indie edge and complicating genre blends. The Guardian described it as a fusion of "easygoing pop" and "edgy indie rock" with country flourishes like pedal steel guitar, but found experiments such as the retro ballad "I Never" and the eclectic "Ripcord" less successful, resulting in an uneven execution that diluted raw authenticity.[14] Overall, contemporaries viewed More Adventurous as a breakthrough that broadened the band's accessibility while preserving its heartfelt core, positioning Rilo Kiley as a rising force in alternative pop.[32]
Commercial performance
More Adventurous marked Rilo Kiley's major-label debut, released through their own Brute/Beaute imprint distributed by Warner Bros. Records, which provided broader promotional support compared to their prior independent efforts.[3][4] In the United States, the album peaked at number 161 on the Billboard 200 chart in 2004 and reached number 7 on the Top Heatseekers Albums chart upon its debut.[33][34]By June 2007, the album had sold 173,000 copies in the US according to Nielsen SoundScan data, representing the band's highest sales total at that point despite lacking RIAA certifications.[35] This performance reflected steady catalog sales amid competition from other rising indie rock acts in the mid-2000s.[35]Internationally, the album achieved limited chart success outside the US, with no entry on the UK Official Albums Chart, though it garnered modest sales in Europe within the indie niche.[36]
Legacy
Accolades and rankings
In 2023, More Adventurous was ranked number 28 on Melophobe Music's list of the Top 100 Greatest Indie Rock Albums of All Time.[37] The album also received retrospective acclaim in Stereogum's 2014 anniversary feature, which celebrated its tenth anniversary by highlighting its status as an enduring indie pop record, praised for Jenny Lewis's vulnerable lyrics and the lush production that blended emotional depth with broad appeal.[10]NPR's 2017 "Shocking Omissions" series further underscored the album's alt-pop influence, positioning it as a pivotal work that elevated female perspectives in indie rock through raw explorations of love, heartbreak, and societal issues, influencing subsequent singer-songwriters in the genre.[4] In 2025, Rolling StoneAustralia included More Adventurous at number 139 on its list of the 250 Greatest Albums of the 21st Century So Far, commending its genre fusion of rock, folk, country, and pop under Mike Mogis's production, which masterfully paired complex themes with accessible melodies.[38]The album played a key role in elevating Jenny Lewis's career, marking Rilo Kiley's major-label debut and facilitating indie rock's crossover into mainstream audiences by showcasing her commanding vocals and nuanced songwriting.[4][10] Cultural discussions have also noted its thematic depth, with a 2020 review on Altrockchick.com analyzing tracks like "It's a Hit" and "Does He Love You?" for their incisive critiques of war, hypocrisy, relational dependency, and existential doubt.[39]In February 2025, Rilo Kiley announced their reunion, including a career-spanning greatest-hits compilation and a headline tour, further cementing the enduring legacy of their discography, with More Adventurous remaining a cornerstone of their influence in indie rock.[40]
Reissues and availability
In 2024, Barsuk Records reissued More Adventurous on green two-tone vinyl as a Barnes & Noble exclusive, limited to that edition and featuring an alternate version of the track "A Man/Me/Then Jim" on side D.[41][42] This pressing, released on July 12, 2024, marked the first new vinyl variant in two decades following the original 2004 black vinyl edition, which was pressed on 180-gram vinyl and included a digital download card.[6][43]The official Rilo Kiley store also offered a 2024 LP reprint of the album, aligning with the Barsuk reissue and emphasizing the alternate track inclusion to appeal to longtime fans.[44] Additionally, a limited restock of the original 2004 Brute/Beaute digipak CD edition became available through Hello Merch as new old stock from the band's imprint, highlighting its status as a scarce promotional variant originally distributed in very small quantities.[45]The album has been widely accessible digitally since the mid-2000s, streaming on platforms such as Spotify and Apple Music without any major remasters or deluxe editions announced to date.[46][12]The 2004 Brute/Beaute digipak CD remains particularly collectible due to its limited initial run, with sealed copies appearing on secondary markets like eBay at premiums over standard editions, though comprehensive updated sales figures are unavailable; streaming metrics indicate sustained listener engagement.[47][8]
Track listing and personnel
Track listing
All lyrics by Jenny Lewis, except "Ripchord" by Blake Sennett.[48]
The standard edition has no bonus tracks and a total runtime of 44:23.[6]
Personnel
The core lineup of Rilo Kiley for More Adventurous consisted of Jenny Lewis on lead vocals, guitar, piano, harmonica, keyboards, organ, and Mellotron; Blake Sennett on guitar and vocals; Jason Boesel on drums, percussion, glockenspiel, and vocals; and Pierre de Reeder on bass and vocals.[49][6]Additional musicians included Mike Mogis on pedal steel guitar, percussion, keyboards, glockenspiel, vibraphone, banjo, mandolin, trumpet, bell, acoustic guitar, and synthesizer; Mike Bloom on acoustic guitar; Jonathan Hischke on baritone saxophone; Nate Walcott on trumpet, flugelhorn, bell, and horn and strings arranger; Tracy Sands on cello; Nate Lefeber on trombone; Nick White on miscellaneous support; and No Better Cause on backing vocals (select tracks).[49][12][8]The production team was led by Mike Mogis and the band as primary producers, with additional production by Mark Trombino on select tracks and Jimmy Tamborello on "Accidntel Deth"; engineering and mixing were handled by Mike Mogis, with further mixing by A. J. Mogis; and mastering by Stephen Marcussen at Marcussen Mastering.[49][48]Art direction and design were provided by Pierre de Reeder, with cover art by Nami Ito.[6][48]