Overprotected
"Overprotected" is a dance-pop song by American singer Britney Spears, released on December 10, 2001, as the second international single from her third studio album, Britney (2001).[1] Written and produced by Max Martin and Rami Yacoub, the track features Spears seeking personal independence and freedom from excessive protection, with lyrics emphasizing self-determination and frustration with constraints.[2] The song incorporates electronic synths, a pounding beat, and teen pop elements, marking a shift toward more mature themes in Spears' discography during her early adulthood.[3] Upon release, "Overprotected" achieved moderate success in the United States, peaking at number 86 on the Billboard Hot 100 chart, while performing stronger internationally, including a number 4 peak on the UK Singles Chart where it spent 12 weeks.[4][5] The single was accompanied by two music videos: the original, directed by Bille Woodruff and set in a futuristic complex symbolizing entrapment, and the more widely aired Darkchild Remix version, directed by Chris Applebaum, featuring high-energy choreography and urban settings.[6] Critically, the song received mixed reviews for its production and lyrical depth, though it has since been praised as an underrated highlight of Spears' catalog and earned a Grammy nomination for Best Female Pop Vocal Performance in 2003, reflecting her evolving artistry amid intense media scrutiny.[7]Background and Development
Conception and Recording
"Overprotected" was co-written and co-produced by Swedish songwriters and producers Max Martin and Rami Yacoub, who had previously collaborated with Britney Spears on hits from her earlier albums.[8][9] The track emerged during sessions for Spears' third studio album, Britney.[10] Recording took place in mid-2001 at Maratone Studios in Stockholm, Sweden, following the album's initial sessions that began in February of that year.[10] Spears traveled to the studio to record her lead vocals, which were captured with assistance from engineer Michael Tucker at Battery Studios in New York City before final mixing at Maratone.[11] Martin and Yacoub handled the engineering and mixing, ensuring a polished integration of Spears' performance with the instrumental elements.[8] The production emphasized layered synthesizers and pulsating electronic beats, drawing from contemporary dance-pop trends to create a dynamic, upbeat arrangement.[12] This approach marked a deliberate shift toward a more mature aesthetic, moving beyond Spears' initial teen pop roots while maintaining the high-energy accessibility of Martin's signature style.[9] Their intent was to produce an empowerment-driven track that aligned with Spears' personal and professional growth at the time.[2]Album Context
"Britney" is Britney Spears' third studio album, released on November 6, 2001, which represented a pivotal shift in her career from the teen pop sensation established by her debut "...Baby One More Time" (1999) and follow-up "Oops!... I Did It Again" (2000) to a more mature artist exploring adult themes and sounds.[13] This transition was evident in the album's departure from bubblegum pop toward influences from hip-hop and R&B, drawing inspiration from artists like JAY-Z and production teams such as The Neptunes, allowing Spears to assert greater creative control and personal expression.[13] "Overprotected," the album's second international single, was released on December 10, 2001[1] and encapsulates the record's emphasis on autonomy and independence, themes that retrospectively foreshadowed the intense personal and legal challenges Spears would face, including discussions around her later conservatorship beginning in 2008.[14] Written and produced by Max Martin and Rami Yacoub, the track exemplifies "Britney"'s fusion of pop accessibility with R&B-infused rhythms and electronic elements, contributing to the album's overall sound that blended upbeat energy with introspective lyrics.[13][4] During the album's recording sessions, Spears took a more active role in the creative process, co-writing six tracks for the first time and pushing for material that addressed the mounting media scrutiny she endured as a young celebrity under constant public observation.[13] This personal involvement marked her evolution toward artistic maturity, as she sought songs that reflected her experiences with fame's pressures and her desire for self-determination, aligning with the album's broader narrative of growth beyond her teenage image.[13]Composition and Lyrics
Musical Structure
"Overprotected" is classified as a dance-pop song incorporating Europop and contemporary R&B elements, with a duration of 3:18.[15][16] The track adheres to a conventional pop arrangement, commencing with an introductory section driven by synthesized hooks, progressing through two verses interspersed with pre-choruses, multiple chorus repetitions, a middle eight bridge featuring layered vocal effects for buildup, and concluding with a fading outro across three final choruses.[17] Prominent instrumentation consists of synthesized beats programmed at 96 beats per minute, electronic keyboards providing melodic and textural support, and Britney Spears' lead vocals, which are multi-tracked using overdubs, double- and triple-tracking, delay effects, panning, vocoder processing, and reverb to create depth and dynamism, all set in the key of C minor.[16][17] In contrast to Spears' prior releases like her debut album ...Baby One More Time, which emphasized bubblegum pop aesthetics, "Overprotected" adopts a more electronic and rhythm-focused production approach, signaling a shift toward mature dance-oriented sounds.[18]Thematic Elements
The lyrics of "Overprotected" revolve around the central theme of emancipation from excessive guardianship, portraying a protagonist's quest for autonomy amid stifling constraints. Co-written by Max Martin and Rami Yacoub, the song articulates frustration with overprotection through vivid declarations of self-assertion, such as "Time to break free from overprotection" and "And I don't wanna be so damn protected," which emphasize a refusal to let external influences dictate personal growth.[19] These elements reflect a broader narrative of transitioning from dependency to empowerment, with lines like "Father, father, father tell me / If I'm bad in your eyes" evoking paternalistic oversight that mirrors societal expectations placed on young women in the public eye.[12] Interpretations of the song frequently connect its motifs to Britney Spears' own encounters with the demands of stardom, including the intense media glare and managerial controls that shaped her early career. Retrospective critics have noted the track's prescient quality, with its pleas against overprotection later seen as foreshadowing the restrictive conservatorship imposed on Spears from 2008 to 2021.[12] This thematic resonance positions "Overprotected" as an anthem of resistance, capturing the tension between youthful vulnerability and the drive for self-definition in a scrutinized environment.[20] The Darkchild remix, produced by Rodney Jerkins, incorporates hip-hop and R&B elements while maintaining the original's tempo.[21]Release and Promotion
Single Formats
"Overprotected" was issued as the second single from Britney Spears' album Britney in a variety of physical formats, beginning with promotional radio airplay internationally in September 2001, including in Europe, followed by commercial releases internationally on December 12, 2001.[1] CD singles were the primary physical medium, featuring the original album version produced by Max Martin and Rami alongside the Darkchild Remix by Rodney Jerkins, which was specifically tailored for North American markets and sent to radio on April 2, 2002. These CD formats were distributed by Jive Records, with promotional versions appearing in the US in 2001 and commercial singles in 2002.[1] Internationally, variants included European maxi-singles that incorporated additional remixes such as the JS16 Remix and Thunderpuss mixes, released as enhanced CDs with multimedia content like movie trailers.[22] The Japanese edition consisted of a standard CD single issued in 2001, tailored for the local market with stereo audio formatting.[1] Other regional releases encompassed Australia, the UK, France, and Asia, often in cardboard sleeve or j-card packaging to highlight portability and collectibility.[1] Digital formats emerged later, with a digital 45 release in 2009 offering high-quality FLAC files of the album version and Darkchild Remix.[1] By the 2010s, the single became widely available on streaming services, enabling global access without physical media.[23] Packaging across formats typically featured cover art depicting Spears in a white tank top and jeans against a simple background, emphasizing a youthful, transitional aesthetic.[22] These designs were consistent for most international editions, with some promo versions using picture discs for added appeal in club and radio markets.[1]Marketing Strategies
Jive Records orchestrated a targeted promotional campaign for "Overprotected," the second international single from Britney Spears' third studio album Britney, aiming at teen and young adult demographics through heavy rotation on MTV and radio stations commencing in October 2001.[13] The strategy leveraged Spears' established teen pop appeal while emphasizing her evolving mature image, with the radio edit version receiving substantial airplay to build anticipation ahead of the single's December 12, 2001, international release.[13] MTV played a pivotal role, premiering the music video and integrating it into programming like Total Request Live to capitalize on Spears' visual storytelling, which depicted themes of independence resonating with young viewers.[4] In the US, promotion faced challenges due to post-9/11 radio restrictions imposed by Clear Channel, which suggested avoiding certain pop songs, contributing to limited airplay for the original version and the subsequent focus on the Darkchild Remix.[24] A key element of the campaign involved synergies with Spears' Dream Within a Dream Tour, launched on November 1, 2001, and running through July 2002, where "Overprotected" was included in the setlist to amplify exposure through live presentations.[13] This tour integration tied the single to Spears' broader artistic narrative of transition. Internationally, the promotion extended to European television appearances and localized radio pushes, including in Asia via the tour's Japanese leg in 2002.[13] The campaign was not without media scrutiny, as outlets began linking "Overprotected"'s lyrics about escaping overprotection to Spears' high-profile breakup with Justin Timberlake, announced in early 2002, framing the song as a subtle commentary on her personal constraints amid intense public and industry pressures.[4] This association, amplified by retrospective interviews with the video director, generated controversy by blurring artistic intent with Spears' real-life narrative, influencing public perception of the single's rollout.[25]Critical Reception
Initial Reviews
Upon its release in late 2001 as part of Britney Spears' self-titled third studio album, "Overprotected" received generally positive initial critical reception, with reviewers highlighting its infectious pop hooks and Spears' evolving vocal delivery. AllMusic critic Stephen Thomas Erlewine commended the track for showcasing Spears' growing maturity as a singer, noting how it, alongside other songs, demonstrated her transition toward more sophisticated performances compared to her earlier work.[26] Similarly, Rolling Stone's Rob Sheffield praised the song's "monster choruses" and funky mid-tempo groove, crediting co-writers Max Martin and Rami for crafting a catchy, emotionally charged anthem that fit the album's theme of personal liberation.[18] Some reviews offered mixed assessments, acknowledging the song's empowering message while critiquing its production choices. A BBC review appreciated the strong sonic foundation and lyrics addressing Spears' frustration with being "smothered" by handlers, interpreting it as a bold statement of independence, but faulted the "zealous overproduction" for overwhelming the track's potential.[27] Entertainment Weekly's David Browne echoed this ambivalence, recognizing the empowerment in Spears' complaints about manipulation but dismissing them as somewhat absurd given her highly controlled career environment.[28] The album received mixed reviews overall, with a Metacritic score of 58/100 based on 13 critics, underscoring the song's solid pop appeal amid varied opinions on its execution. Reviewers often positioned "Overprotected" as a key example of early 2000s pop evolution, evolving from bubblegum roots toward edgier self-assertion similar to Christina Aguilera's contemporaneous "Dirrty," which emphasized raw attitude and genre-blending.[29]Retrospective Assessments
In the 2010s and 2020s, critics reevaluated "Overprotected" through the lens of Britney Spears' 13-year conservatorship, which began in 2008 and ended in November 2021, interpreting its lyrics about seeking independence as prescient of her restricted personal and professional life. A 2021 Vulture essay positioned the track as an early articulation of the tension between Spears' authentic self and the curated public persona imposed by her management and family, themes that gained tragic resonance during her legal fight to terminate the arrangement.[30] Similarly, a 2023 New York Times reflection connected the song to Spears' broader career narrative of infantilization and denied agency.[31] The 2021 #FreeBritney movement, which mobilized fans to advocate for Spears' emancipation from the conservatorship, further elevated "Overprotected" as a symbolic anthem, with its chorus of frustration over overprotection mirroring her court testimonies about being barred from basic decisions like removing a medical device. This surge in awareness contributed to a notable uptick in streams for Spears' catalog, including the song, as listeners rediscovered its relevance; Billboard reported nearly 1 billion total streams across her music from March to early September 2021, partly driven by the ongoing conservatorship developments.[32] Within feminist pop discourse, "Overprotected" has been lauded for anticipating conversations about women's autonomy in the entertainment industry, framing Spears as a proto-feminist figure challenging patriarchal oversight long before her conservatorship became public knowledge. Academic musicology texts reinforce this view, such as a 2021 analysis in Publig journal that examines the track as a critique of media exploitation and labor control over female artists, aligning it with broader Marxist readings of pop stardom.[33] Earlier scholarship, like a 2004 study on youth performativity in music videos, interprets the song's narrative and visuals as an exploration of transitional identity and resistance to imposed protection, marking it as an enduring statement on adolescent agency in pop culture.[34]Commercial Performance
Chart Positions
"Overprotected" experienced varied chart performance upon its release, with the Darkchild remix version being the one that charted on the US Billboard Hot 100, peaking at number 86 in May 2002. This remix also drove significant airplay, reaching number 1 on the Mainstream Top 40 chart and boosting urban radio play. Internationally, the song fared better, peaking at number 4 on the UK Singles Chart and achieving strong positions in several European countries including Italy (number 4 on the Italian Singles Chart), Sweden (number 2), and Romania (top 5), as well as number 16 on the ARIA Singles Chart in Australia and number 22 on the Canadian Singles Chart.[35][5][36][37] Amid the #FreeBritney movement in 2021, which highlighted the song's themes of autonomy, "Overprotected" experienced a resurgence in streaming.[38]| Country | Chart | Peak Position | Year |
|---|---|---|---|
| United States | Billboard Hot 100 | 86 | 2002 |
| United States | Mainstream Top 40 | 1 | 2002 |
| United Kingdom | Official Singles Chart | 4 | 2002 |
| Australia | ARIA Singles Chart | 16 | 2002 |
| Canada | Canadian Singles Chart | 22 | 2002 |
| Italy | Italian Singles Chart | 4 | 2002 |
| Sweden | Sverigetopplistan | 2 | 2002 |
Sales and Certifications
By 2025, the song's digital streams had exceeded 100 million across major platforms including Spotify and Apple Music, with Spotify reporting over 108 million streams for the radio edit version alone.[39] The track earned several official certifications, including Gold status in Australia by ARIA for shipments of 35,000 units, Silver in the United Kingdom by BPI for 200,000 units, and Gold in Sweden by GLF for 15,000 units.[40][41][42] In the United States, "Overprotected" did not receive an RIAA certification upon release due to its primary promotion through radio airplay rather than physical or digital sales, though its accumulated streaming equivalents now qualify it for potential certification under current guidelines.[43] Following the termination of Britney Spears' conservatorship in 2021, the song saw a notable spike in digital consumption, driven by renewed interest and virality on social media platforms that highlighted its themes of autonomy.[38]Music Videos
Original Version
The original music video for Britney Spears' "Overprotected" was directed by Bille Woodruff and filmed in Los Angeles during the second half of November 2001.[44] Released on December 6, 2001, to coincide with the international launch of Spears' self-titled third studio album, the video was produced with a focus on visual storytelling that aligned with the song's theme of breaking free from constraints.[44] The concept centers on Spears evading intrusive paparazzi by driving into an urban alleyway and entering an abandoned factory, where she transitions into confident dance performances with a group of backup dancers.[45] This narrative visually represents the lyrics' message of liberation from overprotection, utilizing industrial sets to convey a sense of escape and empowerment. Visual motifs emphasize Spears' initial appearance in a white turtleneck crop top and pants, evoking innocence, before shifting to more vibrant and varied outfits that symbolize her emerging independence.[45] The choreography highlights synchronized, athletic moves that underscore the track's upbeat dance-pop energy.[46] The video received positive reception for its dynamic production and Spears' commanding presence in the dance sequences, earning a 6.9/10 rating from viewers on IMDb.[47] Critics and fans noted its role in showcasing Spears' evolution toward a more mature artistic identity during this phase of her career.[4]Darkchild Remix Version
The Darkchild Remix version of the "Overprotected" music video was directed by Chris Applebaum and premiered on MTV on March 26, 2002. Filmed shortly after Britney Spears received a breakup text from Justin Timberlake, the video captures her channeling personal emotion into a high-energy performance, transforming initial distress into what the director described as "peak Britney" with scorned diva intensity. Produced to promote the R&B-infused remix by Rodney "Darkchild" Jerkins, it targeted urban radio audiences in the United States as part of a strategic shift to broaden Spears' appeal beyond pop.[48][25][49] Shifting from the original video's futuristic aesthetic, the concept places Spears in a luxurious hotel room with friends, where they watch critical TV coverage of her revealing outfits before tricking a security guard and sneaking out. The group encounters paparazzi in an alley but defiantly performs a rain-soaked dance routine, underscoring themes of rebellion against overprotection and media intrusion while highlighting Spears' passion for dance. This urban-edged narrative aligns with the remix's club-oriented R&B production, featuring Spears in casual streetwear like Juicy Couture tracksuits that transition to performance gear.[4][25] The video incorporates dynamic camera work to emphasize kinetic energy, including strutting sequences, splits, and a Janet Jackson-inspired dance break choreographed by Brian Friedman to sync with the remix's faster tempo and hip-hop influences. Behind-the-scenes footage, showing Spears' quick recovery and focused rehearsals during the shoot, was later released to accompany promotions. Aired primarily on MTV, the video enhanced the track's cross-genre reach by visually bridging pop and R&B elements for diverse audiences.[25][50]Remixes and Versions
Official Remixes
The official remixes of "Overprotected" were produced to adapt the track for different radio formats, club environments, and international markets following its initial release from Britney Spears' third studio album, Britney (2001).[1] The Darkchild Remix, produced by Rodney "Darkchild" Jerkins, reworks the original dance-pop track into an R&B style with added hip-hop beats, heavier basslines, and new ad-libs to enhance its suitability for urban radio and club play.[51] This version runs 3:06 in length and was released as the primary U.S. single version on April 2, 2002, via Jive Records.[52] An instrumental variant of the Darkchild Remix, lasting 3:06, was also issued on promotional singles.[53] Other official versions include the album version at 3:18, which features the original production by Max Martin and Rami, and the radio edit at 3:18, a shortened adaptation for broadcast with minor adjustments to the intro and structure.[54] The JS16 Remix, created by Finnish DJ and producer Jaakko Salovaara (JS16), transforms the song into a 6:07 club-oriented extended mix with electronic elements and additional production by Edgar Thompson, targeted at European dance markets and released in late 2001.[1][55] In 2023, a new official remix by Richi Lopez was released as part of the special edition soundtrack for the film Crossroads, incorporating contemporary dance elements.[56] The Darkchild Remix was later included on Spears' compilation album Greatest Hits: My Prerogative (2004), appearing as the "Darkchild Remix Edit" to represent her evolving sound during the early 2000s.[57] These remixes collectively broadened the song's appeal across genres while maintaining its core theme of seeking independence.[1]| Remix/Version | Producer/Remixer | Length | Release Date | Format Notes |
|---|---|---|---|---|
| Album Version | Max Martin, Rami | 3:18 | November 2001 | Standard album track on Britney |
| Radio Edit | Max Martin, Rami | 3:18 | December 2001 | Broadcast adaptation |
| Darkchild Remix | Rodney Jerkins | 3:06 | April 2, 2002 | U.S. single, R&B/hip-hop focus |
| Darkchild Remix (Instrumental) | Rodney Jerkins | 3:06 | 2002 | Promotional single |
| JS16 Remix | JS16 | 6:07 | Late 2001 | European club single |
| Richi Lopez Remix | Richi Lopez | 3:xx | 2023 | Crossroads special edition soundtrack |
Unofficial and Fan Versions
In the digital era, fans have produced numerous unofficial remixes and bootlegs of "Overprotected," often shared on platforms like SoundCloud and YouTube. These grassroots efforts typically reimagine the track with contemporary electronic or EDM elements, drawing inspiration from the song's official remixes but without label involvement. For example, the Concrete Husband Remix, uploaded in 2021, transforms the original into a pulsating house-infused edit emphasizing the chorus's synth hooks.[58] Similarly, the Alias Remix from 2022 layers additional beats and drops over the vocals, creating a club-oriented bootleg popular among online communities.[59] Fan mashups have also proliferated, particularly during the #FreeBritney movement in 2021, where creators blended "Overprotected" with other tracks to symbolize themes of autonomy and resistance. A notable example is "No Overprotected," a mashup by Raheem D that interleaves Britney Spears's vocals with Meghan Trainor's "No," amassing views on YouTube and aligning with protest sentiments.[60] Another early mashup, "Call Me Look Whos Talking Overprotected" featuring elements from Tweet's work, circulated as an underground vinyl bootleg in the 2000s, blending R&B and pop for a fusion vibe.[61] In the 2020s, fan-created content extended to video edits and challenges, with "Overprotected" inspiring recreations of its iconic choreography across social platforms. These unofficial versions, while not commercially released, highlight the song's enduring appeal among enthusiasts.Live Performances and Media Usage
Concert Appearances
"Overprotected" made its live debut during Britney Spears' Dream Within a Dream Tour from November 2001 to July 2002, where it was performed as the Darkchild Remix version. The staging included aerial elements, with Spears and her backup dancers suspended on a wire-hung platform that hovered above the audience, emphasizing the song's themes of breaking free.[62][63] The track was featured prominently in the Onyx Hotel Tour from March to September 2004, opening the second act after the tour opener "Toxic" and incorporating new choreography with Spears in a red latex outfit alongside dancers in coordinated futuristic attire.[64][65] Over the years, "Overprotected" appeared in select one-off concert events, such as the 2002 Euro Disney performance, but was largely phased out of major tours following the Onyx Hotel era, with no inclusions in subsequent residencies like Britney: Piece of Me (2013–2017) or the 2018 Piece of Me Tour extension.Appearances in Film and Television
The song "Overprotected" appears on the soundtrack for the 2002 film Crossroads, starring Britney Spears in her acting debut; the radio edit version is featured during key scenes, underscoring themes of independence and escape.[66] A remix by Richi Lopez was later included on the special edition soundtrack released in 2023 to coincide with the film's 20th anniversary re-release.[67] The music video for "Overprotected" (Darkchild Remix) is included as part of the 2004 DVD compilation Greatest Hits: My Prerogative, which collects Spears' prominent video clips and serves as a retrospective of her early career visuals.[68] In television, the song has been referenced thematically in documentaries examining Spears' career and conservatorship, such as the 2021 Framing Britney Spears from The New York Times Presents, where its lyrics about breaking free from overprotection are highlighted as ironically prescient to her real-life legal battles.[69]Legacy and Covers
Cultural Impact
"Overprotected" emerged as a key track in the early 2000s pop feminism landscape, embodying themes of female autonomy and resistance against restrictive expectations. The song's lyrics, which depict a young woman demanding space to "make mistakes just to learn who I am," captured the era's growing emphasis on self-assertion and independence for female artists and listeners alike. This message of empowerment positioned Spears as a trailblazer, influencing the genre's shift toward unapologetic confidence in women's voices.[70] The track's resonance extended to later artists exploring similar autonomy themes. In 2021, amid the #FreeBritney movement advocating for the end of Spears' conservatorship, "Overprotected" was repurposed as a symbolic anthem, its lyrics eerily paralleling her restricted personal freedoms and the public's demand for her liberation. The song saw a resurgence in popularity as fans connected its plea for independence to Spears' real-life battle.[71][72] Media portrayals further amplified the song's cultural footprint, including a parody in the 2008 South Park episode "Britney's New Look," which lampooned the relentless media scrutiny on Spears and critiqued the invasive "protection" imposed by fame.[73]Notable Covers and Samples
Ariana Grande's 2014 single "Break Free" featuring Zedd echoes the structural build-up of "Overprotected," with its pre-chorus tension leading to a liberating chorus drop that mirrors Spears' theme of breaking free from constraints. Acoustic covers have gained traction on YouTube. Official references to the song appeared in connection with Spears' 2023 memoir The Woman in Me, highlighting the track's role in her narrative of autonomy.Credits and Personnel
- Britney Spears – lead and background vocals[1]
- BossLady – backing vocals[74]
- Max Martin – songwriter, producer, mixing, guitar, recording[26]
- Rami Yacoub – songwriter, producer, programming, recording[26]
- John Amatiello – Pro Tools engineer[1]
- Michael "PGA Tour" Tucker – Pro Tools engineer[1]
- Niklas Roswall – assistant engineer[74]
Track Listings
International CD single
Released in Europe and other regions (Jive – 9253102, 2001)[22]- "Overprotected" (Album Version) – 3:18
- "Overprotected" (JS16 Remix) – 6:07
- "Overprotected" (JS16 Dub) – 5:24
- "Exclusive Chat with Britney" – 6:12
UK CD1 single
Released in the UK (Jive – 9253072, 2001)[75]- "Overprotected" – 3:19
- "Overprotected" (JS16 Remix) – 6:07
- "I'm a Slave 4 U" (Thunderpuss Mixshow Edit) – 6:15
US Darkchild Remix promotional CD single
Released in the US (Jive – none, promo 2002)[76]- "Overprotected" (The Darkchild Remix) – 3:18
- "Overprotected" (The Darkchild Remix – Radio Edit) – 3:06
- "Overprotected" (Album Version – Radio Edit) – 3:18
Release History
| Region | Date | Format | Label | Ref. |
|---|---|---|---|---|
| Europe | December 10, 2001 | CD single, enhanced | Jive Records | [1] |
| United Kingdom | January 7, 2002 | CD single, cassette | Jive Records | [1] |
| Australia & New Zealand | January 14, 2002 | CD single | Jive Records | [1] |
| Japan | December 12, 2001 | CD single | Jive Records | [1] |
| United States | April 2, 2002 | Digital single (Darkchild Remix), promo CD/12" | Jive Records | [77] |