Fact-checked by Grok 2 weeks ago

Canadian music charts

Canadian music charts are ranking systems that measure the popularity of songs and albums in Canada, primarily based on metrics including physical and digital sales, radio airplay audience impressions, and streaming activity from online platforms. The national charting tradition originated in 1964 with the launch of RPM magazine by Walt Grealis, which compiled and published weekly Top 100 singles and Top 50 albums charts drawn from data provided by record stores and radio stations across the country, operating until its closure in 2000. These charts not only reflected commercial success but also played a pivotal role in advocating for Canadian content regulations, such as the MAPL system (Music, Artist, Performance, Lyrics) introduced in the 1970s to promote homegrown talent on radio. Following RPM's end, Canadian charts transitioned to data from Nielsen SoundScan (now Luminate), which tracked physical single and from November 2000 until mid-2007, providing a bridge during the shift to music consumption. In June 2007, launched the Canadian Hot 100, the current flagship singles chart, which ranks the top 100 songs weekly by blending Luminate-measured , radio impressions, and streaming equivalents (where 1,500 streams equal one sale). Complementing this, the ** tracks the top 100 albums using similar criteria, including on-demand audio streams and -equivalent album units (where 1,500 on-demand audio streams equal one album unit). These methodologies mirror those of the U.S. but are tailored to Canadian market data, ensuring relevance to domestic audiences and industry trends. The evolution of Canadian music charts underscores the growth of the domestic industry, from RPM's foundational efforts to build a vibrant scene amid international dominance to today's digital-inclusive rankings that highlight global successes by Canadian artists like , , and . Year-end and all-time charts, archived by and historical databases, further document milestones, such as the over 10,000 RPM charts preserved by , offering insights into cultural shifts and the enduring impact of CanCon policies.

Overview

Definition and Purpose

Canadian music charts are ranked lists that track the popularity of songs and albums within the Canadian market, compiled from data on retail sales, radio airplay, streaming activity, and other forms of consumption. These charts offer a standardized measure of commercial performance tailored to domestic listener behavior and industry dynamics, distinct from rankings by prioritizing Canada-specific metrics such as regional sales distributions and broadcast patterns. The core purpose of Canadian music charts is to quantify the success of recordings, enabling record labels, artists, and promoters to assess market impact and refine strategies for artist development and marketing. They play a vital role in shaping radio playlists, as stations rely on chart positions to curate content that aligns with audience preferences and regulatory requirements. Furthermore, these charts support the music industry by highlighting top-performing works that demonstrate cultural and commercial significance. In tandem with (CanCon) regulations established by the Canadian Radio-television and Telecommunications Commission (CRTC) in 1970—which mandate that commercial radio stations devote at least 35% of their to Canadian selections—the charts promote domestic talent and foster a national music identity amid global influences. Unlike global charts such as the , which aggregate primarily U.S.-centric data, Canadian charts emphasize local consumption patterns, including the integration of CanCon criteria to prioritize homegrown artists and counteract the dominance of foreign releases. This focused approach has sustained the charts' relevance in supporting Canada's music ecosystem. With origins tracing back over 60 years to the launch of the CHUM Chart in 1957, these rankings now monitor hundreds of millions of album-equivalent units annually, reflecting the shift toward digital streaming while maintaining their role as a barometer for industry health.

Major Providers and Organizations

The primary entities responsible for compiling and publishing Canadian music charts include a mix of independent publishers, radio networks, data tracking firms, and international media partners, each contributing specialized data on sales, airplay, and streaming to reflect music consumption trends. RPM Magazine served as an independent Canadian trade publication that compiled weekly Top 100 singles and albums charts based on reports from retailers and radio stations across the country, establishing a foundational role in standardizing national music rankings. CHUM Limited, through its Toronto-based radio station CHUM-AM, operated one of the earliest national charts focused on the Top 40 format, drawing from , listener requests, and sales data to influence programming nationwide. Nielsen SoundScan, a U.S.-based data firm, entered the Canadian market in 1996 to track point-of-sale data from physical and digital retailers, providing the backbone for sales-based chart rankings; it rebranded as Luminate Data in 2022, continuing to monitor consumption metrics including streams and downloads from over 500 partners. Billboard, the prominent U.S. music magazine, has published Canada-specific charts since 1996 for albums and 2007 for singles, partnering with Luminate (formerly Nielsen) to integrate sales, streaming, and data into authoritative weekly rankings like the and . Mediabase, partnered with Luminate, monitors radio, television, and online , delivering audience impression metrics that contribute to chart positions on platforms such as the . Other notable providers include Jam!, a Canadian digital media outlet that disseminated comprehensive Nielsen SoundScan-based charts online starting in the early , offering public access to top singles and albums rankings. Additionally, streaming platforms like and maintain platform-specific Canadian charts, such as Apple Music's Top 100: and Spotify's Top 50 - , which rank tracks based on user streams and plays within the country.

Historical Development

Early Charts (Pre-1964)

Before the establishment of formalized national music charts in Canada, music popularity was tracked through informal, localized efforts by radio stations in major cities such as and . These stations maintained weekly playlists based on listener feedback and disc jockey preferences, reflecting regional tastes in pop and emerging rock 'n' roll music, but lacked a unified system to aggregate data across the country. The first attempt at a national chart emerged with the launch of the CHUM Chart on May 27, 1957, by radio station CHUM-AM, initially titled CHUM's Weekly . This Top 50 (later Top 40) ranking was distributed to record stores and newspapers, serving as Canada's national chart until 1964 by compiling data from listener requests and regional . Compiling these early charts presented significant challenges due to rudimentary methods, including surveys of listeners for requests and reports from select retailers on record sales. The focus remained on mainstream pop and rock 'n' roll hits, with limited infrastructure for comprehensive tracking across Canada's vast geography. During the 1950s, the rise of Canadian artists like , who achieved international success with hits such as "Moments to Remember" (1955) and "No, Not Much" (1956), highlighted the potential for domestic talent on global stages and influenced early chart criteria to increasingly recognize Canadian performers alongside international acts. This radio-driven approach laid the groundwork for more structured national charting, paving the way for formalized systems in the subsequent era.

RPM Era (1964–2000)

RPM magazine, founded by Walt Grealis on February 24, 1964, established the foundation for standardized national music charts in Canada during its influential tenure. The publication debuted its inaugural charts in the June 22, 1964 issue, presenting the RPM 100 Top Singles and Top Albums rankings, which were compiled from sales reports submitted by retailers nationwide alongside radio airplay data from stations across the country. This marked a shift from regional or informal tracking to a comprehensive national overview, with "Chapel of Love" by The Dixie Cups topping the first Top Singles chart. Key innovations by RPM further solidified its role in the industry. Beginning in 1965, the magazine introduced year-end charts to summarize the most popular singles and albums annually, providing a retrospective view of musical trends. In 1970, RPM developed the MAPL system—a classification tool for Canadian content identification, where a recording qualifies based on Canadian contributions to at least two of the four elements: music composition, artist (performer), performance (recording arrangement or production), and lyrics. This framework, symbolized by a quartered maple leaf logo when all elements were Canadian, became essential for promoting domestic artists. RPM's advocacy extended to policy influence, notably contributing to the Canadian Radio-television and Telecommunications Commission (CRTC) regulations enacted in 1971, which required radio stations to devote at least 30% of their to as defined by the MAPL system. Over nearly four decades, the magazine issued thousands of charts—spanning genres and formats like the RPM 100 Top Singles and Top Albums—tracking musical popularity and shaping broadcasting practices until its closure with the November 13, 2000 edition, prompted by broader industry transitions toward digital tracking methods.

Transition Period (1996–2007)

The transition period in Canadian music charts marked a pivotal shift from manual compilation methods reliant on retailer reports and industry estimates to automated electronic tracking systems, fundamentally altering how popularity was measured. In November 1996, Nielsen SoundScan introduced point-of-sale data collection in , automating the tracking of physical album sales from participating retailers and providing more accurate, real-time insights into consumer behavior. This innovation underpinned the launch of the Billboard Canada 200 chart, a Top 200 albums ranking that debuted the same year and became a key benchmark for album performance. Initially focused on physical sales, SoundScan's methodology covered a substantial portion of the market, enabling charts to reflect actual transactions rather than anecdotal data. During this era, the longstanding RPM magazine charts, which had dominated since 1964, operated in parallel with the new SoundScan-based rankings from 1996 until RPM ceased publication in November 2000. The overlap allowed for a gradual industry adjustment, as RPM continued to compile its sales and airplay data manually while SoundScan gained traction for its precision. Following RPM's closure, Jam! (an online extension of the Canoe network) stepped in to publish weekly charts, incorporating Broadcast Data Systems (BDS) airplay monitoring for singles alongside SoundScan sales figures where available. This hybrid approach addressed gaps in physical sales reporting, particularly as radio play became a more reliable indicator of song popularity. The period also witnessed the rapid erosion of physical singles formats amid the rise of digital distribution. By the mid-2000s, CD single sales had plummeted due to piracy, changing consumer habits, and the shift toward full-album purchases or online downloads, with overall physical music sales declining by approximately 35% in early 2007 compared to the prior year. This downturn, which saw traditional singles charts struggle with low transaction volumes, prompted a pivot to digital metrics. In March 2006, Nielsen launched the Canadian Digital Song Sales chart to track downloads from platforms like iTunes, replacing the faltering physical singles rankings and signaling the onset of a digital-first era in chart compilation.

Modern Developments (2007–Present)

The Billboard Canadian Hot 100 was launched on March 31, 2007, as the primary singles chart in Canada, integrating data from physical and digital sales, radio airplay, and early streaming metrics to reflect comprehensive music consumption. This debut issue marked a shift toward a more holistic measurement system, with Avril Lavigne's "Girlfriend" topping the chart as the inaugural number-one single, underscoring the prominence of Canadian artists from the outset. The rise of the streaming era transformed chart methodologies starting in 2014, when incorporated on-demand audio and video into its calculations, treating paid subscription as equivalent to in weighted units for broader impact. By 2025, streaming had become the dominant factor, accounting for approximately 73% of points in the Hot 100 formula, with radio and contributing the remainder, highlighting the shift to digital consumption patterns. In parallel, data provider Nielsen Music, responsible for tracking and for , rebranded to Luminate in 2022 following its formation as P-MRC Data in 2020, enhancing analytics for insights. Since 2020, charts have increasingly incorporated data from platforms like —added in 2014—and reflected the viral influence of , where drives streams without direct metric inclusion in the core formula. The COVID-19 pandemic accelerated this trend, boosting home-based streaming by 16.7% in the first half of 2020 alone, as live events halted and digital listening surged to sustain industry revenues. From 2023 to 2025, policy updates by the Canadian Radio-television and Telecommunications Commission (CRTC) emphasized support for Indigenous and diverse artists, mandating contributions to Indigenous music programs and updating commercial radio policies to promote equity-deserving creators on charts and airwaves. These initiatives, including directions for digital platforms to fund Canadian and Indigenous content, have elevated representation, with Indigenous artists gaining visibility through targeted funding and regulatory incentives.

Album Charts

Historical Album Charts

In the 1950s, Canadian album popularity was tracked through informal lists published in radio guides and local station publications, such as those from Toronto's CHUM radio, which included album recommendations alongside singles but lacked any national standardization or systematic methodology. These efforts were largely promotional, relying on DJ selections and regional retailer feedback rather than aggregated sales data, and they did not constitute formal charts. The establishment of RPM magazine in February 1964 introduced the first national music industry publication in Canada, initially focusing on singles before expanding to albums. The inaugural national Top 50 album chart appeared on October 14, 1968, compiled weekly from retailer shipment reports across the country, with Cream's Wheels of Fire debuting at number one. This chart grew to a Top 100 format in subsequent years, providing a standardized measure of album performance based on physical sales and distribution. During the 1970s, RPM incorporated (CanCon) regulations, which mandated airplay quotas for domestic music and led to dedicated sections highlighting Canadian albums on the main chart. Joni Mitchell's , released in January 1974, exemplifies this era by reaching number one on the RPM albums chart, underscoring the rising commercial success of Canadian artists amid the CanCon push. The album's peak position reflected broader trends in folk-rock and gaining traction in . In the and , prior to the adoption of Nielsen SoundScan for electronic tracking, RPM expanded its charts to include genre-specific sub-charts for categories like and , allowing for more nuanced rankings beyond the pop-focused main list. These additions, such as the RPM Jazz Albums chart starting in the mid- and country extensions, catered to diverse audiences while maintaining reliance on manual sales reports from retailers. This period solidified RPM's role as the primary source for Canadian data until its discontinuation in 2000.

Current Canadian Albums Chart

Data compilation for the Billboard Canadian Albums chart began in 1996 with Nielsen SoundScan (now Luminate), initially published by Jam!. began publishing the chart every Tuesday starting October 27, 2015, drawing on nationwide data to rank the top-performing titles based on multi-metric units. This chart provides a of market dominance, with positions determined from the previous week's activity, and has evolved to capture the dominance of both established and emerging artists in the Canadian landscape. From 1996 to 2015, the chart was published by Jam! based on Nielsen data; took over publication in 2015, incorporating streaming and track equivalent albums (TEA) starting that year. The methodology emphasizes a balanced integration of physical and digital formats, incorporating traditional (including downloads and physical copies), equivalent (TEA, where 10 individual downloads equal one unit), and streaming equivalent (SEA, where 1,500 on-demand audio streams equal one unit). Since , has been fully integrated to account for the rise of platforms like and , ensuring the chart aligns with how fans engage with music today. Digital from also contribute, preventing siloed analysis of singles. This approach, verified through Luminate's tracking, prioritizes comprehensive consumption over pure alone. Notable achievements on the chart highlight global and domestic successes, with Taylor Swift's (2020) standing out for its debut at number one and amassing 175,000 units in Canada during its first year, earning multiple platinum certifications from . Among Canadian artists, holds a prominent record with over a dozen number-one albums, including his 2025 collaboration ome exy $ongs 4 U with , which topped the chart and underscored his enduring influence. These milestones illustrate the chart's role in benchmarking artistic impact and commercial longevity. In 2025, the chart continues to reflect shifts in , particularly the vinyl resurgence, with sales increasing by approximately 19% year-over-year through late 2025, boosting the share of physical units to around 14% as of mid-2025 amid broader streaming dominance. This growth, tracked by Luminate, has elevated vinyl-heavy releases in the upper echelons, signaling renewed collector interest and format diversification.

Album Chart Methodologies

The methodologies for compiling Canadian album charts rely on data aggregated by Luminate, which tracks physical and digital , equivalent albums (TEAs), and streaming equivalent albums (SEAs) to determine rankings on the Canadian Albums chart. Physical and digital are captured from a comprehensive network of retailers covering major chains and independent stores across , representing over 90% of the market, while digital include downloads from platforms like . Streaming data is sourced from major on-demand services such as , , and , where audio and video streams are weighted to form SEAs; 1,500 on-demand streams equal one SEA unit, with each SEA or TEA contributing to overall album equivalent units. Additionally, 10 individual or equivalents count as one TEA unit, blending all metrics into a unified consumption measure for ranking purposes. Charts are strictly territorial, incorporating only and generated within to reflect domestic consumption, excluding any data or international activity. While (CanCon) regulations influence radio quotas, they do not directly apply a bonus to chart calculations; however, strong can indirectly boost visibility through cross-promotion with and streaming tie-ins monitored by Luminate. Updates occur weekly, with charts resetting on Fridays and reflecting data from the preceding Monday through Sunday tracking period, ensuring timely reflection of consumer activity. In cases of ties, rankings are resolved by total consumption points, prioritizing comprehensive unit totals over individual components like pure sales. The evolution of these methodologies shifted from pre-1996 reliance on manual retailer reports, which were prone to estimation errors and incomplete coverage, to automated barcode scanning introduced by Nielsen SoundScan in November 1996, enabling precise point-of-sale tracking. This transition markedly improved data accuracy, with post-1996 systems achieving near-complete coverage of retail transactions through electronic reporting; by 2025, Luminate's integration of digital and streaming sources has enhanced overall market representation to approximately 93-95% for physical sales while fully capturing major streaming platforms.

Singles Charts

Historical Singles Charts

The CHUM Chart, published by Toronto radio station CHUM 1050 AM, ran from May 1957 to June 1986 and represented one of the earliest formalized rankings of popular singles in . Initially a top 50 list that shortened to top 30 by , it was compiled primarily through selections reflecting station , supplemented by listener requests phoned in or reported via record stores. This radio-centric approach captured local trends but gained national influence due to CHUM's prominence, with charts distributed to retailers and published in newspapers. The inaugural number-one single was Elvis Presley's "" on the chart dated May 27, 1957, marking the beginning of a format that highlighted rock 'n' roll's rise in Canadian pop culture. In 1964, RPM magazine introduced the Top Singles chart, establishing the first national survey of hit songs across Canada and running until November 2000. Expanding from a top 40 to a top 100 by 1966, the chart aggregated data from retail sales reported by stores and airplay monitored from radio stations, providing a broader snapshot than regional efforts like CHUM. RPM also pioneered genre-specific rankings, launching the Adult Contemporary chart in 1975 to track softer, middle-of-the-road hits separately from mainstream pop. This dual focus on sales and airplay helped standardize chart methodology, influencing parallel developments in album tracking during the same era. By the 1980s, RPM's singles chart featured notable Canadian successes, such as Bryan Adams' "Summer of '69," which peaked at number 11 in September 1985 amid the rock album's multi-platinum run. The and saw technological advancements refine RPM's airplay component, with (BDS) entering the Canadian market in spring 1995 to provide electronic monitoring of radio spins across stations. This replaced manual reporting, offering more precise data that bolstered RPM's accuracy as physical sales began waning due to the shift toward purchases and emerging digital formats. From 2000 to , amid RPM's final years and the transition to new chart providers, physical singles shipments in declined sharply, falling below 10 million units annually by as consumer preferences moved away from standalone 45s and .

Current Canadian Hot 100

The serves as the flagship weekly singles chart in , ranking the top 100 songs across all genres based on multi-metric consumption data compiled by since its debut. Launched on June 16, 2007, the chart emulates the structure of the U.S. by integrating various indicators of popularity to provide a comprehensive snapshot of current hits. The inaugural edition was topped by Avril Lavigne's "," marking a milestone for Canadian artists on the new ranking. The chart's formula combines radio airplay audience impressions (tracked via Nielsen ), digital download sales, and streaming equivalents from platforms such as and , with data sourced from Luminate. While does not publicly disclose precise weights, the methodology balances paid and ad-supported streams alongside traditional metrics, with updates published every Tuesday reflecting the prior Friday-to-Thursday tracking period over 52 weeks annually. This approach ensures the ranking captures both audience engagement and commercial performance in the Canadian market. Significant records underscore the chart's evolution and the dominance of certain artists. Shaboozey's "A Bar Song (Tipsy)" holds the record for the longest consecutive run at number one, with 25 weeks in 2024, surpassing previous benchmarks like The Weeknd's "" (13 weeks in 2020–2021). leads in overall chart presence, accumulating over 300 entries as of early 2025, reflecting his prolific output and enduring popularity in . As of November 2025, the Canadian Hot 100 continues to highlight a blend of global and domestic talent, with the top 10 frequently featuring several Canadian artists alongside international hits. For the week of November 15, 2025, occupies multiple positions, including number one with "The Fate of Ophelia," while charts at number five with "Daisies," exemplifying the chart's role in amplifying both international superstars and homegrown successes.

Digital and Streaming Singles Charts

The Canadian Digital Song Sales chart, launched by in 2007, ranks the top 50 digital downloads based on data tracked by Nielsen SoundScan. This chart emerged as digital platforms like gained prominence, providing a dedicated measure for single-track purchases that traditional charts could no longer adequately capture. By 2011, digital single in Canada reached a peak of 94.2 million units, reflecting the rapid shift toward online distribution before the rise of streaming began to erode download volumes. Today, the chart's data is integrated into the broader , contributing to its multi-metric formula alongside airplay and streaming. Streaming-specific charts have further expanded the landscape of Canadian singles tracking since the mid-2010s. Billboard incorporated streaming activity into the Canadian Hot 100 in September 2014, marking the first inclusion of on-demand audio and video streams from services like YouTube, with the streams component—often referred to as Canada Songs—now weighting paid and ad-supported plays equally. Complementing this, Spotify's Viral 50 Canada chart, introduced following the platform's Canadian launch in 2014, highlights the 50 most rapidly gaining tracks based on user-generated shares and plays, emphasizing emerging and user-driven hits rather than overall consumption. Similarly, Apple Music's Top 100 Canada provides a real-time ranking of the platform's most-played songs, updated daily to reflect current listening trends across genres. These and streaming charts have been essential in addressing consumption patterns overlooked by physical sales metrics post-2006, as downloads and quickly became the dominant formats. By , streaming accounted for approximately 78.8% of Canada's total recorded music revenues, totaling $520.1 million, with annual play volumes exceeding 145 billion in the country alone. This shift has enabled more accurate representation of listener behavior, particularly for independent and viral tracks, filling the void left by declining physical singles sales that once comprised the bulk of chart data.

Singles Chart Methodologies

The methodologies for Canadian singles charts, exemplified by the Canadian Hot 100, rely on a hybrid model that combines radio airplay, digital sales, and streaming metrics to rank song popularity. Radio airplay is measured through Nielsen Broadcast Data Systems (), which monitors over 500 terrestrial and stations across , capturing plays to compute audience impressions as the product of spins and each station's estimated audience reach. This airplay data is weighted alongside other components to reflect overall consumption. Digital sales are tracked by Nielsen SoundScan, aggregating downloads from key retailers including and , ensuring comprehensive capture of point-of-sale transactions. Streaming contributes significantly to the rankings, with formulas designed to equate audio and video plays to traditional equivalents while prioritizing paid engagement. Approximately 1,500 audio streams (paid or ad-supported) equate to one sale equivalent unit; video streams, such as those on , are weighted lower, with approximately 6,000 official video plays equating to one sale unit. , including views, has been incorporated since 2013 at these reduced weights to account for authorized audio usage in videos, official uploads, and streams, broadening the metric beyond audio-only platforms. Eligibility ensure the charts reflect viable releases within the market. Songs must have a release available for purchase or streaming to accrue sales or stream points, excluding promotional or non-retail distributions. A recurrent governs , removing songs from active tracking after 52 weeks if they fall below the top 25 positions, preventing indefinite chart occupancy by older tracks. In October 2025, updated the recurrent for the Hot 100, removing songs faster if they fall below #5 after 78 weeks or below #25 after 52 weeks, to better reflect current trends. All data is territorially restricted to , with from Canadian stations and sales/streaming reported by users within the country via IP-based geolocation from platforms. To maintain integrity, methodologies incorporate robust coverage and anti-manipulation measures. Nielsen's systems achieve extensive for and sales tracking, with ongoing expansions ensuring representation of diverse formats and regions. Since the early , AI-driven adjustments have been integrated for detection in , identifying artificial such as bot-generated plays to safeguard accurate rankings.

Specialized and Emerging Charts

Genre-Specific Charts

Genre-specific charts in Canada address the limitations of all-genre rankings by focusing on targeted musical styles, providing visibility for artists and trends within niche audiences. These charts have evolved alongside the broader music industry, with historical efforts by RPM magazine and modern expansions by Billboard Canada incorporating genre-tailored methodologies that emphasize airplay from specialized radio formats. The genre boasts one of the longest-running dedicated s in . RPM magazine published the Country Tracks from 1975 until its discontinuation in 2000, tracking singles based on radio and sales data reported by industry sources. Following a period without an official national , launched the Country in 2017, ranking the top 50 songs weekly using a blend of audience impressions from country radio stations, digital sales, and streaming activity. This highlights domestic talent alongside international acts, with methodology prioritizing from monitored Canadian country stations via Nielsen Music data. Other genres have seen similar developments, particularly in dance, urban, rock, and Christian music. In the 1980s, RPM introduced Dance/Urban charts to capture the rising popularity of electronic and rhythm-based tracks, starting with the Top 30 Disco Playlist in 1976 and evolving to reflect club and urban radio play. Billboard Canada now maintains ongoing charts for rock and Christian segments, including the Canada Mainstream Rock chart (tracking airplay since the early 2010s) and Christian airplay metrics integrated into broader formats. These charts use airplay as a primary component, often weighted heavily—up to 70% in some genre formulas—to reflect radio dominance in specialized programming. Niche and emerging genres benefit from supplementary rankings and awards that indirectly shape chart performance. The , administered by the Canadian Academy of Recording Arts and Sciences, feature jury-voted categories for genres like , , and international styles, boosting and streaming for winners through increased industry recognition. In the , streaming platforms like have amplified visibility with Canada-specific playlists, such as those spotlighting artists like , whose tracks consistently dominate urban streams and influence genre polls. Recent expansions reflect streaming's role in diversifying coverage. By 2025, Canada has incorporated more data from global streaming services to track rising interests in and , with from multicultural radio stations contributing to hybrid rankings that blend traditional metrics with on-demand plays. This approach ensures charts remain relevant amid shifting consumption patterns, though retains significant weighting to honor radio's foundational impact.

Year-End and Aggregate Charts

Year-end charts in Canada aggregate weekly performance data to rank the most successful songs and albums of the calendar year, offering insights into annual trends and cultural impacts across genres. These compilations typically draw from , , and later streaming metrics, providing a view that highlights enduring popularity beyond weekly peaks. or all-time charts extend this concept over multiple years or decades, adjusting for evolving consumption patterns to identify landmark achievements. The RPM magazine, which published Canada's primary music charts from 1964 to 2000, introduced year-end Top 100 lists for both albums and singles starting in 1965, marking the first comprehensive annual summaries based on nationwide data. These rankings were derived from aggregated weekly positions reported by retailers, radio stations, and distributors, emphasizing physical sales and airplay in an era before digital metrics. For example, in the 1980 year-end albums chart, Pink Floyd's The Wall topped the list, while Billy Joel's Glass Houses secured the No. 2 position with strong sales driven by hits like "It's Still Rock and Roll to Me." Since the launch of the in 2007, year-end editions have ranked the top 100 songs annually using a points-based system that sums performance across weekly charts, where higher positions earn more points (e.g., No. 1 receives 100 points, decreasing incrementally). This methodology accounts for longevity as much as peak position, incorporating sales, streaming, and radio airplay data from Luminate (formerly Nielsen SoundScan). In 2024, Shaboozey's "A Bar Song (Tipsy)" claimed the No. 1 spot on the year-end , reflecting its record-breaking 25 weeks at No. 1 during the year and over 1 billion global streams, underscoring the growing influence of country-rap crossovers. Aggregate charts, often called all-time rankings, compile cumulative data from the chart's to reveal decade-spanning or historical benchmarks, with adjustments for streaming in recent updates to equate older sales-heavy eras with modern digital consumption. Canada has periodically released such lists; for instance, a 2016 analysis ranked the top 40 biggest hits to date using total points from weekly performances. These charts serve to identify era-defining works, such as The Weeknd's dominance in the 2020s, where he accumulated the highest total streams and sales among Canadian artists, led by "" as the decade's top global hit with over 4 billion streams.

Impact on Canadian Music Industry

The introduction of Canadian Content (CanCon) regulations in 1971, requiring radio stations to program at least 30% Canadian music, was largely driven by the dominance of international artists on national charts like those published by RPM magazine, which highlighted the underrepresentation of domestic talent. These rules directly addressed the issue by tying broadcast licenses to Canadian airplay quotas, fostering greater chart visibility for local artists during the RPM era and leading to a marked rise in Canadian number-one hits from negligible levels in the late 1960s to around 20-30% of chart-toppers by the mid-1980s, as stations prioritized eligible content to comply. Chart performance plays a pivotal role in artist development within , serving as a primary criterion for nominations and amplifying career trajectories. For instance, success on the Canadian Hot 100 and albums chart often correlates with Juno recognition; in 2025, Tate McRae's chart-topping album So Close to What—which debuted at number one on the Canadian Albums Chart—earned her five Juno nominations, including , and four wins, facilitating major global deals with brands and expanded international touring opportunities. This linkage underscores how charts act as a gateway to industry validation, enabling emerging Canadian talents to secure recording contracts, promotional support, and cross-border exposure. Economically, Canadian music charts direct investments and revenue allocation in an industry valued at $660.3 million USD in recorded music revenues for 2024, with the broader sector including related activities estimated around $1.6 billion based on prior years' data, and streaming accounting for over two-thirds of that growth. Charts influence label strategies, placements, and marketing budgets, as high rankings signal commercial viability and drive on downloads, , and live events. Post-2020, the rise of streaming-specific charts has particularly empowered Indigenous artists by enhancing algorithmic discoverability and global streams; for example, platforms like have highlighted Canadian through dedicated playlists, contributing to broader economic inclusion in the sector. Despite these benefits, charts have sparked challenges, including 2025 debates over algorithmic biases in streaming services that prioritize U.S. content, potentially marginalizing Canadian works despite CanCon contributions. This has fueled calls from industry groups for the CRTC to impose targeted CanCon quotas on music streamers, with proposals suggesting up to 40% for certain formats to mirror radio requirements and counter foreign dominance, though opponents argue such measures could disrupt user-driven recommendations. As of November 2025, the CRTC's ongoing consultations (e.g., Broadcasting Notice CRTC 2025-52) emphasize contributions over strict quotas for streamers, adapting to digital platforms while addressing foreign dominance concerns.

References

  1. [1]
    Charts - Canadian Music Blog - WordPress.com
    National music charts began in 1964 when Walt Grealis, OC, eager to develop a dynamic music industry in Canada, published RPM magazine.
  2. [2]
    RPM - Library and Archives Canada
    Mar 25, 2019 · The RPM database includes all music industry charts published in the weekly trade magazine RPM from 1964 to 2000. Over 10,000 charts were ...
  3. [3]
    Billboard Launches Canadian Hot 100 Chart
    Jun 7, 2007 · The Canadian Hot 100 emulates the formula that drives The Billboard Hot 100, which has mingled sales and radio data since its launch in 1958.
  4. [4]
    Billboard Canadian Hot 100
    Billboard Canadian Hot 100. This week's most popular songs in Canada across all genres, ranked by radio airplay audience impressions as measured by Nielsen ...
  5. [5]
    Billboard Canadian Albums
    Billboard Canadian Albums. This week's most popular album in Canada across all genres, ranked by album sales, audio on-demand streaming activity and digital ...
  6. [6]
    Every Canadian Artist Who Has Had More Than One No. 1 Hit on ...
    May 6, 2024 · Every Canadian Artist to Top The Billboard Hot 100 Twice. Drake; Justin Bieber; The Weeknd; Bryan Adams; Celine Dion; Nelly Furtado; Paul Anka ...
  7. [7]
    The RPM story - Library and Archives Canada
    To facilitate this "soft policing," the Maple Leaf System ( MLS ) was created in 1969 with Walt Grealis as coordinator. The idea was that 12 radio stations from ...
  8. [8]
    History: Jan. 18, 1971-When Canada stood up for Canadian music
    Jan 18, 2016 · On this date, January 18, 1971, Canadian Content rules came into effect (Can-Con) meaning radio stations had to play 30% Canadian music determined by a rating ...
  9. [9]
    Canadian content requirements for music on Canadian radio - CRTC
    Dec 7, 2022 · CRTC policies and regulations ensure that Canadian works are played on Canadian radio stations. ... released before January 1 1981, at least 30% ...
  10. [10]
    Winners + Nominees - The JUNO Awards
    Winners + Nominees · TD JUNO Fan Choice · Single of the Year · Album of the Year · Breakthrough Artist or Group of The Year · Artist of the Year · Group of the Year.
  11. [11]
    Canada Was the Number Three Exporter of Music In The World in ...
    Jan 16, 2025 · Shifting to look at consumption within Canada, Luminate finds that total album consumption is up by 8.1%, from 104.4 million units in 2023 to ...
  12. [12]
    Music Charts - The Canadian Encyclopedia
    The 'CHUM Chart,' prepared 1957-83 by CHUM-AM, Toronto, is the most famous of these in Canada. Trade journals, on the other hand, draw on statistics provided by ...
  13. [13]
    RPM
    ### Summary of RPM's Role in Canadian Music Charts
  14. [14]
    CHUM Ltd. (1944-2008) - The History of Canadian Broadcasting
    CHUM became the first radio station in Canada, and one of the first in the world, to play rock and roll 24 hours a day.
  15. [15]
    About - Luminate
    nielsen SoundScan. 1999. TVtracker founded. tvtracker.com. 2011. Variety acquires ... Announced rebrand as Luminate at SXSW. Expanded music coverage to 48 ...<|control11|><|separator|>
  16. [16]
    Nielsen BDS - Canadian Musician Royalty Collection Initiative
    Nielsen BDS reports are a contributing factor to North American charts such as Billboard Hot 100, Canadian Hot 100, Airplay Monitor, and Canadian Music Network ...
  17. [17]
    Top 100: Canada - Playlist - Apple Music
    Listen to the Top 100: Canada playlist on Apple Music. 100 Songs. Duration: 8 hours 31 minutes.Missing: providers organizations RPM CHUM Nielsen SoundScan Luminate Billboard BDS Jam Spotify
  18. [18]
    Top 50 - Canada | Spotify Playlist
    Your daily update of the most played tracks right now - Canada. Spotify. 332,582 saves. The Fate of Ophelia. Taylor Swift.
  19. [19]
    Music Charts
    ### Summary of Early Canadian Music Charts Before 1964
  20. [20]
    The CHUM Chart - Rock Radio Scrapbook
    The CHUM Chart was a weekly music chart from CHUM radio, first issued in 1957, and was the second-longest continually issued chart by a private North American  ...
  21. [21]
    CHUM Chart History - 1050 CHUM MEMORIAL BLOG
    The chart debuted on May 27, 1957, under the name CHUM's Weekly Hit Parade. The CHUM Chart name was adopted in 1961. The chart was published for 1,512 ...
  22. [22]
    The Four Lads
    ### Summary of The Four Lads' Rise in the 1950s and Influence on Canadian Music
  23. [23]
    RPM
    ### Summary of RPM Magazine
  24. [24]
    1964's Biggest Canadian Hits
    Mar 12, 2011 · 1964 was the year in which RPM magazine debuted and began publishing nationwide music charts. The first Canadian Top Singles chart available ...
  25. [25]
    The MAPL system - defining a Canadian song - CRTC
    Dec 7, 2022 · The CRTC's MAPL system (music, artist, lyrics, performance) defines a Canadian song to meet Canadian content rules for broadcasting.
  26. [26]
    All Billboard Top 10s Since Canadian Hot 100 Launch
    Aug 18, 2013 · This year marked the 6th anniversary of the Billboard Canadian Hot 100. The first chart was released June 2, 2007, though a few unofficial ...
  27. [27]
    Billboard, Changing the Charts, Will Count Streaming Services
    Nov 19, 2014 · Billboard and Nielsen SoundScan will start adding streams to the formula behind the Billboard 200.
  28. [28]
    The Billboard Hot 100, Deconstructed - Firebird Magazine
    Jun 22, 2025 · The company is notoriously private with their exact formula, but the current estimates for these weights, per @ChartEssentials, are as follows: ...
  29. [29]
    Luminate Is the New Name of P-MRC Data - Variety
    Mar 16, 2022 · P-MRC Data, which houses brands that have supplied music and entertainment industry data for decades, is now called Luminate.
  30. [30]
    YouTube just got hotter in Canada: Views added to Billboard's Charts
    Sep 25, 2014 · Now, Billboard Canada has launched the first-ever Canadian Hot 100 chart to include Nielsen's streaming data, in addition to sales data and ...
  31. [31]
    Canada music consumption up 5.7% this year despite Covid-19
    Jul 14, 2020 · Breaking that down, Canadians streamed 42.2bn on-demand audio tracks in the first half of this year, up by 16.7% year-on-year. That was enough ...
  32. [32]
    CRTC maintains support for Canadian artists on commercial radio
    Dec 7, 2022 · The CRTC updated its commercial radio policy to better support Canadian artists and provide flexibility to help the radio industry remain competitive.
  33. [33]
    Minister St-Onge releases direction to support more Canadian ...
    Nov 23, 2023 · The Government of Canada has released final directions for a new law that supports Canadian stories and music in the digital age.Missing: charts | Show results with:charts
  34. [34]
    The CHUM Tribute Site: '50s Charts
    May 27, 1957 was the date on the first CHUM chart. As you can see elsewhere in the CHUM Chart section of this site, the first chart had caricatures of the CHUM ...
  35. [35]
    Canada #1 Songs, 1957-2024 - Dave's Music Database
    Aug 19, 2023 · The CHUM chart was used from May 27, 1957 to June 22, 1964. The latter date also marked the first appearance of the RPM Canadian chart, which ...
  36. [36]
    Rpm Charts (canada) - UKMIX Forums
    Aug 20, 2006 · RPM's "Top 100" was the very first national Canadian singles chart that incorporated sales data. They modelled it on Billboard Hot 100.<|control11|><|separator|>
  37. [37]
    RPM: Canadian Music Weekly 1964 to 2000 - World Radio History
    RPM was a Canadian music industry publication that featured song and album charts for Canada. The publication was founded by Walt Grealis in February 1964.
  38. [38]
    COURT & SPARK by JONI MITCHELL sales and awards
    Year-end chart performance for COURT & SPARK ; Chart 1974, Rank ; Canadian Albums (RPM), 23 ; US Albums (Billboard 200), 13 ...Missing: #1<|control11|><|separator|>
  39. [39]
    Joni Mitchell Turns 80: Celebrating The Iconic Singer-Songwriter's ...
    Nov 7, 2023 · 10 in Canada, spending sixteen weeks on the charts between late '72 and early '73. December, 1973: “Raised on Robbery” announces Court and Spark.Missing: RPM | Show results with:RPM
  40. [40]
    Billboard Canadian Albums
    This week's most popular album in Canada across all genres, ranked by album sales, audio on-demand streaming activity, and digital sales of tracks from albums.
  41. [41]
    https://www.billboard.com/charts/canadian-albums/2025-11-15/
  42. [42]
    Billboard Charts Legend
    STREAMING DATA​​ Billboard's Streaming Songs chart ranks the week's top streamed programmed songs and on-demand songs and videos on leading online music services.
  43. [43]
    Luminate | Entertainment Industry Data, Analytics & Insights
    Luminate, Billboard's longtime official Charts partner, will track streaming and sales metrics from TME platforms, including QQ Music, Kugou Music, Kuwo Music, ...Music · Luminate Index · Music Publishers · The music listening...Missing: Canadian organizations RPM CHUM Jam
  44. [44]
    FOLKLORE by TAYLOR SWIFT sales and awards
    Year-end chart performance for FOLKLORE ; Belgian Albums (Ultratop Flanders), 30 ; Canadian Albums (Billboard), 9 ; Canadian Albums (SoundScan), 4, 175,000.
  45. [45]
    Drake & PartyNextDoor Debut at No. 1 on the Billboard Canadian ...
    Feb 26, 2025 · Drake & PartyNextDoor Debut at No. 1 on the Billboard Canadian Albums Chart with '$ome $exy $ongs 4 U' | Billboard Canada.
  46. [46]
    This is your weekly Canadian sales/streaming report (23 Oct 2025)
    Oct 23, 2025 · Vinyl sold in Canada this year: 1,368,195 (up 19.3% from a year ago). Streaming numbers: Songs streamed in Canada last week: 2,898,963,071 (down ...
  47. [47]
    https://omdia.tech.informa.com/om129666/canada-music-industry-update-april-2025
  48. [48]
    Sales data providers: List of U.S. and Canada active retailers
    CONNECT receives direct product sales data from thousands of retailers in the U.S. and Canada every day. We track physical and digital music sales across ...Missing: coverage percentage
  49. [49]
    Justin Bieber's 'SWAG' Tops Streaming Albums & Songs Charts With ...
    Jul 23, 2025 · Titles are ranked by streaming-equivalent album (SEA) units, where each SEA unit equals 3,750 ad-supported or 1,250 paid/subscription on-demand ...<|control11|><|separator|>
  50. [50]
    Luminate reports a cooling in global, US, and Canadian audio ...
    Jul 24, 2024 · Luminate said total consumption was up 9.8%, to 54.8 million units from 49.9 million units in the same period of 2023 (see Table 3). Although ...
  51. [51]
    Methodology 101: How Luminate collects, models and measures ...
    We (mainly) use Album Equivalent and Stream Equivalent ratios to measure music performance and rank titles on the charts.
  52. [52]
    Canadian Music Sales Report: Week Ending October 2, 2025
    Oct 8, 2025 · Here is this week's Luminate Data Market Watch national sales report, featuring stats for Canadian album sales, streams, digital sales and more.
  53. [53]
    Equivalent weighting: Measuring music consumption
    An Album Equivalent measurement combines weighted streams and song sales with traditional album sales. We track Album Equivalent activity in countries for which ...
  54. [54]
    Top Selling Albums Artists In Canada - UKMIX Forums
    Both Billboard and RPM magazine published for the first time canadian Soundscan chart in november 1996.Missing: launch | Show results with:launch
  55. [55]
    Vinyl Sales and Data: Why Statistics Can't Reflect the Reality of ...
    Dec 29, 2024 · By late 2023, Luminate stated that it was covering 93% of the physical music market and getting data from 95% of independent stores that sell ...
  56. [56]
    1957 charts - The CHUM Tribute Site
    The issues from May 27 to November 18, 1957 listed the artists for only the top 10 records - the artists for positions 11 to 50 were not mentioned.
  57. [57]
    Search: RPM - Library and Archives Canada
    ​Enter one or more search terms. You don't need to fill in all the boxes. Wildcard character: * (e.g. John* for Johns, Johnsen, Johnson, Johnston, etc.).Missing: first national
  58. [58]
    [PDF] October 2, 1995 - World Radio History
    Oct 2, 1995 · RPM first reported the entry of the US. - based Broadcast Data Systems (BDS) into the. Canadian market back in the spring (RPM. -. April. 10/95) ...
  59. [59]
    CD Market Collapsing In Canada - Pollstar News
    May 1, 2007 · Physical sales have not been replaced by legal digital downloads, apparently because of a commonly held belief that file sharing and unpaid ...Missing: 50%
  60. [60]
    The 4th Canadian Single to Top the Canadian Billboard Hot 100
    Feb 1, 2012 · until today. The first was Avril Lavigne's “Girlfriend”, the second Nikki Yanofsky's “I Believe”, and the third Young Artists For Haiti's “Wavin ...
  61. [61]
    Billboard Changing Charts Calculus
    Effective the chart week beginning June 29, greater emphasis is to be given to paid subscription streams in Canada and the US. We have the details you need ...Missing: methodology - | Show results with:methodology -
  62. [62]
    Drake | Biography, Music & News | Billboard
    Drake. Billboard Hot 100™. 13 No. 1 Hits. 361 Songs. 81 Top 10 Hits ... Billboard Canadian Hot 100; Billboard Canadian Albums; Canada Emerging Artists ...<|separator|>
  63. [63]
    2025-11-08
    ### Top 10 Songs on Billboard Canadian Hot 100 (Week of November 8, 2025)
  64. [64]
    Recording Industry Data Shows Canada a Global Leader For Paid ...
    Jun 6, 2012 · According to the IFPI data, Canadians purchased 94.2 million single track downloads in 2011, making it the third largest market in the world ( ...Missing: 50 units
  65. [65]
    Spotify Launches Music Streaming Service in Canada
    Sep 30, 2014 · The Swedish company, founded by Daniel Ek in 2006, on Tuesday started streaming tunes to Canadians on mobile, tablet and desktop platforms.
  66. [66]
    IFPI's Global Music Report 2025 reveals tenth consecutive year of ...
    Mar 19, 2025 · Global recorded music revenues have grown for the tenth consecutive year, up 4.8% to US$29.6 billion in 2024, according to the IFPI's Global Music Report 2025.
  67. [67]
    The State of Music in Canada: 2024 By the Numbers - Ludwig Van
    Jan 20, 2025 · The 2024 numbers paint a clear picture of an industry in flux. While streaming continues its unstoppable rise with 145.1 billion plays in Canada alone.
  68. [68]
    Nielsen Expands Partnership With SOCAN, Adding 200 Radio ...
    May 2, 2019 · Analytics firm Nielsen has added some 200 new Canadian radio stations in 137 new markets to its monitored by BDSradio product.Missing: BDS | Show results with:BDS
  69. [69]
    Billboard Charts to Adjust Streaming Weighting in 2018
    Oct 19, 2017 · In 2018, Billboard will have multiple weighted tiers of streaming plays for the Hot 100, which take into account paid subscription streams, ad-supported ...
  70. [70]
    Billboard Charts Add YouTube Views
    Feb 21, 2013 · The inclusion of YouTube data comes nearly one year after Billboard and Nielsen launched the On-Demand Songs chart and added streaming data ...
  71. [71]
    Artificial Streaming, Not AI, Is The Threat to Music Industry - Billboard
    Jul 18, 2025 · Artificial streaming, and not AI is the immediate threat to music's integrity, writes Michael Lewan of the Music Fights Fraud Alliance.Missing: Nielsen Canada
  72. [72]
    Canada Country
    I Got Better. Morgan Wallen. 1 ; Bar None. Jordan Davis. 2 ; Back In The Saddle. Luke Combs. 5 ; Bottle Rockets. Scotty McCreery & Hootie & The Blowfish. 3 ; Heart ...
  73. [73]
    Canadian dance chart - Wikipedia
    The Canadian dance chart was first known to be published on November 13, 1976, by RPM magazine under the name Top 30 Disco Playlist.
  74. [74]
    Canada Mainstream Rock
    Canada Mainstream Rock ; Afterlife. Evanescence. 1 ; My Only Angel. Aerosmith & YUNGBLUD. 4 ; Hot Under The Collar. The Lazys. 3 ; Apologies. Three Days Grace. 2.
  75. [75]
    How Do the Billboard + Mediabase Country Music Charts Work?
    Jul 26, 2019 · The Billboard Hot Country Songs chart currently ranks country music's Top 50 songs based on three separate factors: radio airplay, sales and streams.Missing: Canadian | Show results with:Canadian
  76. [76]
    Drake | Spotify
    Canadian rapper and vocalist Drake has retained a bigger-than-life commercial presence shortly after he hit the scene in 2006, whether with his own ...Take Care (Deluxe)2011 • Album · Views2016 • Album · Álbumes · Álbuns
  77. [77]
    Breaking Down Billboard Canada's Year-End 2024 Charts
    Dec 16, 2024 · Breaking down the year in charts, from Shaboozey's historic run on the Canadian Hot 100 to the ongoing popularity of Punjabi music.
  78. [78]
    Country - Billboard
    Billboard Country Charts Billboard published its first chart spotlighting the popularity of country music in the issue dated Jan. 8, 1944, then named Most ...
  79. [79]
    Top Canadian Albums - Year-end 1980 - BestSellingAlbums.org
    Top Canadian Albums - Year-end 1980 ; 1, PINK FLOYD · THE WALL ; 2, BILLY JOEL · GLASS HOUSES ; 3, BOB SEGER · AGAINST THE WIND ; 4, STYX · CORNERSTONE ...Missing: song | Show results with:song
  80. [80]
    All-Time 40 Biggest Canadian Hits on the Hot 100 to Date
    Mar 27, 2016 · Total points were determined by subtracting each weekly chart position from 101 and then totalling the results. We have not included songs that ...
  81. [81]
    2020 Canada Year-End Report Highlights
    Toronto native The Weeknd, whose After Hours finished 2020 as the No. 2 most- consumed album, led among all Canadian artists in total streams and sales ...Missing: cumulative points 2020s
  82. [82]
    How Canadian content rules influenced the music industry in ... - CBC
    Jun 4, 2021 · The rules specified that 30 per cent of songs on radio station playlists must be Canadian if a radio station wanted a licence to operate in Canada.
  83. [83]
    Media Beat: A Brief History of CanCon (Opinion Column)
    Jul 10, 2024 · On Jan. 18, 1971, Canadian Content rules came into effect (CanCon) meaning radio stations had to play 30% Canadian music determined by a rating system known as ...
  84. [84]
    How Windsor's CKLW flouted the brand-new CanCon rules
    Jun 4, 2020 · As of January 18, 1971, 30 per cent of musical selections would have to meet a formula encompassing composition, performance, recording, and ...
  85. [85]
    A Former Hater Comes Clean - The JUNO Awards
    When the CanCon rules for radio came into effect on January 18, 1971, they not only constituted a cultural strategy but also laid out a long-term vision for the ...Missing: 1970 | Show results with:1970
  86. [86]
    Nominees for The 2025 JUNO Awards are Announced
    Mar 29, 2025 · Calgary's own Tate McRae co-leads this year's JUNO nominations with a total of five. This follows her success in 2024 having won the 2024 Artist ...
  87. [87]
    Lowell, Tate McRae win big for global hits at Juno Awards industry ...
    Mar 29, 2025 · Tate McRae took home four awards, including artist and album of the year, at the Juno Awards industry ceremony on Saturday.
  88. [88]
    How Strategic Collaborations Elevated Tate McRae Hits to Chart ...
    Aug 19, 2025 · Her 2025 ... Alongside her musical collaborations, McRae's partnership with global brands has helped to further increase her fame and popularity.
  89. [89]
    IFPI Global Music Report 2025 Touts Canadian Revenue Growth ...
    Mar 19, 2025 · Streaming revenues exceeded $20 billion USD for the first time. They represented 69% of total revenues, which reached $29.6 billion. And ...
  90. [90]
    Industry Profile - Music - Ontario Creates
    Canada was the 9th largest country by overall streaming volume (Total On-Demand Audio+Video) in 2023 with 145.3B streams. Total album consumption, including ...
  91. [91]
    Canadian Artists Are Thriving on Spotify—And the World Is Listening
    Jun 4, 2025 · Audio streaming now accounts for nearly 79% of total recorded music revenue, with the majority from paid subscriptions like Spotify Premium.
  92. [92]
    [PDF] Impact Report - Music BC
    “Now more than ever, support of the Indigenous music industry ... to gain market access and improve their content's discoverability on streaming platforms.
  93. [93]
    Navigating Canadian Content: Challenges of Cancon in Streaming
    Nov 3, 2025 · Explore the complexities of Canadian content (Cancon) and its impact on US streaming amid the Online Streaming Act and international trade ...
  94. [94]
    Spotify: CRTC launches hearing on music streamers
    Sep 18, 2025 · CRTC regulations state that at least 35 per cent of popular music selections on commercial radio stations have to be Canadian content. The CRTC ...
  95. [95]
    The CRTC is looking at Cancon rules for music streamers | Alan Cross
    Sep 23, 2025 · There will be no 35% regulation for streamers. · The CRTC is looking for ways for streamers to make “contributions similar to content ...
  96. [96]
    The Canadian music industry is currently debating the future of ...
    Sep 26, 2025 · The Canadian music industry is currently debating the future of Canadian content ... They proposed a reduction in Cancon (25% might be a good, ...