Fact-checked by Grok 2 weeks ago

Pascal Gabriel

Pascal Gabriel (born 15 December 1956) is a Belgian-born , songwriter, remixer, , and based in , . Renowned for his pioneering work in the UK and scenes of the late , he co-wrote and co-produced seminal tracks such as "Theme from " by and "" by , which helped define the era's sound. Gabriel moved to in 1979, where he had been active in the scene. Initially working as a sound engineer at Strongroom Studios, he transitioned into production, collaborating with a diverse array of artists across pop, electronic, and alternative genres, including , , , , Ladyhawke, , , and Marina and the Diamonds. Notable productions include co-writing Dido's "Here with Me" and "" from her 1999 No Angel, as well as tracks for Kylie Minogue's Light Years (2000). In addition to his pop and dance credentials, Gabriel has contributed to film soundtracks, including Love Actually (2003), (1998), and Arthur and the Invisibles (2006). He co-founded the group with Paul Statham and Lisa Lamb in the late 1990s, releasing the album Audiopeach (1998). Under the alias Stubbleman, Gabriel explores experimental and , drawing from modular , field recordings, and cycling-inspired compositions; his releases include the albums Mountains and Plains (2018) and 1:46:43 – The Ventoux Trilogy (2025), the latter based on data from ascents of . Now residing between and , he continues to produce and perform, blending his roots with innovative .

Early Life and Career Beginnings

Childhood and Education in

Pascal Gabriel was born on 15 December 1956 in . During his teenage years in the 1970s, Gabriel developed a strong interest in music, particularly influenced by the emerging scene in . At around age 14, he witnessed the local punk uprising, which ignited his passion for the genre and led him to form his first band, The Razors, where he played . In his late teens, Gabriel attended in , where he continued his musical involvement in bands amid the punk scene. This early involvement highlighted his self-taught approach to music, as he immersed himself in punk's raw energy without formal training, experimenting with instruments and band dynamics in Belgium's underground scene. Gabriel's exposure to punk also extended to guitar playing in another band, where he tuned his six-string to chord, reflecting the DIY of the . By , his commitment to music had solidified, culminating in active participation in local groups that shaped his foundational skills and creative outlook before his relocation.

Move to London and Initial Musical Roles

In 1979, at the age of 22, Pascal Gabriel relocated from to to evade mandatory military , arriving with minimal possessions including a ghetto blaster, his , and demo tapes. This move marked a pivotal shift from his formative experiences in the Belgian scene to immersion in the vibrant music . Prior to the relocation, Gabriel had begun his musical journey in 1977 as the bassist for the band The Razors, a short-lived Namur-based group that formed amid the late-1970s wave and disbanded in September 1978. Upon settling in , Gabriel quickly engaged with the city's experimental music community, joining and forming groups that explored and genre-blending sounds. In the early , he co-founded The Church of the Friendly Valley, an pop and white ensemble that incorporated taped ethnic vocals for a distinctive, eclectic texture. Around 1983 or 1984, he launched Music For All, a synthesizer-driven project initially conceived for production, which evolved into live performances featuring sequences and , including a notable gig in a setting. These endeavors reflected his growing interest in experimentation, building on the raw energy of his punk roots in . Gabriel's entry into professional audio work began with freelance sound engineering gigs in the early , where he honed his technical skills amid London's thriving studio scene. His role advanced through work as an engineer and at Strongroom Studios starting in the mid-. These positions provided crucial hands-on experience with analogue synthesizers, sequencing, and recording techniques, laying the groundwork for his later production career.

Breakthrough in Electronic and Pop Music

Productions for S'Express and Bomb the Bass

In the late 1980s, the UK acid house scene emerged as a vibrant extension of and , fueled by the "second " in , where warehouse raves and innovative sampling techniques transformed into a cultural phenomenon. Pascal Gabriel played a pivotal role in this movement by pioneering sampler-based tracks that blended rhythms with eclectic audio collages, drawing from his early work in . Gabriel's breakthrough came with his co-production and co-writing of "Theme from " for the British electronic group , released in 1988 and reaching number one on the . Co-produced with , the track exemplified early innovation through its heavy use of sampling, incorporating elements like the bassline from Rose Royce's "Is It Love You're After?" and a hairspray canister sound manipulated into hi-hats, all sequenced initially via cassette due to limited equipment. This collage of 14 samples created a liberating, experimental dance track that cost just £500 to produce and helped kickstart the UK house scene by merging pop accessibility with underground ethos. That same year, Gabriel co-produced "Beat Dis" for Bomb the Bass, a project led by Tim Simenon, which peaked at number two on the and became a cornerstone of the breakbeat-house fusion. The track innovated by layering over 50 samples—including vocal clips from The Good, the Bad and the Ugly, grunts, and diverse breakbeats—over a 4/4 drum pattern and electronic , pushing the boundaries of sampler technology in the acid house context. Gabriel's contributions emphasized rhythmic experimentation, making "Beat Dis" a revelatory audio that amplified the scene's emphasis on hip-house and sample-driven creativity.

Expansion into Remixing and Experimental Work

Following the success of "Beat Dis," which provided a springboard for broader opportunities, Pascal Gabriel expanded into remixing during the late , applying his house music expertise to and acts. In 1991, Gabriel contributed as to EMF's debut album , helming most tracks alongside Ralph Jezzard and shaping its sound with layered electronic elements and dynamic mixes. He also provided additional and mixing for Wire's single "So And Slow It Grows" that year, enhancing its textures with subtle electronic interventions on the release. These efforts marked his shift toward remixing established artists, blending house rhythms with experimental edge. Gabriel's experimental collaborations deepened in the , including a remix of Debbie Harry's "Maybe For Sure" from her 1989 album , where he infused the track with pulsating synths and club-oriented grooves for the Chrysalis single. By mid-decade, he co-formed the electronic trio (billed as Peach Union in the ) with vocalist Lisa Lamb and producer Paul Statham, creating atmospheric pop-electronica; their 1996 single "On My Own," co-written by the group, featured prominently on the soundtrack in 1998, showcasing Gabriel's evolving sound design with ethereal vocals and intricate beats. This period reflected Gabriel's transition from strict house production to wider electronic experimentation, often at Konk Studios in London, where he employed innovative techniques like sequencer-driven arrangements and MIDI integration to layer unconventional sounds, as detailed in contemporary studio profiles. His work there with diverse acts honed a versatile approach, prioritizing sonic depth over genre constraints.

Major Productions and Collaborations

Work with International Pop Artists

In the late , Pascal Gabriel co-wrote and co-produced key tracks for 's debut album (1999), including the singles "Here with Me" and "," blending his electronic production expertise with pop sensibilities. "Here with Me," co-written with Dido and Paul Statham, featured Gabriel's pre-production and programming, contributing to its atmospheric trip-hop sound; the track peaked at number 4 on the and helped propel to number 1 on the , with global sales exceeding 21 million copies. Gabriel extended his pop collaborations into the 2000s with , co-writing and co-producing "Your Love" on her album Fever (2001), where he handled mixing alongside Paul Statham. This track, infused with upbeat electronic elements, appeared on the album that debuted at number 1 on the and reached number 3 on the US , selling over 6 million copies worldwide. Later, for Minogue's (2010), Gabriel co-wrote "Can't Beat the Feeling" with Hannah Robinson, performed all instruments, and co-produced the track, adding a euphoric layer to the record. also topped the , underscoring Gabriel's role in Minogue's chart-topping era. In 2010, Gabriel worked with Marina and the Diamonds on her debut album The Family Jewels, co-producing and co-writing tracks such as "Girls" and "Shampain" alongside Liam Howe. On "Girls," he provided production and synth contributions, helping craft its quirky electro-pop vibe, while "Shampain" benefited from his additional production and mixing support. The album debuted at number 5 on the , achieving certification for over 100,000 units sold in the UK. Gabriel's songwriting extended to Will Young, with whom he co-wrote "Losing Myself" for Young's 2011 album Echoes, incorporating house-influenced beats produced by X. The single reached number 24 on the , while Echoes debuted at number 1 on the , selling over 66,000 copies in its first week.

Contributions to Albums and Soundtracks

Pascal Gabriel's contributions to full-length albums in the and highlighted his expertise in blending elements with pop sensibilities, often serving as lead and co-writer to shape cohesive sonic landscapes. On Ladyhawke's self-titled debut album released in , Gabriel produced three key tracks—"," "," and ""—infusing them with pulsating synths and retro-futuristic beats that evoked influences while amplifying Pip Brown's (Ladyhawke) emotive vocals and guitar work. His production role extended to instrumentation, including keyboards, guitar, , and percussion, creating a vibrant pop framework that contributed to the album's critical acclaim for its danceable yet introspective energy. Gabriel's collaboration with Ladyhawke deepened for her 2012 sophomore Anxiety, where he handled full duties alongside co-writing all ten tracks, steering the sound toward a rawer, guitar-driven aesthetic that marked a departure from synth-heavy . Recorded partly at his home studio in , the explored themes of turmoil and through layered guitars, minimal , and percussion, with Gabriel's programming and ensuring a polished yet intimate feel that highlighted Brown's evolution as a . This shift emphasized emotional depth over glossy , resulting in tracks that balanced rock urgency with subtle textures. In 2008, Gabriel co-wrote and co-produced Miss Kittin's BatBox in its entirety, crafting an album that merged with gothic undertones and rhythms, reflecting Kittin's (Caroline Hervé) fascination with dark, narrative-driven pop. His contributions included programming and arrangement, which lent a flirtatious yet brooding edge to themes of , identity, and , as heard in singles like "Kittin Is High." The production's blend of pulsating basslines and atmospheric synths solidified Gabriel's role in bridging underground electronic scenes with accessible melodies. Gabriel extended his production prowess to Emma Louise's 2016 album Supercry, overseeing the entire project during sessions in France that revitalized the Australian artist's sound amid her personal challenges. The album delved into themes of heartbreak, vulnerability, and self-discovery, with Gabriel's engineering and mixing enhancing Louise's textured, emotive vocals through sparse electronic layers, piano, and subtle beats that fostered an intimate, confessional atmosphere. His approach prioritized raw authenticity, incorporating field recordings and minimalistic arrangements to underscore the album's emotional core without overwhelming its indie-pop essence. Gabriel's work also permeated film and television soundtracks, notably as co-writer and producer of Peach Union's "On My Own," featured in the 1998 romantic comedy Sliding Doors, where its melancholic electronic groove underscored pivotal emotional scenes involving parallel realities. His track "Here With Me" (co-written with Dido and Paul Statham) appears on the soundtrack for Love Actually (2003). Additionally, "Theme from S'Express" (co-written and co-produced by Gabriel) is featured in Arthur and the Invisibles (2006). He mixed tracks for Nick Cave & The Bad Seeds' 2001 album No More Shall We Part, applying his surround sound expertise to enhance the band's brooding, orchestral rock with precise spatial dynamics. These soundtrack and mixing credits demonstrate his versatility in adapting electronic production techniques to narrative-driven media.

Solo Projects and Recent Developments

Launch of Stubbleman Alias

In 2018, Pascal Gabriel launched Stubbleman as his solo , marking a deliberate return to his electronic and experimental origins after decades of commercial pop production. This project emerged from Gabriel's desire to break free from the constraints of industry-driven work, allowing him to prioritize personal artistic expression unhindered by external influences such as A&R feedback or label expectations. The alias originated informally as a given to Gabriel by staff at his wife's due to his unshaven appearance, but it evolved into a creative outlet during reflective periods, including inspirations from a 2016 road trip across the . Central to Stubbleman's development was Gabriel's experimentation with modular synthesis, found sounds, and bespoke electronic instruments, blending these elements to create immersive, genre-defying soundscapes. He captured field recordings using portable devices like the PCM-M10 recorder during travels, processing them alongside live and DIY MIDI-to-voltage converters built in his that summer. This approach reflected a conscious "unlearning" of polished production techniques honed in pop, favoring intuitive, feeling-driven composition over commercial viability. Preparatory work included sketching around 40 initial pieces inspired by vast landscapes and personal introspection, which were later refined into a core set of tracks. The launch of Stubbleman signified Gabriel's shift toward autonomy in an independent phase, contrasting his earlier collaborative roles in and . By adopting this alias, he reconnected with and ambient influences from his youth, using the project to explore cinematic textures through means. Initial promotional efforts, such as the release of a video for an early track, built anticipation for forthcoming material while emphasizing the alias's experimental ethos.

Albums and Inspirations Post-2018

Under the Stubbleman moniker, Pascal Gabriel released his debut album Mountains and Plains on April 26, 2019, via Crammed Discs. The eleven-track record draws inspiration from a cross-country across the , capturing expansive electronic soundscapes that evoke shifting landscapes, endless highways, and the rhythmic motion of train journeys. Gabriel incorporated field recordings from locations like and the , blending them with piano, modular synthesis, and subtle elements to create immersive pieces suited for live performances, such as those at Union Chapel in . In 2020, amid the early lockdown, Gabriel produced the EP The Blackbird Tapes, released on June 5 by Crammed Discs. This three-track ambient work centers on field recordings of birdsong captured from his home in , , transforming dawn choruses into experimental compositions that explore and natural resonance during confinement. Tracks like "4am " layer these organic sounds with electronic textures, emphasizing a meditative between urban environment and . Gabriel continued the project with The Skyline EP on October 11, 2021, also via Crammed Discs, featuring one original track and remixes of selections from Mountains and Plains. The EP extends the album's thematic road-trip motifs through "," an instrumental evoking panoramic vistas, alongside reinterpretations by artists like and Daniel Brandt that deepen the and ambient layers. Between 2022 and 2024, Gabriel focused on collaborative and work under Stubbleman, including a contribution to the Fictions (Made to Measure Vol. 47)—the track "Ne pas se pencher au dehors" featuring , inspired by themes of wordless narrative and introspection—released October 14, 2022, by Crammed Discs. He also provided the "Exquisite Corpse VII" for Simon Fisher Turner and Edmund de Waal's A Quiet Corner in Time, drawing from a chain of reinterpretations to create ethereal soundscapes, issued in August 2022. Additionally, his of Erasure's "Rock Me Gently" appeared on the expanded edition of their 1995 album, released November 18, 2022, infusing the pop track with ambient revisions rooted in his experimental style. These efforts reflect ongoing exploration of found sounds and modular techniques amid scattered discussions of unreleased material tied to and themes. Gabriel's most recent full-length album, 1:46:43 - The Ventoux Trilogy, arrived on June 6, 2025, through Crammed Discs' series. Structured as an 18-track ambient trilogy, it transforms Gabriel's personal 1 hour, 46 minutes, and 43 seconds ascent of Mont Ventoux—the iconic climb—into music, using real-time cycling data like , speed, power, and to sonically map the physical and psychological ordeal. Divided into three movements reflecting the mountain's stages, the work integrates field recordings from the Provençal landscape with synthesized waves and subtle rhythms, capturing evaporation, wind, and existential vastness as inspirations for contemplative .

Musical Style and Legacy

Techniques and Innovations

Pascal Gabriel's pioneering use of samplers in the late 1980s marked a significant innovation in electronic music production, particularly evident in tracks like "Theme from S'Express." Collaborating with , Gabriel employed early digital samplers to layer and manipulate disparate audio elements, such as excerpts from Rose Royce's "Is It Love You're After" and other and records, creating a dense, collage-like sound that defined acid house's plunderphonic aesthetic. This approach involved chopping and reassembling samples in a "" style, pushing the boundaries of sampling as a compositional tool beyond simple loops to construct rhythmic and melodic structures. His work on "" with further exemplified this technique, integrating over 200 samples into a framework that influenced the genre's shift toward sample-heavy tracks. Gabriel's production methods evolved from analog engineering in the 1980s, reliant on hardware like tape machines and early samplers such as the Akai S950, to digital workflows in the 2000s that embraced software-based tools for greater flexibility and precision. This transition allowed him to adapt to pop and electronic genres, incorporating MIDI sequencing and virtual instruments while retaining a hands-on, experimental ethos rooted in his punk background. By the 2000s, his productions for artists like Dido and Goldfrapp utilized digital audio workstations (DAWs) to streamline layering and effects processing, reflecting broader industry shifts toward hybrid analog-digital setups. In his Stubbleman projects, Gabriel innovated with modular synthesis and found sounds to craft immersive ambient soundscapes, blending hardware synthesizers with field recordings for organic, evolving textures. For the album Mountains and Plains (2019), he captured environmental audio during a U.S. road trip using portable recorders like the Sony PCM-M10, then processed these found sounds—such as birdsong and atmospheric hums—through filtering and time-stretching to integrate with modular synth sequences. In 1:46:43 – The Ventoux Trilogy (2025), modular systems generate hypnotic patterns driven by real-time cycling data (heart rate, speed, cadence), interwoven with found sounds and live instrumentation to evoke the physicality of Mont Ventoux's ascent. This method prioritizes serendipity, with daily sketches evolving into finalized tracks through iterative modular patching and sonic manipulation. Gabriel's mixing techniques emphasize clarity and space, often routing elements through analog gear like the Universal Audio LA-610 for warmth before final balancing, as seen in his work on albums by & The Bad Seeds. For these productions, he focuses on subtle and room ambience to enhance emotional depth, sending select tracks through natural reverb spaces while maintaining a clean, modern polish across over 100 mixed projects. This hybrid approach bridges his analog roots with efficiency, ensuring mixes that support narrative-driven music without overpowering the source material.

Influence on Electronic and Pop Genres

Pascal Gabriel played a pivotal role in the late 1980s acid house scene as a co-writer and on seminal tracks such as "Theme from S'Express" and "" by , which helped propel the genre into mainstream awareness through innovative sampling techniques and rhythms. His contributions marked a landmark in early acid house, blending energy with elements to create sounds that put the burgeoning scene on the map and influenced the trajectory of dance music. This pioneering use of samplers in these productions set a precedent for subsequent artists, who adopted similar collage-like approaches to build layered, rhythm-driven tracks in the evolving house and landscapes. Gabriel's work extended into pop music, where he facilitated the integration of production into mainstream hits, notably through collaborations with and . He co-wrote and produced tracks for 's early material, including songs that shaped her debut album's atmospheric -pop fusion, contributing to her breakthrough success. Similarly, his production on tracks from 's Fever album (2001), such as "Your Love" and "Tightrope," infused pop with sophisticated grooves and clear vocal-forward mixes, exemplifying a seamless blend of dancefloor energy and commercial appeal. These efforts helped normalize textures in pop, paving the way for genres in the . Despite the absence of formal awards, Gabriel's impact is evident in the chart-topping performance of his productions, such as the UK number-one singles from and , alongside ongoing industry recognition through platforms like the 2025 Sound on Sound () Podcast, where he discussed his genre-spanning career. His legacy endures through nearly five decades in music, from roots in 1977 to experimental electronic projects under the Stubbleman alias, inspiring newer producers with his versatile approach that prioritizes artistic vision across electronic and pop boundaries.

References

  1. [1]
    Pascal Gabriel - Apple Music
    Listen to music by Pascal Gabriel on Apple Music. Find top songs and albums ... BORN: December 15, 1956; GENRE: Spoken Word. United States. Español (México) ...
  2. [2]
    a b o u t – Stubbleman
    Stubbleman is the alter ego of Belgian-British composer and producer Pascal Gabriel, a genre-defying artist with a remarkable career spanning several decades.
  3. [3]
    Interview: Stubbleman's Pascal Gabriel on the making of 'Mountains ...
    May 20, 2019 · From his pioneering work with samplers on tracks like 'Theme From S'Express' by S'Express and 'Beat Dis' by Bomb The Bass, Gabriel went on to ...
  4. [4]
    Peach Union - Sony/Epic Official Biography
    Your name is Pascal Gabriel, and you're sixteen years old and living in Belgium. You are due to be drafted into military service, so you run away to London ...
  5. [5]
    News: Badlands Train - Artist Details: CRAMMED DISCS
    Stubbleman is the alter-ego of maverick composer and producer Pascal Gabriel. From humble beginnings in a Belgian punk band, Pascal moved to London in 1979 ...
  6. [6]
    Pascal Gabriel
    ### Summary of Pascal Gabriel
  7. [7]
    Pascal Gabriel - SongChecks
    Credits include: S'Express, Dido, Kylie Minogue, Bebel Gilberto, Dot Allison, Marina and the Diamonds, Goldfrapp, Ladyhawke, Little Boots, V V Brown, The Temper ...
  8. [8]
    PASCAL GABRIEL & JAMES SANGER: Recording Dido's 'Here With ...
    PASCAL GABRIEL & JAMES SANGER: Recording Dido's 'Here With Me'. Interview | Producer. Mixing / Production. By Sam Inglis. Published April 2001.
  9. [9]
    Pascal Gabriel - IMDb
    Pascal Gabriel is known for Love Actually (2003), Sliding Doors (1998) and Arthur and the Invisibles (2006). More at IMDbPro · Contact info · Agent info.
  10. [10]
    Peach Union - Biography
    Pascal Gabriel, noted producer and remixer, was born in Belgium, and moved to London as a teenager. After a couple of years in an art school band and the ...
  11. [11]
    Stubbleman: Music
    Stubbleman is the alter ego of Belgian-British composer and producer Pascal Gabriel, a key figure in the late '80s UK Acid House/Breakbeat scene.1:46:43 - The Ventoux Trilogy · Alone for Nine Minutes · The vanity of human wishes
  12. [12]
    Made in Heaven (MT May 89) - mu:zines
    ALTHOUGH NOW A London resident, Pascal Gabriel is not a native of Britain. He was born in Belgium and, at the tender age of 14, witnessed the Belgian punk ...<|control11|><|separator|>
  13. [13]
    https://www.youtube.com/watch?v=YIlVe4ChPa4
  14. [14]
    Pascal Gabriel (Belgian/British Producer & writer - YouTube
    Jul 11, 2025 · Pascal Gabriel's musical career began in 1977 in the punk rock band The Razors (bass guitar). He left Belgium for London in 1979. During the ...Missing: interview | Show results with:interview
  15. [15]
    https://www.theguardian.com/music/2019/apr/14/stubbleman-mountains-and-plains-review-pascal-gabriel
  16. [16]
    Stubbleman: Mountains and Plains review – a low-key charmer
    Apr 14, 2019 · Pascal Gabriel's CV is one impressive document. Starting with Belgian punks the Razors, he moved to London in the late 1970s, ...Missing: band | Show results with:band
  17. [17]
    Pascal Gabriel - Music Producer | SOS Podcast
    Stubbleman is the alter ego of Pascal Gabriel, a Belgian-British composer and producer known for his genre-defying career. From a punk background, he became ...Missing: biography | Show results with:biography
  18. [18]
    How we made Theme from S-Express | Pop and rock - The Guardian
    Jul 4, 2017 · We took the ethos of what had come before and kickstarted the UK house scene. Pascal Gabriel, producer. Watch the video for Theme from S-Express ...Missing: production | Show results with:production
  19. [19]
    ‎Theme from S-Express – Song by S'Express – Apple Music
    Theme from S-Express ; Performing Artists. S'Express. Performer ; Composition & Lyrics. Pascal Gabriel. Songwriter. Miles Gregory. Songwriter. Mark Moore.
  20. [20]
    https://www.discogs.com/release/13357492-S-Express-Theme-From-S-Express
  21. [21]
    ‎Beat Dis – Song by Bomb the Bass – Apple Music
    Beat Dis ; Performing Artists. Bomb the Bass. Performer ; Composition & Lyrics · Pascal Gabriel. Songwriter, Composer, Lyrics ; Production & Engineering. Bomb the ...
  22. [22]
    Bomb The Bass Interview - Classic Pop Magazine
    May 6, 2025 · ... [producer] Pascal Gabriel, and that's really how Beat Dis started.” Beat Dis was a revelation – an explosive audio collage of more than 50 ...<|separator|>
  23. [23]
    Bomb The Bass - Beat Dis - TV80s
    Produced by Simenon with Pascal Gabriel, “Beat Dis” is built from dozens of samples—voice clips from The Good, the Bad and the Ugly, James Brown grunts ...
  24. [24]
    Beat Dis by Bomb the Bass - Samples, Covers and Remixes
    Who produced "Beat Dis" by Bomb the Bass? "Beat Dis" was produced by Pascal Gabriel and Tim Simenon. Discussion. Be the first to comment on this track! You ...
  25. [25]
    https://www.discogs.com/release/175763-EMF-Schubert-Dip
  26. [26]
    https://www.discogs.com/release/193834-Wir-So-And-Slow-It-Grows
  27. [27]
    https://www.discogs.com/release/4315845-Deborah-Harry-Maybe-For-Sure
  28. [28]
    On My Own - Peach Union | AllMusic
    On My Own. Peach Union. Add to Song Favorites. Composed by. Pascal Gabriel · Lisa Lamb · Paul Statham. Release Year. 1997. (incorrect year?).
  29. [29]
    [PDF] Studio Sound 1994-12 - World Radio History
    Dec 1, 1994 · Pascal Gabriel. The sequencer is a 3U -high rackmount with an external PSU and. MIDI Out and MIDI In (sequences can be influenced by incoming ...
  30. [30]
    Interview: Pascal Gabriel schreef wereldhits - Red Bull
    May 14, 2019 · Hij kroop in de studio met Debbie Harry van Blondie, EMF, The Creatures en Wire en was één derde van de poppy electro band Peach waarmee hij het ...
  31. [31]
    I'm No Angel by Dido - Songfacts
    Dido wrote the song around 1995 while she was touring with her brother Rollo's band, Fearless, completing it later with the songwriters Paul Statham and Pascal ...
  32. [32]
    https://genius.com/Dido-im-no-angel-lyrics
  33. [33]
    Dido – I'm No Angel Lyrics - Genius
    Is there a live performance of "I'm No Angel" by Dido? Genius Answer. 1 ... Producers. Dido & Rollo Armstrong. Writers. Dido, Pascal Gabriel & Paul Statham.
  34. [34]
    HERE WITH ME – DIDO - Official Charts
    Feb 24, 2001 · Latest chart stats about HERE WITH ME - peak chart position, weeks on chart, catalogue number, week-by-week chart placement and latest news.Missing: performance | Show results with:performance
  35. [35]
    https://music.apple.com/us/song/your-love/726321027
  36. [36]
    ‎Your Love - Song by Kylie Minogue - Apple Music
    Listen to Your Love by Kylie Minogue on Apple Music ... Fever (Deluxe Edition) Kylie Minogue October 1, 2001 ... Pascal Gabriel. Producer, Mixing Engineer. Paul ...
  37. [37]
    https://www.youtube.com/watch?v=3gE0_2yi3Rg
  38. [38]
    Can't Beat The Feeling (Matt's Extended Mix) [Clip] - Kylie - YouTube
    Jul 31, 2010 · ... Kylie's fantastic song 'Can't Beat The Feeling ... Aphrodite'. 'Can't Beat The Feeling' Written by Hannah Robinson, Pascal Gabriel
  39. [39]
    Can't Beat the Feeling – Song by Kylie Minogue - Apple Music
    Can't Beat the Feeling. Aphrodite (Deluxe Experience Edition) Kylie Minogue 30 June 2010 ... Pascal Gabriel. All Instruments, Musician. Richard Phillips.
  40. [40]
    https://www.discogs.com/release/4459163-Marina-The-Diamonds-Shampain
  41. [41]
    https://www.discogs.com/release/2301439-Marina-The-Diamonds-The-Family-Jewels
  42. [42]
    https://www.officialcharts.com/albums/marina-the-family-jewels/
  43. [43]
    THE FAMILY JEWELS – MARINA | Official Charts
    Latest chart stats about THE FAMILY JEWELS - peak chart position, weeks on chart, catalogue number, week-by-week chart placement and latest news.
  44. [44]
    Will Young – Losing Myself Lyrics - Genius
    Will Young & Pascal Gabriel. Additional Production. Pete Hofmann. Composer. Pascal Gabriel & Will Young. Lyricist. Pascal Gabriel & Will Young. Bass. Alex ...
  45. [45]
    https://www.allmusic.com/album/release/echoes-mr0003391225
  46. [46]
    Echoes - Will Young | Release Info | AllMusic
    Find release reviews and credits for Echoes - Will Young on AllMusic - 2011. ... Pascal Gabriel (Ladyhawke) ... Losing Myself · W. Young · Will Young. 03:59. 9.
  47. [47]
    ECHOES – WILL YOUNG | Official Charts
    Latest chart stats about ECHOES - peak chart position, weeks on chart, catalogue number, week-by-week chart placement and latest news.
  48. [48]
    https://www.amazon.com/Ladyhawke/dp/B001CWOCVI
  49. [49]
    Ladyhawke - Amazon.com
    30-day returns'Magic', 'Another Runway', 'My Delirium', 'Morning Dreams' and 'Dusk Till Dawn' were produced with her chief collaborator, world-renowned producer Pascal ...Missing: credits | Show results with:credits<|control11|><|separator|>
  50. [50]
    https://www.nme.com/news/music/ladyhawke-7-1269268
  51. [51]
    Ladyhawke: ''Anxiety' is a more of a straight-up guitar record' - NME
    Jan 18, 2012 · It has been recorded over the past year at producer Pascal Gabriel's house in the south of France.Missing: production | Show results with:production
  52. [52]
    https://www.discogs.com/release/1214922-Miss-Kittin-Batbox
  53. [53]
    https://www.theguardian.com/music/2008/feb/08/electronicmusic.shopping
  54. [54]
    Miss Kittin, Batbox | Music | The Guardian
    Feb 7, 2008 · This is unlikely to change, despite a more pop approach for Batbox and co-production from Pascal Gabriel, who has worked with Dido. The ...
  55. [55]
    Miss Kittin goes goth on Batbox · News RA - Resident Advisor
    Dec 5, 2007 · ... tracks including 'Sunset Strip', a collaboration with Melophobia, aka Pascal Gabriel, who has worked with pop starlets such as Kylie and Dido.
  56. [56]
    No Pressure: Pascal Gabriel's Laid-Back Approach - AudioTechnology
    Nov 22, 2016 · Producer Pascal Gabriel's style is literally miles away from the typical commercial recording approach. His home studio (if you can reduce ...Missing: biography Belgium
  57. [57]
    Emma Louise talks self-learning, heartbreak and why she nearly ...
    What was famed Belgian producer Pascal Gabriel like to work with in his studio? “He is incredible. I kind of went to him very limp and with not much confidence.
  58. [58]
    Emma Louise Gets Real On What Kind Of Artist She Is And Isn't ...
    Sep 17, 2018 · After taking time out to travel, Emma resurfaced with 2016's Supercry – produced by Belgian Pascal Gabriel (Kylie Minogue, Ladyhawke, Goldfrapp) ...
  59. [59]
    Crammed Discs announces debut album by Pascal Gabriel alias ...
    Mar 27, 2019 · Composer and producer Stubbleman aka Pascal Gabriel is releasing his debut album called Mountains and Plains, this April via Crammed Discs.Missing: announcement | Show results with:announcement
  60. [60]
    Mountains and Plains | Stubbleman - Bandcamp
    Free deliveryMountains and Plains by Stubbleman, released 26 April 2019 1. Moonstone Beach 2. Highway Sixty Something 3. Griffith Park 4. Abiquiú 5. Badlands Train 6.
  61. [61]
    Stubbleman – Mountains And Plains (Crammed Discs album, 2019)
    Apr 23, 2019 · Mountains And Plains was inspired by a trip across the breadth of the United States and finds Gabriel in deeply reflective territory, the eleven ...Missing: debut announcement
  62. [62]
    The blackbird tapes - Stubbleman - Bandcamp
    Free deliveryThe blackbird tapes by Stubbleman, released 05 June 2020 1. 4am Conversation 2. 6am Chorus 3. 8am Soliloquy.
  63. [63]
    Stubbleman - YouTube
    Ambient road trip music from maverick composer and producer Pascal Gabriel: Stubbleman's "Mountains and Plains" album is a cinematic collage of ambient, post- ...
  64. [64]
    The Birdman Of Islington: Stubbleman – The Blackbird Tapes
    Jun 3, 2020 · Friday May 1 2020: Pascal Gabriel is at home, as we all are by then. He is livestreaming the debut performance of The Blackbird Tapes, a new ...
  65. [65]
    The Skyline EP - Stubbleman - Bandcamp
    Free deliveryStubbleman is the alter ego of Belgian-British composer and producer Pascal Gabriel ... Track artwork for Great River Road (Miss Kittin remix) Great River Road ( ...
  66. [66]
    ‎The Skyline - EP - Album by Stubbleman - Apple Music
    Listen to The Skyline - EP by Stubbleman on Apple Music. 2021. 4 Songs. Duration: 19 minutes.
  67. [67]
    Fictions (Made to Measure Vol.47) - Crammed Discs - Bandcamp
    Free deliveryFictions (Made to Measure Vol.47) by Crammed Discs, released 14 October 2022 1. Kaitlyn Aurelia Smith - Waterways 2. Christina Vantzou - Museum Critic 3.
  68. [68]
    A Quiet Corner in Time (Exquisite Corpse) | Simon Fisher Turner
    This is Stubbleman's remix of Polly Scattergood's take on Yann Tiersen's interpretation of Looper's rework of MICROCORPS' version of Alessandro Cortini's redo ...
  69. [69]
    Erasure - Rock Me Gently (Stubbleman Remix) (Official Visualiser)
    Sep 28, 2022 · Erasure - Rock Me Gently (Stubbleman Remix) (Official Visualiser) Taken from the Erasure album 'Erasure' 2CD expanded edition released on 18 ...Missing: 2022 | Show results with:2022
  70. [70]
    n e w s – Stubbleman
    Stubbleman's remix (Exquisite Corpse VII) is a remix of Polly Scattergood's remix which was a remix of Yann Tiersen's remix of Looper's remix of Microcorps' ...Missing: 2021-2024 | Show results with:2021-2024
  71. [71]
    1:46:43 - The Ventoux Trilogy | Stubbleman - Bandcamp
    Stubbleman is the alter ego of Belgian-British composer and producer Pascal Gabriel, a genre-defying artist with a remarkable career spanning several decades.
  72. [72]
    One musician's ode to climbing Mont Ventoux - Escape Collective
    Jul 21, 2025 · Pascal Gabriel (aka Stubbleman) used his data from a ride up the 'Giant of Provence' to create the sonic underpinnings of his new album.
  73. [73]
    I Wrote That - Theme from S'Express - PRS for Music
    Apr 2, 2013 · Many people say that Theme from S'Express helped kick start it and put the scene on the map. We had the acid house explosion and the 'Second ...
  74. [74]
    Pascal Gabriel - Documentary Evidence
    He is livestreaming the debut performance of The Blackbird Tapes, a new Stubbleman EP from his London home studio. “It was weird,” he reflects. “From my point ...Missing: 1979 | Show results with:1979
  75. [75]
    'Can't Get You Out of My Head' at 20: Kylie's thrilling chart banger is ...
    Sep 29, 2021 · Kylie bounced between 11 producers – among them Britney Spears collaborator Steve Anderson and Dido/Natalie Imbruglia producer Pascal Gabriel – ...
  76. [76]
    Top 40 Kylie Minogue songs - Classic Pop Magazine
    Sep 3, 2025 · ... production expertise of pop creatives Pascal Gabriel (S'Express, Bomb The Bass, Goldfrapp) and Paul Statham (Dido, Sophie Ellis-Bextor).
  77. [77]
    Pascal Gabriel: The Sunday Interview in OUTSIDELEFT
    Sep 7, 2025 · He was immediately a charming and confident fellow, completely at home in the studio and, as a Belgian, already very much at home in Hackney.Missing: biography | Show results with:biography