Fact-checked by Grok 2 weeks ago

Paul Haslinger

Paul Haslinger (born December 11, 1962) is an Austrian-American composer, musician, and based in , , acclaimed for his innovative blending of acoustic and electronic music in film scores, television soundtracks, video games, and solo albums. Born in , , to a musical family, Haslinger studied at the Academy of Music and in before embarking on a career in electronic music. His work spans over three decades, encompassing collaborations with pioneering artists and contributions to high-profile media projects that highlight his signature fusion of orchestral elements with synthesizers and ambient textures. Haslinger's breakthrough came in 1986 when he joined the influential German electronic band as a core member, replacing keyboardist and contributing to 15 albums, four international tours, and several film soundtracks over five years. During this period, he co-composed scores for films such as Miracle Mile (1988), (1987), and (1987), while the band's album Canyon Dreams (1991)—a soundtrack for a documentary on the —earned a Grammy Award nomination for Best New Age Album. Haslinger's tenure with Tangerine Dream solidified his reputation in the electronic music scene, where he experimented with sequencers, samplers, and atmospheric . Relocating to Los Angeles in 1991, Haslinger expanded into film and television composition, initially collaborating as a programmer and arranger with composer Graeme Revell on projects including The Negotiator (1998), Lara Croft: Tomb Raider (2001), and Crank (2006). As a solo composer, he has scored notable films such as Crazy/Beautiful (2001), Blue Crush (2002), the Underworld franchise (including Rise of the Lycans in 2009 and Awakening in 2012), The Three Musketeers (2011), and Resident Evil: The Final Chapter (2016), as well as recent works like Amityville: An Origin Story (2023), Our Ukrainian Sky (2023), Good Men (2024), and In the Lost Lands (2025). In television, his scores for all four seasons of Halt and Catch Fire (2014–2017), Fear the Walking Dead (seasons 1–3; 2015–2017), and Sleeper Cell (2005–2006)—the latter earning him a Primetime Emmy nomination for Outstanding Music Composition—demonstrate his versatility in dramatic and suspenseful narratives. Haslinger's video game credits include Far Cry Instincts (2005), Wolverine (2009), Need for Speed: Shift (2009), and Rainbow Six: Siege (2015, with Ben Frost). Beyond scoring, he has released solo albums such as Exit Ghost (2020) and Exit Ghost II (2021) on his Artificial Instinct label, co-founded with James Nicholls, and continues to perform and produce, maintaining his influence in contemporary electronic and cinematic music.

Early life and education

Childhood and influences

Paul Haslinger was born on December 11, 1962, in , , into a family where music played a central role in daily life. He abandoned lessons early but learned the secrets of composition by scrutinizing scores on the family . His parents frequently played at home, providing an early immersion in traditional compositions that shaped his foundational understanding of musical structure. This exposure was complemented by his older sisters, who were eight and ten years his senior and introduced him to rock and pop acts such as Ike and Tina Turner and , broadening his horizons beyond the classics. As a young child, Haslinger displayed a precocious interest in music, beginning around age seven when he experimented with the family's by attempting to rearrange its keys using , an act that reflected his innate desire to reconfigure sounds in novel ways. This playful tinkering marked the onset of his creative engagement with instruments. A pivotal moment came during a childhood visit to a local band rehearsal in , where the energy of live performance ignited his passion for music, solidifying his commitment to it as more than a casual pursuit. Entering his teenage years, Haslinger became captivated by the burgeoning electronic music scene in during the 1970s and 1980s, particularly the and ambient innovations of pioneers like Kraftwerk, whose use of synthesizers profoundly influenced his own explorations. He began conducting initial experiments with synthesizers and other electronic instruments, drawn to their potential for sonic innovation amid the vibrant local music environment in . This period fostered his growing interest in blending acoustic elements from his classical roots with electronic textures, viewing the latter as a natural extension of symphonic composition rather than a departure. These formative experiences in laid the groundwork for Haslinger's transition to formal musical education in .

Formal training

In the early 1980s, Paul Haslinger began his formal musical education at the Academy of Music and Vienna, enrolling in 1982 to pursue studies in composition and . These programs provided him with a rigorous foundation in classical techniques, while also exposing him to the theoretical underpinnings of music through concurrent enrollment at the Vienna Conservatoire, where he delved into advanced . Building on his childhood experiments with synthesizers, Haslinger integrated emerging electronic music techniques into his training, blending traditional instrumentation with innovative . Haslinger's curriculum at the emphasized experimental approaches to , allowing him to explore the boundaries between acoustic and electronic elements under the guidance of the institution's faculty. He simultaneously attended the , where he focused on , culminating in a that deepened his analytical understanding of musical structures and historical contexts. This across institutions honed his versatility as a performer and , preparing him for professional engagements. By around 1985, Haslinger had completed his primary studies at the , marking his transition from academic training to practical application in Vienna's scene. This period of formal education equipped him with the technical proficiency in performance, compositional rigor, and experimentation essential for his subsequent career in music.

Career beginnings

Joining

In 1986, following his studies in composition at the Vienna Academy of Music, Paul Haslinger was recruited by Tangerine Dream founder Edgar Froese to join the band as a replacement for departing keyboardist Johannes Schmoelling. At age 23, Haslinger received the invitation while engaged in session work and live performances in Austria, leading to his participation in an initial UK tour that March. The tour's success prompted Froese to invite him to become a full-time member, marking Haslinger's entry into one of the pioneering groups in electronic music. As the band's keyboardist and synthesizer programmer, Haslinger integrated into the lineup alongside Froese and Chris Franke, contributing to Tangerine Dream's evolving sound during its electronic era. His expertise in programming helped shape the group's textured, sequencer-driven compositions, blending cosmic and ambient elements with more rhythmic, accessible structures. Over his five-year tenure from to 1990, Haslinger participated in the recording of 15 albums, including the studio releases (1987) and Optical Race (1988), which showcased the band's shift toward melodic influenced by his input. Haslinger's involvement extended to four international tours between 1986 and 1990, where live performances emphasized improvisational electronic soundscapes, often featuring extended sequencer patterns and real-time layering of synthesizers. These tours, including a 21-concert run in 1986 and American dates in 1988, allowed to refine material from recent albums onstage, fostering a dynamic interplay that highlighted Haslinger's programming skills. Additionally, he contributed to key soundtracks during this period, such as the score for the film Miracle Mile (1988), which incorporated the band's atmospheric electronic style to underscore the thriller's tension.

Departure and relocation

In 1991, Paul Haslinger departed from after five years with the band. The group had undergone significant internal changes, including the exit of longtime member in 1987, and a shift in creative direction under founder , who began steering the group away from film scoring toward other musical explorations. This transition marked the end of Haslinger's tenure, during which he had contributed to several albums and live performances that blended electronic improvisation with structured compositions. As a notable parting achievement, Haslinger's work with Tangerine Dream on the album Canyon Dreams (1991)—originally composed in 1986 for a documentary on the Grand Canyon—earned the band its first Grammy nomination for Best New Age Album in 1991. The nomination highlighted the ensemble's innovative fusion of ambient soundscapes and rhythmic elements, though it did not result in a win. Following his departure, Haslinger relocated to Los Angeles in 1991 to pursue opportunities in film and television scoring, seeking greater independence after feeling constrained by Froese's vision for the band. Upon arrival, he faced initial challenges adapting to the competitive U.S. industry, including navigating a declining traditional music sector and building networks in Hollywood through collaborations with former Tangerine Dream colleague Christopher Franke on projects like Babylon 5 and as a programmer for composer Graeme Revell on films such as The Negotiator. These early efforts involved learning the intricacies of synchronizing music to picture and connecting with studio executives and agents, laying the groundwork for his solo scoring career.

Solo and collaborative work

Solo albums and projects

Paul Haslinger's debut solo album, Future Primitive, was released in 1994 on Wildcat Records, marking his transition from collaborative work to independent electronic exploration. The album features a of tracks blending aggressive synth rhythms with serene ambient passages, reflecting a tension between primal energy and futuristic soundscapes. Following this, Haslinger issued World Without Rules in 1996 through RGB Records, incorporating ethnic percussion and layered electronics to evoke global interconnectedness amid technological advancement. The record's themes delve into the interplay of human emotion and digital abstraction, with contributions from guest musicians like enhancing its textural depth. His third solo effort, Score, arrived in 1999, also on RGB Records, where he further evolved his style through compositions that philosophically examine collision points between worlds—both literal and metaphorical—using intricate arrangements. In the 2020s, Haslinger returned to solo releases with Exit Ghost on Artificial Instinct, a piano-centric work that fuses ambient with introspective acoustic , earning praise for its meditative quality and subtle emotional resonance. This was followed by Exit Ghost II in 2021, continuing the series' experimental blend of and , described as a quest for resolution through understated, evocative . These later projects highlight Haslinger's maturation in ambient , drawing briefly on his roots while prioritizing personal, hybrid sonic narratives. As of November 2025, no further solo s have been released.

Key collaborations

Haslinger worked as a and sound designer for composer on several film scores during the 1990s, contributing electronic programming and elements. This partnership emphasized Haslinger's expertise in integrating digital with orchestral arrangements, influencing his approach to hybrid electronic-acoustic compositions outside of traditional scoring roles. Haslinger engaged in various electronic projects with , a fellow former member, beginning with the unreleased Blue Room cassette in 1991, which explored ambient and kosmische soundscapes. These collaborations extended to shared influences from ambient pioneers like , shaping their experimental electronic style through layered synthesizers and atmospheric textures. A notable partnership was with the French electronic ensemble Lightwave, starting in 1994 with the cassette Made to Measure and continuing through full albums like Mundus Subterraneus (1995), where Haslinger served as producer and mixer, blending cosmic ambient with electro-acoustic elements. This collaboration evolved with contributions to Tycho Brahé (1994) and Bleue comme une orange (2004), incorporating Haslinger's synthesizer work to create innovative fusions of space music and experimental sound design that expanded his stylistic range toward more abstract, orchestral-electronica hybrids. The Neuland project with saw a in the late , culminating in their self-titled released in 2019, which marked a return to immersive territories with tracks like "Cascade 39" and "The Lost Cord," evoking classic Berlin School aesthetics while incorporating modern production techniques. Formed in as "new territory" for the duo, Neuland continued into the with ongoing performances and reissues, including a edition in 2025, solidifying their joint influence on contemporary music.

Scoring for media

Film compositions

Paul Haslinger's entry into film scoring marked a significant breakthrough with his work on the 2003 action-horror film , directed by , where he crafted a score that propelled the vampire-werewolf saga to commercial success, debuting at number one at the . This project showcased his ability to fuse high-energy electronic pulses with orchestral swells, setting a template for his contributions to genre cinema. Building on this foundation, Haslinger delivered scores for high-octane action films such as Resident Evil: The Final Chapter (2017), directed by , which amplified the franchise's apocalyptic tension through relentless rhythmic drive and synthetic textures. He continued this collaboration with Anderson on Monster Hunter (2020), a fantasy-action adaptation where the music evoked otherworldly peril and explosive combat sequences, marking their fourth joint project. In recent years, Haslinger has expanded into diverse narratives, scoring the 2024 documentary feature Good Men, directed by , which explores personal and societal themes with introspective, layered . His most recent contribution is the original score for the 2025 fantasy adventure In the Lost Lands, again under Anderson's direction, drawing on mythic elements to heighten the film's epic scope. Throughout his film work, Haslinger employs a signature approach that integrates synthesizers with live instrumentation, creating atmospheric tension suited to , , and fantasy genres; this method echoes his early electronic influences from solo projects while evolving through orchestral collaboration.

Television scores

Haslinger's television scoring career began to gain prominence with his work on the Showtime Sleeper Cell (2005–2006), where he crafted a tense, electronic-driven score that underscored the counter-terrorism narrative's themes of infiltration and moral ambiguity. His for the pilot episode, "Al-Faitha," earned a Primetime Emmy nomination for Outstanding Music for a , or a Special (Original Dramatic Score) in 2006, highlighting his ability to build suspense through layered synth textures and rhythmic pulses that mirrored the series' high-stakes . This approach drew from his electronic roots, using subtle motifs to evoke paranoia without overpowering the dialogue-heavy scenes. In the AMC series Fear the Walking Dead (2015–2017), Haslinger composed the score for its first three seasons, developing evolving soundscapes that transitioned from urban unease to desolate survival amid the zombie apocalypse. He employed industrial electronic elements, inspired by artists like Trent Reznor and Atticus Ross, to differentiate the show's Los Angeles setting from the original The Walking Dead, starting with soothing synths in the pilot to subvert expectations of normalcy before shifting to sparser, brutal textures as the narrative darkened. This adaptation supported the serialized structure by varying story-based motifs—such as driving rhythms for riots or eerie drones for isolation—while maintaining a cohesive post-apocalyptic tone across episodes. Haslinger's more recent television projects include the Netflix series The Irregulars (2021), a supernatural spin on Sherlock Holmes lore, and the Channel 4 drama Somewhere Boy (2022), both incorporating modern electronic motifs to blend mystery with emotional depth. In The Irregulars, he used pulsating synth lines and atmospheric pads to heighten the gothic intrigue of Victorian London, while Somewhere Boy featured introspective electronic layers to explore trauma and isolation in a coming-of-age story. These scores reflect his ongoing evolution toward hybrid electronic-orchestral palettes, influenced briefly by his film scoring experience in sustaining narrative arcs over multiple episodes. A key aspect of Haslinger's television technique is maintaining thematic consistency in serialized formats, achieved through a of reusable motifs and patches that adapt to character development and plot progression without rigid leitmotifs. For instance, in Fear the Walking Dead, he built variations on core themes to track the ensemble's shifting circumstances, ensuring musical continuity while allowing flexibility for non-linear episode production. This method emphasizes contextual storytelling over overt , prioritizing subtle evolution to mirror psychological tension and long-form .

Video game soundtracks

Haslinger's foray into video game composition began in 2005 with the score for , Ubisoft's open-world , where he crafted electronic soundscapes with layered, adaptive elements to complement the game's exploratory and combat-driven mechanics. This project introduced him to the demands of interactive audio, requiring music that responded dynamically to player actions in a nonlinear environment. Building on this foundation, Haslinger delivered scores for several action-oriented titles in the late , including Rainbow Six: Vegas (2006), a that integrated ambient electronic textures with intense percussion to underscore stealth and assault sequences. His contributions to Need for Speed: Undercover (2008) emphasized pulsating synth rhythms for high-stakes racing pursuits, while the Origins: Wolverine video game (2009) featured hybrid cues blending orchestral swells and electronic pulses to amplify combat dynamics. These works highlighted his ability to merge atmospheric depth with high-energy , tailored to varied gameplay paces. A notable later project was his composition for (2015), where minimalist synthesizer motifs and subtle tension-building layers supported the game's competitive, team-based tactics, creating an immersive auditory framework for multiplayer engagements. Tracks like "Rainbow Six Siege Main Theme" exemplify this approach, using sparse arrangements to evoke strategic anticipation without overpowering environmental sounds. Throughout his game scoring career, Haslinger has prioritized interactive and adaptive music systems, including procedural audio generation, to foster player agency and enhance narrative immersion in dynamic worlds—a informed by his music expertise and evident in the modular "maze of music content" he designs for branching gameplay scenarios.

Recent developments

Post-2020 projects

In 2021, Haslinger released Exit Ghost II, a continuation of his ambient solo explorations begun with the preceding album Exit Ghost the prior year, featuring twelve tracks of introspective electronic soundscapes such as "" and "" that evoke a sense of ethereal transience. The album, issued by the label Artificial Instinct on June 18, 2021, was praised for its subtle layering of textures and minimalistic compositions, drawing on Haslinger's longstanding interest in atmospheric . Haslinger's post-2020 documentary work emphasized real-world humanitarian and personal themes through understated electronic scoring. For the 2023 short documentary Our Ukrainian Sky, directed by , he composed music that underscored the story of lawyers delivering aid trucks to front lines amid the Russia-Ukraine , blending subtle synth pulses with poignant restraint to highlight themes of resilience and solidarity. This collaboration marked a reunion with Roth, building on their earlier partnerships, and led directly to Haslinger's score for Roth's 2024 feature-length documentary Good Men, which examines personal growth and the essence of through interviews with diverse men navigating life's challenges. The Good Men soundtrack, released digitally on October 4, , via , spans six tracks including "Main Title" and "Milles Plateaux," incorporating ambient drifts and rhythmic elements reminiscent of School to evoke introspection and transformation. Haslinger also contributed to streaming media with his score for the Netflix series The Irregulars in 2021, a Victorian-era crime drama following a group of street youths solving supernatural mysteries under the influence of . Premiering on March 26, 2021, the eight-episode series featured Haslinger's tense, orchestral-electronic cues that amplified its gothic atmosphere and moral ambiguities, produced by Drama Republic. In 2025, Haslinger scored Paul W.S. Anderson's In the Lost Lands. He also composed the music for the animated short film LIVE:WELL, directed by Sunil Pawar, which premiered at on September 13–14, 2025.

Neuland revival

In the late 1980s, during Paul Haslinger's tenure with , he and former band member —sharing roots in the group's legacy—recorded a series of experimental demos under the working name Blue Room. These sessions, though ultimately scrapped and unreleased at the time, captured their early collaborative synergy in ambient and progressive soundscapes, foreshadowing a deeper partnership. The Neuland project emerged as a revival of this long-dormant collaboration when, in 2018, Haslinger reached out to Baumann with a simple proposition to "make some noise" together, leading to spontaneous studio sessions without preconceived plans for a band. Announced publicly in mid-2019, Neuland debuted with a self-titled released in November 2019, featuring 15 original tracks that fuse vintage analog synthesizers like and models with contemporary digital processing to evoke immersive, otherworldly atmospheres. Key tracks such as "Cascade 39," "Road to Danakil," and "Dream 9" exemplify the album's innovative layering of brooding synth drones, crystalline textures, and subtle percussion, creating a sense of vast, introspective journeys unbound by narrative constraints. Thematically, Neuland emphasizes futuristic rooted in kosmische traditions, prioritizing pure electronic exploration over media scoring to delve into themes of foreboding, longing, and transcendence. While a and North live tour was planned for 2020 to showcase the album's mood-altering visuals and blue-hued lighting, it was postponed indefinitely due to the , with no subsequent performances confirmed. The project remains accessible through ongoing digital releases and streaming, sustaining its focus on experimental electronic purity into the early .

Awards and nominations

Music awards

Haslinger's work in music and scoring has earned him nominations from prestigious institutions like the Grammy and , alongside recognitions from the Broadcast Music, Inc. (BMI) for his film and television compositions. In 1991, Haslinger shared a Grammy Award nomination for Best New Age Album with for their soundtrack to the documentary Canyon Dreams, highlighting his early contributions to ambient and genres. This nomination underscored the innovative fusion of synthesizers and natural soundscapes in the project. For television scoring, Haslinger received a Primetime Emmy nomination in 2006 for Outstanding Music Composition for a Miniseries, Movie, or a Special (Original Dramatic Score) for the Showtime series Sleeper Cell. The score's tense, atmospheric electronic elements complemented the thriller's narrative of . Haslinger also garnered BMI Film Music Awards for his action-oriented scores. In 2011, he won for Takers, a directed by , where his pulsating electronic rhythms enhanced the high-stakes sequences. The following year, in 2012, he received another for Underworld: Awakening, the fourth installment in the vampire-werewolf franchise, recognizing his dynamic blend of orchestral and synth-driven music. In the television realm, Haslinger earned a BMI Television Music Award in 2016 for his contributions to Fear the Walking Dead, the AMC zombie apocalypse spin-off, noted for its brooding, survivalist sound design across early seasons.

Industry recognitions

Paul Haslinger is recognized as an Austrian-American composer whose work reflects dual cultural influences, drawing from his Viennese classical training and American electronic music traditions. This background has positioned him as a bridge between European avant-garde and Hollywood scoring practices, earning him acclaim in international film and media circles. Haslinger holds memberships in key professional guilds for composers, including the Society of Composers & Lyricists (SCL), where he has been acknowledged among peers for contributions to television scoring, and , through which he has received honors for film compositions. These affiliations underscore his standing within the industry, facilitating collaborations and advocacy for composers in film, television, and . Post-2020, Haslinger's innovative blending of acoustic and genres has drawn critical praise in industry outlets for its narrative depth in projects. Publications have highlighted his ability to fuse orchestral elements with synth-driven textures, creating immersive soundscapes that enhance in diverse formats. In recent years, Haslinger has received honors for his scoring, notably winning the 2024 Crystal Pine Award at the International Sound & Film Music Festival for his original score to the feature-length Good Men, which integrates motifs with layers to evoke personal testimonies. His work on the 2022 The YouTube Effect was also shortlisted for consideration in the 2023 Reel Music Awards for Original Score in a Documentary Feature, recognizing his technique in ambient to digital-age themes. These accolades affirm his evolving impact on innovative scoring practices through 2025.

References

  1. [1]
    Paul Haslinger Vinyl Records & Albums | Rough Trade
    Paul Haslinger (b. 11 December 1962) is an Austrian-born composer and musician currently based in Los Angeles, California. After studying classical music in ...Missing: biography | Show results with:biography<|control11|><|separator|>
  2. [2]
    Paul Haslinger - Composer Portfolio for Film and Games
    Paul Haslinger is an Austrian-American Grammy- and Emmy-nominated composer and performing artist, known for seamlessly blending acoustic and electronic music.Missing: biography | Show results with:biography
  3. [3]
    Paul Haslinger | Faber Music
    Paul Haslinger is an Austrian-born musician and Emmy-nominated composer based out of LA, with a long list of film, TV and gaming credits to his name.
  4. [4]
    Paul Haslinger:Electronic storytelling with V Collection 11 - Arturia
    Paul Haslinger is an Austrian-born composer, producer, and former Tangerine Dream member whose scoring and composition work now underpins a range of hit film, ...Missing: biography | Show results with:biography
  5. [5]
    https://www.grammy.com/artists/paul-haslinger/3121
  6. [6]
    Paul Haslinger - IMDb
    Paul Haslinger is an Austrian musician and composer. He lives and works in Los Angeles. Paul began his career as a member of Electronic Music pioneers ...
  7. [7]
    Paul Haslinger - Spotify
    Albums ; The YouTube Effect (Original Motion Picture Soundtrack). Album • 2023 ; Exit Ghost II. Album • 2021 ; Monster Hunter (Original Motion Picture Soundtrack).
  8. [8]
    Paul Haslinger - Voices In The Net
    The Austrian Paul Haslinger (born December 11th, 1962 in Linz, Austria) began his music studies in 1982 at the Academy of Music in Vienna. By 1985, he was ...Missing: childhood influences
  9. [9]
    Interview with Paul Haslinger
    ### Summary of Paul Haslinger's Early Life, Childhood, Family, Musical Background, Influences, and Experiments in Teens
  10. [10]
    Paul Haslinger Composer Interview: "Halt and Catch Fire" & More
    - **Childhood**: Paul Haslinger began experimenting at age 7.
  11. [11]
    Composer Paul Haslinger gives a furious groove to RESIDENT EVIL
    Apr 30, 2017 · As a keyboard player, of course I loved all the outlandish equipment they were using, and together with Kraftwerk, they were a major influence ...
  12. [12]
    Paul Haslinger Interview | Composer of AMC's Halt and Catch Fire ...
    Apr 10, 2019 · Paul Haslinger is the groundbreaking Emmy and Grammy nominated musical visionary behind captivating films and television series.
  13. [13]
    Paul Haslinger Looks Back at 'Halt and Catch Fire', Tangerine Dream
    Dec 2, 2017 · Over the past few years, if a score isn't influenced by Vangelis or John Carpenter, it owes much to Tangerine Dream.
  14. [14]
    https://www.discogs.com/artist/129359-Paul-Haslinger
  15. [15]
    Paul Haslinger - Faber Alt
    During his 5 years with the band, he recorded a total of 15 albums, participated in 4 international tours, and collaborated on a number of soundtracks ...
  16. [16]
    1986, March 09 - 1986, March 31 - Voices In The Net
    Mar 9, 1986 · Furthermore, the 1986 tour featured a brand new line-up with Paul Haslinger replacing Johannes Schmoelling who had left the band in late 1985.Missing: 1986-1990 | Show results with:1986-1990
  17. [17]
    A conversation with Tangerine Dream-alumnus Paul Haslinger
    Jan 21, 2020 · I interviewed Paul Haslinger for the now defunct E-dition Magazine about his years in Tangerine Dream from 1986-1990 and about his subsequent solo career.Missing: childhood Linz influences
  18. [18]
    Canyon Dreams - Tangerine Dream
    This score was composed for a documentary video on the Grand Canyon. TD received its first Grammy nomination with Canyon Dreams.
  19. [19]
    Canyon Dreams - Voices In The Net
    In the USA Canyon Dreams was nominated for the Grammy as "Best New Age Album 1991". Some months before a bootleg version of the soundtrack had already been ...
  20. [20]
    A Conversation With Film And Television Composer Paul Haslinger
    Paul Haslinger Interview. TAMMY: I was reading that by the time you graduated from high school you already knew that you wanted to pursue music professionally.Missing: childhood | Show results with:childhood
  21. [21]
    Future Primitive - Paul Haslinger | Album - AllMusic
    Rating 6.7/10 (3) Future Primitive by Paul Haslinger released in 1994. Find album reviews, track lists, credits, awards and more at AllMusic.
  22. [22]
    The History of Rock Music. Paul Haslinger - Piero Scaruffi
    Ultimate guide to Paul Haslinger: biography, discography, reviews, best albums, ratings.<|control11|><|separator|>
  23. [23]
    World Without Rules - Paul Haslinger | Album - AllMusic
    Rating 8.1/10 (8) World Without Rules by Paul Haslinger released in 1996. Find album reviews, track lists, credits, awards and more at AllMusic.
  24. [24]
    World Without Rules | Paul Haslinger - Hearts of Space Records
    About this album. World Without Rules joins Paul Haslinger with a stellar lineup of guest musicians, including Mark Isham and Nona Hendryx.
  25. [25]
    Score - Paul Haslinger | Album - AllMusic
    Rating 7/10 (3) Score by Paul Haslinger released in 1999. Find album reviews, track lists, credits, awards and more at AllMusic.
  26. [26]
    Exit Ghost | Paul Haslinger - Artificial Instinct - Bandcamp
    Free deliveryPaul Haslinger's 'Exit Ghost' is the first release from new electronic label Artificial Instinct set for release on 7th February 2020 on vinyl (with die cut ...
  27. [27]
    Melodic Improvisation Fuels Paul Haslinger's 'Exit Ghost' - PopMatters
    Feb 27, 2020 · In the hands, ears, and mind of Paul Haslinger, a simple stage direction becomes an album-length meditation on freeing oneself from the ...
  28. [28]
    Exit Ghost II | Paul Haslinger - Artificial Instinct - Bandcamp
    Free deliveryExit Ghost II by Paul Haslinger, released 18 June 2021 1. Cambium 2. Septuagint 3. Emerald 4. Marienbad 5. Meristematic 6. Translucent 7. Waltz II 8.
  29. [29]
    The Crow (Original Motion Picture Score) - Album by Graeme Revell
    Listen to The Crow (Original Motion Picture Score) by Graeme Revell on Apple Music ... Paul Haslinger. Land of the ...
  30. [30]
    Paul Haslinger Discography - Download Albums in Hi-Res - Qobuz
    During the 1990s, he also released a few solo albums, including World Without Rules (1996) and Planetary Traveler (1997), that explored various ethnic ...
  31. [31]
    https://www.qobuz.com/us-en/interpreter/lightwave/438136
  32. [32]
    Lightwave Discography - Download Albums in Hi-Res - Qobuz
    Listen to Lightwave in unlimited streaming on Qobuz and buy the albums in Hi-Res 24-Bit for an unequalled sound quality. Subscription from $10.83/month.
  33. [33]
    Tangerine Dream Alumni Peter Baumann and Paul Haslinger On ...
    Jan 9, 2020 · The Neuland Project is the brainchild of Peter Baumann and Paul Haslinger, two visionary musicians who got their respective breaks playing ...
  34. [34]
    Neuland - Voices In The Net
    The project Neuland (meaning New Territory in German) was formed in 2018 by former TD members Peter Baumann and Paul Haslinger. According to Baumann in an ...Missing: revival 2020s
  35. [35]
    Neuland - The Sound of Vinyl
    Free delivery 30-day returnsAdd Neuland to cart Add to cart. Ships on: November 13, 2025. Neuland started the way many long overdue projects do: with Paul Haslinger and Peter Baumann ...Missing: 2021 2022 2023 2024
  36. [36]
    Paul Haslinger Movies List | Rotten Tomatoes
    The first movie scored by Haslinger to open as No. 1 at the weekend box office was the 2003 horror film "Underworld," which recounted the saga of an internecine ...
  37. [37]
    https://www.milanrecords.com/release/resident-evil-final-chapter-original-music-paul-haslinger/
  38. [38]
    Paul Haslinger: Resident Evil: The Final Chapter - Milan Records
    The score to Resident Evil: The Final Chapter was composed by industry veteran Paul Haslinger. Following a successful run with the beloved electronic group ...
  39. [39]
    Paul Haslinger: Monster Hunter - Soundtrack - Milan Records
    Marking his fourth collaboration with director Paul W.S. Anderson, Haslinger's score to Monster Hunter continues to push the envelope musically. directed by ...
  40. [40]
    Good Men (Original Score) - Paul Haslinger - Bandcamp
    Good Men (Original Score) by Paul Haslinger, released 04 October 2024 1. Good Men - Main Title 2. UniSpec 54 3. Fathers and Sons 4. Family Bonds 5.Missing: film | Show results with:film
  41. [41]
    Paul Haslinger Scoring Paul W.S. Anderson's 'In the Lost Lands'
    Jan 8, 2025 · Paul Haslinger (Underworld, Halt and Catch Fire, Crank, Shoot 'Em Up, Prom Night, Blue Crush) has composed the original score for the upcoming fantasy action ...
  42. [42]
    Paul Haslinger - RME Artists
    Latin Grammy Award (PDF). Paul Haslinger. Austrian-born Paul Haslinger has secured a distinctive reputation for composing film scores, which incorporate both ...<|control11|><|separator|>
  43. [43]
    A Tangerine Dream Conquers Television - The Hollywood Reporter
    Jun 24, 2014 · Paul Haslinger, ex-member of the groundbreaking German band, now is composer of AMC's new show "Halt and Catch Fire," capturing that period '80s ...Missing: audition | Show results with:audition
  44. [44]
    Paul Haslinger – Q Up Arts
    His distinctive style has earned him an Emmy nomination for Showtime's Sleeper Cell (2007), along with a body of work that spans television, film, and video ...
  45. [45]
    Paul Haslinger on FEAR THE WALKING DEAD - Musique Fantastique
    Recently, Haslinger scored the first season of AMC's FEAR THE WALKING DEAD, a prequel/spin off of the network's hit zombie apocalypse series, THE WALKING DEAD, ...
  46. [46]
    Fear The Walking Dead: Paul Haslinger interview | Den of Geek
    Oct 6, 2015 · Having recorded no fewer than 15 albums with Tangerine Dream, including work on the iconic score to Kathryn Bigelow's Near Dark, he left the ...
  47. [47]
    Paul Haslinger Scoring Netflix's 'The Irregulars' - Film Music Reporter
    Mar 3, 2021 · Paul Haslinger (Halt and Catch Fire, Underworld, Death Race, The Three Musketeers, Crank, Resident Evil: The Final Chapter) is the composer of the new Netflix ...
  48. [48]
    Exit Ghost II: CDs & Vinyl - Amazon.com
    Exit Ghost II' is Paul Haslinger's quest for arrival after a year lost at sea. “ Through understated arrangements, ambient undercurrents and electronic shading [Haslinger] manages to draw a range of dramatic implications out of his introspection.”
  49. [49]
    Good Men (Paul Haslinger) - Celluloid Tunes
    Oct 7, 2024 · Good Men (2024), directed by Bobby Roth, is a film about people trying to figure out life, a process that can ultimately never be finished, ...<|control11|><|separator|>
  50. [50]
    https://www.linkedin.com/posts/sunil-pawar_this-has-taken-quite-a-while-and-pleased-activity-7372209372858306561-Yzzx
  51. [51]
    Neuland (5)
    ### Summary of Neuland (5) History
  52. [52]
    Review: Tangerine Dream Alums' New Project, Neuland - Vehlinggo
    Nov 22, 2019 · Neuland's self-titled debut album finds two veterans of kosmische mastery letting loose with their talents in a modern setting.Missing: audition | Show results with:audition
  53. [53]
    Neuland | Neuland
    Neuland by Neuland, released 22 November 2019 1. Cascade 39 2. Road to Danakil 3. A World Apart 4. Counting On Time 5. Dream 9 6. Liquid Sky 7.Missing: revival | Show results with:revival
  54. [54]
    Haslinger, Paul 1962- | Encyclopedia.com
    Awards, Honors:​​ Grammy Award nomination (with Tangerine Dream), National Academy of Recording Arts and Sciences, 1991, for Canyon Dreams; Emmy Award nomination ...
  55. [55]
    biography paul haslinger - schneiderplus
    Haslinger got nominated for the Grammy Award 1991 praising his work on “Canyon Dreams” and for the Emmy Award 2006 for his music for TV series “Sleeper Cell”.
  56. [56]
    2011 BMI Film/TV Award Winners | Press
    May 19, 2011 · TAKERS Paul Haslinger. TANGLED Alan Menken. THE TOWN David Buckley (PRS) Harry Gregson-Williams. TRON: LEGACY Daft Punk. UNKNOWN John Ottman.
  57. [57]
    Composer James Newton Howard Honored as BMI Icon at 2016 ...
    May 12, 2016 · BMI proudly presented its Icon Award to music creator James Newton Howard at the Company's annual Film/TV Awards, held last night at the ...
  58. [58]
    2006 Emmy Nominees & Winners in Music Categories for SCL ...
    “Sleeper Cell,” Showtime, Showtime Presents in association with Cardboard Guru Productions; Paul Haslinger, music. “The Water Is Wide (Hallmark Hall Of Fame ...
  59. [59]
    Paul Haslinger - Wikipedia
    Works · Film · Television · Video games · Solo projects · With Tangerine Dream · Programmer for Graeme Revell · With Lightwave.Missing: 2023 2024
  60. [60]
    2021 BMI Film, TV & Visual Media Awards
    Jul 12, 2021 · Discover quotes and fun facts from some of our composers who are receiving their first BMI Film, TV & Visual Media Award, and learn what they ...
  61. [61]
    Paul Haslinger, Composer for GOOD MEN, Short-Listed for ... - PRLog
    Sep 22, 2024 · Composer Paul Haslinger has been shortlisted for this year's Crystal Pine award for Original Score ... Amityville: An Origin Story. In video games ...
  62. [62]
    2023 Reel Music Awards – Scores for Consideration
    Apr 28, 2024 · ORIGINAL SCORE FOR A DOCUMENTARY FEATURE, SHORT FILM, OR SERIES. 1941 ... THE YOUTUBE EFFECT (Paul Haslinger); ZWART GELUK/BLAKA KOLOKU ...Missing: recognitions | Show results with:recognitions