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Paul Putner

Paul Putner (born 1966) is an English actor and comedian recognized for his versatile performances in British television comedy series and films. He trained at the London Academy of Music and Dramatic Art (LAMDA) and has built a career spanning ensemble sketch shows, dramatic roles, and stage productions. Putner gained prominence through his recurring roles in the BBC sketch comedy Little Britain (2003–2006), where he portrayed various characters across both television and radio formats. He also appeared in Stewart Lee's Comedy Vehicle (2009, 2014, 2016), contributing to the show's satirical style, and played Gerald "Jelly" Kelly in the Only Fools and Horses spin-off Rock & Chips (2010–2011). Earlier in his career, he featured prominently in This Morning with Richard Not Judy (1998), performing as The Curious Orange and other characters. In addition to television, Putner has credits in films such as (2006), where he appeared in the "Tour Eiffel" segment, and St Trinian's 2: The Legend of Fritton's Gold (2009). His work extends to more recent dramas like and (series 10), as well as theatre productions including the live tour of and (2019). Residing in as of 2019, Putner continues to perform and appeared as Mr. Parks in the CBeebies series Football Fantastics (2025).

Early life and education

Childhood and family background

Paul Putner was born on 18 March 1966 in , , . Raised in a comfortably middle-class family in the leafy town of , Putner experienced a stable upbringing during the . His family maintained connections to the British television industry through his uncle, John Mason, a chief in the BBC's lighting department who contributed to productions such as , , and The Box of Delights, for which he received a BAFTA award. In the mid-, Putner's mother and older brother accompanied Mason on visits to the BBC's Wood Lane studios, where they gained insider glimpses into television production that captivated the young Putner. These experiences fostered Putner's early fascination with and , influenced by shows and the vibrant world his uncle described. As a child, he developed an obsession with the ska band , collecting memorabilia like badges and posters while emulating their eccentric style—such as adopting a look with suits and shades—which hinted at his emerging interest in performative expression.

Dramatic training

Paul Putner pursued formal dramatic training at the London Academy of Music and Dramatic Art (), enrolling in the mid-1980s and graduating in 1988. This conservatoire provided him with a rigorous foundation in professional , emphasizing practical skills essential for stage and screen performance. His curriculum at LAMDA encompassed specialized instruction in character acting, where students engage in textual analysis, research, and character study to develop nuanced portrayals. Improvisation formed a core component, fostering impulse-work and spontaneous scene-building to enhance adaptability and creativity in performance. Additionally, dedicated voice work honed vocal projection, diction, and expressive range, integrating with movement training to support embodied storytelling. The training's focus on technical proficiency and artistic depth prepared him to transition seamlessly into professional roles blending and humor.

Early career

Comedy club founding

In the mid-1990s, Paul Putner became involved in the launch of The Regency Rooms, a and venue in that blended showbiz glamour with eccentric performances. The club was established by comedian Lenny Beige (real name ) as a go-to night for innovative acts, marking a pivotal moment in Putner's transition from dramatic training to the professional circuit. Putner contributed as an early performer, appearing as half of a Mexican-themed duo, which helped define the club's quirky house style. The Regency Rooms quickly gained a dedicated following in London's comedy scene, providing essential opportunities for emerging talents to experiment with acts and cross-genre collaborations. By fostering a space for "madness and mainstream" entertainment, the venue influenced local networking and helped propel performers toward broader recognition, including unsuccessful but notable attempts at TV adaptation.

Initial stage and television roles

Putner's transition from club performances to professional stage work began in 1996 when he was cast by comedian in the play Punk's Not Dead at the . This debut role, performed at the Pleasance Upstairs alongside actors including Ewan Bailey and Jason Freeman, marked his first significant theatrical appearance and helped establish connections from his earlier work at The Regency Rooms. His television career followed soon after, with Putner's first notable screen role in the 1995 BBC Two sketch series , where he portrayed multiple characters in four episodes. The show, created by and starring comedians including and , provided Putner an early opportunity to showcase his character-acting versatility in a satirical take on culture and environmental activism. In 1998, Putner gained further recognition in This Morning with Richard Not Judy, a BBC Two surreal comedy series written by and starring Richard Herring and Stewart Lee. He played the recurring character The Curious Orange, a giant anthropomorphic fruit who posed philosophical questions about life, as well as other supporting roles, appearing in multiple episodes of the two-series run. Putner's television presence expanded in 1999 with appearances in two BBC productions. In Sir Bernard's Stately Homes, a six-episode sketch series parodying historical tourism, he took on various roles including Akela and George Michael impersonations. That same year, he featured as a paintball player in the episode "Battles" of the cult sitcom Spaced, directed by Edgar Wright and starring Simon Pegg and Jessica Hynes.

Comedy and television work

Character comedy development

Paul Putner's character comedy in the 2000s evolved toward eccentric, voice-driven personas heavily influenced by the surreal traditions of , drawing on and to create layered, satirical figures. His style emphasized vocal versatility and physical exaggeration, often portraying flawed outsiders whose delusions clashed with reality, echoing the offbeat humor of predecessors like while carving a niche in ensemble sketch work. This approach allowed him to blend sharp impressions with physicality, turning ordinary scenarios into heightened absurdities. A pivotal moment came in 2000 with his contributions to the spoof music series , where Putner delivered impressions of musicians, notably portraying in the "" episode, showcasing his skills through exaggerated vocal tics and mannerisms that lampooned excess. This work highlighted his ability to inhabit voice-centric characters with , using subtle physical cues to amplify the without overpowering the ensemble dynamic led by and . In 2001, Putner wrote and performed the solo stage show Earl Stevens at the Edinburgh Fringe Festival, presenting a washed-up stand-up as a biting of faded showbiz egos. The character, performed with nervous energy and dissonant routines like "Poodle Man," delved into themes of decline and delusion, relying on Putner's mimicry to satirize self-aggrandizing performers while incorporating through awkward gestures and props to underscore the absurdity. Critics praised its close-to-the-bone character work, marking a maturation in Putner's ability to sustain a single, voice-driven across a full show. By 2007, Putner's style reached a refined peak in sketches for , where he contributed to ensemble pieces emphasizing and , such as chaotic parodies of television tropes that twisted everyday logic into surreal mishaps. His roles amplified the show's fast-paced, voice-heavy through exaggerated movements and vocal shifts, reinforcing his reputation for eccentric supporting characters that enhanced the overall comedic without dominating the frame.

Breakthrough series appearances

Putner's breakthrough in television came with his recurring role in the BBC sketch comedy series , where he portrayed a variety of characters from 2003 to 2006, including the hapless , a member of the FatFighters weight-loss group. Collaborating closely with creators and stars and , Putner's performances contributed to the show's satirical take on stereotypes, helping it achieve widespread popularity and multiple BAFTA nominations during its run. He extended this success into live performance by reprising several characters during the tour, which ran from 2005 to 2007 across the , Ireland, and Australia, drawing large audiences and solidifying his reputation in ensemble comedy. In 2005, Putner appeared in the surreal science education parody Look Around You on BBC Two, playing the quirky scientists Clive Pounds and Len Pounds in key episodes of series 2. His deadpan delivery aligned with the show's collaborative spirit under creators Peter Serafinowicz and Robert Popper, enhancing the series' cult following for its absurd humor and innovative mockumentary style, which influenced later British comedies. Putner further showcased his versatility in ensemble sketches for Stewart Lee's Comedy Vehicle on BBC Two, contributing to seasons in 2009, 2010, 2014, and 2016 alongside comedian Stewart Lee and performers like Kevin Eldon. These appearances highlighted his skill in supporting Lee's sharp, observational stand-up with character-driven bits, aiding the series' critical acclaim, including a BAFTA for comedy writing in 2010. Later in his breakthrough phase, Putner voiced the troll character Mervyn in the fantasy series in 2013, appearing in two episodes as the grumpy gatekeeper of a magical portal. This role, part of a collaborative production with writers like , allowed Putner to blend his roots with family-oriented storytelling, reaching young audiences through the show's adventurous narrative.

Film and radio contributions

Film roles

Paul Putner's film career features a series of supporting roles that showcase his talent for and character work, often in ensemble casts of British productions. His early notable screen appearance came in the zombie comedy (2004), directed by , where he portrayed one of the undead horde during the film's chaotic outbreak sequences. Putner's involvement extended beyond the screen, as he contributed to the "Zombies" track on the DVD release, joining other extras in a humorous discussion of the makeup and filming process. In 2006, Putner took on a more prominent featured role in the Paris, je t'aime, appearing as Le Mime in the "Tour Eiffel" segment directed by . This silent, whimsical vignette depicts a mime artist's poignant encounter near the , allowing Putner to demonstrate his skills and expressive physicality in a largely wordless performance alongside Yolande Moreau. The film premiered at the in the section, highlighting its blend of international shorts on themes of love in Paris. Putner continued in comedic supporting capacities with his role as Steve the Barman in St Trinian's 2: The Legend of Fritton's Gold (2009), a sequel to the anarchic schoolgirl comedy franchise, where he provided wry pub-side banter amid the film's treasure-hunting antics led by and . Later, in the historical drama (2016), directed by , he appeared as the Porter, a minor but pivotal figure in the story of between and Ruth Williams, adding subtle humor to tense scenes at a hotel. These roles underscore Putner's versatility in injecting levity into both genre and period pieces.

Radio series and voice acting

Paul Putner has established himself as a prominent voice in British radio comedy, leveraging his skills in character creation to portray eccentric and humorous figures across various BBC series. His work emphasizes vocal versatility, often bringing satirical depth to musical, sci-fi, and sketch-based formats. In the BBC Radio 2 series The Day the Music Died (2004–2007), Putner played the recurring character Ornate Johnson, a flamboyant music enthusiast, in a satirical exploration of rock history hosted by Mark Lamarr. Putner contributed to the BBC Radio 4 science fiction comedy Nebulous (2005), voicing Harry Hayes, a researcher for the eco-warriors , in a post-apocalyptic narrative written by Graham Duff and starring as the titular professor. His radio appearances include the role of Dave in the BBC Radio 4 Cabin Pressure episode "" (2009), part of a series that continued airing through 2014, and an ensemble role in the 2021 Christmas special Away in a Mangle! of Count Arthur Strong's Radio Show!, where he supported Steve Delaney's titular character in a festive installment. Putner's voice acting extends to Peacefully in Their Sleeps (2007), a series written by Chris Chantler and Howard Read that parodied postwar British celebrities through mock obituaries and archive spoofs, in which he performed as part of the . He also featured prominently in the sketch show Kevin Eldon Will See You Now on , appearing in series 3 (2017) and series 4 (2019), delivering multiple characters alongside , Justin Edwards, and David Reed in surreal and absurd vignettes.

Later career and legacy

Roles in the 2010s

In the early , Paul Putner continued his comedic television work with a prominent recurring role as Gerald "Jelly" Kelly in the sitcom , a to that aired from 2010 to 2011. In this series, Putner portrayed the hapless musician Jelly, a bandmate of the Del Boy's father, contributing to the show's nostalgic humor centered on life. Putner maintained his presence in and comedy throughout the decade, appearing in the 2013 BBC Two series It's Kevin, where he played the studio caretaker Bob alongside in a mix of sketches, songs, and improvised segments. Later, he guest-starred as Osbert in the 2015 episode "Panto" of the sitcom Up the Women, a historical about suffragettes, and as the character in the 2015 episode "The Date" of the puppet-led series Pompidou, adding to his repertoire of quirky supporting roles in . Transitioning toward dramatic parts, Putner took on the role of Venetian Envoy in the 2013 Showtime series The Borgias, appearing in the episode "The " amid the show's depiction of intrigue. He further diversified with a recurring turn as Mr. Skinner, the temporary editor of a magazine, in two episodes of the sixth season of ITV's in 2015, marking a shift from to period drama. On stage, Putner debuted his solo show Paul Putner's Embarrassment – Me and Madness (The Band) in 2019 at the Edinburgh Festival Fringe and Greater Manchester Fringe, a comedic tribute to the band Madness that blended personal anecdotes, fan stories, and musical parody to celebrate the group's 40th anniversary. The production highlighted Putner's long-standing admiration for the ska band, drawing on his experiences as a devotee to create an affectionate, self-deprecating narrative.

Recent projects (2020s)

In the 2020s, Paul Putner continued to build on his character acting career with recurring and guest roles in British television dramas and comedies. In 2021, Putner guest-starred as Barney Johnson in episode 4 of series 10 of the drama Call the Midwife. He portrayed Enoch Lyndhurst, a in the period mystery series , appearing in two episodes during the 2022 season on and . The series, which follows a female detective in Victorian , marked Putner's involvement in an ongoing production that extended through multiple seasons up to 2024. Putner made a as Mick the Porter in the 2023 BBC One psychological drama The Following Events Are Based on a Pack of Lies, a five-part exploring themes of and family secrets, where he featured in one episode. His role contributed to the ensemble cast alongside stars like , highlighting his versatility in supporting parts within contemporary narratives. In 2024, Putner took on the role of Cocles, a loyal employee in a shipping firm, in the French-Italian-British co-production TV miniseries , appearing in two episodes of the eight-part adaptation of ' classic novel. The series, directed by and starring as , emphasized themes of and , with Putner's performance adding depth to the ensemble of period characters. Putner appeared as Mr. Parks, the grumpy caretaker, in the children's comedy series Football Fantastics (2025), which follows a group of young players in navigating friendships and adventures on the pitch. The 10-episode run underscores his continued engagement with family-oriented programming.

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