Perdita Weeks
Perdita Rose Annunziata Weeks (born 25 December 1985) is a Welsh actress recognized for her versatile performances in television and film, including the role of Juliet Higgins in the action-crime reboot series Magnum, P.I. (2018–2024), Mary Boleyn in the historical drama The Tudors (2007), Lydia Bennet in the romantic comedy miniseries Lost in Austen (2008), archaeologist Scarlett Marlowe in the horror film As Above, So Below (2014), and Kira in the science fiction adventure Ready Player One (2018).[1][2][3][4] Born in South Glamorgan, Wales, Weeks grew up in the English countryside as the middle child in an acting family; she is the younger sister of actress Honeysuckle Weeks and the older sister of actor Rollo Weeks, with their parents being Robin Weeks, an advertising executive, and Susan Weeks (née Wade), a freelance copywriter.[2][1][5] She attended Roedean School, an independent boarding school in East Sussex, and later studied art history at the Courtauld Institute of Art in London, which influenced her early interest in period dramas and historical narratives.[2][1] Weeks began her acting career as a child, making her screen debut at age 11 as the Second Player in the Royal Exchange Theatre's production of Hamlet (1996, released on film in 2000), followed by a small role as Evie in the comedy Spice World (1997).[2] Her early television work included guest appearances in series such as Midsomer Murders (2003) and Stig of the Dump (2002), building toward more prominent parts in period pieces like Sherlock Holmes and the Case of the Silk Stocking (2004) and Miss Potter (2006, though her scene was cut).[1][3] Breakthrough came with her portrayal of the ambitious and tragic Mary Boleyn in The Tudors, marking her entry into international audiences, and she continued with roles in The Promise (2011), a political thriller, and the zombie horror Prowl (2010).[6][1] In the 2010s, Weeks expanded into lead film roles, earning acclaim for her intense performance as the lead archaeologist in the found-footage horror As Above, So Below, which highlighted her ability to blend action with supernatural elements, and for her supporting turn in Steven Spielberg's Ready Player One.[3] Her casting as the resourceful ex-MI6 operative Juliet Higgins in Magnum, P.I.—a gender-swapped update to the original 1980s series—solidified her as a television lead, with the show running for five seasons across CBS and NBC before concluding in 2024.[4][7] Following the series' end, Weeks has taken on roles in the BBC crime drama The Gold as Tina Keyes (2025) and the adventure film Fountain of Youth (2025) as Harold's lawyer, demonstrating her ongoing range in ensemble casts and genre projects.[2][8])Early Life and Education
Early Life
Perdita Weeks was born on 25 December 1985 in South Glamorgan, Wales.[9] She is the middle child of three siblings, with an older sister, Honeysuckle Weeks (born 1 August 1979), and a younger brother, Rollo Weeks (born 20 March 1987).[9] Her parents are Robin Weeks, an advertising executive, and Susan Weeks (née Wade), a state registrar.[9] The family initially resided in South Glamorgan before relocating to the English countryside.[9] Weeks spent her early childhood in Wales but was primarily raised in the English countryside, where the rural setting shaped her formative years.[9] Growing up in a household connected to the creative fields—through her parents' advertising backgrounds and her siblings' emerging involvement in acting—she developed an early interest in performance.[10] This familial environment provided subtle influences, fostering a creative atmosphere that extended beyond traditional pursuits. Her initial exposure to the performing arts came at a young age when, at six years old, she was discovered by a casting agent along with her siblings and appeared in a detergent commercial alongside her brother Rollo.[11][12] This early commercial work represented her first step into the entertainment world, highlighting the Weeks family's collective draw toward artistic endeavors.[13]Education
For her secondary education, Perdita Weeks attended Roedean School, an independent boarding school located in Brighton, East Sussex, England.[9] Weeks later pursued higher education in art history at the Courtauld Institute of Art, part of the University of London, where she earned her degree.[9] Her studies at this prestigious institution, renowned for its focus on the history of art and architecture, provided a strong academic foundation in visual and cultural heritage.[10] This art history background has notably shaped Weeks' interest in historical narratives and period dramas, aligning with roles that explore rich cultural and artistic contexts, such as her portrayal of Mary Boleyn in the historical series The Tudors (2007–2008).[2] In a 2014 interview, she described herself as "more of an art history kind of person," highlighting how such knowledge enhances her engagement with intellectually layered historical projects.[14] Weeks has also expressed enthusiasm for the genre, stating, "I think the English public loves period drama. I love watching them."[15]Acting Career
Early Roles
Perdita Weeks entered the acting world at a young age, influenced by her family's involvement in the industry, particularly her older sister Honeysuckle Weeks, who had already begun performing. Her earliest screen appearance was an uncredited role in the 1993 BBC miniseries Goggle Eyes, alongside her sister Honeysuckle.[16] By 1993, at age seven, Weeks featured in a series of advertisements for McVitie's biscuits, co-starring with actress Jane Asher, further establishing her presence in British media.[2] These early commercial gigs provided initial exposure and honed her skills in front of the camera. Her first credited film role arrived in 1997, when she was 11, portraying Evie, an enthusiastic fan of the Spice Girls, in the musical comedy Spice World. This appearance marked her transition from advertisements to narrative screen work. Weeks continued with supporting television parts in the late 1990s, including the role of the Second Player in the 1996 adaptation of Hamlet and Young Millie in the 1997 miniseries The Rag Nymph.[17]Television Breakthroughs
Weeks first garnered significant attention for her portrayal of Mary Boleyn in the second season of the Showtime historical drama The Tudors, which aired from 2007 to 2008. Playing the role of King Henry VIII's mistress and sister to Anne Boleyn, she depicted the character's seduction and subsequent disillusionment with a subtle intensity that marked her transition from child roles to more mature dramatic parts.[18] This appearance in the popular series, known for its lavish production of Tudor-era intrigue, helped elevate her profile in international television.[19] Building on this momentum, Weeks took on the role of Lydia Bennet in the 2008 ITV miniseries Lost in Austen, a four-part adaptation that swapped modern protagonist Amanda Price with Elizabeth Bennet in Jane Austen's Pride and Prejudice. Her energetic and flirtatious interpretation of the youngest Bennet sister brought a fresh, mischievous energy to the literary figure, contributing to the series' critical acclaim for its witty deconstruction of Regency romance tropes.[20] The production's blend of humor and drama showcased Weeks' comedic timing alongside her dramatic depth, further solidifying her appeal in period adaptations. In 2011, Weeks expanded her range with supporting roles in two BBC miniseries. As Eliza Meyer in The Promise, a four-part drama alternating between 1948 Palestine and modern-day London, she played the daughter of a British officer entangled in the region's conflicts, highlighting her ability to navigate intense emotional and political narratives. That same year, she portrayed Clara Barley, the love interest of Pip in the two-part adaptation of Charles Dickens' Great Expectations, where her poised performance amid themes of class and ambition reinforced her affinity for classic literature on screen. Weeks' television presence culminated in the mid-2010s with her recurring role as Catriona Hartdegen in the third season of Showtime's gothic horror series Penny Dreadful (2015–2016). As a thanatologist and ally to the protagonists in Victorian London, she embodied a fierce, independent woman skilled in combat and the occult, adding layers of mystery and resilience to the ensemble cast. This part in the critically praised series, which earned multiple awards for its atmospheric storytelling, underscored her versatility beyond historical romance into supernatural and horror elements.[21] These roles collectively established Weeks as a go-to actress for intricate period pieces, earning her recognition for conveying emotional complexity and historical authenticity while demonstrating adaptability across genres from Austen satire to Dickensian drama and gothic fantasy.[3] Her work during this era built a foundation of acclaim in British television, leading to broader opportunities in global productions.Film Roles
Perdita Weeks began her film career with supporting roles in British productions during the 2000s, including filming a small part as Lucy in the biographical drama Miss Potter (2006), directed by Chris Noonan, though her scenes were deleted from the final cut. Her transition to more prominent screen work became evident in the horror genre with the 2010 independent film Prowl, where she portrayed Fiona, a young woman entangled in a nightmarish encounter during a road trip.[22] Directed by Patrik Syversen, Prowl follows a group of friends stalked by cannibalistic creatures in an abandoned warehouse, earning mixed critical reception for its tense atmosphere but criticism for uneven pacing and character development, holding an 18% approval rating on Rotten Tomatoes based on audience and critic feedback.[23] Weeks' performance in Prowl highlighted her emerging presence in low-budget horror, paving the way for her breakout lead role as Scarlett Marlowe in the 2014 found-footage thriller As Above, So Below. In the film, directed by John Erick Dowdle, she plays a brilliant archaeologist leading an expedition into the Paris catacombs in search of the Philosopher's Stone, only to confront supernatural horrors mirroring personal traumas. The movie received polarized reviews, with a 29% Rotten Tomatoes score praising its inventive blend of historical mystery and claustrophobic terror but faulting its reliance on genre clichés; Roger Ebert's review noted its "memorably eccentric style" and energy, though it critiqued the uneven execution.[24][25] Weeks' portrayal of the determined Scarlett was often commended for anchoring the film's intense, vertigo-inducing sequences. This period marked Weeks' deliberate shift toward horror and thriller genres, leveraging her television background in period dramas to bring depth to vulnerable yet resilient characters in high-stakes narratives. Her work in these films established her as a reliable lead in independent cinema, emphasizing psychological tension over jump scares, though neither Prowl nor As Above, So Below garnered major awards or festival nominations.[26]Magnum P.I. and Recent Work
In 2018, Perdita Weeks was cast in the lead role of Juliet Higgins, a former MI6 agent and the tough, sarcastic majordomo of Robin Masters' Hawaiian estate, in the CBS reboot of Magnum P.I. opposite Jay Hernandez as Thomas Magnum.[4] The series, which reimagined the 1980s original by gender-swapping the Higgins character into a commanding female lead, premiered on September 24, 2018, and followed the evolving partnership between Magnum, a private investigator, and Higgins, who transitions from his skeptical overseer to a trusted ally and eventual romantic interest. Over five seasons, Higgins' arc deepened, showcasing her vulnerability beneath a hardened exterior shaped by personal losses, including the death of her fiancé, while her chemistry with Magnum drove much of the show's slow-burn tension and action-oriented plots.[27] The reboot aired 96 episodes, initially on CBS for seasons 1 through 4, before the network canceled it in May 2022 amid industry strikes; a devoted fan campaign led NBC to revive it in July 2022 for a split fifth season.[28] Critics praised Weeks' performance for infusing Higgins with intelligence and emotional depth, making her a standout in a series lauded for modernizing the procedural format with diverse representation and high-stakes adventures, though some noted formulaic elements in later episodes.[29] NBC ultimately canceled the show in June 2023, with the final episodes airing on January 3, 2024, concluding the Higgins-Magnum romance on a satisfying note amid a climactic case.[7] Weeks' portrayal of Higgins marked a pivotal shift in her career, exposing her to a broader American audience and enhancing her global recognition beyond British period dramas, as evidenced by increased U.S. media coverage and fan engagement that helped sustain the series.[30] Following the show's end, she took on supporting roles in high-profile projects, including a brief appearance as Harold's lawyer in Guy Ritchie's adventure film The Fountain of Youth (2025), starring John Krasinski and Natalie Portman.[31] In 2025, Weeks also appeared as Tina Keyes, a key figure in an international money-laundering investigation, across two episodes of the BBC crime miniseries The Gold season 2.[32]Personal Life
Family
Perdita Weeks was born to parents Robin Weeks, an advertising executive, and Susan Weeks (née Wade), a freelance copywriter and former French teacher who also pursued interests in fashion design.[33][34] The couple separated in 1993 when Perdita was seven years old, but both parents maintained involvement in their children's lives, fostering an environment that supported creative pursuits.[10] Susan, in particular, briefly taught French at institutions such as Wyclif College in Gloucestershire and Seaford College in Petworth, West Sussex, reflecting the family's emphasis on education and cultural exposure.[5] Weeks shares a close familial bond with her siblings, all of whom pursued acting careers in their youth, contributing to a shared heritage in the performing arts. Her older sister, Honeysuckle Weeks (born 1 August 1979), is a prominent British actress best recognized for her long-running role as Samantha Stewart in the ITV series Foyle's War (2002–2015, 2017).[35] Honeysuckle's path influenced Perdita's early interest in acting, with the sisters often drawing on their sibling rapport for emotional support during professional challenges. Her younger brother, Rollo Weeks (born 20 March 1987), appeared in films such as The Little Vampire (2000) as Gregory Sackville, The Thief Lord (2006), and Finding Neverland (2004) as Peter Llewelyn Davies, before transitioning to work as a director of photography in the advertising industry (as of 2023).[36][33] The three siblings grew up in Chichester and Petworth, West Sussex, after their early years in Wales, and their unusual names—Honeysuckle after the blooming flowers at her birth, with similarly whimsical choices for Perdita and Rollo—highlight the family's naming tradition.[37] The Weeks family demonstrates strong mutual support, particularly in navigating the demands of acting. In the late 2000s, Perdita shared a home in south London with Rollo, while Honeysuckle lived in north London, allowing the siblings to collaborate informally on career advice and emotional backing during transitions in the industry.[38] A notable instance of this solidarity occurred in July 2016, when Perdita publicly announced via Twitter that Honeysuckle had been found "safe and sound" after going missing, underscoring their protective sibling dynamic.[39] While details on extended family remain private, Perdita maintains a low profile regarding her romantic life, with no confirmed information on a spouse or children, consistent with her preference for privacy beyond immediate family ties.[40][41]Public Image and Privacy
Despite her increasing prominence in international television, Perdita Weeks has cultivated a low-profile personal life, deliberately limiting her exposure to tabloid media and public scrutiny. She maintains an Instagram account (@perdita_weeks_) where she occasionally shares professional updates, travel snapshots, and lighthearted personal moments, such as garden activities or behind-the-scenes glimpses from her work, but avoids in-depth revelations about her private affairs. This selective engagement allows her to connect with fans on her terms while steering clear of the oversharing common among many celebrities.[34][42] In 2023, Weeks became the subject of baseless online rumors claiming she suffered from a disability, often linked to misinterpretations of her on-screen roles or altered images circulating on social platforms. These speculations, which lacked any supporting evidence from medical or personal statements, were widely debunked by entertainment outlets and fan communities, underscoring the challenges of privacy in the digital age and Weeks' decision not to publicly address or fuel such gossip. Her silence on the matter reinforced her preference for maintaining boundaries around her health and personal well-being.[43][41] Weeks' public image has shifted notably over her career, transitioning from recognition as a versatile British actress in period pieces to a prominent figure in American network television via her starring turn as Juliet Higgins in the Magnum P.I. reboot (2018–2024). This evolution has amplified her visibility in U.S. media, where she is often portrayed as a poised, multifaceted talent bridging UK theater roots with mainstream Hollywood appeal, yet she consistently emphasizes her off-screen reserve to preserve a sense of normalcy amid fame.[44]Filmography
Television
Perdita Weeks began her television career as a child actress and has since appeared in a variety of series, miniseries, and television films, often in supporting or recurring roles.[2] Her notable television credits, listed chronologically, are as follows:| Year | Title | Role | Episodes/Seasons |
|---|---|---|---|
| 1993 | Goggle Eyes | Uncredited | Miniseries (1 episode) |
| 1997 | The Rag Nymph | Millie (young) | TV movie |
| 2003 | Midsomer Murders | Hannah Moore | Season 6, episode 5 |
| 2004 | Sherlock Holmes and the Case of the Silk Stocking | Roberta Massingham | TV movie |
| 2007–2010 | The Tudors | Mary Boleyn | Seasons 1–3 (19 episodes) |
| 2008 | Lost in Austen | Lydia Bennet | Miniseries (4 episodes) |
| 2008 | Merlin | Freya | Season 1, episode 6 |
| 2009 | Lewis | Bridget Linn | Season 3, episode 3 |
| 2011 | The Promise | Eliza Meyer | Miniseries (4 episodes) |
| 2011 | Spartacus: Gods of the Arena | Gaia | Miniseries (6 episodes) |
| 2011 | Great Expectations | Clara | Miniseries (2 episodes) |
| 2013 | The White Queen | Cecily Neville | Miniseries (1 episode) |
| 2014 | The Great Fire | Elizabeth Pepys | Miniseries (4 episodes) |
| 2015 | The Musketeers | Louise | Season 2, episode 7 (1 episode) |
| 2015–2016 | Indian Summers | Madeleine Wylie | Seasons 1–2 (17 episodes) |
| 2016 | Close to the Enemy | Diana Beaumont | Miniseries (7 episodes) |
| 2016 | Rebellion | Vanessa Hammond | Miniseries (5 episodes) |
| 2016 | Penny Dreadful | Catriona Hartdegen | Season 3 (4 episodes) |
| 2018–2024 | Magnum P.I. | Juliet Higgins | Seasons 1–5 (96 episodes) |
| 2024–2025 | The Gold | Tina Keyes | Season 1 (6 episodes); Season 2 (6 episodes) |
Film
| Year | Title | Role | Notes |
|---|---|---|---|
| 1996 | Hamlet | Second Player | Supporting role[2] |
| 1997 | Spice World | Evie | Supporting role[2] |
| 2006 | Miss Potter | Young Beatrix Potter | Supporting role (scenes cut from final release)[3] |
| 2010 | Prowl | Fiona | Lead role[3] |
| 2013 | The Invisible Woman | Maria Ternan | Supporting role[3] |
| 2014 | As Above, So Below | Scarlett Marlowe | Lead role[3] |
| 2018 | Ready Player One | Kira | Supporting role[3] |
| 2025 | Fountain of Youth | Harold's Lawyer | Supporting role[45] |