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Phoebe Cates

Phoebe Belle Cates Kline (born July 16, 1963) is an American retired actress, model, and businesswoman best known for her roles in teen films and comedies, including Linda Barrett in Fast Times at Ridgemont High (1982) and Kate Beringer in (1984) and its sequel Gremlins 2: The New Batch (1990). Born in to television producer Joseph Cates (né Katz) and Lily Cates (née Lue), her father was of Russian Jewish descent and her mother of Chinese-Filipino descent, Cates grew up in a family with siblings Valerie Cates and Alexandra Cates. She began modeling at age 10, appearing in publications like Seventeen, and trained as a dancer at the and Juilliard until a injury at 14 ended that pursuit. Cates made her film debut in Paradise (1982), followed by (1983), (1987), Bright Lights, Big City (1988), Shag (1988), (1991), and (1994), often portraying vibrant, independent young women in coming-of-age stories. Her on-screen presence, marked by a blend of charm and sensuality, contributed to her status as a prominent figure in pop culture. In 1989, Cates married Kevin Kline, whom she met during auditions for The Big Chill (1983), and the couple has two children: son Owen Joseph Kline (born 1991), a and , and daughter Greta Simone Kline (born 1994), a known as Frankie Cosmos. After largely retiring from acting following Princess Caraboo to focus on family life in Manhattan's , she made a brief return in The Anniversary Party (2001) and provided voice work for Lego Dimensions (2015). In 2005, Cates opened Blue Tree, an eclectic boutique in specializing in clothing, jewelry, home goods, and gifts, which she has described as a "whimsical " reflecting her personal tastes. The store remains operational, marking her transition to .

Early life

Family background

Phoebe Belle Cates was born on July 16, 1963, in to Lily Cates and Joseph Cates (born Joseph Katz), a prominent producer and television pioneer who created innovative specials and game shows, including [The 64,000 Question](/page/The_64,000_Question). Cates has Jewish heritage on both sides of her family; her father was of Russian Jewish descent, with paternal grandparents who were Jewish emigrants from , , while her mother, born in , , had a Russian Jewish mother and a Chinese-Filipino father. This mixed Eurasian background, with Cates being one-quarter Chinese and three-quarters Jewish, reflected the diverse influences in her early home environment in . She grew up with three siblings: two sisters, model Valerie Cates and director Alexandra Cates, and a brother, and Philip Cates. From a young age, Cates was immersed in the entertainment industry due to her father's extensive work in television production and , which provided her with early glimpses into the world of .

Education and modeling beginnings

Cates attended the in , an institution designed for child performers balancing education with professional commitments. Influenced by her family's involvement in the entertainment industry, she pursued artistic training from a young age. At age 10, Cates began studying classical ballet at the , where she trained for three and a half years before transferring to the , receiving a and training intensively for another period. However, a injury at age 14 forced her to abandon her aspirations in dance, redirecting her focus toward other creative outlets. Cates began modeling at age 10 with appearances in Seventeen magazine and other teen publications, continuing alongside her dance training. By age 15, she had secured her first major cover for Seventeen, featuring her with braces, and continued to build her portfolio with features in Teen magazine. After the injury and graduating high school, she committed to modeling full-time, appearing on covers such as British Vogue in 1982 and working internationally in Europe and Japan.

Acting career

Breakthrough in teen films

Cates transitioned from a successful modeling career, which she began at age ten, to acting in her late teens, marking her entry into the entertainment industry through auditions that led to her film debut. Her first major role came in the 1982 adventure-romance film Paradise, directed by Stuart Gillard, where she portrayed Sarah, a teenage orphan navigating survival and romance in the 19th-century Middle East opposite Willie Aames as David. The production was filmed on location in Israel, including sites around Tel Aviv, the Dead Sea, and Jerusalem. The film, which drew comparisons to The Blue Lagoon for its themes of youthful awakening and featured several nude scenes, generated controversy but established Cates as an emerging talent in teen-oriented cinema. Later that year, Cates achieved greater recognition with her iconic performance as Linda Barrett, the confident and alluring high school senior, in , directed by . The role, adapted from Cameron Crowe's nonfiction book, included a memorable pool scene where Cates appears topless after removing her red , a moment that significantly propelled her to stardom and became one of the most referenced sequences in 1980s teen films. Released in August 1982, the movie captured the complexities of adolescent life and solidified Cates' presence in . These early roles in Paradise and Fast Times at Ridgemont High initially typecast Cates as a teen sex symbol, emphasizing her physical appeal over dramatic depth and shaping public perception of her as an emblem of 1980s youthful sensuality. The emphasis on nudity and romantic themes in both films contributed to this image, influencing her subsequent casting opportunities in similar genres.

Major roles in the 1980s

In 1983, Cates took the lead role of Christine "Chris" Ramsey in the teen comedy , directed by Noel Black, where she portrayed a headstrong student navigating rivalries and budding romances at an elite academy alongside co-stars and . The film, known for its lighthearted exploration of adolescent mischief and sexual awakening, capitalized on Cates' emerging appeal as a charismatic ingenue in coming-of-age stories. Her performance in (1984), directed by and produced by Steven Spielberg's , marked a pivotal shift toward family-oriented blockbusters, with Cates playing Kate Beringer, the resourceful girlfriend of protagonist Peltzer () amid the chaos unleashed by mischievous creatures in a small town. The horror-comedy grossed over $153 million domestically on an $11 million budget, becoming one of the decade's top-grossing films and broadening Cates' audience beyond teen demographics. Critics noted her grounded portrayal provided emotional depth to the film's blend of whimsy and terror, helping establish her versatility. Cates appeared in a supporting role as the jealous fiancée Patty Winston in the 1987 fantasy comedy , directed by , where her character complicates the life of an aspiring (Michael E. Knight) after a (Emmanuelle Béart) enters his world. The film, a whimsical tale of temptation and romance, highlighted Cates' ability to infuse humor and edge into romantic scenarios, though it received mixed reviews for its uneven tone. In 1988, she starred as Carson McBride in the comedy Shag, an ensemble set in 1963 , where her character joins friends for a final adventure before adulthood. Later that year, she portrayed Amanda, the estranged fashion model wife of the protagonist in Bright Lights, Big City, directed by and adapted from Jay McInerney's novel, opposite as a struggling fact-checker spiraling through City's nightlife. Cates' role, appearing primarily in flashbacks, underscored themes of ambition and disconnection in her character's pursuit of modeling fame over marriage. The drama allowed her to delve into more mature, introspective territory, contrasting her earlier comedic work. Following her breakthrough in Fast Times at Ridgemont High (1982), which launched her as a provocative teen icon, Cates' 1980s roles evolved to showcase a more versatile on-screen image, transitioning from sensual, rebellious characters to wholesome leads in blockbusters and nuanced supporting parts in comedies and dramas. This progression reflected her growing range, as she balanced commercial appeal with opportunities for emotional depth, solidifying her status as a key figure in 1980s .

Return and retirement

After reprising her role as Kate Beringer in the sequel Gremlins 2: The New Batch (1990) and starring as Elizabeth Cronin in the fantasy comedy Drop Dead Fred (1991), Cates appeared in roles including as Carol in the independent drama Bodies, Rest & Motion (1993), where she took on one of her final leading parts as the titular Princess Caraboo, also known as Mary Baker, in the 1994 historical comedy-drama Princess Caraboo, co-starring her husband Kevin Kline. These projects marked a transition to more mature, character-driven work following her teen film fame, but Cates largely retired from acting later that year, shortly after the birth of her second child, daughter Greta Simone Kline, on March 21, 1994, to prioritize raising her family. Cates' decision to step away from Hollywood was influenced by her marriage to Kevin Kline in 1989, with the couple establishing an agreement to alternate their professional commitments, ensuring one parent was always available for their children, son Owen (born 1991) and Greta. This deliberate choice reflected a broader shift away from the demands of the industry toward full-time motherhood, as Cates later explained in interviews that family life took precedence over career pursuits. In 2001, Cates made a brief one-off return to acting in , a low-budget ensemble comedy-drama co-written, co-directed, and produced by her co-star , in which she portrayed Sophia Gold; the entire Kline family, including Kevin, Owen, and Greta, also appeared in the film. This was her last on-screen role, though she provided voice work as Kate Beringer for the video game in 2015.

Post-acting endeavors

Business ventures

After largely retiring from acting in the mid-1990s to focus on family, Phoebe Cates Kline transitioned into by opening the Blue Tree in the fall of 2005 on Manhattan's at 1285 . The store functions as a whimsical, eclectic department-style , offering a curated selection of women's , jewelry, home goods, gifts, fragrances, music, and delicacies that blend vintage-inspired and contemporary pieces. Kline envisioned Blue Tree as a personalized , drawing directly from her own aesthetic preferences and influences from her global travels to create an inviting space filled with carefully chosen, unique items that emphasize quality and individuality over . The boutique's charm lies in its mix of playful elements, such as toys and stuffed animals for children, alongside sophisticated offerings like high-end jewelry and home accessories, appealing to a diverse clientele including families and enthusiasts in the neighborhood. Over the years, Blue Tree has maintained its status as a beloved local gem, reflecting Kline's hands-on approach to as a creative outlet beyond her film career.

Public appearances

Since retiring from acting in the mid-1990s, Phoebe Cates has maintained a notably low public profile, with appearances limited to sporadic media features centered on her personal life and business endeavors rather than her film past. She has avoided high-profile events, interviews, or red-carpet engagements, emphasizing privacy and family over celebrity. This deliberate withdrawal from the spotlight has characterized her post-Hollywood years, allowing her to focus on running her boutique, Blue Tree, without seeking widespread attention. One of the few documented public engagements came in , when Cates participated in a casual for Grub Street's "Diet" series, discussing her everyday eating habits in , including frequent visits to local Italian spots like Sfoglia and her preference for simple, fresh meals. Such rare profiles highlight her grounded lifestyle but do not delve into her acting career. Cates has not surfaced for anniversary celebrations or retrospectives of her 1980s films, such as or , further underscoring her commitment to seclusion. Cates's limited visibility extends to digital platforms, where she has no personal social media accounts but supports promotion of Blue Tree through the store's official website and presence, which showcases curated clothing, jewelry, and home goods. This business-oriented online footprint represents her primary form of public engagement, without personal commentary or photos of herself. The boutique's digital efforts align with her entrepreneurial focus, keeping any exposure professional and minimal. As of 2025, Cates has announced no new acting projects or comebacks, despite periodic media interest in her potential return to the screen; speculation about revivals, such as for sequels, has gone unfulfilled, reinforcing her retirement from public-facing roles in entertainment.

Personal life

Marriage and family

Phoebe Cates married actor on March 5, 1989, in a private ceremony in , following their meeting during auditions for the 1983 film The Big Chill, where she read for the role of Chloe. The couple has two children: son , born October 14, 1991, who has pursued acting and directing, notably appearing in (2005) and making his feature directorial debut with Funny Pages (2022); and daughter , born March 21, 1994, a known professionally as Frankie Cosmos in the indie-pop genre. Cates and Kline decided to raise their family away from the Hollywood spotlight, settling on the of to provide a more private upbringing. The parents have offered quiet support for their children's creative endeavors while avoiding public involvement in their professional lives. This focus on family contributed to Cates' decision to largely retire from acting after the birth of their children.

Residence and lifestyle

Phoebe Cates primarily resides in New York City's with her husband, actor , where they have maintained a family home for the majority of their marriage. This location has served as the foundation for their stable, -oriented lifestyle, allowing them to prioritize privacy away from the spotlight. Post-fame, Cates has advocated for a low-profile existence, choosing to step back from public life to focus on personal fulfillment rather than celebrity demands. She and Kline have emphasized the benefits of this approach, crediting their New York-based routine for sustaining their long-term relationship and family bonds. As of 2025, at age 62, Cates has no reported health issues or significant life changes, continuing to enjoy a quiet, content routine centered on home and close relationships.

Legacy

Cultural influence

Phoebe Cates achieved iconic status as a through her role as Linda Barrett in (1982), where her confident portrayal of a sexually assured high school senior captured the era's youthful rebellion and sensuality. The film's famous pool scene, in which Cates emerges from the water in a red set to ' "," became a defining moment that influenced teen culture by boldly depicting sexuality and , often credited with shaping perceptions of amid . The sequence has been described as a moment that defined a generation, highlighting its role in normalizing candid explorations of adolescent experiences. Cates' appearance in the scene also left a lasting mark on , popularizing the classic red triangle as a symbol of swimwear trends and continuing to inspire modern designs that evoke the film's carefree aesthetic. This visual has sparked ongoing discussions about , as retrospectives note how it challenged taboos around female bodies while reflecting the decade's blend of liberation and . In Gremlins (1984), Cates further cemented her cultural footprint as Kate Beringer, whose poignant monologue about a traumatic delivers emotional depth to the film, contributing to the popularity of the holiday horror-comedy by merging festive warmth with subversive terror. The pool scene's enduring resonance is evident in its frequent parodies across media, including a direct spoof in the Family Guy episode "The Kiss Seen Around the World" (2001), where Meg Griffin's fantasy recreates the sequence with news anchor Tom Tucker. Retrospectives often view Cates as a symbol of pre-#MeToo era in teen films, where her roles exemplified the prioritization of male perspectives on female sexuality, prompting modern critiques of gendered portrayals in .

Recognition

Phoebe Cates has been honored through various media and fan-voted recognitions that highlight her status as an iconic figure in cinema, particularly for her breakout role in (1982). In 2006, Cates was ranked #55 on VH1's list of the 100 Greatest Teen Stars, acknowledging her influence as a teen idol during the . She was also included in magazine's 100 Hottest Sex Symbols of All Time, praised for setting the standard in memorable on-screen moments that defined an era of .

Filmography

Film roles

Cates made her film debut in Paradise (1982), portraying , a teenage girl who flees across the desert with her companion after their families are killed by marauders. In the same year, she played Linda Barrett in (1982), an experienced and confident high school senior who serves as a romantic advisor to her younger friend Stacy. The film grossed over $27 million at the domestic . Cates starred as Christine "Chris" Ramsey in Private School (1983), a headstrong student at a girls' navigating rivalry and romance with a boy from a nearby boys' school. The comedy earned approximately $14 million domestically. She portrayed Kate Beringer in the horror-comedy (1984), a resourceful waitress who helps her boyfriend combat a horde of destructive creatures unleashed in their town. The film was a major success, grossing more than $153 million in . In (1987), Cates appeared as Patty Winston, the jealous and materialistic fiancée of a young man who discovers a . Cates played Amanda Conway in Bright Lights, Big City (1988), the estranged model wife of a struggling fact-checker spiraling into New York's nightlife scene. She starred as Carson McBride in the coming-of-age comedy Shag (1988), a free-spirited Southern girl who joins her friends for a wild beach weekend before her wedding. In Heart of Dixie (1989), Cates portrayed Aiken Reed, a glamorous and ambitious sorority member at a Southern in the 1950s, challenging her more idealistic roommate. Cates reprised her role as Kate Beringer in Gremlins 2: The New Batch (1990), assisting in the fight against gremlins infesting a skyscraper. The film grossed over $41 million domestically. Cates had an uncredited as Joey's Girl at Disco in the black comedy (1990), a brief role as a woman picked up in a by a mobster character. Cates starred as Elizabeth "Lizzie" Cronin in (1991), a woman haunted by her imaginary childhood friend after personal setbacks. Cates played Carol in the ensemble drama (1993), a restless young woman encouraging her friend to pursue new relationships amid personal dissatisfaction. Cates took the lead role of Princess Caraboo (also known as Mary Baker) in (1994), a mysterious young woman who arrives in 19th-century claiming to be royalty from a distant land, captivating . In her return to acting after a hiatus, Cates appeared as Sophia Gold in (2001), a former and wife of a star attending a tense gathering of friends.

Television roles

Cates's television career was notably limited compared to her extensive film work, with no recurring series roles to her credit. Her most prominent small-screen appearance came in the 1984 ABC , where she starred as the ambitious film star Lili searching for her biological mother among three school friends from the . Adapted from Shirley Conran's bestselling novel, the production aired over two nights in February and drew strong ratings as one of the network's top that year. She reprised the role of in the 1985 sequel Lace II, which shifted focus to Lili's quest to locate her father amid a kidnapping plot involving her mother. Airing on in May, the follow-up maintained the original's melodramatic tone but received mixed reviews for its increasingly convoluted storyline. These miniseries represented Cates's primary foray into television, showcasing her ability to lead high-profile, event-style programming during the .

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