Phyllis Smith
Phyllis Smith is an American actress, best known for portraying the mild-mannered sales representative Phyllis Lapin-Vance on the NBC sitcom The Office from 2005 to 2013 and for providing the voice of the emotion Sadness in Pixar's animated films Inside Out (2015) and Inside Out 2 (2024).[1][2] Born on August 15, 1949, in Lemay, Missouri,[1][3] Smith grew up near St. Louis and attended Cleveland High School before earning a degree in elementary education from the University of Missouri–St. Louis in 1972.[4][5] Before transitioning to acting, Smith pursued a varied career path that included working as a dancer and burlesque performer in St. Louis and Las Vegas during the 1970s and 1980s, as well as roles in elementary education and other jobs such as an NFL cheerleader and warehouse worker.[5][6] In the 1990s, she shifted to the entertainment industry, starting in casting departments for shows like Curb Your Enthusiasm and Spin City.[7] Her breakthrough came unexpectedly on The Office, where she was initially hired as a casting associate under director Ken Kwapis; impressed by her natural demeanor while reading lines opposite auditioning actors, Kwapis cast her in the recurring role of Phyllis Vance, which became a series regular.[8][9] Smith's post-Office career featured supporting roles in films like Bad Teacher (2011) and a recurring part as Betty Broderick-Allen on Netflix's The OA (2016–2019), alongside her voice work as Sadness, a character she reprised in 2024 after a period of retirement by recording sessions in a Missouri studio arranged by Pixar.[10][11] Her understated, empathetic performances have made her a fan favorite, contributing to the enduring popularity of both The Office and the Inside Out franchise.[2]Early life and education
Upbringing in Missouri
Phyllis Smith was born on July 10, 1951, in Lemay, a suburb of St. Louis, Missouri.[12] She was the second of ten children in a working-class family and grew up near Carondelet Park in south St. Louis, where her father was employed at the Bly-Moss Furniture company off Lindbergh Boulevard, and her mother remained in the family home for many years.[5][13] This modest, community-oriented setting provided the backdrop for her early years, surrounded by the everyday rhythms of neighborhood life in the area.[14] From infancy, Smith displayed a natural affinity for movement and performance, often described as dancing in her crib and eagerly accepting secondhand tap and ballet shoes from an older cousin.[5] Her family supported this budding interest by enrolling her in dance lessons at Stanley Herbert’s studio in Clayton, with her father regularly driving her to classes.[5] These early experiences, rooted in St. Louis's local arts scene, laid the groundwork for her lifelong passion for dance.[15] Attending Cleveland High School during her teenage years, Smith immersed herself in school activities that exposed her to entertainment and performance within the vibrant cultural fabric of St. Louis.[5][14] There, she cultivated initial interests in dance and cheerleading, participating in pursuits that honed her expressive talents amid the city's community events and high school traditions.[15]Academic background
Smith attended Cleveland High School in St. Louis, Missouri, graduating in 1968.[5][13] Following high school, she enrolled at the University of Missouri–St. Louis, where she pursued a degree in elementary education and graduated in 1972.[13][16] During her college years, Smith balanced her academic commitments with early performance activities, including serving as a cheerleader for the St. Louis Cardinals football team in the early 1970s.[15][17] Her degree in elementary education reflected her initial career interests in teaching, though she later pursued opportunities in the arts.[16]Professional beginnings
Dance and performance career
Phyllis Smith began her professional performance career in the 1970s as a dancer, training extensively in ballet, tap, and jazz under instructors such as Marjorie Mendolia and Raoul Appel. She performed with local companies including the St. Louis Civic Ballet and the St. Louis Dance Theater, honing her skills through rigorous practice that started in childhood.[12] In addition to her dance work, Smith served as a cheerleader for the St. Louis Cardinals NFL football team during the 1970s, at the height of her physical prowess, where she contributed to game-day entertainment with high-energy routines.[18][6] Transitioning into more varied performance opportunities, Smith engaged in burlesque shows throughout the 1970s and 1980s in St. Louis, Las Vegas, and touring productions, appearing in shows such as Will B. Able and His Baggy Pants Revue and Giggles Galore with the Mercer Brothers. These engagements, which she pursued for approximately seven years after her cheerleading role, involved glamorous yet non-nude routines featuring feathers, plumes, and g-strings, emphasizing dance and vaudeville elements without stripping.[19][12] Hired annually by veteran performer Will B. Able for touring shows that visited St. Louis and beyond, Smith described the work as "quite sexy, but no stripping or nudity," highlighting its playful, theatrical nature during the era's dinner theater peak.[19][20] Smith's dancing career abruptly ended due to a severe knee injury sustained during a mid-air split while touring as a professional dancer in the mid-1980s, forcing her to pivot away from physical performance. Seeking broader opportunities, she relocated to Los Angeles in the late 1980s.[5][12]Entry into casting
After concluding her performing career due to injury, Phyllis Smith worked as a receptionist at an aerospace defense company before transitioning into the entertainment industry in the early 1990s.[21] She secured her first role in casting following a humorous audition for a court television show, during which she pointed out a hole in her pantyhose, impressing a casting director who offered her a position a year later.[21] This marked the beginning of her nearly two-decade tenure as a casting associate, starting with entry-level tasks in casting offices.[18] Smith's work as a casting associate spanned various television projects in the 1990s and early 2000s, including Dr. Quinn, Medicine Woman (1993–1998), Spin City (2000–2002), Freaks and Geeks (1999–2000), Arrested Development (2003–2006), and Curb Your Enthusiasm (multiple seasons).[22] She often handled long hours on set, such as 12-hour days evaluating actors, and collaborated with prominent casting directors like Allison Jones on comedy pilots.[23] Her involvement extended to reading scripts and conducting initial auditions, contributing to the selection of talent for these series without initially pursuing on-screen opportunities herself.[9] Through her casting roles, Smith honed skills in script analysis, actor evaluation, and cold reading, which involved performing lines opposite thousands of auditionees to assess timing and authenticity.[18] These experiences provided her with a deep understanding of character believability and comedic delivery, inadvertently preparing her for her later transition to acting.[23] By the mid-2000s, she had advanced to assisting on high-profile comedy projects, including the pilot for the U.S. version of The Office, where her behind-the-scenes expertise directly influenced her career pivot.[22]Acting career
Breakthrough with The Office
Phyllis Smith joined the production of The Office in 2005 as a casting associate under the supervision of casting director Allison Jones, a role she had held for nearly two decades across various projects.[7][21] During auditions for the pilot episode, director Ken Kwapis asked Smith to read lines opposite actors to help fill in for absent auditionees, initially for the role of Pam Beesly. Her natural delivery and demeanor impressed Kwapis, leading him to advocate for her to take on an acting role; wardrobe soon contacted her to confirm she would portray the newly created character of Phyllis Lapin, debuting with a single line in the pilot.[8][21][7] Smith portrayed Phyllis Lapin-Vance, a quiet yet occasionally sharp-tongued sales representative at Dunder Mifflin, across all nine seasons of the series from 2005 to 2013. The character was designed with a distinctive style featuring purple tones and large necklaces, reflecting Smith's own wardrobe preferences and aiming to cover her arms, which she initially had little input on due to her inexperience as an actress.[21][8] Key storylines highlighted Phyllis's personal life, particularly her longstanding relationship with Bob Vance of Vance Refrigeration, whom she married in the season 3 premiere episode "Phyllis's Wedding." This union provided comic relief and emotional support within the office dynamic, often clashing with antics from boss Michael Scott and salesman Dwight Schrute, while underscoring Phyllis's resilience and subtle sass.[7][21] Smith's addition to the ensemble strengthened the show's portrayal of a diverse, interdependent workplace family, with her understated performance bringing authenticity and warmth to the group interactions. Her transition from behind-the-scenes work to on-screen presence marked significant personal growth, as she navigated acting challenges like maintaining composure during improvised scenes, such as holding her breath through a wedding sequence marred by a fart joke involving Steve Carell's character. This breakthrough role not only solidified her place in the series but also propelled her toward further opportunities in television and film.[8][21][7]Other television and film roles
Following her portrayal of Phyllis Vance on The Office, which concluded in 2013, Smith continued to build her live-action acting portfolio with a mix of comedic supporting roles and more dramatic turns in television and film, often playing relatable, understated characters that highlighted her dry wit and emotional depth.[1] Smith's early film venture outside the series came in 2011 with the role of Lynn Davies, a mild-mannered middle school teacher and confidante to the lead character Elizabeth Halsey (played by Cameron Diaz), in the raunchy comedy Bad Teacher directed by Jake Kasdan.[24] Her performance as the supportive yet comically oblivious Lynn contributed to the film's ensemble dynamic, earning praise for its subtle humor amid the movie's irreverent tone.[25] Transitioning to television post-The Office, Smith guest-starred as Mrs. Patty Steinberg, a timid and endearing elementary school teacher, in three episodes of the ABC sitcom Trophy Wife during its 2013-2014 season, bringing her signature awkward charm to the family-oriented comedy. She followed this with a single-episode appearance as the no-nonsense Mrs. Huff in the CBS comedy The Middle in 2014, portraying a neighbor in a storyline involving family mishaps. A significant departure from comedy came with her recurring role as Betty Broderick-Allen (BBA), a compassionate high school English teacher entangled in a web of near-death experiences and interdimensional mysteries, in the Netflix series The OA in both seasons from 2016 to 2019. This part marked a progression in her career, allowing Smith to delve into dramatic and supernatural elements while drawing on her dance background for the show's distinctive movement sequences.[26] Smith returned to film in 2021 with a supporting role as Delores, an eccentric member of a restrictive "Talking Club" obsessed with discussing horses, in the buddy comedy Barb & Star Go to Vista Del Mar, where she shared scenes with Kristen Wiig and Annie Mumolo in a zany adventure narrative. Her most recent live-action television appearance was a 2024 guest spot as herself in an episode of the Hulu comedy series Chad, reflecting on her career in a meta fashion.Voice acting
Inside Out franchise
Phyllis Smith was cast as the voice of Sadness in Pixar's Inside Out (2015) through an unconventional process initiated by executive producer Jonas Rivera, who discovered her performance in Bad Teacher (2011) while watching the film due to insomnia.[27] A writer from The Office also recommended her for the role, leading to an audition at Pixar where she met Rivera and director Pete Docter, securing the part despite Smith's initial unfamiliarity with voice acting. Her co-star Cameron Diaz had previously endorsed her during a table read for Bad Teacher, which helped boost her visibility in the industry.[28] Sadness functions as one of the five core emotions residing in the mind of protagonist Riley, embodying the crucial function of sadness in facilitating emotional processing, grief resolution, and the formation of meaningful interpersonal bonds.[29] Smith's portrayal drew directly from her personal insecurities, lending the character authentic pathos and empathy; director Pete Docter guided her to incorporate her natural hesitations and soft-spoken demeanor, transforming potential vulnerabilities into the essence of Sadness's reluctant yet vital presence.[28][29] For the recording process, Smith worked in sessions with Docter in the booth to refine her delivery, and she joined Amy Poehler for three collaborative recordings to capture the nuanced interplay between Sadness and Joy.[28] She navigated challenges like projecting her subdued voice over expansive settings such as Friendship Island and generating guttural sounds for the character's clumsy movements, all while adapting to the isolated nature of voice work where editors later synchronized performances. Smith reprised Sadness in Inside Out 2 (2024), returning from retirement to depict the emotion's evolving role amid Riley's entry into adolescence and the arrival of new feelings like Anxiety.[30] Emotionally, she prepared by leaning into Sadness's blend of heartfelt depth and subtle humor, which provided a refreshing contrast to her own upbeat nature and allowed exploration of the character's sidelined yet supportive position in the heightened emotional chaos.[31] The Pixar team accommodated her by sourcing a local studio in Missouri for recordings, where she delivered lines alongside expressive "efforts" such as sobbing and reacting to memory orbs, maintaining collaboration through remote oversight with director Kelsey Mann.[30][32] The character's depiction, anchored by Smith's nuanced performance, has profoundly influenced cultural perceptions of emotions, positioning Sadness as the unexpected emotional core of Inside Out by validating sadness as an indispensable force for growth rather than a flaw to suppress.[33] This resonated widely with audiences, fostering conversations on mental health and emotional literacy among children and adults alike, with Smith's understated yet powerful voice elevating the film to critical acclaim as a Pixar pinnacle.[29] In the sequel, Sadness's continued presence amplifies the franchise's impact, highlighting emotional complexity in teen years and reinforcing its role in promoting balanced psychological understanding.[31]Additional voice projects
Following her success voicing Sadness in Pixar's Inside Out, Smith reprised the role in the 2015 video game Disney Infinity 3.0, where the character appears as a playable figure with ranged combat abilities and a special move called Wave of Emotion.[34] She again voiced Sadness in the 2023 racing video game Disney Speedstorm, as a Defender-class character in the Inside Out collection.[35] Additionally, Smith reprised the role in the 2024 Disney+ animated mini-series Dream Productions, appearing as Sadness across all four episodes set in the Inside Out universe.[36] Smith's voice work has primarily been within the Inside Out franchise.[1] Smith's approach to voice acting draws directly from her live-action background, particularly her portrayal of the soft-spoken Phyllis Vance on The Office, which naturally lent a melancholic tone to animated characters without requiring method acting techniques. She has noted that her inherent vocal style—subdued and introspective—facilitated the transition, allowing her to focus on emotional nuance rather than exaggeration during recording sessions.[37][29]Awards and recognition
Ensemble awards
Phyllis Smith shared in the Screen Actors Guild Award for Outstanding Performance by an Ensemble in a Comedy Series with the cast of The Office at the 13th Annual SAG Awards in 2007, recognizing their work in the show's second season.[38] The ensemble repeated this achievement the following year at the 14th Annual SAG Awards in 2008, honoring performances from the third season.[39] These victories underscored the collaborative dynamic of the The Office cast, with Smith receiving equal acclaim alongside key co-stars including Steve Carell as Michael Scott, Rainn Wilson as Dwight Schrute, and Jenna Fischer as Pam Beesly.[38][39] The awards played a pivotal role in elevating Smith's visibility during her shift from casting associate to full-time actress, solidifying her place in the industry after joining the series unexpectedly in 2005.[8]Other honors
Smith received the Annie Award for Outstanding Achievement for Voice Acting in a Feature Production for her portrayal of Sadness in Pixar's Inside Out at the 43rd Annie Awards in 2016.[40] Critics have praised Smith's performance as Betty Broderick-Allen in Netflix's The OA, noting her as a standout in the ensemble for bringing depth to the long-suffering teacher character.[41] In 2024, Smith reprised her role as Sadness in Inside Out 2, with industry interviews highlighting her unique casting origin—discovered by Pixar producer Jonas Rivera during her appearance in Bad Teacher (2011)—and fan encounters underscoring her enduring recognition for the character.[31] The film earned a nomination for Best Animated Feature at the 97th Academy Awards in 2025 and won Favorite Animated Movie at the 2025 Kids' Choice Awards.[42][43]Filmography
Films
Smith's feature film debut came in 2005 with a small role as Andy's mother in Judd Apatow's comedy The 40-Year-Old Virgin, starring Steve Carell and Catherine Keener.[44] In 2006, she appeared as OA Lady in Jeff Garlin's independent romantic comedy I Want Someone to Eat Cheese With, which also featured Garlin and Sarah Silverman.[45] Smith had a breakout year in film in 2011, appearing in three releases. She played Lynn Davies, a schoolteacher, in Jake Kasdan's Bad Teacher, alongside Cameron Diaz and Justin Timberlake. In the same year, she portrayed Nancy in the satirical comedy Butter, directed by Jim Field Smith and starring Jennifer Garner and Hugh Jackman.[46] Additionally, she had a supporting role as a flight attendant in the animated/live-action hybrid Alvin and the Chipmunks: Chipwrecked, directed by Mike Mitchell and featuring Jason Lee and David Cross.[47] In 2015, Smith provided the voice of Sadness, one of the core emotions in Riley's mind, in Pixar's animated film Inside Out, directed by Pete Docter and co-starring voices by Amy Poehler, Bill Hader, and Mindy Kaling. This role marked her most prominent film performance to date. She returned to live-action in 2021 with the role of Delores, a member of a quirky talking club, in the comedy Barb & Star Go to Vista Del Mar, directed by Josh Greenbaum and starring Kristen Wiig and Annie Mumolo. Smith reprised her voice role as Sadness in 2024's Inside Out 2, directed by Kelsey Mann, which continued the story of Riley's emotional world with returning voices including Amy Poehler as Joy.Television
Phyllis Smith's television work spans series regular roles and guest appearances, beginning with her early guest spot and culminating in lead supporting parts in acclaimed dramas. She made her on-screen television debut in 2005 as Carla in a single episode of Arrested Development. From 2005 to 2013, Smith portrayed Phyllis Vance, a sales representative at Dunder Mifflin, in 186 episodes of the NBC sitcom The Office.[48] She reprised the role in related short-form content, including one episode of the web series The Office: The Accountants in 2006, the 2006 short The Office: The Return, and the 2008 short The Office: The Outburst. In 2012, she appeared as Miss Swenson in one episode of AMC's Mad Men. Smith guest-starred as Frankie in a 2013 episode of the ABC sitcom Back in the Game. That year, she also played Mrs. Patty Steinberg in three episodes of the ABC comedy Trophy Wife. In 2014, she had a guest role as Joy in an episode of IFC's sketch series Portlandia and as Ms. Huff in an episode of ABC's The Middle. From 2016 to 2019, Smith starred as Betty Broderick-Allen (BBA) in 12 episodes of Netflix's mystery drama The OA.[49] She appeared as herself on the game show Celebrity Family Feud in 2017. In 2017, Smith guest-starred as Phyllis in an episode of HBO's Curb Your Enthusiasm. In 2024, she voiced Sadness in four episodes of the Disney+ mini-series Dream Productions.[36] More recently, she appeared as herself in one episode ("Class President") of the 2024 Hulu series Chad.| Year(s) | Title | Role | Episodes |
|---|---|---|---|
| 2005 | Arrested Development | Carla | 1 |
| 2005–2013 | The Office | Phyllis Vance | 186 |
| 2006 | The Office: The Accountants | Phyllis Vance | 1 |
| 2006 | The Office: The Return | Phyllis Vance | TV short |
| 2008 | The Office: The Outburst | Phyllis Vance | TV short |
| 2012 | Mad Men | Miss Swenson | 1 |
| 2013 | Back in the Game | Frankie | 1 |
| 2013 | Trophy Wife | Mrs. Patty Steinberg | 3 |
| 2014 | Portlandia | Joy | 1 |
| 2014 | The Middle | Ms. Huff | 1 |
| 2016–2019 | The OA | Betty Broderick-Allen | 12 |
| 2017 | Curb Your Enthusiasm | Phyllis | 1 |
| 2017 | Celebrity Family Feud | Self | 1 |
| 2024 | Dream Productions | Sadness (voice) | 4 |
| 2024 | Chad | Self | 1 |