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Property master

A property master, also known as a prop master, is the head of the props department in film, television, and theater productions, responsible for sourcing, acquiring, organizing, maintaining, and ensuring the safe use of all physical properties (props) on set or stage to support the artistic vision of the production.^[1]^[2]^[3] This role requires close collaboration with production designers, art directors, and set decorators to align props with the script's narrative, period accuracy, and visual style, often involving the creation of detailed prop lists and schedules early in pre-production.^[1]^[4] Property masters oversee a team of assistants who handle tasks such as building custom props, renting or purchasing items, transporting and storing them securely, and repairing any damage during shoots or performances to prevent disruptions.^[2]^[5] They must also manage budgets for props, ensure compliance with safety standards (such as for breakaway items or hazardous materials), and adapt quickly to last-minute changes from directors or script revisions.^[1]^[3] The position demands a blend of creative, logistical, and technical skills, including knowledge of historical research for period pieces, crafting techniques like woodworking or 3D printing, and inventory management software, often requiring union membership in organizations like the International Alliance of Theatrical Stage Employees (IATSE) for professional work in the United States.^[4]^[5] Property masters play a crucial behind-the-scenes role in enhancing storytelling, as props can convey character backstory, advance plot points, or establish atmosphere, making their contributions essential to the overall authenticity and immersion of a production.^[2]^[3]

Overview and Definition

Definition

A property master, also known as a prop master, is the head of the props department in film, television, or theater productions, responsible for sourcing, acquiring, organizing, and managing all props—defined as movable objects that actors handle or interact with directly—from pre-production through to placement on set and wrap.^[1]^[2]^[6] This role ensures that props align with the production's artistic vision while maintaining functionality, safety, and budget constraints throughout the process.^[3] The property master leads a team that may include props assistants, who assist with on-set handling, fabrication, and daily preparation of items for actors, as well as prop buyers or builders focused on procurement and construction.^[7]^[8] In contrast, the role is distinct from set dressers or the set decorator, who oversee non-interactive background elements like furniture or decor that enhance the environment but are not directly manipulated by performers.^[6]^[9] Key terminology within the field includes "hand props," which are items carried or used by actors such as weapons, food, or personal belongings; "set props," comprising static or background objects integrated into the scene; and "breakaway props," specially constructed destructible items like furniture or glassware made from materials such as balsa wood or sugar glass to facilitate safe stunt work.^[10]^[9]^[11] The term "props" itself is a 19th-century abbreviation of "properties," originating from early 15th-century English theater practices where such items were cataloged as stage assets.^[12]

Importance in Production

The property master serves as a vital link between the script's conceptual vision and the tangible elements of a production, ensuring that props authentically embody the narrative, deepen character development, and reinforce the intended visual style. By researching historical, cultural, or fantastical details, they select or fabricate items that immerse audiences in the story's world, such as period-accurate artifacts that reveal a character's background or symbolic objects that propel plot progression. This integration of props into the production's fabric enhances overall storytelling authenticity and emotional impact.^[2]^[13] A key aspect of the property master's importance lies in upholding continuity, where they meticulously track and replicate prop placement, condition, and usage across multiple takes and scenes to avoid inconsistencies that could disrupt viewer immersion. For instance, ensuring a recurring item like a weapon or personal belonging appears identical in every shot prevents narrative breaks and maintains the production's professional polish. This vigilance is essential in fast-paced shoots, where even minor discrepancies can require costly reshoots.^[2]^[13]^[14] The role also demands close collaboration with the director, production designer, and set decorator to harmonize props with the broader aesthetic vision, adapting selections based on feedback to achieve seamless integration with sets, costumes, and lighting. This teamwork ensures props not only fit the artistic directive but also support directorial choices in framing and composition, contributing to the production's cohesive look and feel.^[2]^[14] Furthermore, property masters exert significant budgetary influence by strategically sourcing, renting, or constructing props to optimize costs without compromising quality, often balancing authenticity against financial limits in resource-intensive projects. Effective management in this area helps control expenses for the props department, which can form a notable portion of overall production outlays, particularly in genres requiring elaborate or custom items.^[15]^[2]

Responsibilities and Workflow

Pre-Production Phase

In the pre-production phase, the property master begins by conducting a thorough script analysis to identify all necessary props and their roles in the narrative. This involves breaking down the script scene by scene to create a detailed prop breakdown list, which maps out quantities, conditions, and progression of items, such as a glass that accumulates cracks over multiple uses or a character's evolving personal belongings like a worn wallet tracking their journey.^[2]^[1] This process ensures that props support continuity and storytelling, anticipating not only explicit mentions but also implicit elements that enhance character development or world-building.^[16] Following the breakdown, the property master focuses on sourcing props through research, purchasing, renting, or fabrication, often collaborating with production buyers to stay within budget and timelines. They maintain networks with prop houses, vendors, and online resources to acquire authentic items, such as period-accurate artifacts or custom-built elements for thematic symbolism, while estimating costs and lead times for complex acquisitions like specialized weaponry or vehicles.^[14]^[17] For fragile or high-use props, multiples are prepared in advance to accommodate reshoots, ensuring practicality without compromising visual integrity.^[2] Throughout pre-production, the property master participates in design conferences and meetings with key team members, including the production designer, art director, set decorator, and director, to align props with the overall stylistic concept, such as achieving historical accuracy or symbolic depth.^[1]^[18] These discussions help integrate props into the broader aesthetic, refining the prop plot—a chronological schedule detailing placement, usage, and resets for continuity, exemplified by tracking a protagonist's keychain across episodes to maintain narrative consistency.^[14]^[16] This collaborative planning phase is crucial for seamless execution later, as it bridges creative vision with logistical feasibility.^[17]

Production Phase

During the production phase, the property master assumes a hands-on role in supervising the placement and handling of props on set to ensure seamless execution of each scene. This involves staging props precisely for every shot, coordinating with actors and the director to facilitate quick access, and handing off hand props to performers immediately before the "action" call, thereby minimizing disruptions and enhancing actor safety. For instance, when dealing with functional or hazardous props like weapons, the property master educates cast members on proper usage and ensures rigging that withstands the physical demands of filming.^[2]^[3]^[6] Maintaining continuity is a core duty, where the property master revises initial prop breakdowns—established in pre-production—to account for reshoots and tracks any wear or tear on items to preserve visual consistency across takes. This coordination extends to collaboration with the camera department and wardrobe team, ensuring props align aesthetically and narratively without inconsistencies that could require costly pickups. In high-volume productions, such as those involving intricate sets, the property master catalogs hundreds of items in labeled storage to prevent losses and guarantees readiness for sequential scenes.^[2]^[19]^[6] The property master must adeptly handle emergencies, such as damaged or missing props, by improvising rapid solutions like on-site fabrications or substitutions during extended shoots. To mitigate risks, multiples of fragile props—such as breakaway bottles or furniture—are prepared in advance, allowing immediate replacements if breakage occurs mid-take. This proactive approach prevents delays, as seen in scenarios where unpreparedness could halt filming entirely.^[2]^[3]^[19] Overseeing the props team is essential for efficiency, with the property master directing assistants, dressers, and runners to manage setup and strike between takes, ensuring all elements reset swiftly for the next shot. This leadership involves clear communication to align the crew with the production schedule, often reporting directly to the production designer while fostering a collaborative environment on set.^[14]^[2]^[6]

Post-Production Phase

In the post-production phase, the property master oversees the wrap-up of prop-related activities following the completion of principal photography or a theater run, ensuring all items are accounted for and logistical closure is achieved efficiently. This involves coordinating the striking of the set, where props are systematically cataloged, cleaned, repaired if necessary, and either returned to rental houses or prepared for storage. Inventory audits are conducted to identify any losses or damages, with detailed records noting discrepancies to facilitate insurance claims or supplier reimbursements. For instance, the property master liaises with prop houses to return items in agreed-upon condition, often accompanying returns with photographic evidence and condition reports to avoid disputes.^[20] Documentation plays a crucial role in this phase, as the property master finalizes continuity reports that detail prop placements and usage across scenes, supporting potential reshoots or integration with visual effects teams who may need references for digital enhancements, such as matching physical props to CGI elements. Building on continuity maintenance from the production phase, these reports—often compiled into a comprehensive wrap book—include descriptions of props, their handling by actors, and any modifications made during filming. This ensures seamless post-production workflows, particularly in films requiring VFX, where accurate prop positioning data prevents costly revisions.^[21]^[22] Archiving efforts focus on preserving significant props for potential future productions, exhibitions, or guild awards submissions, while perishables and breakaway items—such as consumable foods or destructible set pieces—are responsibly disposed of through sales, recycling, or donation to avoid waste. The property master organizes storage in climate-controlled facilities, labeling items for easy retrieval and maintaining access logs for reuse in sequels or similar projects. On smaller productions, these tasks may overlap with set dressing duties, but the emphasis remains on sustainable management.^[20]^[23] Finally, the property master handles billing and reporting by reconciling the props department budget against actual expenditures, submitting invoices for rentals and purchases to production accounting. This includes verifying all transactions, documenting any overages due to damages or losses, and providing a final financial summary to close out the department's accounts. Accurate reconciliation helps maintain fiscal accountability and informs budgeting for subsequent projects.^[2]

Skills and Qualifications

Essential Skills

A property master requires a blend of creative, technical, and managerial competencies to ensure props seamlessly support the narrative and visual demands of film, television, and theater productions.^[20] These skills are honed through practical experience and are essential for interpreting scripts, sourcing materials, and maintaining continuity under tight deadlines.^[5] Creativity and resourcefulness are foundational, allowing property masters to design custom props or repurpose everyday items to fit specific production visions, often within constrained budgets. For instance, they may employ aging techniques—such as distressing fabrics or simulating wear on furniture—to achieve historical accuracy without fabricating from scratch. This ingenuity extends to improvising solutions during shoots, like quickly modifying a prop when an actor's safety requires non-toxic alternatives.^[5]^[3] Resourcefulness shines in negotiating with suppliers or finding substitutes for unavailable items, ensuring the production stays on track despite unforeseen challenges.^[20]^[6] Research abilities enable property masters to source authentic props by consulting historical references, online databases, or experts in fields like period weaponry or cultural artifacts. This involves verifying details for accuracy, such as the correct model of a 1970s vehicle or safe handling protocols for interactive elements like firearms. Thorough research not only prevents anachronisms but also informs collaborations with production designers to align props with the overall aesthetic.^[3]^[5]^[6] Organizational skills are critical for managing vast inventories, often numbering in the hundreds or thousands of items, through tools like spreadsheets, prop tracking software, or labeled storage systems. Property masters create detailed breakdowns of script requirements, budgets, and schedules to oversee acquisition, transport, and maintenance, while preparing backups to handle potential damages. This systematic approach ensures props are readily accessible and accounted for across multiple scenes.^[20]^[5]^[24] Leadership and flexibility empower property masters to supervise teams of assistants and runners, delegating tasks while fostering a collaborative environment amid long hours and high pressure. They must adapt swiftly to last-minute director requests or schedule shifts, such as repositioning props for continuity or addressing actor allergies on the fly. These qualities also involve upholding safety standards and coordinating with other departments to integrate props without disrupting workflows.^[20]^[6]^[24]

Education and Training

Entry into the property master profession typically begins at the entry level as a props assistant or intern on small-scale productions, such as independent films, community theater groups, or student projects, where individuals gain hands-on experience in sourcing and handling props.^[1] Many aspiring property masters start through film schools or theater programs that offer practical internships, building foundational knowledge of production workflows.^[16] Formal training often includes degrees in theater arts, scenic design, or film production, which provide a structured understanding of prop integration in storytelling and set design.^[16] Specialized workshops offered by organizations like the Property Masters Guild (PMG) focus on safety protocols, prop fabrication techniques, and departmental management, enhancing professional competencies.^[25] Graduate programs, such as the MFA in Properties Design and Management at the University of Illinois, offer advanced training in prop creation and shop management for theater and film.^[26] Certifications in prop making, including woodworking, molding, and materials handling, are available through vocational courses tailored to entertainment industries, often emphasizing practical skills like model making and cosplay techniques applicable to props.^[27] Union affiliation with groups like IATSE Local 44 requires specific credentials, such as firearms safety training for handling replica weapons and scuba certification for underwater props, alongside passing qualification tests on script breakdown and budgeting.^[6]^[28] Career progression to a lead property master role generally takes 5-10 years within the props department, starting from assistant positions and accumulating required experience, such as 2,500 logged work hours as an Assistant Property Master on IATSE-signatory productions.^[6] Professionals advance by maintaining a portfolio showcasing prop breakdowns, custom builds, and production contributions, which demonstrates expertise and aids in securing higher-responsibility roles.^[16]

History

Origins in Theater

The role of the property master in theater traces its origins to the 16th century, with early records from the English Revels Office documenting the first known "property maker," John Carowe, who handled the creation and management of stage items for royal entertainments from 1547 until his death in 1574.^[29] Carowe's work involved constructing elaborate props, subcontracted by the Revels Office to support elaborate live performances. These early efforts laid the groundwork for specialized prop handling in professional theater, focusing on items essential to the spectacle of royal and public stages. By the 18th and 19th centuries, the position formalized in both European and American theaters as productions grew more structured and permanent ensembles emerged. In Europe, property masters became integral to opera houses and playhouses, managing inventories for touring companies, while in the United States, salary lists from New York theaters in 1798 mark the first recorded U.S. property-men, earning around $12 to $25 per week alongside carpenters and scene painters.^[30] This professionalization reflected the expanding scale of theater operations, where prop masters coordinated with scenic artists to ensure seamless live performances across seasons. Historically, property masters focused on sourcing and maintaining practical items such as furniture, weapons, and everyday objects needed for plays, with a strong emphasis on durability to withstand repeated use in long runs and multiple shows.^[31] These props were often rented, borrowed, or handmade from available materials like wood and fabric, prioritizing functionality over ornamentation to support actors' physical interactions on stage without disrupting the flow of live action. The late 19th-century realism movement significantly influenced theater production, with directors like Konstantin Stanislavski, through the Moscow Art Theatre founded in 1898, advocating for detailed, realistic sets to immerse audiences in believable worlds. This evolution elevated the property master's creative input, requiring research into period accuracy to align with the naturalistic demands of modern drama.

Development in Film

The role of the property master in film emerged in the early 20th century as cinema transitioned from theatrical roots, where small production crews often multitasked with props, including actors and cameramen handling set pieces to support visual storytelling in silent films.^[32] D.W. Griffith, a pivotal figure in this era, emphasized authentic three-dimensional props and sets to enhance realism, moving beyond painted backdrops.^[33] For instance, in productions such as The Birth of a Nation (1915) and Intolerance (1916), property handlers sourced or crafted items to amplify dramatic narratives through bold, expressive visuals suited to the silent medium.^[33] During Hollywood's Golden Age from the 1930s to the 1950s, prop departments became more structured within the studio system, where property masters oversaw teams for sourcing, building, and maintaining props to support high-volume production.^[34] This era saw a focus on specialized props such as breakaways—brittle sugar glass for safe stunt shattering, widely adopted for action sequences in films like The Public Enemy (1931)—and miniatures for visual effects in epics like King Kong (1933), enabling efficient, repeatable illusions within the assembly-line model.^[35] Unionization advanced through the International Alliance of Theatrical Stage Employees (IATSE), with Local 44 forming in 1937 to represent propmakers and set decorators, securing craft-specific roles amid strikes and jurisdictional battles that solidified property masters' professional status by the 1940s.^[36] In the post-1960s modern era, property masters adapted to the decline of the studio system by integrating practical props with emerging visual effects (VFX), using tangible items as foundations for digital enhancement to blend realism with spectacle in blockbusters.^[37] A landmark example is Star Wars (1977), where property masters and builders crafted gritty, functional props like the Landspeeder—employing mirrors and cranes for levitation effects—alongside miniatures and matte paintings, collaborating with Industrial Light & Magic to pioneer hybrid practical-VFX workflows that prioritized on-set authenticity.^[38] The rise of independent prop houses, such as History for Hire founded in 1985, further supported this shift by providing vast rental inventories for custom fabrication in films requiring practical effects amid growing VFX reliance.^[39] Technological advancements since the 2000s, including 3D printing for rapid prototyping of complex items like Thor's Stormbreaker in Avengers: Infinity War (2018) and digital catalogs for streamlined inventory management at houses like ISS Props, have enhanced efficiency, allowing property masters to produce up to 100 custom pieces per production while maintaining high detail and cost-effectiveness.^[40]^[41]

Variations Across Media

In Film and Television

In film and television productions, the property master plays a crucial role in maintaining visual continuity across multiple camera angles, ensuring that props are precisely placed to support seamless editing in post-production. This involves meticulous coordination during shooting to account for varying perspectives, such as wide shots and close-ups, where even minor discrepancies in prop positioning could disrupt narrative flow. For instance, in television dramas, property masters often oversee food styling to create realistic appearances under intense lighting and repeated takes, preventing visual inconsistencies that might arise from melting or wilting elements during close-up shots.^[1]^[2] Specialized handling of certain props is a key adaptation in screen-based media, where property masters collaborate with experts like weapons specialists for firearms and animal wranglers for live creatures to ensure authenticity and functionality. In the United States, this extends to overseeing food preparation and practical effects, such as breakaway furniture or simulated explosions, integrating these elements into the overall prop inventory. Additionally, property masters work closely with visual effects (VFX) teams to develop hybrid props that blend practical items with digital enhancements, allowing for consistent integration during compositing.^[1]^[16]^[14] Scale differences between film and television significantly influence the property master's workflow, with larger film budgets enabling custom-built props and extensive fabrication, while episodic television often relies on prop recycling and rapid turnaround to meet tight schedules. Films may allocate more resources for one-off, high-detail items, whereas TV productions prioritize durable, reusable assets to handle frequent resets across episodes. Safety protocols are paramount, particularly for stunt sequences, where property masters ensure props can withstand physical impacts without endangering performers, often requiring certifications in areas like firearms handling and adherence to insurance guidelines for high-value or hazardous items.^[1]^[42]^[2]^[43]

In Theater

In theater productions, the property master plays a pivotal role in integrating props into the rehearsal process through close collaboration with the director and stage manager. This involves supplying mock furniture and rehearsal props to facilitate actor training on handoffs, usage, and safe interaction with items during run-throughs, ensuring seamless transitions and performance readiness.^[4]^[44]^[45] The property master attends production meetings and rehearsals to update prop lists based on feedback, consulting on item characteristics to align with the director's vision and stage manager's cues.^[45]^[16] A key priority for the property master in theater is constructing props for durability to endure nightly reuse across multiple performances. Props are built using robust materials like metal, fiberglass, wood, and textiles to withstand handling and movement, with backups prepared for breakables and consumables to prevent disruptions.^[46]^[16] Designs emphasize quick scene changes, such as modular furniture on wheels for mobility and efficient backstage storage, ensuring actor safety and production flow.^[44]^[4] Budget constraints in theater often necessitate resourceful strategies, with property masters managing lower costs through rentals, in-house fabrication, and practical mechanics over elaborate effects. They prepare shopping lists, track expenditures with technical director approval, and source items economically while coordinating with production buyers to stay within limits.^[4]^[45]^[16] Examples include renting period-specific furniture or fabricating custom pieces like scrap metal sets from junkyards to meet aesthetic needs affordably.^[44] Performance variations require the property master to adapt props for touring versus fixed venues, prioritizing portability and lightweight designs for transport in mobile productions. In contrast, long-running shows in stationary theaters demand robust storage solutions and maintenance protocols, such as pre- and post-show check-in sheets, to preserve inventory over extended periods.^[4]^[45]

Notable Property Masters

Pioneers and Innovators

The Office of the Revels in late 16th-century England formalized the procurement, storage, and maintenance of props for court entertainments under Queen Elizabeth I, subcontracting property makers for items like carved elements and scenic pieces used in masques at locations such as Hampton Court. This system enabled reuse of props across productions, establishing early organized prop management in royal theater.^[47] In the United States, the profession emerged in the late 18th century amid the growing theater scene, influenced by British traditions, with roles in managing stage properties appearing in New York venues like the Park Theatre after its opening in 1798. The transition to film introduced innovations like breakaway props in the early 20th century, using materials such as sugar glass and lightweight foams to create safe, shatterable items for stunts in action sequences, enhancing physical comedy and safety in cinema.^[35] A notable 20th-century innovator was Don Nunley (1939–2021), whose expertise in automotive props elevated vehicle integration in action films, exemplified by his detailed sourcing and modification of cars for high-speed sequences in Steve McQueen's Le Mans (1971), though his career spanned earlier projects like those involving McQueen's vehicles. Nunley's approach emphasized authenticity and functionality, ensuring props like race cars performed reliably under demanding shoots.^[48] Key contributions from these pioneers advanced prop work from ad-hoc craftsmanship to a professional discipline, prioritizing safety, cost-efficiency, and visual storytelling in both theater and film.

Contemporary Figures

Emily Ferry stands as a pioneering figure among contemporary property masters, recognized as the first woman to serve in the role in film and television beginning in the 1970s.^[49] Over her four-decade career, she contributed to numerous high-profile productions, including Gattaca (1997), Memoirs of a Geisha (2005), and 13 Going on 30 (2004), amassing credits on more than 100 projects that showcased her expertise in sourcing and managing props for diverse genres.^[50] In 2024, the Property Masters Guild (PMG) honored her with the Lifetime Achievement Award at its inaugural MacGuffin Awards, celebrating her trailblazing impact on the craft and her mentorship of future generations.^[51] Gay Perello exemplifies modern innovation in property mastery, particularly through her work on period films requiring intricate, action-oriented props. As property master for Babylon (2022), she crafted the film's signature elements of glitz and debauchery, including layered props that enhanced the chaotic, immersive world of 1920s Hollywood, earning recognition from the PMG during its award-season discussions.^[14] Perello's approach to props, seen also in series like Parks and Recreation and The Good Place, emphasizes functionality and historical accuracy, allowing seamless integration with dynamic scenes.^[52] Her contributions highlight the evolving demands of contemporary storytelling, where props must support both practical action and visual spectacle. Russell Bobbitt represents the humanitarian side of property mastery in today's industry, receiving the PMG's 2024 Hill Valley Humanitarian Award for his philanthropy alongside his professional achievements.^[51] As a veteran property master for the Marvel Cinematic Universe, including Avengers: Endgame (2019) and Guardians of the Galaxy Vol. 2 (2017), Bobbitt has specialized in creating practical props for fantasy epics that blend seamlessly with visual effects, such as iconic weapons and artifacts that ground superhero narratives in tangible reality.^[53] His work underscores the property master's role in fostering collaborative, supportive environments on large-scale productions. In the VFX-dominated era, contemporary property masters like these have adapted by designing practical elements that enhance digital augmentation, ensuring props provide authentic references for actors and filmmakers. A notable example is the LED-illuminated lightsaber prop blades used in the *Star Wars* sequel trilogy, starting with The Force Awakens (2015), which allowed performers to interact with glowing props on set before CGI blades were added in post-production.^[54] This integration of craftsmanship and technology reflects broader industry shifts, with PMG recognitions tying into ongoing training and guild support for such advancements.^[55]

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History For Hire
History For Hire is a family owned prop rental company that has been in continuous operation since 1985.We carry a full line of hand props and smalls.
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Unveiling the Magic: How Formlabs 3D Printers Shape Blockbuster Movie Props
### Summary: Use of 3D Printing and Digital Tools for Props Since the 2000s
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Home - ISS Props - World's Largest Film & TV Prop Rental House ...
ISS Props is Hollywood's premier prop rental house with 150000 sq ft of props, weapons, graphics & manufacturing. Serving film & TV productions for 40+ ...Contact Us · Weapons · Props · GraphicsMissing: catalogs | Show results with:catalogs
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Meet the Prop Master - Entertainment Partners
Jul 27, 2021 · The prop master leads one of these crews, the Props Department, and is responsible for creating authentic scenes to bring a production to life.Day-In-The Life On Set · Theresa Corvino, Propmaster... · The Props Crew<|control11|><|separator|>
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"Safety in Motion Picture Productions” Frequently Asked Questions ...
Jan 1, 2025 · A qualified property master, armorer, or assistant property master handling a firearm in the course of the motion picture production is required ...
[45]
Inside the Broadway Community Project: What Does a Prop Master ...
Sep 15, 2020 · So here are our duties: Provide rehearsal props and mock furniture for the rehearsal hall; collaborate and supply all set dressing and ...Missing: durability touring
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Properties Master | Department of Theatre and Dance
The Props Master supervises prop acquisition, creates prop lists, coordinates with other departments, and builds/procures props, working with the scenic ...Missing: film - | Show results with:film -
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What does a Prop Maker do? - Get into Theatre
Jun 6, 2024 · Prop Makers are responsible for making all the props used in a show and ensuring they suit the design of the production.
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Don Nunley (1939 to 2021) — The Master of McQueen's Monacos
Feb 16, 2021 · As property master of Le Mans, Nunley was responsible for almost 20,000 different props, including all the equipment that would be used by the ...
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[PDF] SWORDS IN EARLY MODERN ENGLISH PLAYS - CORE
Sep 3, 2010 · provided by John Carow, a property maker and carver, who was paid 14 pounds 11 shillings and 1 pence in total: Iohn Carow for sundry ...
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Property Masters Guild on Instagram: "And the Lifetime Achievement ...
Sep 6, 2024 · With a career spanning more than four decades, Emily Ferry is a legend in the craft. As the first female Property Master in film and television, ...
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Emily Ferry - IMDb
Emily Ferry(I). Property Master; Set Decorator. IMDbProStarmeterSee rank. Emily Ferry is known for Memoirs of a Geisha (2005), Gattaca (1997) and ...
[52]
Property Masters Guild Awards Full Winners List 2024 - Variety
Sep 14, 2024 · PROPERTY MASTERS GUILD 2024 MACGUFFIN AWARDS. HONOREES: LIFETIME ACHIEVEMENT AWARD. Emily Ferry. HUMANITARIAN AWARD. Russell Babbitt. AWARD ...
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Gay Perello - IMDb
Gay Perello. Art Department: Morbius. Gay Perello is known for Morbius ... property master. Post-production. 2026. Michael. property master. Post-production.
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Russell Bobbitt - IMDb
Russell Bobbitt is known for Avengers: Endgame (2019), Avengers: Infinity War (2018) and Guardians of the Galaxy Vol. 2 (2017).Missing: Lord Rings
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The Star Wars sequels finally got lightsabers right - The Verge
Dec 17, 2019 · Like the prequels, the blades of the lightsabers on-screen would be added digitally, with the on-camera fights taking place with plastic prop ...
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Property Masters Guild: HOME
The PMG offers programs to share resources, build a private support network, and provide a place for film workers to seek personalized aid and management ...Missing: contemporary TV