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Quebec Magnetic

Quebec Magnetic is a live by the American heavy metal band Metallica, capturing performances from two shows at the arena in , , on October 31 and November 1, 2009, as part of their . The footage combines elements from both nights to present a high-energy setlist spanning the band's , from early classics to tracks from their 2008 album . Released on December 11, 2012, by Metallica's Blackened Recordings label, the film was made available in multiple formats, including double DVD, Blu-ray, and digital download, with a runtime of approximately two hours for the main and an additional 45 minutes of bonus material. The production features the band's standard lineup of vocalist/rhythm guitarist , lead guitarist , bassist , and drummer , directed by Wayne Isham and edited to highlight crowd interaction and stage visuals. The setlist includes 18 tracks in the main performance, opening with "The Ecstasy of Gold" and featuring staples like "Master of Puppets," "One," and "Enter Sandman," alongside rarer songs such as "The Four Horsemen" and "The Thing That Should Not Be." Bonus content comprises additional live tracks like "For Whom the Bell Tolls" and behind-the-scenes footage titled "Quebec City Love Letters," offering insights into the tour's production. Critically, the release has been noted for its professional editing and preservation of Metallica's intense live energy, earning an 8.4/10 rating on IMDb from over 700 user reviews.

Background

World Magnetic Tour Context

The World Magnetic Tour was initiated by Metallica to support their ninth studio album, Death Magnetic, released on September 12, 2008, through Warner Bros. Records, marking a return to the band's thrash metal roots under producer Rick Rubin. The album's release generated significant anticipation, debuting at number one on the Billboard 200 and selling over 490,000 copies in its first week in the United States. This momentum propelled the tour's launch on October 21, 2008, at the Jobing.com Arena in Glendale, Arizona, as the band's first major outing since 2004. Spanning from October 2008 to November 2010, the encompassed over 170 concerts across , , , , and , concluding with a final performance on November 21, 2010, at in . The extensive itinerary included arena and stadium shows, with strategic breaks to prevent burnout, and it became one of Metallica's longest and most ambitious tours, grossing approximately $227 million worldwide. Key milestones highlighted the band's enduring draw, such as headlining the revived in 2008 and major European festivals like Sonisphere in 2009 and 2010, where their Sofia performance was to theaters across 140 markets. Additionally, the tour featured the inaugural thrash metal package in 2010, co-headlining with , , and starting June 16 in , , which drew massive crowds and celebrated the genre's legacy. Throughout the tour, Metallica's lineup remained consistent, consisting of on vocals and , on , on bass (who had joined in 2003), and on drums. This stability allowed for a dynamic setlist blending tracks like "The Day That Never Comes" with classics such as "," fostering high-energy stadium performances that reinforced the band's status as icons. The Quebec City shows formed part of the 2009 North American leg.

Quebec City Performances

The two concerts comprising the Quebec City performances of Metallica's occurred on October 31 and November 1, 2009, at Pepsi arena in , . The venue, which had a of 15,176 following renovations, hosted sold-out crowds that totaled 30,974 attendees across both evenings, reflecting the band's strong draw in the region during the tour's North American leg. Both shows delivered high-energy performances characterized by an electric atmosphere, with the packed arena filled by enthusiastic fans who participated in vigorous , sing-alongs to classic tracks, and extended chants that built anticipation between songs. The show, coinciding with Halloween, incorporated thematic elements such as the band members donning half-face monster masks during the encore, enhancing the festive mood and prompting heightened crowd excitement as fans screamed for the return to after a deliberate pause. Notable onstage moments included James Hetfield's direct engagement with the audience, encouraging collective screams and during extended instrumental sections, which amplified the communal intensity unique to these nights. The setlists for the two nights shared core staples from Metallica's catalog, such as "One," "Master of Puppets," "Enter Sandman," and "Seek & Destroy," while featuring variations that highlighted deeper cuts and rarities to keep the energy dynamic. On October 31, the performance included early-era tracks like "For Whom the Bell Tolls" and "Holier Than Thou" early in the set, building to newer material from Death Magnetic such as "Cyanide" and "All Nightmare Long," with the encore closing on the rarity "Phantom Lord" from Kill 'Em All, a song infrequently played live at that point in the tour. The November 1 setlist diverged with "The Four Horsemen" and "The Shortest Straw" from Ride the Lightning and ...And Justice for All, respectively, alongside "My Apocalypse" from the recent album, and incorporated a cover of Misfits' "Last Caress" before transitioning to fan favorites, creating a distinct progression that emphasized the band's thrash roots. These variations, drawn from fan-voted elements and the tour's evolving playlist, contributed to the shows' replay value and captured the improvisational spirit of live heavy metal.

Production

Filming Process

The filming of Quebec Magnetic took place during Metallica's performances at Pepsi arena in , Canada, on October 31 and November 1, 2009, as part of the . Director Wayne Isham led the production, employing multiple high-definition cameras strategically positioned throughout the venue to document the concerts from multiple angles, ensuring comprehensive coverage of the stage and audience. Isham's approach emphasized capturing the raw energy of the crowd and the band's dynamic interactions, highlighting the intense atmosphere of the Halloween weekend shows. The final release features a mix. On-site, the crew coordinated camera movements and shots to integrate seamlessly with the live production.

Post-Production and Direction

The of Quebec Magnetic was directed by longtime Metallica collaborator Wayne Isham, who oversaw the assembly of footage captured during the band's two consecutive performances at Colisée Pepsi on October 31 and November 1, 2009. Editing duties were shared among Guy Harding, Hector Lopez, and Emlyn Pugh, resulting in a final concert runtime of approximately 135 minutes that combined the best elements from both nights to present a unified live experience. Audio re-recording mixing was handled by Damian Reynolds, preserving the raw energy of the live shows in both stereo and 5.1 surround formats. The release incorporates approximately 50 minutes of bonus content, including behind-the-scenes interviews with and additional fan-oriented live snippets, enhancing the viewer's immersion in the atmosphere.

Release and Formats

Commercial Release Details

Quebec Magnetic was commercially released on , 2012, in DVD and Blu-ray formats through the band's own label, Blackened Recordings. The initial suggested retail price was set at $15.98 for both the DVD and Blu-ray versions, offering fans affordable access to the concert footage as standalone purchases without bundled extras at launch. Promotional strategies included an early announcement on , , allowing fans to vote via the band's to select which of the two 2009 Quebec City performances would be featured in full, with highlights from the other show incorporated. A 33-second was unveiled on Metallica's official on November 19, , followed by a full two-minute trailer on November 29, , to build anticipation ahead of the release. These efforts were complemented by updates shared through the band's Fifth Member , including opportunities and event tie-ins. The video's launch aligned with Metallica's post-2009 touring momentum, serving as a highlight from the while the band prepared for subsequent global performances.

Available Editions and Packaging

Quebec Magnetic was released in multiple physical formats, including a two-disc DVD set and a single-disc Blu-ray, both capturing the full concert performance along with additional content. The DVD edition utilizes standard formatting, while the Blu-ray offers and for enhanced audio quality. A digital download version became available through platforms like , allowing streaming and purchase for online viewing. Special features on the physical releases include eight bonus live tracks from the second Quebec City show, such as "," "," and "Phantom Lord," totaling approximately 42 minutes of additional performance footage. These editions also contain the short " Love Letters," featuring interviews with band members and fans discussing their experiences in the city, running about 8 minutes. The overall package exceeds three hours of content, combining the 2-hour-15-minute main concert with these extras. Packaging varies by region and edition, with some releases housed in digipak cases for a slimmer profile, while others use standard cases. International versions were produced for markets including , the , , , , , , and , adapting to local distribution standards but maintaining consistent core content.

Content

Track Listing

The main concert in Quebec Magnetic features a 19-track setlist compiled from footage of Metallica's performances on October 31 and November 1, 2009, at Colisée Pepsi, showcasing songs from across their discography, including classics like "" and newer material from . The sequence blends elements from both nights to create a cohesive show, with unique tracks sourced from the respective performances where applicable. The total runtime for the main program, including the intro, songs, and credits, is 135 minutes.
No.TitleDurationNotes
1The Ecstasy of Gold1:36Intro track by Ennio Morricone; played both nights.
2That Was Just Your Life7:08From Death Magnetic; performed both nights.
3The End of the Line7:47From Death Magnetic; performed both nights.
4The Four Horsemen5:27From Kill 'Em All; November 1.
5The Shortest Straw6:10From ...And Justice for All; November 1.
6One7:53From ...And Justice for All; performed both nights.
7Broken, Beat & Scarred8:28From Death Magnetic; performed both nights.
8My Apocalypse6:43From Death Magnetic; November 1.
9Sad But True6:01From the Black Album; performed both nights.
10Welcome Home (Sanitarium)6:10From Master of Puppets; November 1.
11The Judas Kiss9:49From Death Magnetic; November 1.
12The Day That Never Comes7:58From Death Magnetic; performed both nights (video uses November 1 performance).
13Master of Puppets8:07From Master of Puppets; performed both nights (video uses October 31 performance).
14Battery7:06From Master of Puppets; November 1.
15Nothing Else Matters5:45From the Black Album; performed both nights.
16Enter Sandman8:51From the Black Album; performed both nights.
17Killing Time / Whiplash2:54 / 7:05Medley: "Killing Time" (Sweet Savage cover) into "Whiplash" (from Kill 'Em All); November 1.
18Seek & Destroy7:11From Kill 'Em All; encore performed both nights.
19Credits6:51End credits sequence.

Bonus Tracks and Footage

The release includes approximately 45 minutes of bonus material on the second disc, featuring additional live performances from the Quebec City shows and behind-the-scenes content.
No.TitleDurationNotes
1For Whom the Bell Tolls5:06From Ride the Lightning; October 31.
2Holier Than Thou4:00From the Black Album; October 31.
3Cyanide7:09From Death Magnetic; October 31.
4Turn the Page6:37Bob Seger cover; October 31.
5All Nightmare Long8:07From Death Magnetic; October 31.
6Damage, Inc.6:15From Master of Puppets; October 31.
7Breadfan4:37Budgie cover; both nights (uses October 31).
8Phantom Lord5:12From Kill 'Em All; both nights (uses October 31).
9Quebec City Love Letters28:00 (approx.)Behind-the-scenes interviews with band members and fans.

Personnel and Credits

The core performing members of Metallica featured in Quebec Magnetic are on lead vocals and rhythm guitar, on lead guitar and backing vocals, on bass guitar and backing vocals, and on drums. The concert film was directed by Wayne Isham, with production handled by Metallica Inc. and executive production by Joseph Uliano and Dana Marshall. Key technical crew included editor Guy Harding, sound mixer , and recording supervisor Mike Gillies for audio elements. Front-of-house engineering was provided by "Big Mick" Hughes, with monitor engineering by Owen, supporting the live sound capture during the Quebec City performances. Additional production staff encompassed production designer Dan Braun and lighting technician John Broderick, contributing to the visual and stage setup. No guest performers or support acts appear in the main footage.

Commercial Performance

Chart Positions

Quebec Magnetic achieved notable success on various international music video and DVD charts following its December 2012 release. In the United States, the video debuted at number two on the Billboard Top Music Videos chart, marking Metallica's strong performance in the home market for concert releases. It sold approximately 14,000 copies in its first week, reflecting immediate fan interest in the World Magnetic Tour footage. The release maintained presence on the chart for several weeks, underscoring its commercial viability compared to prior Metallica video offerings. Internationally, Quebec Magnetic entered the top ten in several key markets. In the , it peaked at number nine on the Official Music Video Chart, with a total run of 11 weeks, including one week in the top ten and nine weeks in the top 40. The video's performance showed regional strength in , where it spent six consecutive weeks on the chart from late December 2012 through January 2013, followed by five more weeks in early 2013. In , it reached number three on the ARIA Music DVD Chart, highlighting robust sales in the Asia-Pacific region and a duration of multiple weeks amid competition from other major releases. In , Quebec Magnetic peaked at number 29 on the official DVD album charts, entering on December 21, 2012, and charting for five weeks overall. This position represented a solid but more modest entry compared to its higher rankings elsewhere, with no extended stay in the top 20. The video's chart trajectory varied by region, influenced by release timing—earlier in and (December 7, 2012) than in the (December 10)—leading to staggered debuts and varying longevity. Relative to previous Metallica video releases, such as Orgullo, Pasión, y Gloria: Tres Noches en la Ciudad de México (2009), Quebec Magnetic demonstrated improved global chart penetration, particularly in the UK and , where the earlier title had limited documented top-tier success on equivalent lists. This positioned Quebec Magnetic as one of the band's stronger-performing concert videos in the post-2000s era.
ChartPeak PositionWeeks on ChartSource
US Billboard Top Music Videos2Multiple (debut week confirmed)blu-ray.com
UK Official Music Video Chart911officialcharts.com
German DVD Album Charts295offiziellecharts.de
Australian ARIA Music DVD Chart3Multipleen.wikipedia.org (note: secondary reference for verification; primary ARIA data aligns via aggregator reports)

Certifications and Sales

Internationally, the video received certification in by BVMI for 30,000 units, and certification in by for 15,000 units, reflecting strong regional demand. These commercial achievements underscore the enduring popularity of Metallica's live performances, with the video's limited theatrical run and multiple formats contributing to its revenue.

Reception

Critical Reviews

Upon its release, Quebec Magnetic received generally positive reviews from music critics, who praised its high-energy capture of Metallica's live performance and the diverse setlist drawn from the band's extensive catalog. of highlighted the film's ability to showcase the band's vitality, describing Metallica as "the Led Zeppelin of our generation" for their commanding stage presence during the 2009 shows, despite the rigors of an extended world tour. The setlist, voted on by over 35,000 fans, was commended for blending timeless classics like "" and "" with rarer selections such as "The Shortest Straw," providing a comprehensive representation of the band's evolution. Some critics noted drawbacks in the , particularly the heavy that combined footage from two separate concerts to create an idealized version, which diminished the raw, unfiltered intensity found in earlier releases like the 1993 Live Shit: Binge & Purge. This approach, while polished, was seen as making the experience feel more constructed than spontaneous, with one pointing out that "some of the songs have been edited from the two different shows to make the best possible version," potentially at the expense of authentic concert flow. Aggregated professional feedback, including McIver's 8/10 score, positioned the release as a strong but familiar entry in Metallica's live documentation, averaging around 80/100 across available critiques. The band's tight execution was a recurring point of acclaim, with McIver emphasizing their precision as a "band at the top of its game," even amid the fatigue of the ongoing World Magnetic Tour. Overall, reviewers appreciated Quebec Magnetic as a solid testament to Metallica's enduring live prowess, though it was occasionally critiqued for prioritizing slick presentation over unadulterated grit.

Fan and Legacy Impact

Quebec Magnetic engaged Metallica's fanbase directly during its production, as the band allowed over 35,000 fans to vote online for the setlist and which of the two Quebec City shows from October 31 and November 1, 2009, would be the primary focus of the video release. This interactive approach highlighted the band's commitment to incorporating fan input into their live documentation, fostering a sense of ownership among supporters during the World Magnetic Tour. The resulting film captured the high-energy performances, blending classics like "Master of Puppets" with tracks from Death Magnetic, and was praised for showcasing the band's tight musicianship and crowd interaction. Fans and critics alike received the release positively upon its December 11, 2012, debut, viewing it as a vibrant snapshot of Metallica at the peak of their post- resurgence. Reviewers noted the production's crisp visuals and sound mix, which effectively conveyed the intensity of the live experience, with one describing it as a "precision-engineered document of a band at the top of its game." The video's emphasis on rarities and fan-favorite moments further endeared it to longtime supporters, who appreciated how it balanced nostalgia with contemporary material. It also resonated as an "overdue apology" following the polarizing collaboration, reaffirming Metallica's roots through dynamic renditions. In terms of legacy, Quebec Magnetic marked a pivotal moment as the inaugural on Metallica's label, Blackened Recordings, established to regain control over their masters and catalog. This shift empowered the band to curate their output more autonomously, influencing future projects like reissues and tours. The video contributed to the ongoing documentation of Metallica's live prowess, ranking among their stronger concert films for its comprehensive tour representation and has maintained relevance through streaming availability, where clips continue to garner significant views.

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