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Quickstep

The Quickstep is a lively and elegant ballroom dance performed by couples in closed hold, characterized by its fast-paced, syncopated rhythm, quick steps, and flowing movements that convey lightness and joy, typically danced to music in 4/4 time at a tempo of 48 to 52 measures per minute.^[1]^[2] Originating in the 1920s in New York amid the jazz age, the Quickstep evolved from a fusion of the Foxtrot, Charleston, Peabody, and One-Step, initially as a solo dance before becoming a partnered style influenced by ragtime rhythms and the energetic styles of Caribbean and African immigrants.^[1]^[2] By the late 1920s, it had been standardized in England as the "Quick Time Foxtrot" and renamed Quickstep, gaining popularity in suburban dance halls.^[1] Today, it forms one of the five core dances in the International Standard category of competitive ballroom dancing, alongside the Waltz, Tango, Viennese Waltz, and Foxtrot, as defined by organizations like the World DanceSport Federation.^[3] Key features of the Quickstep include its progressive and rotary figures that travel counterclockwise around the floor, incorporating elements like chassés, hops, skips, and locks, with pronounced rise and fall, sway, and a distinctive bounce action that adds to its spirited character.^[1]^[2] The dance demands precise footwork, upright posture, and fluid transitions between slow and quick steps (often in a slow-quick-quick pattern), making it both physically demanding and visually exhilarating in performances.^[2] In competitions, it emphasizes elegance and speed, with music selections ranging from classic jazz standards to modern upbeat tracks adapted to the required tempo.^[1]

History and Origins

Early Development

The Quickstep emerged in the 1920s as a dynamic fusion of established dances, blending the smooth gliding steps of the Foxtrot with the syncopated rhythms of the Charleston and the brisk tempo of the One-Step.^[1]^[4]^[5] This combination reflected the energetic evolution of social dancing during the Jazz Age, where dancers sought faster, more lively movements to match accelerating musical tempos.^[6] The dance initially appeared in American ballrooms, particularly in New York, as a variant known as the "Quick Time Foxtrot" or "Quick Foxtrot," which incorporated Charleston's playful kicks and hops while retaining Foxtrot's elegance.^[7]^[8] Post-World War I social trends in the United States and United Kingdom significantly influenced the Quickstep's development, as returning soldiers and a burgeoning youth culture embraced freer, more exuberant forms of expression through dance.^[6] In the US, the dance gained traction in urban venues amid the Roaring Twenties' jazz craze, with early variants popularized in New York ballrooms by the early 1920s.^[1] Across the Atlantic, British dancers adapted these American imports, leading to the Quickstep's refinement as an English-style ballroom dance by the mid-1920s.^[9] The first formal recognition of the Quickstep occurred in British dance literature around 1925-1927, with its inclusion in manuals that codified emerging techniques.^[6] Victor Silvester, a leading ballroom dancer and instructor, featured the dance in his influential 1927 publication Modern Ballroom Dancing, which helped standardize its steps and contributed to early performances in professional circles.^[6] A pivotal competitive debut took place in 1927 at the Star Dance Championships, where the English couple Frank Ford and Molly Spain performed a version of the Quick Time Foxtrot and Charleston—sans the exaggerated knee actions—effectively introducing the nascent Quickstep to international audiences.^[8]^[10] This event marked the dance's transition from informal social practice to a recognized competitive form.^[7]

Standardization and Evolution

The formal standardization of Quickstep occurred through the efforts of the Imperial Society of Teachers of Dancing (ISTD), with its steps codified at the 1929 Great Conference in London, distinguishing it clearly from its Foxtrot roots and establishing it within the emerging international ballroom syllabus.^[11] This inclusion in the ISTD framework set the tempo at 48-52 bars per minute in 4/4 time, providing a brisk yet controlled pace that emphasized light, flowing movements suitable for competitive and social settings.^[12] The ISTD's Ballroom Branch, formed in 1924, had laid the groundwork for this technical structure, integrating Quickstep alongside waltz, foxtrot, and tango as core elements of modern ballroom technique.^[13] During the mid-20th century, Quickstep evolved amid broader socio-cultural shifts, including the impact of World War II on dance halls, where live bands often accelerated tempos to energize audiences and adapt to wartime constraints on space and music.^[14] Post-war refinements were spearheaded by influential figures like Alex Moore, who, as ISTD Ballroom Branch Chairman from 1947 to 1976, authored key texts such as Ballroom Dancing (1936, with later editions) and led the 1948 Revised Technique of Ballroom Dancing, which refined Quickstep's alignment, sway, and rhythmic phrasing to enhance its elegance and speed.^[13] These updates emphasized smoother transitions and greater body control, responding to the dance's growing competitive demands while preserving its joyful character. A pivotal milestone came in 1950 with the formation of the World Dance Council (WDC, then the International Council of Ballroom Dancing), which formally adopted Quickstep as one of the five International Standard dances—alongside waltz, tango, Viennese waltz, and foxtrot—solidifying its global status in professional competitions.^[15] By the late 20th century, minor syllabus adjustments, such as those in the 1980s and culminating in the 1994 amendments to The Ballroom Technique, introduced increased syncopation through figures like running rights and lefts, allowing for more dynamic off-beat accents while maintaining the core tempo.^[16] Regional variations exist between International and American styles, though Quickstep is primarily an International Standard dance and absent from American Smooth competitions, where foxtrot fulfills a similar role.^[7] The International variant stresses an upright posture, continuous body contact in closed hold, and precise footwork to convey poise at high speeds, contrasting with the more open, fluid interpretations sometimes seen in American adaptations.^[17]

Characteristics and Technique

Music and Rhythm

The Quickstep is danced to music in 4/4 time signature at a tempo of 48 to 52 measures per minute, equivalent to 192 to 208 beats per minute, creating a lively and upbeat feel that emphasizes the slow-quick-quick rhythm as its foundational pulse.^[18]^[19] This brisk pace demands precise timing from dancers, with the music's energetic drive supporting the dance's fast footwork and buoyant movement across the floor. The rhythm is characterized by quick steps on single beats and slow steps spanning two beats, fostering a sense of forward momentum and syncopation that distinguishes Quickstep from slower ballroom styles.^[20] Core rhythm patterns in Quickstep revolve around the slow-quick-quick structure, often executed in figures like the progressive chassé, where a slow step is followed by two quick steps to maintain balance and flow. Syncopations add variety, such as in the hesitation change step, a figure that introduces a brief pause or delayed action on the slow beat to create rhythmic tension and release, enhancing the dance's playful character. Phrasing in Quickstep music typically occurs in 16-bar sections, allowing dancers to align their movements with natural musical builds and resolutions for seamless performance.^[21]^[22] Suitable music for Quickstep draws from jazz-influenced standards of the 1920s and 1940s, capturing the era's swing and optimism through upbeat melodies that match the dance's vivacity. Representative examples include "It Had to Be You" by Isham Jones (1924) and "Cheek to Cheek" by Irving Berlin (1935), both evoking the sophisticated yet lighthearted spirit of the period. In modern competitions, adaptations often feature big band arrangements of these classics or similar tunes, such as "42nd Street" or "American Patrol," ensuring the music remains strictly timed while preserving its historical essence.^[23] The instrumentation in Quickstep music prioritizes brass sections—like trumpets and trombones—for bold, propulsive melodies and harmonies that propel the rhythm forward, complemented by percussion elements such as drums and cymbals to underscore the syncopated beats and provide driving energy. This setup avoids overly slow tempos or waltz-like string-dominated arrangements, instead favoring the punchy, rhythmic vitality of big band swing to sustain the dance's high pace and exuberance.^[24]

Movement and Style

In Quickstep, dancers maintain an upright posture with a strong, elongated frame to support the dance's rapid pace and directional changes. The body is poised slightly forward, with weight distributed over the balls of the feet for quick responsiveness, while the upper body remains straight and expanded to facilitate smooth partner connection.^[25]^[26] Partners connect through a closed hold, where the leader's right hand rests on the follower's back at shoulder blade level, the follower's left hand on the leader's upper arm, and their free hands joined at eye level, creating a firm yet flexible structure that allows for compression and release during rises and falls.^[25] This hold emphasizes tonal connection without rigidity, enabling the partners to move as a unit across the floor.^[26] Key movements in Quickstep feature light, skipping steps executed with quick heel-toe actions, where the heel brushes the floor briefly before rolling onto the ball of the foot for propulsion. Essential elements include chassés, which involve quick side-close-side footwork to maintain momentum while traveling; locks, where one foot crosses behind the other for gliding transitions; and pivots, sharp rotational turns that build speed and direction.^[26] Swings are incorporated in figures like the running steps or hesitations to add dynamic sway, with the body swinging from side to side in coordination with the legs.^[11] These actions create a sense of forward drive, often using syncopated rhythms to enhance the dance's energetic flow.^[25] The style of Quickstep balances bouncy elevation with controlled precision, featuring a subtle rise and fall similar to the waltz but executed more swiftly to match the music's lively tempo. Dancers achieve a floating, airy quality through soft knee compressions and gradual lowerings, avoiding harsh impacts while sustaining speed.^[25] Head movements follow the body's natural sway, turning with the torso to convey elegance and joy without exaggeration, ensuring the overall motion remains smooth and unhurried despite the brisk pace.^[26] Foundational figures such as natural turns and reverse turns form the core of Quickstep execution, with the natural turn involving a quarter turn to the right followed by progressive steps, and the reverse turn mirroring it to the left for directional balance. To maintain poise at high speeds, dancers focus on centering the body over the supporting foot during pivots and using extended arms to counterbalance swings, preventing loss of frame or momentum.^[25]^[11]

Training Syllabus

Beginner Levels

Novice dancers begin Quickstep training with the pre-bronze syllabus figures established by the Imperial Society of Teachers of Dancing (ISTD), which introduce essential elements in the closed position—a standard hold where partners maintain body contact facing one another—and basic promenade position for transitional movements.^[27] Key basics include the Quarter Turn to Right, Natural Turn, and Progressive Chassé, with a focus on timing through quarter turns and the core rhythm of slow-quick-quick to develop initial balance and forward drive.^[28] Footwork emphasizes heel-toe progression for the Natural Turn and ball-of-foot action for the Chassé, promoting smooth quarter-note phrasing without premature rise.^[29] Progression to early bronze builds on these foundations by incorporating the Chassé Reverse Turn and Natural Spin Turn, enhancing rotational control while maintaining simple progressive Chassé footwork free of advanced syncopation.^[27] These figures stress precise alignment in closed position during turns, allowing beginners to execute half-turns and full spins with controlled sway and compression on the slow steps.^[28] Effective training emphasizes building endurance for the quick steps via progressive practice to music at 48-50 bars per minute, starting with slow-motion repetitions to master the lively tempo.^[27] Common errors, such as rushing the slow steps, disrupt phrasing and balance, so instructors recommend counting aloud and focusing on even weight transfer to avoid this pitfall.^[30] Simple partnering drills, like mirror holds during Natural Turns, foster connection and frame stability without complex leads.^[28] Proficiency in these beginner elements typically requires 6-12 months of regular weekly lessons and home practice, with goals centered on achieving basic floor coverage through linked figures and consistent rhythm adherence in social or syllabus settings.^[31]

Intermediate and Advanced Levels

The intermediate and advanced levels of Quickstep training build upon foundational techniques, introducing greater complexity in footwork, directional control, and partnership dynamics as outlined in the Imperial Society of Teachers of Dancing (ISTD) syllabus. At the silver level, dancers incorporate figures such as the Quick Open Reverse, Fishtail, Running Right Turn, Four Quick Run, V6, and Closed Telemark, which emphasize smooth directional changes and synchronized partnering. These elements require precise timing to navigate turns and chassés while maintaining momentum across the floor, with a focus on incorporating cross chassé variations—like the Progressive Chassé to Right—for fluid progression and alignment between partners.^[27]^[28] Hesitation changes, often executed via the Closed Telemark leading into a cross hesitation, further develop control in silver routines by introducing brief pauses that enhance phrasing and partner connection without disrupting the dance's lively rhythm. Dancers at this stage prioritize partnering sync, ensuring that lead and follow cues remain clear during rapid sequences, which helps in achieving the characteristic springy quality of Quickstep while avoiding loss of contact. This level demands consistent practice to refine these figures, typically advancing after 1-2 years of dedicated training following beginner proficiency, allowing for the integration of musical interpretation through subtle hesitations and accelerations.^[32]^[33] Progressing to the gold level, which generally requires 3 or more years of cumulative training, introduces advanced elements like Whisks (as variations in open sequences), and Rotating Tipsy Turns (Tipsy to Right or Left), alongside integrations of open work such as the Cross Swivel and Six Quick Run. These figures demand heightened artistry, with rotating tipsy turns adding rotational flair and whisks enabling expansive, flowing transitions that showcase extended lines and aerial-like leg extensions in partnering. Gold routines emphasize stamina for executing full 32-bar choreographies at 48-50 bars per minute, incorporating open positions for dramatic effect while interpreting the music's syncopations through dynamic shaping and momentum.^[27]^[29] Key challenges in these levels include maintaining a strong, flexible frame under the dance's high speed, where centrifugal forces from turns like the running right turn can test balance and connection. Dancers must avoid common faults such as over-swaying in open positions, which disrupts alignment and partnering sync; instead, controlled sway enhances the dance's elegance without compromising posture or forward drive. Precision in foot placement and rise-fall actions is essential to sustain energy throughout routines, with floorcraft becoming critical to navigate competitive settings seamlessly.^[32]^[26]

Cultural and Competitive Aspects

Role in Ballroom Dancing

The Quickstep holds a prominent position as one of the five dances in the International Standard category—alongside the Waltz, Tango, Viennese Waltz, and Foxtrot—within World Dance Council (WDC) competitive events, where it is performed from novice to professional championship levels.^[34] In these competitions, couples execute the dance to showcase precise timing synchronized with the music's quick rhythm, seamless flow across the floor to maintain momentum, and innovative content that incorporates both syllabus figures and original choreography while adhering to stylistic guidelines.^[35] Judges evaluate performances based on criteria such as posture, musicality and interpretation, technique, content and manner of performance, and floor craft, emphasizing the dance's energetic yet elegant execution.^[35] In social ballroom contexts, the Quickstep is adapted into slower, simplified versions to suit casual ballrooms and accommodate varying skill levels, often featuring reduced speed and fewer complex syncopations for easier partner coordination and floor navigation.^[36] These adaptations maintain the dance's lively spirit but prioritize enjoyment over competition rigor, making it a favorite in social clubs across the UK and US, where it is commonly taught in group classes and evening socials.^[26] The Quickstep is also integral to team matches and formation dancing, where groups of couples synchronize routines to demonstrate collective precision and visual appeal in events organized by bodies like the WDC.^[37] Wheelchair variations of the Quickstep have been part of adaptive dancing since the 1960s, originating in Sweden, with competitive inclusion under organizations like World Para Dance Sport; in 2024, Para Dance Sport, including wheelchair Quickstep, made its North American competitive debut, expanding the dance's inclusivity.^[38]

Influence in Popular Culture

The Quickstep has left a significant mark on film and television, particularly through classic Hollywood depictions that romanticized its energetic elegance. In the 1935 musical Top Hat, Fred Astaire and Ginger Rogers delivered iconic ballroom sequences, such as the "Cheek to Cheek" Foxtrot number, which influenced later dances like the Quickstep through its elegant ballroom style and inspired generations of dancers.^[39]^[40] These performances elevated the dance's status as a symbol of sophistication and joy, leading to a surge in public interest and enrollment at dance studios following the film's release.^[39] In modern television, the Quickstep has become a staple on the BBC's Strictly Come Dancing since its premiere in 2004, where celebrity contestants perform high-energy routines to popular songs, introducing the dance to millions and blending it with contemporary entertainment formats. Music crossovers have further embedded the Quickstep in popular culture, with swing-era revivals highlighting its rhythmic vitality. Artists like Michael Bublé have contributed through covers of classic tunes suitable for the dance, such as "Down with Love" from the soundtrack of the same name, which features the upbeat tempo ideal for Quickstep routines and has been performed on shows like Dancing with the Stars.^[23] These modern interpretations pay homage to the dance's 1920s jazz roots while appealing to broader audiences, often appearing in live performances and televised competitions.^[23] Beyond media, the Quickstep symbolizes 1920s glamour, influencing fashion and themed events that evoke the era's exuberance. Its fast-paced, light-footed style is frequently incorporated into Roaring Twenties parties, where attendees don flapper dresses and tuxedos to mirror the dance's opulent, carefree vibe.^[41] Professional troupes like Burn the Floor have amplified this impact since the late 1990s, staging high-voltage shows that fuse traditional Quickstep with dynamic choreography and live music, captivating theater audiences worldwide.^[42] Early popularizers such as Vernon and Irene Castle helped popularize precursor dances like the Foxtrot in vaudeville acts from 1914 to 1916, influencing the development of the Quickstep.^[43]

References

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Quickstep - Fred Astaire Dance Studios
The Quickstep, with its roots in Ragtime, was developed in the 1920's in New York from a combination of Foxtrot, Charleston, Peabody and the One-Step.
[2]
Quickstep - Arthur Murray Raleigh Dance Studio
The quickstep is a popular ballroom dance that originated in the Charleston and the foxtrot crazes of the 1920s. ... steps are a nod to its origins in the foxtrot ...
[3]
International Standard | Aria Ballroom
International Standard is comprised of five dances: Slow Waltz, Tango, Viennese Waltz, Slow Foxtrot, and Quickstep.Missing: list | Show results with:list
[4]
Quickstep - Dance History
The Quickstep evolved in the 1920s from a combination of the Foxtrot, Charleston, Shag, Peabody and One Step. This dance is English in origin and was ...
[5]
Quick Step - Dance Pizazz - History & Characteristics
Origins in the 1920s: Quickstep originated in the 1920s in England. It evolved from a combination of the Foxtrot, Charleston, Peabody, and One-Step.
[6]
20th Century Dance | Early Dance Circle
The Castles and other dance teachers revolutionised ballroom dancing and created their own variations, publishing numerous dance manuals to teach the new dances ...
[7]
Quickstep - Bella Ballroom
Its origins go back as far as 19th century England, and the dance's development soared in suburban New York in the 1920s.
[8]
History of the Quickstep - Dance Health Fitness
In 1927, the English couple Frank Ford and Molly Spain, danced a version of the QTF&C at the Star Championships ( then the World Championships ) without the ...
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His name was Victor Silvester, and it was at the tea dance that he met Belle Harding, a well known personality in the dancing world. He trained with her as a ...Missing: manuals | Show results with:manuals
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Perfect 10: The quickstep | DanceArchives
Feb 22, 2013 · Frank Ford and Molly Spain first performed the quickstep at the Star Dance Championships, 1927. But in that dedicated ballroom world, the ...
[11]
How to dance a more colorful Quickstep - Delta.Dance
Frank Ford and Molly Spain first performed the Quickstep at the Star Dance Championships in 1927. Even then the dance included its trademark chassés and ...
[12]
Quickstep - Cary - Fred Astaire Dance Studios
The Quickstep music is written in 4/4 time and should be played at a tempo of about 48 -‐ 52 measures per minute for examinations and competitions. The ...Missing: 1929 | Show results with:1929
[13]
History of Modern Ballroom - Imperial Society of Teachers of Dancing
The Modern Ballroom Faculty, as it is known today, was the earliest of the current dancesport faculties. Then called the Ballroom Branch, it was formed in 1924.
[14]
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Sep 4, 2021 · Tempo & Timing: Quickstep is ... World War II. By the 1960s, competition quickstep became faster, full of scatter chasses, hops, and skips.
[15]
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Today's World Dance Council was formed 1950 under the name International Council of Ballroom Dancing (ICBD). As an international body of dance teachers ...Missing: Quickstep adoption
[16]
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The current Ballroom Technique by Alex Moore is in its 10th Edition, and the ISTD syllabus of today is based upon this volume. Compared below are:Missing: 1929 inclusion<|separator|>
[17]
Ballroom: International vs. American Style - ATOMIC Ballroom
Apr 26, 2011 · The American style of ballroom dance uses a more open position, uses under-arm turns, and the lines created between dance partners are more open ...
[18]
Quickstep Page - Music4Dance: Shall we dance...to music?
Tempo Information. The Quickstep is generally danced to music in a 4/4 meter between 200 and 208 beats per minute (50 and 52 measures per minute) ...
[19]
Quickstep - WikiDanceSport
The English couple Frank Ford and Molly Spain danced a version of the QuickTime Foxtrot and Charleston without the characteristic Charleston knee actions and ...
[20]
Quickstep Guide: How to Dance the Quickstep - 2025 - MasterClass
Aug 2, 2021 · Tango, pop, and jazz music often accompany a quickstep dance, though the genre is less important than the tempo, which should be brisk and ...
[21]
Quickstep Natural Turn with Hesitation - Dance Central
The Quickstep Natural Turn with Hesitation is a Newcomer Level figure. Leader starts to turn R, follower starts to turn R, and can be used at corner or long ...
[22]
What is strict tempo music? - Delta.Dance
“The difference between Ballroom and Sequence is in the amount of bars – sequence has 16 bars phrased and ballroom 12.” Reply. George Pytlik says: July 28, 2022 ...
[23]
Quickstep - The music of Dancesport - Delta.Dance
Some Quickstep songs include '42nd Street' by Geoff Love Orchestra, 'American Patrol' by Rose Wollin Group, 'Got 'n' Idea' by Alma Cogan, and 'No Me Voy Sin ...
[24]
(PDF) Ballroom Rhythms for Musicians and Dancers - Academia.edu
The Quickstep is an intermediate or advanced ballroom dance. Quickstep ... The Quickstep is fast tempo Big Band Swing songs usually in 4/4 time. The ...
[25]
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Sep 6, 2021 · Quickstep -- a wonderful dance rhythm where dancers move quickly around the dance floor performing runs, chasses, and locks, all while appearing ...
[26]
The Lively Art of Quickstep: A Comprehensive Guide
Rating 5.0 (161) Feb 7, 2025 · The dance's birthplace was England, where it developed as a fusion of several popular dances of the era.<|control11|><|separator|>
[27]
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Candidates are required to dance with a partner to music the Waltz, Foxtrot, Quickstep and Tango plus Rhythm dancing (range 30-50 bars per minute) using a ...
[28]
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ISTD International Standard Ballroom Dance Syllabus Waltz, Quickstep, Tango, Foxtrot, Viennese Waltz. Click on a link above to go directly to that dance ...Missing: 1929 inclusion
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Pre-Bronze 1. Quarter Turn to Right 2. Natural Turn 3. Natural Turn with Hesitation 4. Natural Pivot Turn · Bronze 10. Closed Impetus 11. Back Lock 12. Reverse ...Missing: 1929 inclusion
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Quickstep: An energetic, fast-paced dance with hops, kicks, and syncopations ... Common mistakes include poor posture, rushing steps, and neglecting to ...
[31]
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Quickstep. Bronze: Quarter Turn to R; Natural Turn; Natural Turn with Hesitation; Natural Pivot Turn; Natural Spin Turn; Progressive Chasse; Chasse Reverse Turn ...Missing: 1980s syncopation
[32]
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Gold Star 1, 2, 3 There must be an interval of at least 6 months between Gold Stars (3 months for under 16s). At Gold Star 1 level only, 12-16 bars of syllabus ...
[33]
Quickstep - Dance Central
Quickstep includes steps like chassé, turns, and locks. It is danced in 4/4 time with accented first and third beats. Some figures are for medal tests.Missing: 1929 tempo
[34]
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Ten Dance Ballroom Waltz, Tango, Viennese Waltz, Slow Foxtrot, Quickstep. Ten Dance Latin. Cha Cha Cha, Samba, Rumba, Paso Doble, Jive. 3. Skating System. All ...
[35]
Evaluating The Performance - WorldDanceSport.org
Judging Criteria · POSTURE makes dancers look elegant and exude confidence. · TIMING and BASIC RHYTHM refers to their ability to dance on time with the music.
[36]
Ballroom Quickstep-for Social and Wedding - Adventures In Dance
Nov 24, 2014 · It is a fast ballroom dance skipping lightly around the ballroom. It is considered an easy dance with light steps while tripping the light ...<|control11|><|separator|>
[37]
Formation Dance - WikiDanceSport
Jul 8, 2025 · Formation dance is a style of ballroom dancing. It is pattern or shadow team dancing by couples in a formation team.
[38]
Wheelchair Dance Sport | Musculoskeletal Key
Feb 25, 2018 · A minimum of 90 s must occur for waltz, tango, slow foxtrot, quickstep, samba, cha-cha-cha, and paso doble. A minimum of 1 min should occur for ...<|control11|><|separator|>
[39]
Ballroom dancing's 10 most influential movie scenes - Delta.Dance
Here are my top 10 most influential ballroom dance scenes in movies. They are shown in chronological order because that made the most sense.
[40]
Your Quickstep Guide to a Roaring 1920s Themed Party - Groupia
Aug 13, 2020 · Elegant, glamorous, decadent, 1920s parties are a fantastic opportunity to get dolled up Gatsby-style and celebrate in a unique fashion!
[41]
Burn The Floor - YouTube
Jan 21, 2009 · BURN THE FLOOR is a dazzling display of Ballroom dance that forever ... Quickstep, Swing and Jive, BURN THE FLOOR ushers in a new era ...Missing: contemporary | Show results with:contemporary
[42]
The real story of Vernon and Irene Castle - Delta.Dance
Born William Vernon Blyth on May 2, 1887 (Castle was actually a stage name), Vernon's specialty was playing a gentleman drunk in vaudeville acts. He met Irene ...