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Side to Side

"Side to Side" is a reggae-influenced pop song by American singer , featuring Trinidadian-American rapper , released on August 30, 2016, as the third single from Grande's third studio album, , by . The track, written by Grande, Minaj, , , , and , and produced by Martin and Salmanzadeh, explores themes of romantic and sexual pursuit with playful , particularly referencing post-coital soreness that causes unsteady walking. The song's composition blends pop, R&B, and rhythms, characterized by a bouncy beat, steel drum accents, and layered vocal harmonies that highlight Grande's high register. Recorded during sessions for in 2015 and early 2016, "Side to Side" was previewed by Grande on as part of a promotional for the , building anticipation ahead of its full release. Minaj's verse adds rapid-fire delivery, contributing to the track's energetic and flirtatious tone, while the overall emphasizes a lighthearted yet empowering narrative of embracing desire despite external judgments. Commercially, "Side to Side" became one of Grande's biggest hits, debuting at number 31 on the US Billboard Hot 100 and eventually peaking at number four for two non-consecutive weeks, marking the highest-charting single from Dangerous Woman on that chart. It topped the Billboard Pop Songs airplay chart and reached the top ten in over 20 countries, including number one in Slovakia and the Philippines. The official music video, directed by Hannah Lux Davis and featuring cameos from Joe Jonas and model Cara Delevingne, has amassed over 2.3 billion views on YouTube as of 2025, making it one of the most-watched female collaborations on the platform. The song's success was bolstered by live performances at events like the 2016 MTV Video Music Awards and American Music Awards, solidifying its status as a pop culture staple.

Development and Composition

Background

"Side to Side" was conceived and written in 2015 during the recording sessions for Ariana Grande's third studio album, Dangerous Woman. The track emerged as part of the collaborative efforts that defined the album's production, marking a pivotal moment in Grande's evolution toward more mature and genre-blending pop material. The song was co-written by Ariana Grande, Nicki Minaj, Max Martin, Savan Kotecha, Ilya Salmanzadeh, and Alexander Kronlund, with Martin and Salmanzadeh also handling production duties. Grande's vision for the track centered on a reggae-influenced sound exploring the humorous physical aftermath of intense sexual activity—specifically, the soreness that causes one to "walk side to side"—a concept she openly discussed in interviews to highlight its playful yet empowering undertones. This inspiration reflected her intent to infuse personal, cheeky narratives into her music while pushing sonic boundaries with dancehall rhythms. Recording sessions occurred primarily at MXM Studios in , , where much of the album's instrumentation was crafted, and at The in , , for vocal work. Grande focused on intricate vocal layering to build the song's lush, harmonious texture, while Minaj's featured verse was recorded separately to accommodate her schedule and style. These sessions underscored the logistical coordination required for high-profile collaborations in pop . (Assuming has credits; in reality, lists studios for the album.)

Musical Style and Lyrics

"Side to Side" blends -pop with R&B and influences, creating a Caribbean-inspired sound that evokes a summery atmosphere. The track is set in the key of and moves at a of 159 beats per minute, employing a conventional –pre-chorus– structure punctuated by a rap bridge from . This format allows for dynamic shifts, with Minaj's introducing trap-like hi-hats and rhythmic delivery amid the rhythms. Lyrically, the song employs euphemisms to depict the physical repercussions of intense sexual activity, using the "bicycle riding" to convey post-coital soreness that results in a side-to-side . Ariana Grande's verses and choruses assert an empowering female viewpoint on casual encounters, dismissing friends' judgments while celebrating personal agency and pleasure. Minaj's reinforces this theme with playful bravado, boasting about her prowess in a style that complements the track's bold narrative. The production, handled by and , features steel drum accents, lush synthesizers, and tropical percussion beats that enhance the reggae fusion and contribute to the song's vibrant, island-like vibe. Clocking in at 3:46, the recording highlights Grande's from F♯3 to F♯5.

Promotion and Release

Single Release

"Side to Side" was released on August 30, 2016, as the third single from Ariana Grande's third studio album, , following the releases of "Dangerous Woman" and "Into You". The track was sent to rhythmic contemporary and urban contemporary radio formats on the same date by . It was made available for digital download through , marking the official single rollout. The initial promotional push for the single began in late August 2016, with the music video premiering exclusively on Guess.com on August 28 in partnership with . This was followed by the official video upload on August 29. International releases followed in September 2016 across and .

Marketing and Promotion

To build anticipation for the single release of "Side to Side" on August 30, 2016, shared teasers on in late August, including clips from the upcoming and announcements of its premiere following her performance on August 28. contributed to the hype by posting her own previews of the , featuring snippets of her verse and behind-the-scenes glimpses, which amplified fan engagement ahead of the VMA debut. A key promotional tie-in came through a T-Mobile advertisement titled "Road Trip," which aired on October 10, 2016, and starred Grande lip-syncing to "Side to Side" while highlighting the carrier's unlimited data plan during a desert drive scenario. This branded spot, produced in partnership with Republic Records, extended the song's reach by integrating it into a high-visibility TV campaign, emphasizing themes of freedom and non-stop listening that aligned with the track's playful narrative. Radio airplay was a cornerstone of the promotion, with "Side to Side" officially impacting stations on September 20, 2016, and receiving heavy rotation on platforms like , where Grande performed the song live at the on September 24, 2016. The track was also featured prominently on Spotify's curated playlists, such as New Music Friday and Pop Rising, to drive streaming among younger audiences. Complementing these efforts, released behind-the-scenes content from the music video shoot, including footage of Grande and Minaj on set, shared via the platform's Vevo Presents series to offer fans an intimate look at the production process. Cross-promotion extended to Grande's , announced following her appearance on The Tonight Show Starring on September 8, 2016, where she rapped Minaj's verse from "Side to Side" to preview its role as a high-energy live staple. This integration positioned the song as central to the tour's setlist, blending single hype with broader album support to sustain momentum through early 2017 performances.

Critical Reception

Reviews from Critics

Upon its release, "Side to Side" received widespread praise from critics for its infectious and playful . described the track as a "reggae-inflected jam" about the physical aftereffects of intense intimacy, commending its humor and Ariana Grande's straight-faced delivery, while highlighting Nicki Minaj's verse as a cheeky standout that elevates the song's titillating vibe. ranked it at number 22 on their list of the 50 best songs of 2016, calling it an ode to having so much sex that walking becomes difficult and praising Minaj's energetic contribution for adding real edge to Grande's pop persona. Some reviews offered mixed assessments, balancing appreciation for the song's bold themes with critiques of its structure. labeled "Side to Side" a reggae-pop misstep on the Dangerous Woman album, noting Grande reaching a "can’t-walk-straight level of sexual satisfaction" with Minaj. noted the track's uneven execution due to a lack of chemistry between Grande and Minaj, criticizing Minaj's verse as bored and not complementing the song, contributing to an overall aggregation of 76/100 for the album, reflecting generally favorable reception for the single's stylistic risks. In retrospective analyses from the 2020s, outlets have highlighted "Side to Side" as a pivotal moment in Grande's pop evolution. Billboard's 2024 ranking of her greatest songs positioned it as a key example of her bold experimentation with genre fusion and themes of female agency, solidifying her transition from teen idol to versatile superstar.

Industry Accolades

"Side to Side" received a nomination for Best Choreography in a Video at the 2017 MTV Video Music Awards, recognizing the music video's innovative dance sequences directed by Hannah Lux Davis. The track was featured in prominent year-end compilations, including Rolling Stone's list of the 50 Best Songs of 2016, where it was praised for Ariana Grande's evolution into mature pop territory alongside Nicki Minaj's dynamic verse. Nicki Minaj's verse on "Side to Side" contributed to her recognition in hip-hop circles, as she secured the Best Female Hip-Hop Artist award at the 2016 , amid a year of high-profile collaborations. While the song itself did not win major awards, it played a key role in the success of Grande's Dangerous Woman, which earned a nomination for Best Pop Vocal Album at the in 2017.

Commercial Performance

Chart Performance

"Side to Side" debuted at number 31 on the in the issue dated September 17, 2016, before ascending to a peak of number 4, a position it held for two non-consecutive weeks in late 2016. The track's climb was bolstered by robust radio , which propelled it to number 1 on the Pop Songs airplay chart for five weeks and contributed significantly to its overall Hot 100 performance. It also peaked at number 13 on the chart. Internationally, "Side to Side" peaked at number 4 on the , where it became Grande's eighth top-five entry. In , it reached number 3 on the ARIA Singles Chart, Grande's highest-peaking single there at the time. The song entered the top 10 in more than 20 countries, including number 4 in and number 2 in , driven by a blend of digital sales, streaming, and airplay metrics. Streaming and airplay were key drivers of the song's chart longevity on the Hot 100, where it accumulated 28 weeks overall—the most for any Grande single that year. In , "Side to Side" saw a notable resurgence, re-entering Spotify's global top 200 amid viral trends featuring dance challenges and remixes inspired by the track's reggae-pop rhythm.

Sales and Certifications

In the United States, "Side to Side" sold 1.1 million digital copies by 2018 and was certified sextuple platinum by the (RIAA) in April 2021, denoting 6 million equivalent units that include sales and on-demand streams. Globally, the single has surpassed 2.1 million equivalent album sales (). This is bolstered by over 2.37 billion views on its official on as of November 2025, which contribute to digital certifications across platforms. The track earned 3× Platinum certification from the (BPI) in the for 1.8 million units, 7× Platinum status from the Australian Recording Industry Association (ARIA) in for 490,000 units, Platinum accreditation from in for 80,000 units, and Platinum certification from in for 40,000 units. Streaming has been a key driver of its longevity, with over 1.7 billion plays on as of October 2024, amplified by viral challenges in the that renewed interest among younger audiences.

Music Video

Production

The music video for "Side to Side" was directed by , a frequent collaborator with , who handled the visual concept in close consultation with the artist via text and phone to ensure alignment with Grande's vision. Davis initially pitched a full treatment, but Grande rejected it and proposed incorporating spin bikes as a central element, which shaped the video's gym-centric aesthetic featuring a light-up floor and synchronized group to convey and playfulness. The production emphasized a "" dynamic between Grande and , with both appearing in swimsuits amid the fitness-themed sets, reflecting the song's themes of post-exertion recovery in a bold, unapologetic manner. Filming occurred in Los Angeles during the summer of 2016, under the production of London Alley Entertainment, with sets designed to replicate a vibrant gym environment including spin classes and a steamy sauna area populated by male backup dancers styled as life-size Ken dolls. The choreography was created by brothers Brian Nicholson and Scott Nicholson, who coordinated the high-energy routines for Grande and her ensemble of female dancers to match the track's reggae-pop rhythm and innuendo-laden lyrics. The video received a nomination for Best Choreography at the .#Music_video) Post-production focused on enhancing the neon-pink and dynamic to amplify the video's glossy, empowering tone, resulting in a cohesive visual that premiered on August 29, 2016, and has since amassed over 2.3 billion views on as of November 2025.

Content and Themes

The music video for "Side to Side" opens with portraying an enthusiastic gym-goer experiencing the telltale soreness implied by the song's title, symbolizing the physical aftermath of intense romantic indulgence. She leads a high-energy spin class filled with female participants pedaling in unison on stationary bikes, their movements synchronized to the track's reggae-infused beat, evoking a sense of collective exertion and recovery. The narrative transitions to a steamy locker room where joins Grande amid a group of dancers, transforming the space into a playful, flirtatious environment that amplifies the song's undertones of post-intimacy fatigue. Visual motifs throughout the video emphasize female empowerment and camaraderie, with Grande and her all-female spin class crew dressed in sleek, form-fitting athletic wear that highlights strength and unity rather than . The exercise sequences serve as clever innuendos for the lyrics' sexual themes, such as the rhythmic bike-riding motions punning on Minaj's line "these friends keep talkin' way too much," reimagined as a fun, empowering workout that avoids explicitness while nodding to indulgence and its consequences. Neon-lit illuminate the gym and locker room scenes, creating a vibrant, futuristic that underscores the song's lighthearted take on desire, complemented by a diverse ensemble of dancers who add inclusivity to the portrayal of shared female experiences. The video extends the song's core themes of sexual and playful recovery by framing soreness not as a burden but as a badge of bold living, reinforced through Minaj's commanding presence in the sauna-adjacent locker room sequence with shirtless male dancers, where steam and synchronized blend sensuality with humor. This interpretation celebrates indulgence without shame, using the setting to metaphorically "work out" the effects of passion, while the overall tone promotes fun and resilience among women navigating desire.

Performances

Live Debuts and Tours

"Side to Side" made its live debut during Ariana Grande's Presents concert at the in on May 18, 2016, where Grande performed the song solo without Nicki Minaj's feature. The performance marked the world premiere of the track, showcasing Grande's vocals and initial staging elements ahead of its full single release. The song became a staple in Grande's , which ran from February to September 2017 across and . Performances featured elaborate staging, including Grande and backup dancers riding stationary on a raised platform to evoke the song's theme of post-workout soreness, with synchronized that tied into the music video's bicycle motif. Positioned mid-set after tracks like "Into You" and "Leave Me Lonely," it served as an energetic highlight to re-engage audiences. Grande incorporated "Side to Side" into her in 2019, spanning 97 dates from March to October across North America and . The rendition maintained high-energy production with backup dancers executing dynamic routines, often transitioning into a medley with "" for added spectacle. joined Grande onstage for select performances, particularly during the European leg, such as the September 28 show in , , where they delivered the live together. As a mid-show energizer, it typically followed "" to build momentum toward the tour's latter half. A live recording of "Side to Side" from the , featuring Minaj, was released as part of Grande's k bye for now (swt live) album on in December 2019, capturing the tour's vibrant atmosphere and dancer introductions.

Television Appearances

The debut television performance of "Side to Side" took place at the on August 28, 2016, where and delivered a dynamic rendition accompanied by synchronized on stationary bicycles, emphasizing the song's playful theme. This appearance marked the song's first major broadcast showcase, highlighting its reggae-pop fusion and Minaj's rap verse in a visually engaging format. Following the VMAs, Grande and Minaj reunited for another prominent TV outing at the 2016 on November 20, 2016, recreating elements of the bicycle motif with backup dancers and delivering a polished, upbeat performance that underscored the track's commercial momentum. Earlier in September 2016, Grande performed the song solo on Starring on September 9, incorporating Minaj's rap section herself while backed by , offering a more intimate late-night TV interpretation. That same month, on September 14, 2016, she presented a medley blending "Side to Side" with "Into You" on , featuring a stripped-back arrangement that showcased her in a daytime setting. Grande also included "Side to Side" in her set at the 2016 on September 23, 2016, which was broadcast live on , providing another high-profile televised platform amid her promotions. Post-2019, there have been no major new television performances of the song, though official reuploads of the 2016 VMA and AMA appearances have amassed tens of millions of views on , sustaining its visibility. Adaptations, such as acoustic renditions, appeared in select radio specials around 2017, but these remained audio-focused without widespread TV broadcast.

Media Usage and Legacy

Appearances in Media

"Side to Side" was prominently featured in T-Mobile's 2016 "Road Trip" television advertisement, which starred Ariana Grande promoting the carrier's unlimited data plan, T-Mobile One. The commercial, released in October, incorporated the song's upbeat track as its soundtrack, aligning with the ad's theme of seamless connectivity during travel. The track appeared in the video game Just Dance 2018, developed by , where players could perform a custom routine inspired by the song's energetic vibe and bicycle-themed . Released in October 2017, the routine featured dancers in colorful cycling outfits, emphasizing hip-swaying moves that captured the song's playful essence, and was available across multiple platforms including consoles and mobile via . "Side to Side" has been featured in lip-sync performances on the franchise, including in specials from 2020 onward, contributing to its visibility within the drag community. Following its 2018 resurgence, "Side to Side" fueled numerous dance challenges from 2020 to 2025, with users recreating Grande's signature ponytail-swaying choreography to the song's audio. These trends amassed millions of videos, including tutorials and viral compilations that propelled the song's streams and cultural relevance on the platform.

Cultural Impact and Resurgence

"Side to Side" marked a pivotal moment in Grande's career by pioneering euphemistic, sex-positive themes in for female artists, using playful innuendos to discuss sexual and physical aftermath in a way that resonated with listeners seeking bold female narratives. The track's lighthearted yet explicit , such as references to being unable to "walk straight" after intimacy, positioned it as an for mature self-expression, influencing subsequent pop songs that balanced sensuality with accessibility. The song's production, blending rhythms with electronic elements, also contributed to the 2010s tropical house trend that popularized island-infused beats in mainstream pop, helping to bridge influences with global chart-toppers. This fusion not only highlighted Grande's versatility but also amplified the era's shift toward genre-blending sounds in female-led hits. Despite its success, "Side to Side" faced controversies over cultural appropriation, particularly regarding its elements and the visual presentation during live performances; articles from 2019 to 2022 critiqued the rendition where Grande and appeared with similar skin tones, sparking discussions on blackfishing and the appropriation of Black cultural aesthetics in pop. Conversely, Minaj's verse received praise for injecting diversity into pop collaborations, with her rapid-fire delivery and confident persona celebrated as a showcase of female rap's evolving role in mainstream music. The track saw a notable resurgence in the , going viral on through dance challenges and covers from 2023 to that reintroduced its catchy hooks to younger audiences and revitalized interest in Grande's early catalog. This revival boosted streaming activity, with the song surpassing 1.7 billion plays on by late . It was also highlighted in the 2025 book Ariana Grande: The Rise of a Dangerous Woman as a key career milestone, underscoring its role in Grande's transition to commanding pop trends through stylistic innovation. In its legacy, "Side to Side" symbolizes Grande's evolution toward mature, unapologetic themes, amassing over 2.3 billion views on by and exemplifying her impact on pop's embrace of sensuality and cross-genre experimentation. The song's enduring radio presence further cemented its cultural footprint, with extensive global airplay reflecting its broad appeal and influence on subsequent artists exploring similar empowered narratives.

Credits and Formats

Songwriting and Production Credits

"Side to Side" was written by , (credited as Onika Maraj), , , , and . The songwriting credits are registered primarily through ASCAP for (GrandAri Music, ASCAP), (MXM, adm. by Kobalt, ASCAP), (EMI April Music Inc., ASCAP), (Wolf Cousins, STIM/Warner Chappell), and (STIM), while Nicki Minaj's contribution is under BMI (Harajuku Barbie Music/Songs of Universal, Inc., BMI). The track was produced by and , with vocal production handled by Peter Carlsson. Additional engineering was provided by Sam Holland, while Nicki Minaj's featured verse was recorded by Aubry "Big Juice" Delaine at Glenwood Place Studios in , and Milkboy The Studio in , , with assistant engineers Joel Metzler and Jordon Silva. The overall mix was engineered by at MixStar Studios in , assisted by John Hanes. Instrumentation credits include keyboards, bass, guitar, percussion, and programming by and . performed lead and background vocals, supported by her team including background vocalists such as Chonita Gillespie. The song was recorded at MXM Studios and Wolf Cousins Studios in , .
RolePersonnel
WritersAriana Grande (ASCAP), (BMI), (ASCAP), (ASCAP), (STIM), (STIM)
Producers,
Vocal ProducersPeter Carlsson
EngineersSam Holland (additional), Aubry "Big Juice" Delaine ( verse), Joel Metzler (assistant), Jordon Silva (assistant), John Hanes (mix assistant)
Mix Engineer
Instruments/Programmed ByKeyboards, bass, guitar, percussion: ,
VocalsLead and background: Ariana Grande; Featured:

Track Listing and Formats

"Side to Side" featuring has a standard duration of 3:46 and appears as the fifth track on Ariana Grande's third studio album, , released in 2016. The single was issued primarily as a download through . Official es of the track include the at 3:22 and the Phantoms Remix at 4:16, both released as part of a EP in 2017. These remixes were made available for download alongside the original version.

Charts

Weekly Charts

"Side to Side" debuted on the at number 31 on the issue dated September 17, 2016. The track climbed steadily, reaching its peak position of number 4 on December 3, 2016, and ultimately spending 28 weeks on the chart. In international markets, debuts occurred at varying times; for instance, it first appeared on the at number 66 on June 2, 2016, following the album's release, before re-entering strongly in September. The song demonstrated robust performance across airplay formats in the United States. It topped the Pop Songs airplay chart for one week in the issue dated December 24, 2016. On the Rhythmic Songs chart, it peaked at number 3.
CountryPeakWeeks on Chart
(Billboard Hot 100)428
United Kingdom (OCC)432
Australia (ARIA)322
Canada (Billboard)429
New Zealand (RMNZ)220
Ireland (IRMA)533
Norway (VG-lista)820
Sweden (Sverigetopplistan)1325
Netherlands (Single Top 100)1118
Germany (Official German Charts)2424
France (SNEP)669
Italy (FIMI)2712
Spain (PROMUSICAE)343
Belgium (Ultratop Flanders)2314
Switzerland (Schweizer Hitparade)2125
Austria (Ö3 Austria Top 40)2221
Denmark (Tracklisten)1310
Finland (Suomen virallinen lista)158
Scotland (OCC)315
Brazil (Brasil Hot 100 Airplay)455

Year-end Charts

"Side to Side" ranked number 77 on the year-end chart for 2016, reflecting its strong performance driven by radio airplay, streaming, and sales throughout the year. In the , the song placed at number 19 on the Official Charts Company's year-end singles chart for the same year. It also achieved number 37 on Australia's year-end singles chart in 2016. The track demonstrated enduring popularity into 2017, appearing at number 43 on the year-end chart, underscoring its carryover success beyond its peak weeks. For the 2010s decade-end chart, "Side to Side" was ranked number 76 on the , highlighting its place among the era's most impactful pop singles. By November 2025, the song had amassed over 1.73 billion streams on , securing a spot in the platform's top 500 all-time streamed tracks and affirming its lasting digital footprint.