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R and J

Romeo and Juliet is a tragedy written by William Shakespeare around 1595–1596 and first published in an unauthorized quarto edition in 1597.^[1]^[2] Set in Verona, Italy, the play depicts the swift and intense romance between two teenagers, Romeo Montague and Juliet Capulet, whose families are locked in a bitter feud; their secret marriage and subsequent deaths ultimately end the conflict between the houses.^[1] Shakespeare drew primarily from Arthur Brooke's 1562 poem The Tragicall Historye of Romeus and Juliet, which itself was based on earlier Italian and French sources tracing back to the 1530s, including tales by Luigi da Porto and Matteo Bandello; he compressed the timeline from months to mere days to heighten the drama.^[2] The story unfolds over five acts, beginning with street brawls that underscore the feud's violence, progressing to the lovers' fateful meeting at a Capulet ball, their clandestine wedding officiated by Friar Laurence, a series of misunderstandings fueled by rash actions—including Romeo's banishment after killing Juliet's cousin Tybalt—and culminating in the double suicide in Juliet's tomb.^[1] Central themes include the transformative power of love against entrenched hatred, the role of fate in human affairs, and the tension between individual desire and societal or familial authority.^[3] The play's poetic language, such as the famous balcony scene where Juliet questions Romeo's identity ("O Romeo, Romeo, wherefore art thou Romeo?"), explores identity, gender roles, and the idealism of youth, while critiquing the destructive bonds of male rivalry and misogyny.^[3]^[4] Since its Elizabethan premiere, Romeo and Juliet has achieved timeless significance as a cornerstone of Western literature, celebrated for its emotional immediacy and universal resonance with themes of forbidden love and reconciliation; it has influenced countless adaptations and remains one of Shakespeare's most performed works.^[3]

Background and development

Inspiration and source material

R#J draws its primary inspiration from William Shakespeare's tragedy Romeo and Juliet, written around 1595–1596, which centers on the ancient grudge between the noble houses of Montague and Capulet in Verona, the forbidden romance between their young heirs as star-crossed lovers, their clandestine marriage, and the ensuing tragic deaths that reconcile the feuding families.^[1] The play's enduring themes of passionate love, familial conflict, and the impulsivity of youth form the foundational narrative framework for the film.^[1] Director Carey Williams sought to reimagine this classic tale for a contemporary audience, particularly Generation Z, by transposing the story into a digital landscape where social media and smartphones mediate the characters' interactions, emphasizing how modern technology amplifies timeless conflicts and emotions.^[5] Williams was approached by producers Bazelevs and Interface Films to adapt the Shakespearean work in this format following his short film Emergency, viewing the update as a way to make the narrative resonate with today's youth through relatable platforms like Instagram and FaceTime.^[6] This approach highlights the dual-edged nature of digital connectivity in fostering secret romances while exacerbating divisions, without altering the core tragic arc.^[5] The film positions itself within the screenlife genre, pioneered by works such as Unfriended (2014) and Searching (2018), which unfold entirely through computer and phone screens to simulate real-time digital experiences.^[5] Williams drew inspiration from director Aneesh Chaganty's Searching, aiming to blend Shakespearean dialogue with modern vernacular and online elements like GIFs and playlists, creating an experimental adaptation that critiques social media's role in youthful drama.^[6] This innovative format marks R#J as a bold entry among Shakespeare adaptations, prioritizing accessibility for digital-native viewers while preserving the original's poetic intensity.^[7]

Pre-production

The screenplay for R#J was written by Carey Williams, Rickie Castaneda, and Oleksii Sobolev, who is also credited as Alex Sobolev.^[8] The project was inspired by William Shakespeare's Romeo and Juliet but innovated by reimagining the narrative through contemporary digital communication.^[9] Development of R#J began around 2019-2020, with a primary emphasis on crafting a story that unfolds entirely via social media elements such as text messages, videos, photos, and posts to reflect modern teen experiences.^[8] Key producers involved from the outset included Timur Bekmambetov, Igor Tsay, John J. Kelly, and Anna Soboleva, whose collaboration helped shape the film's experimental "screenlife" format.^[9] As a low-budget independent production, R#J relied on efficient resource allocation, including support from film festival circuits like Sundance and South by Southwest for visibility and potential funding opportunities.^[10] The digital-centric approach minimized the need for physical sets, allowing the team to repurpose limited locations creatively to simulate diverse on-screen environments.^[11]

Production

Casting

The lead roles in R#J (2021), a modern adaptation of Shakespeare's Romeo and Juliet directed by Carey Williams, were cast with emerging actors of color to bring fresh representation to the classic characters. Camaron Engels, known for his role in the Netflix series Malibu Rescue, portrays Romeo Montague, marking his first major leading role in a feature film.^[12] Francesca Noel, who appeared in Selah and the Spades, stars as Juliet Capulet, infusing the character with contemporary intensity suited to the film's social media-driven narrative.^[12] Director Williams emphasized casting Black and Brown actors in these iconic parts to allow audiences of color to see themselves reflected in the story, aligning with the production's goal of cultural relevance.^[12] The supporting cast further enhances the film's multicultural ensemble, drawing from diverse talent to depict the feuding families and their circles in a modern American context. Siddiq Saunderson plays the fiery Mercutio, bringing anarchic energy inspired by his character's social media persona as "Merc the Anarchist."^[5] Diego Tinoco, recognized from On My Block, embodies the antagonistic Tybalt Capulet.^[13] David Zayas portrays the authoritative Lord Capulet (renamed Fernando Capulet in this adaptation), while Denise Dorado assumes the role of Lady Capulet, contributing to the family's dynamic.^[14] RJ Cyler delivers a key performance as Benvolio Montague, Romeo's loyal friend, adding depth to the Montague side.^[14] Additional ensemble members include Jean Elie as Count Paris, the suitor to Juliet, and Jaden Joyner in a supporting role among the younger Montagues, rounding out the youthful, Gen-Z focused group.^[14] The casting process prioritized young, diverse performers to mirror contemporary American youth, with an all-Black and Brown ensemble reflecting varied cultural experiences through elements like eclectic music tastes spanning hip-hop, jazz, and classical.^[5] Auditions and selections focused on actors' ability to authentically embody social media-savvy characters, as the film unfolds entirely through smartphone screens, FaceTime calls, and digital posts, requiring skills in delivering Shakespearean dialogue in intimate, camera-direct performances.^[5] Williams noted that the cast's natural impulsiveness and personalization of online personas—such as crafting Instagram profiles for their roles—ensured the adaptation felt genuine to digital-native youth culture.^[5] This approach not only diversified the traditional casting of the play but also innovated performance techniques for the ScreenLife format.^[9]

Filming techniques

The film R#J employs the screenlife format, presenting its entire narrative through the interfaces of smartphones, tablets, and computers, encompassing text messages, video calls, social media posts on platforms such as Instagram and Snapchat, and live streams, without any traditional cinematography.^[15]^[16] This approach creates a subjective point-of-view perspective, immersing viewers in the digital world of the characters to heighten emotional empathy and reflect contemporary Gen Z communication.^[15] During the shooting process, actors recorded their performances using personal devices like smartphones to capture authentic, spontaneous interactions, such as video chats and self-taped scenes of characters preparing for events or exchanging advice.^[16]^[6] Some sequences incorporated professional cameras, like Blackmagic Pocket Cinema 6K models, with footage subsequently resized and integrated into phone-screen templates to maintain the screenlife aesthetic.^[17] Production wrapped in early 2020, just before COVID-19 lockdowns, allowing for remote-friendly techniques that aligned with the format's digital nature.^[16] In post-production, editors treated digital elements—such as text threads and social media feeds—like traditional film clips, adding motion graphics to simulate real-time interactions, including app glitches, scrolling comments, incoming notifications, and push alerts.^[15]^[16] The team used Adobe Premiere Pro for assembly, with After Effects, Photoshop, and Illustrator for creating and animating high-resolution interface templates, enabling dynamic keyframing to mimic natural device behaviors like zooms and transitions.^[15]^[17] Pacing varied to evoke emotional rhythms, with rapid cuts for tense exchanges and slower montages for romantic developments, all within the film's approximately 91-minute runtime.^[15]^[18] Key challenges included managing asynchronous performances, particularly in montages where characters' actions occurred off-screen or via delayed digital responses, which were innovated around by integrating app-based elements like Spotify playlists to convey emotional connections without direct visual synchronization.^[17] Music and sound design were confined to phone audio sources, featuring a diverse selection of tracks to reflect character personalities rather than a unified score, enhancing the immersive, device-mediated feel.^[15] The COVID-19 pandemic influenced post-production, shifting much of the six-to-seven-month editing phase to remote collaboration while adhering to safety protocols, which ultimately favored the format's inherent remoteness.^[16]^[17]

Narrative and style

Plot summary

In a contemporary urban setting in California, the ancient feud between the Montague and Capulet families erupts anew through viral social media videos and heated group chats, where members of both sides trade insults and threats online, escalating tensions among their Gen-Z offspring.^[9] Romeo Montague, a sensitive aspiring photographer, stumbles upon the Capulets' lavish Day of the Dead party via Instagram stories posted by his friends, who crash the event uninvited.^[19] There, he spots Juliet Capulet, an artistic teen showcasing her paintings, and they meet and connect instantly amid the chaos, sparking an immediate attraction despite their families' rivalry.^[20] Their forbidden romance blossoms in secrecy through encrypted text messages, private Snapchat exchanges, and late-night FaceTime sessions, where they exchange Shakespearean vows and dreams of escape, even secretly marrying via a quick online ceremony officiated by a digital friar figure.^[21] As the feud intensifies, a street brawl between the families is broadcast live on Instagram, capturing Mercutio's fatal stabbing by Tybalt in graphic detail, which goes viral and draws police intervention.^[22] In the aftermath, Romeo avenges Mercutio by killing Tybalt, leading to his swift exile announced through frantic group posts and news alerts, forcing the lovers to part amid mounting online harassment and family pressure.^[9] Desperate to reunite, Juliet confides in a trusted advisor who devises a plan for her to fake her death using a staged overdose captured in a misleading video post, intended to buy time for Romeo's return. Miscommunication via delayed texts leads Romeo to believe the fake death is real; he procures poison online and livestreams his suicide beside her "body" in a heart-wrenching final post.^[23] Awakening to find him dead, Juliet follows suit with a gun in a dual tragedy revealed through their shared digital farewell messages, which spread rapidly across platforms.^[24] The Capulets and Montagues, horrified by the lovers' final online testament, finally reconcile after viewing the compiled videos and posts that expose the feud's devastating consequences, underscoring how social media amplified their conflict into irreversible loss.^[5] The entire narrative unfolds in a screenlife format, presenting events exclusively through smartphone interfaces and apps.^[9]

Adaptations and innovations

In R#J (2021), director Carey Williams reimagines Shakespeare's Romeo and Juliet by transposing the ancient feud of the Montagues and Capulets into a contemporary digital landscape, where conflicts unfold primarily through social media platforms rather than physical confrontations. The setting eschews the historical Verona for an implied multicultural urban environment in modern California, with no traditional locations depicted; instead, the narrative plays out across smartphone screens, laptops, and apps like Instagram and FaceTime, emphasizing a borderless, screen-mediated world. Following its 2021 festival premieres, the film received a limited digital release, emphasizing its experimental screenlife format.^[25] For instance, Tybalt's provocative challenge to Romeo is delivered via direct messages (DMs), escalating the rivalry in real-time online exchanges, while the iconic Capulet party is presented as a chaotic livestreamed event, complete with viewer comments and viral sharing that amplify the chaos.^[11] Character portrayals are modernized to resonate with Gen Z experiences, incorporating diverse ethnic backgrounds to mirror current societal tensions around race and identity. Romeo, played by Camaron Engels, is depicted as an aspiring influencer navigating the pressures of online validation, his idealistic persona shaped by the performative nature of social media. Juliet, portrayed by Francesca Noel, emerges as a talented artist who shares her sketches digitally, using creative outlets to express vulnerability amid familial strife; the film's entirely Black and Brown cast further underscores themes of inclusivity and cultural relevance in reinterpreting classic roles. These updates retain the core star-crossed dynamic but infuse it with contemporary authenticity, such as Romeo and Juliet's initial connection via a mutual Instagram Live interaction.^[11]^[5] Thematically, R#J shifts focus to interrogate the perils and potentials of digital life, exploring how social media accelerates impulsivity and erodes privacy in ways that parallel the play's impulsive tragedies. Family rivalries manifest as cyberbullying campaigns, with anonymous comments and viral posts fueling hatred and misinformation, akin to the original's street brawls but amplified by algorithms that spread conflict instantaneously. The film also nods to Shakespeare through selective retention of iambic pentameter in face-to-face dialogues, blending it with modern vernacular in texts and posts to honor the source while critiquing how technology hastens emotional recklessness—such as the anxiety from unread DMs or the blur between public personas and private grief. This innovation highlights social media's dual role in fostering connections, as seen in the lovers' secret courtship via video calls, while exposing its capacity for harm, including subtle commentary on digital surveillance and fake news dissemination.^[9]^[5]^[11]

Release

Premiere

R#J had its world premiere on January 30, 2021, at the Sundance Film Festival in the NEXT section, which spotlights innovative storytelling and emerging filmmakers.^[8]^[26] The film's experimental screenlife format, presenting the entire narrative through smartphones, social media, and digital interfaces, was highlighted as a fresh take on Shakespeare's Romeo and Juliet, adapting the classic tragedy to contemporary youth culture and technology.^[27]^[28] Due to the ongoing COVID-19 pandemic, the 2021 Sundance Film Festival operated entirely virtually, allowing global audiences to access screenings online from January 28 to February 3.^[29] Post-premiere events included live Q&A sessions with director Carey Williams, where he discussed the challenges of crafting a digital adaptation, such as integrating Shakespearean dialogue with modern texting and video calls while maintaining emotional depth.^[30] The film's innovative approach generated early positive buzz at the festival, with audiences and critics praising its bold fusion of timeless themes with current digital realities.^[31]^[26] Following Sundance, R#J screened at the South by Southwest (SXSW) Festival on March 16, 2021, as part of its virtual edition, which ran from March 16 to 20 amid continued pandemic restrictions.^[32]^[33] Like Sundance, SXSW's online format enabled widespread access, and the screening further amplified the film's reputation for experimental innovation in festival circles.^[34]

Distribution and marketing

Despite festival screenings, R#J has not received a wide commercial release, including limited theatrical or video-on-demand distribution, remaining largely inaccessible to general audiences as of November 2025.^[35]^[36] Marketing efforts prior to and during festivals leveraged the film's social media aesthetic, with promotional materials distributed via platforms like TikTok and Instagram to target younger viewers.^[37] The campaign emphasized the relevance of Shakespeare's story in a tech-driven world for Gen Z audiences.^[19]^[38]

Reception

Critical reviews

R#J received mixed reviews from critics, earning a 50% approval rating on Rotten Tomatoes based on 30 reviews.^[18] The film was praised for its innovative screenlife format, which reimagines Shakespeare's tragedy through social media interfaces like texts, video calls, and Instagram posts, bringing a fresh, youthful energy to the classic story.^[9] Reviewers highlighted the strong performances by Camaron Engels as Romeo and Francesca Noel as Juliet, noting their ability to convey emotional depth within the constraints of a digital medium.^[19] The adaptation was also commended for its relevance to contemporary teen experiences, such as online feuds and digital communication, making the feud between the Montagues and Capulets feel immediate and modern.^[39] Critics, however, pointed to several weaknesses, including narrative fragmentation caused by the over-reliance on text messages and screen shares, which often reduced dramatic tension and created emotional distance from the tragic elements.^[40] Some found the stylistic choices gimmicky, arguing that the constant digital interruptions diluted the play's poetic impact and made the story feel disjointed. Additionally, the film drew comparisons to other screenlife productions like Unfriended, with reviewers noting that while R#J ambitiously applies the format to Shakespeare, it struggles to maintain narrative coherence in the same way more straightforward thrillers do.^[9]

Awards and recognition

R#J received a nomination for the NEXT Innovator Award at the 2021 Sundance Film Festival, recognizing director Carey Williams for the film's bold experimental format.^[21] At the 2021 SXSW Film Festival, the film won the Adobe Editing Award, presented to editor Lam Nguyen for innovative post-production techniques that integrated social media interfaces into the narrative.^[41] The project earned further honors within independent cinema communities, including praise from outlets focused on diverse filmmakers for its representation of Black leads in a Shakespeare adaptation.^[42] Although it did not secure major mainstream accolades, R#J has been noted in indie circuits for pioneering screenlife storytelling, influencing conversations on adapting classic literature to digital platforms.^[9]

References

[1]
Romeo and Juliet | Folger Shakespeare Library
### Summary of Romeo and Juliet
[2]
Dates and Sources | Romeo and Juliet - Royal Shakespeare Company
Romeo and Juliet was first printed in a so-called pirated edition in 1597. No copyright law protected the rights of authors at that time and enterprising ...
[3]
A Modern Perspective: Romeo and Juliet | Folger Shakespeare Library
Modernly, Romeo and Juliet is seen as a conflict between old and new forms of desire, authority and freedom, and parental will and romantic individualism.Missing: authoritative | Show results with:authoritative
[4]
Fast facts | Bell Shakespeare
'Romeo' and 'Juliet' are the words that denote the letters 'R' and 'J' in radiotelephony or the NATO Phonetic Alphabet, famously used by the military. While ...
[5]
Sundance 2021: Writer/Director Carey Williams on his Romeo ...
Feb 3, 2021 · Carey Williams' feature debut is a modern and of-the-moment adaptation of "Romeo and Juliet," told through social media and smart phones.
[6]
Why Retell 'Romeo and Juliet' in Screen Life Format? 'R#J' Director ...
Feb 4, 2021 · R#J director Carey Williams discusses how and why he put the screen life spin on a William Shakespeare classic.
[7]
https://www.filmmakermagazine.com/111224-is-there-too-much-reading-on-screen-carey-williams-on-rj-virtual-sundance-and-pre-vis/
[8]
2021 Sundance Film Festival: Full Program Announced
Dec 15, 2020 · R#J / U.S.A. (Director: Carey Williams, Screenwriters: Carey ... Producers: Timur Bekmambetov, Igor Tsay, John J. Kelly, Alex Sobolev ...Missing: pre- budget<|control11|><|separator|>
[9]
'R#J' Review: Romeo and Juliet, Retold on Digital Screens - Variety
Jan 30, 2021 · Carey Williams' bold technological gamble finds some contemporary relevance but eschews narrative purpose for its unique setting.
[10]
Filmmaker Interview: CAREY WILLIAMS of EMERGENCY - SAGindie
May 17, 2022 · Award-winning director Carey Williams talks to SAGindie about his Amazon Original film, EMERGENCY, starring RJ Cyler and Sabrina Carpenter.Missing: 2019 | Show results with:2019
[11]
“Is There Too Much Reading on Screen?” Carey Williams on R#J ...
Feb 5, 2021 · Williams: While there was a script in place by the time they reached out to me [a Romeo & Juliet adaptation], I was very persistent that we ...<|control11|><|separator|>
[12]
Camaron Engels and Francesca Noel to Star in 'Romeo and Juliet ...
Apr 7, 2020 · Camaron Engels, best known for Netflix teen show “Malibu Rescue,” and Francesca Noel are to play Romeo in a new film adaptation of "Romeo ...
[13]
R#J | Cast and Crew - Rotten Tomatoes
Cast & Crew · Carey Williams · Camaron Engels · Francesca Noel · David Zayas · Diego Tinoco · Siddiq Saunderson · Russell Hornsby · Rickie Castaneda.
[14]
R♥️J (2021) — The Movie Database (TMDB)
Rating 6.6/10 (35) Top Billed Cast · Camaron Engels. Romeo · Francesca Noel. Juliet · RJ Cyler. Benvolio · Siddiq Saunderson. Mercutio · Diego Tinoco. Tybalt · David Zayas. Fernando ...
[15]
R#J (2021) - Full cast & crew - IMDb
Cast · Denise Dorado · Denise Dorado · Lady Capulet · Jean Elie · Jean Elie · Emilio Garcia-Sanchez · Emilio Garcia-Sanchez · Jaden Joyner · Jaden Joyner · Jacob ...
[16]
How the R#J Filmmakers Used Innovative Editing for Timeless Love ...
Feb 3, 2021 · By adapting traditional filmmaking techniques to the new “Screenlife” format, Nguyen and Williams construct a narrative that feels fresh, ...
[17]
Romeo and Juliet with Smartphones: Editing a New Visual ...
Apr 9, 2021 · ... film R#J, or 'Romeo and Juliet'. Marrying Screenlife with Shakespeare is the brainchild of director Carey Williams. He needed a brave, open ...
[18]
Sundance Q&A: R#J Editor Lam Nguyen - postPerspective
“This film transports us cinematically in a new visual language called Screenlife, which is a format invented by Wanted director and Searching producer Timur ...
[19]
R#J - Rotten Tomatoes
Rating 50% (30) R#J represents an admirable attempt to update Romeo and Juliet, but alas, its bounty is not quite as boundless as the sea.
[20]
'R#J': Film Review | Sundance 2021 - The Hollywood Reporter
Feb 16, 2021 · Desktop film promoter Timur Bekmambetov produces an update of 'Romeo and Juliet' for the Instagram age, mixing Spotify playlists with Shakespearean dialogue in ...
[21]
'R#J' Review: A Bold 'Romeo And Juliet' Social Media Reimagining ...
Feb 2, 2021 · Across the city, Juliet (Francesca Noel) showcases her emotions and personality through her art on her social media accounts.Missing: plot details
[22]
Sundance Entry 'R#J' Updates Shakespeare For Social Media's ...
Feb 1, 2021 · Sundance premiere 'R#J' fluidly interleaves and updates 'Romeo and Juliet' with a blizzard of social-media conversations.
[23]
SXSW Review: “R#J” Is a Fresh Take on the Classic “Romeo and ...
Mar 22, 2021 · R#J (Carey Williams, 2021) 3 out of 4 stars. Romeo and Juliet, the classic Shakespearean tale of star-crossed lovers, has had many film ...
[24]
Sundance Review: 'R#J' - Punch Drunk Critics
Rating 3.0 · Review by Travis HopsonJan 31, 2021 · That Romeo and Juliet's courtship unfolds through text messages over a video screen feels of the moment because, let's be honest, it's how ...
[25]
SXSW 2021 Review: R#J: A Horribly Misguided Experiment
Mar 24, 2021 · That is one out of many misguided decisions made in R#J, a modern re-telling of Romeo & Juliet for the Gen-Z Instagram age. Writer/director ...Missing: Paris | Show results with:Paris<|control11|><|separator|>
[26]
Sundance 2021: 'R#J' boldly reimagines classic tale through ...
The Generation Z version of the play, “R#J,” premiered Jan. 30 at the Sundance Film Festival as part of the festival's NEXT program, which aims to usher in ...
[27]
Sundance 2021 Announces Full Lineup Of Features, Shorts, Indie ...
Dec 15, 2020 · Camaron Engels and Francesca Noel appear in R#J by Carey Williams, an official selection of the NEXT section at the 2021 Sundance Film Festival.
[28]
Complete Sundance Film Festival 2021 Feature Lineup - Variety
Dec 15, 2020 · Noteworthy examples of diversity in the lineup include “R#J,” a BIPOC retelling of Shakespeare's “Romeo and Juliet” told within an Instagram ...<|control11|><|separator|>
[29]
See All the Stars at the Virtual 2021 Sundance Film Festival - E! News
Jan 28, 2021 · The 2021 Sundance Film Festival has gone virtual due to the COVID-19 pandemic. See photos of stars who took part in the annual event ...
[30]
"Scooped" R#J: Romeo & Juliet 2021 Sundance Film Festival Q&A ...
"R#J" (Romeo and Juliet) 2021 Sundance Film Festival Filmmaker and Cast premiere Q&A with director Carey Williams and cast."R#J" (Romeo and Juliet) 2021 ...
[31]
Sundance Film Festival 2021 streams buzzy movie premieres ...
Jan 30, 2021 · R#J - A retelling of Romeo and Juliet performed entirely through social media and smartphone screens. Son of Monarchs - With a Mexican ...
[32]
SXSW 2021 Schedule
5:30pm. Add to Favorites. R#J. Mar 16, 2021. 4:00pm — 5:30pm. Favorite. Events featuring Carey Williams. Add to Favorites. R#J.
[33]
SXSW Is Back, Shorter And Online, A Year After Becoming The First ...
Mar 16, 2021 · SXSW Is Back, Shorter And Online, A Year After Becoming The First Major Event Canceled Over COVID-19. KUT 90.5 | By Jimmy Maas. Published March ...
[34]
2021 SXSW Film Festival Lineup Announced
R#J Director: Carey Williams, Screenwriters: Carey Williams, Rickie Castaneda, Producers: Timur Bekmambetov, Igor Tsay A re-imagining of Romeo and Juliet ...
[35]
R#J (2021) - IMDb
Rating 6.5/10 (101) Camaron Engels and Francesca Noel in R#J (2021) Drama A modern-day adaptation of Shakespeare's romantic tragedy 'Romeo and Juliet'.
[36]
R#J | 2021 Sundance Film Festival Review - - IONCINEMA.com
Feb 8, 2021 · R#J is the definitive telling of Romeo and Juliet for the Zoomers, and likely a worthwhile experience for older Shakespeare nerds (plus digital ...
[37]
Sundance 2021: R#J and FIRST DATE - Film Inquiry
Feb 3, 2021 · In his first report from the 2021 Sundance Film Festival, Wilson Kwong reviews R#J and First Date from the festival's NEXT program.
[38]
https://www.filminquiry.com/sundance-2021-rj-and-first-date/
[39]
'R#J' Review: Romeo and Juliet, According to Their Social Media ...
Rating 2.5 · Review by Kate ErblandJan 30, 2021 · Sundance: Carey Williams' screen-centric film follows a pair of star-crossed lovers addicted to social media and each other.Missing: budget independent
[40]
SXSW Film Jury Awards Announced - The Austin Chronicle
Mar 19, 2021 · Adobe Editing Award, presented to: R#J, editor: Lam Nguyen. Final Draft Screenwriters Award, presented to: Paul Dood's Deadly Lunch Break ...
[41]
Sundance 2021 Next Review: 'R#J' - Blackfilm.com
Feb 4, 2021 · The film will give the viewer a better overall understanding on Romeo and Juliet and how any anecdote about love can stand the test of time.Missing: plot summary