Ra Ra Riot
Ra Ra Riot is an American indie rock band formed in 2006 in Syracuse, New York, renowned for their chamber pop style that blends orchestral elements like violin and cello with synth-driven melodies and upbeat rhythms.[1][2] The band, initially emerging from the Syracuse University scene, quickly gained attention through local performances and a self-recorded demo, leading to their signing with Barsuk Records and a relocation to Brooklyn.[3][4] Current members include vocalist and keyboardist Wes Miles, guitarist Milo Bonacci, bassist Mathieu Santos, violinist Rebecca Zeller, and drummer Kenny Bernard, following lineup changes that included former contributors like cellist Alexandra Lawn and drummer John Pike.[5][2] Ra Ra Riot has released five studio albums: The Rhumb Line (2008), The Orchard (2010), Beta Love (2013), Need Your Light (2016), and Superbloom (2019), along with anniversary editions, EPs, and singles such as "The Wish" (2024) and "Friendly Neighbor" (2024) that highlight their evolution from indie folk influences to more electronic and dance-oriented sounds.[2][5][6][7] Their music, often described as danceable indie rock with a vibrant, reinvigorating energy, has earned critical acclaim for tracks like "Can You Tell" and albums praised for sonic expansion.[8][9]History
Formation and early career (2006–2007)
Ra Ra Riot formed in January 2006 at Syracuse University in New York, when a group of students came together to create an indie rock band blending orchestral elements with energetic pop. The initial lineup consisted of Wes Miles on vocals and keyboards, Mathieu Santos on bass, Milo Bonacci on guitar, Rebecca Zeller on violin, John Ryan Pike on drums, and Alexandra Lawn on cello. The band drew inspiration from their shared interests in classical music and indie sounds, quickly assembling through campus connections—such as Zeller recruiting Lawn from the Syracuse Orchestra and Bonacci bringing in Miles and Pike from prior collaborations.[10] Following their formation, the band held initial rehearsals in Syracuse and began performing at local house parties and small venues around the university campus throughout 2006. Their first public gig took place on April 22, 2006, during spring break, when they played to a small crowd at a campus-area event, marking the start of their grassroots presence in the local scene. These early shows emphasized their distinctive live energy, combining strings with driving rhythms, and helped build a dedicated student following through word-of-mouth and informal bookings at spots like house gatherings and off-campus bars.[11][12][13] The band's profile rose significantly with their debut at the CMJ Music Marathon in New York City on October 7, 2006, where they delivered a high-energy set that caught the attention of industry scouts and bloggers in the indie music community. Critics praised their innovative mix of airy melodies, fiddle accents, and upbeat percussion, describing them as an "out-of-nowhere Syracuse act" with anthem-like potential that generated early buzz among festival attendees. This exposure came just months after formation, solidifying their reputation for captivating live performances.[4][14][15] In 2007, Ra Ra Riot signed with V2 Records in July, a major label deal that accelerated their momentum following the CMJ buzz. Prior to the signing, they released their self-titled debut EP on July 10, 2007, through The Rebel Group, featuring tracks like "Each Year" and "Dying Is Fine," recorded in Brooklyn earlier that year. The EP showcased their chamber-pop style and received positive early notices for its vibrant production and lyrical depth. "Each Year," issued as a single in July 2007 (paired with "A Manner to Act" on a 7-inch via Label Fandango), earned acclaim for its infectious hooks and orchestral flourishes, with reviewers highlighting its fresh indie appeal. Similarly, "Dying Is Fine," released as a single on October 15, 2007, via V2, was lauded for its graceful, tumbling rhythms and artful cello work, drawing comparisons to elegant indie acts like The Smiths while celebrating life's nuances.[16][17][18][19][20][21] To capitalize on their growing visibility, the band embarked on their first UK shows in April 2007, followed by a summer North American tour supporting Tokyo Police Club in July and August, which included stops in cities like Houston, Cambridge, and Hoboken. These outings, featuring shared bills with emerging indie acts, further honed their stage presence and expanded their audience, setting the stage for broader recognition in the indie circuit.[22][23][24][25]Tragedy, debut album, and rising success (2008–2010)
The band faced a profound tragedy on June 3, 2007, when their original drummer, John Ryan Pike, died from an accidental drowning in Buzzards Bay, Massachusetts, shortly after a performance in Providence, Rhode Island.[26][27] Despite the devastation, Ra Ra Riot chose to honor Pike by continuing their music, enlisting temporary drummers such as Michael Ashley to maintain their momentum during subsequent tours. This resilience was evident in their dedication to performing and recording, transforming grief into creative drive, as several tracks on their upcoming debut album would later reflect themes of loss and remembrance.[28] Following the collapse of their initial label deal with V2 Records in 2007, Ra Ra Riot signed with Seattle-based indie label Barsuk Records in May 2008.[29][30] Their debut full-length album, The Rhumb Line, was released on August 19, 2008, produced by Ryan Hadlock and featuring singles like "Can You Tell."[31][32] The record blended indie rock with chamber pop elements, including mournful strings and upbeat rhythms, earning praise for its emotional depth amid the band's recent hardship; Pitchfork awarded it a 7.5 out of 10, highlighting its dissonant yet pleasing orchestration.[33] It appeared on several critics' year-end lists for 2008, solidifying their breakout status.[34] Ra Ra Riot supported The Rhumb Line with an extensive touring schedule in 2008 and 2009, including over 80 U.S. dates early in the year, a UK run with Vampire Weekend, and appearances at major festivals like SXSW in 2008 and Lollapalooza in 2009.[30][35] These performances, often with rotating drummers to fill Pike's role, helped build a dedicated following through energetic live shows that showcased their orchestral indie sound. By 2010, the band released their sophomore album, The Orchard, on August 24, also via Barsuk, with singles "Boy" and "Too Dramatic" emphasizing a more polished, orchestral evolution.[36] Produced by the band alongside Andrew Maury, it received mixed but generally positive critical reception, including a 5.7 from Pitchfork for its stylistic expansion, and featured on select 2010 year-end compilations.[37][38]Lineup changes, evolution, and recent activity (2011–present)
In early 2011, following the departure of touring drummer Gabriel Duquette, Ra Ra Riot brought in Kenny Bernard to handle percussion duties for their ongoing tours, a role that soon became permanent as the band stabilized its rhythm section.[39] This addition marked a shift toward a more consistent live lineup amid the band's post-tragedy recovery. Then, in February 2012, founding cellist and vocalist Alexandra Lawn announced her exit after six years, citing personal reasons and a desire to pursue new opportunities, which prompted the group to reconfigure its sound around keyboards and guitar.[40][41] Lawn's departure, effective immediately, left the band as a core quartet of Wes Miles on vocals and keyboards, Milo Bonacci on guitar, Mathieu Santos on bass, and Rebecca Zeller on violin and keyboards, with Bernard solidifying the drums.[42] The band's evolution became evident with their third studio album, Beta Love, released on January 22, 2013, via Barsuk Records and produced by Dennis Herring at Sweet Tea Studios in Oxford, Mississippi.[43][44] Herring, known for his work with acts like Modest Mouse and Elvis Costello, guided the quartet toward a brighter, more electronic-leaning aesthetic, emphasizing synthesizers and drum programming over the orchestral strings that had defined their earlier work.[45] This synthpop-infused direction reflected the lineup's streamlined dynamics, allowing for tighter, dance-oriented tracks that showcased Miles' falsetto and the band's growing pop sensibilities.[43] By 2016, Ra Ra Riot had further matured, releasing their fourth album, Need Your Light, on February 19 via Barsuk Records, with production by Ryan Hadlock.[46] The record highlighted collaborative experimentation, including the lead single "Water," co-written and featuring vocals from Rostam Batmanglij of Vampire Weekend, which blended the band's indie rock roots with lush, synth-driven hooks.[47] Additional contributions from guests like Kimbra and Tegan and Sara on tracks such as "Absolutely" and "Call Me Out" underscored the album's expansive, genre-blending approach, marking a phase of confident stylistic expansion.[48] In 2019, the band took an independent turn with Superbloom, self-released on August 9 through their imprint Rob the Rich in partnership with Caroline International and produced primarily by Rostam Batmanglij.[49] Recorded across Los Angeles and upstate New York, the album delved into ornate pop arrangements, with Batmanglij co-writing several songs and emphasizing layered production that evoked a sense of dramatic rebirth.[50] Standout tracks like "Belladonna" exemplified this evolution, fusing orchestral swells with electronic pulses and introspective lyrics about personal renewal.[51] Following Superbloom, Ra Ra Riot entered a creative hiatus, focusing on individual projects while occasionally performing select dates. The band reemerged in 2024 after a five-year recording break, signaling a resurgence with the single "The Wish," released on May 1 and co-written and produced by Rostam Batmanglij, whose folk-inflected style evoked influences like Fairport Convention.[6] This track, mixed by Andrew Maury, captured the group's renewed energy and collaborative spirit. On August 9, they followed with "Friendly Neighbor," a darker, theatrical piece that explored themes of suburban unease through brooding synths and driving rhythms.[52] In February 2024, Ra Ra Riot announced the RA RA RIOT: REDIVIVUS Tour to celebrate the 16th anniversary of their debut album The Rhumb Line, featuring headlining shows in cities like Boston, Brooklyn, and Washington, D.C.[53] The tour expanded to include opening slots for Vampire Weekend on select dates in summer 2024, blending their catalog with fresh material. The band was scheduled to perform at the Just Like Heaven Festival on May 10, 2025, at Brookside at the Rose Bowl in Pasadena, California, alongside headliners Vampire Weekend and a reunited Rilo Kiley, but canceled in March 2025 due to personal family circumstances.[54][55] In a December 18, 2024, appearance on WXXI's Connections program, frontman Wes Miles reflected on the band's trajectory, discussing how lineup shifts and production choices had shaped their sound from indie rock origins to a more polished, genre-fluid identity.[56] Miles highlighted the role of collaborators like Batmanglij in fostering innovation, emphasizing the enduring chemistry among core members as key to their longevity.Band members
Current members
The current lineup of Ra Ra Riot as of 2025 includes the following members, who contribute to the band's signature indie rock sound blending orchestral elements with rhythmic drive. Wes Miles serves as the lead vocalist and keyboardist, having been a founding member since the band's formation in 2006; he is the primary songwriter and lead performer, shaping the group's melodic and lyrical core across albums like The Rhumb Line and Superbloom.[5][57] Mathieu Santos plays bass guitar and provides backing vocals, also a founding member since 2006; he anchors the rhythm section and adds harmonic layers through occasional vocals on tracks such as those from Beta Love.[5][58][59] Milo Bonacci handles guitar duties as a founding member since 2006, contributing to song arrangements by compiling demos and ideas that infuse live performances with dynamic energy.[5][60][61] Rebecca Zeller is the violinist and a founding member since 2006, essential to the band's orchestral texture through her lush string arrangements that enhance the indie pop elements.[5][62] Kenny Bernard joined as drummer in 2011, providing percussion stability following the band's early lineup shifts and supporting consistent touring and recording efforts.[5][63][58]Former members
Ra Ra Riot's former members include several key contributors who shaped the band's early sound and trajectory, particularly during its formative years and periods of transition following significant losses. Shaw Flick served as lead vocalist and synthesizer player in 2006, co-founding the band before departing in summer 2006.[64] John Ryan Pike served as the band's founding drummer from 2006 until his death in June 2007. A Syracuse University graduate, Pike was instrumental in establishing the group's initial rhythm section and lyric contributions, with his passing by drowning in Buzzards Bay, Massachusetts, deeply affecting the band's direction and inspiring themes of resilience in their debut work.[65] Alexandra Lawn played cello and provided backing vocals from 2006 to 2012, helping define the band's signature baroque pop elements on albums like The Rhumb Line (2008) and The Orchard (2010). Her departure in February 2012 was motivated by a personal quest for greater contentment and self-awareness after six years of touring and collaboration, allowing her to pursue individual projects while the band evolved its instrumentation.[66][40] Following Pike's death, the band relied on a series of temporary drummers from 2007 to 2011 to maintain momentum during tours and recordings. Michael Ashley briefly filled the role in 2007, providing stability in the immediate aftermath. Cameron Wisch then drummed from 2007 to 2009, contributing to the sessions for The Rhumb Line. Gabriel Duquette joined in 2009 and remained until 2011, performing on The Orchard before leaving to focus on other endeavors, after which Kenny Bernard became the permanent drummer.[39][64]Musical style and influences
Core elements and early sound
Ra Ra Riot's early sound from 2006 to 2010 was characterized by a distinctive blend of indie rock and chamber pop, incorporating classical string instruments alongside conventional rock elements like guitars, drums, and keyboards. The band's lineup featured violinist Rebecca Zeller and cellist Alexandra Lawn, whose contributions added a layer of orchestral elegance to the rhythmic drive of post-punk-inspired percussion and upbeat melodies.[33][67][68] This instrumentation created a danceable yet introspective texture, with the strings providing mournful counterpoints to triumphant rhythms and exultant vocal lines.[33] Lyrically, the band's work during this period explored themes of youth, loss, and romance, often framed through elegiac narratives that contrasted with their energetic arrangements. Songs like "Dying Is Fine" drew on poetic references to mortality, while tracks such as "Winter '05" evoked the slow passage of time in relationships, blending emotional vulnerability with catchy hooks.[33][67] These themes were delivered in Wes Miles's emotive falsetto, supported by harmonious backing vocals that emphasized a sense of communal yearning.[33] The core sound drew from baroque pop traditions, utilizing classical strings to evoke the lush, orchestrated feel of 1960s pop ensembles, though rooted in modern indie sensibilities. This approach resulted in haunting violin lines and swelling cello passages that lent a dramatic, almost theatrical quality to the music, distinguishing Ra Ra Riot from contemporaries while nodding to chamber music orientations.[69][70] On their debut album The Rhumb Line (2008) and follow-up The Orchard (2010), the production emphasized an organic, live-band aesthetic, capturing the interplay of instruments in natural settings to highlight vocal harmonies and rhythmic propulsion. Recorded with a focus on warmth and subtlety, these efforts prioritized the raw energy of performances over heavy processing, allowing the strings to shine in intimate, empathetic soundscapes.[33][37][71]Shifts in style and production
Following the departure of cellist Alexandra Lawn, Ra Ra Riot's third album, Beta Love (2013), marked a significant pivot toward synthpop and electronic production, incorporating prominent synthesizers and drum machines while diminishing the role of orchestral strings that defined their earlier work.[43][72][73] This shift, produced by Dennis Herring, evoked an 1980s-inspired pop aesthetic with faster tempos and keyboard-driven hooks, as heard in tracks like "Dance With Me," aiming for a more concise and danceable sound.[43][74] Subsequent releases built on this electronic foundation through key production partnerships, notably with Rostam Batmanglij, who co-wrote and produced tracks on the 2019 album Superbloom, including the single "Flowers," which emphasized polished, upbeat synth layers for broader indie pop accessibility.[75] Batmanglij's involvement continued into 2024, co-producing singles like "The Wish" and contributing to the band's refined, dance-oriented electronic textures that draw parallels to his work with Vampire Weekend.[6][76] In their most recent output, Ra Ra Riot explored darker, introspective themes amid minimalist electronic arrangements, as in "The Wish" (2024), which blends folk-inspired fingerpicking with organ and Latin percussion to evoke empowerment through imagined futures amid global chaos.[6] Similarly, "Friendly Neighbor" (2024) adopts a darkly theatrical tone, with lyrics probing alienation and fractured social connections influenced by digital isolation, supported by orchestral elements that enhance its emotional depth.[77][52] This progression has evolved Ra Ra Riot into a more versatile indie pop act with wider commercial appeal, incorporating modern synth influences reminiscent of MGMT's electronic experimentation alongside Batmanglij's pop craftsmanship.[78][73]Discography
Studio albums
Ra Ra Riot's debut studio album, The Rhumb Line, was released on August 19, 2008, through Barsuk Records. Produced by Ryan Hadlock at Bear Creek Studios in Seattle, the 11-track record explores themes of grief and loss, inspired by the band's personal experiences following the death of their original drummer, John Pike. It marked the group's introduction to a wider audience, blending indie rock with orchestral elements like violin and cello, and peaked at number 109 on the Billboard 200 chart.[79][80][81] The follow-up, The Orchard, arrived on August 24, 2010, also via Barsuk Records. Co-produced by the band alongside Andrew Maury, with mixing by Chris Walla on most tracks, the 11-track album emphasizes lush orchestral arrangements and introspective songwriting, building on the debut's emotional depth while incorporating more contemplative tempos. It achieved stronger commercial reception, reaching number 36 on the Billboard 200 and number 34 on the Rock Digital Songs chart. A 10th anniversary edition was released on August 24, 2020, through Arts & Crafts, featuring 17 tracks including remastered originals, B-sides, and demos.[82][83][81][84] In 2013, Ra Ra Riot issued Beta Love on January 22 through Barsuk Records. Produced by Dennis Herring at Sweet Tea Studios in Oxford, Mississippi, the 11-track effort shifts toward a synth-driven sound, incorporating electronic elements and danceable rhythms following the departure of cellist Alexandra Lawn. This evolution helped the album peak at number 69 on the Billboard 200, showcasing the band's adaptability in the indie pop landscape.[43][85][81] The fourth album, Need Your Light, came out on February 19, 2016, under Barsuk Records. Primarily produced by Ryan Hadlock, with additional contributions from Rostam Batmanglij on select tracks, the 10-track release highlights collaborative vocals and a renewed band dynamic, featuring guest appearances that enhance its upbeat, anthemic quality. While it did not chart on the Billboard 200, the album received praise for its reinvigorated energy and polished production.[86][87][88] Ra Ra Riot's fifth studio album, Superbloom, was released on August 9, 2019, via the band's own Rob the Rich Recordings in partnership with Caroline International. Self-produced in collaboration with a range of engineers including Kieron Menzies and Rostam Batmanglij, the 10-track project represents a peak in their independent era, with vibrant, layered pop arrangements recorded across multiple sessions. It garnered critical acclaim for its expansive sonic palette and emotional resonance, though it did not enter the Billboard 200.[89][90][50]Extended plays
Ra Ra Riot released their self-titled debut extended play, Ra Ra Riot, on July 10, 2007, through the Rebel Group label. The six-track EP served as an early teaser for the band's developing sound, building anticipation ahead of their first full-length album. The tracklist includes "Each Year" (3:48), "Everest" (2:26), "Dying Is Fine" (6:09), "Can You Tell" (2:31), "A Manner to Act" (2:52), and "Ghost Under Rocks" (4:29). Several of these songs, such as "Each Year," "Dying Is Fine," and "Can You Tell," were later re-recorded and included on the band's 2008 debut studio album, The Rhumb Line. Initially issued in limited physical formats like CD and CDr, the EP was also made available digitally, broadening its reach to early fans. Its release occurred just one month after the tragic death of the band's original drummer, John Pike, in June 2007, marking it as the only recording featuring his contributions. The EP played a key promotional role in the band's rising profile, with its energetic indie pop style—characterized by chamber-like instrumentation and upbeat rhythms—helping generate buzz through live performances and distribution. This early momentum, alongside an extensive tour of over 80 dates, contributed to securing a record deal with Barsuk Records in 2008. Additional EPs include Binary Mind (January 22, 2013, Barsuk Records; 4 tracks, including remixes and B-sides from Beta Love), Two Hearts Beat As One (February 18, 2014, Barsuk Records; 4 tracks, promotional for Beta Love era), and Spotify Sessions (2016, Spotify; 3 tracks, live session covers and originals).[91][92]Singles
Ra Ra Riot has released several singles throughout their career, spanning their early indie rock phase to more recent independent efforts. These tracks often served as lead promotions for albums or stood alone, showcasing the band's evolving sound from chamber pop to synth-driven indie. Notable releases include early 7" vinyl singles on V2 Records and later digital singles on Barsuk, with recent output self-released amid streaming dominance. As of November 2025, the most recent singles are from 2024.| Title | Release Date | Album (if applicable) | Label | Notes |
|---|---|---|---|---|
| Each Year | July 10, 2007 | Non-album | V2 Records | Debut 7" single (B-side with "Dying Is Fine" RAC Mix); featured on early EP; received early buzz in indie circles for its upbeat violin-driven energy.[21] |
| Dying Is Fine | October 15, 2007 | Non-album (later on The Rhumb Line) | V2 Records | A-side 7" single; Daytrotter Session recording highlighted its poignant lyrics; pivotal in securing label deal and building live following.[93] |
| Can You Tell | May 5, 2009 | The Rhumb Line | Barsuk Records | EP single with remixes; peaked in college radio rotation; music video emphasized the band's orchestral elements.[94] |
| Boy | July 21, 2010 | The Orchard | Barsuk Records | Lead digital single; iTunes promotion reached #152 in sales; praised for its catchy hooks and marked sophomore era shift.[95] |
| Too Dramatic | February 16, 2011 | The Orchard | Barsuk Records | Second single with official video; noted for tension-building production; supported U.S. tour promotion.[96] |
| Water (feat. Rostam) | November 16, 2015 | Need Your Light | Barsuk Records | Lead single featuring Rostam Batmanglij; debuted on Stereogum; video explored themes of fluidity, garnering playlist streams.[97] |
| War & Famine | July 11, 2019 | Superbloom (promotional) | Rob the Rich Recordings | Non-album teaser single with lyric video; introspective track on daily struggles; built anticipation for album via social media.[98] |
| Belladonna | August 2, 2019 | Superbloom | Rob the Rich Recordings | Album lead single; colorful video release; highlighted electronic influences, receiving positive indie press.[99] |
| The Wish (feat. Rostam) | May 1, 2024 | Non-album | Independent | First release in five years, co-written/produced by Rostam; debuted on BrooklynVegan; strong streaming debut with tour tie-in to Vampire Weekend dates; lyric video emphasized wistful themes.[100] |
| Friendly Neighbor | August 9, 2024 | Non-album | Independent | Follow-up single with lyric video; Stereogum premiere; continued independent era momentum, focusing on neighborhood introspection; available on major streaming platforms.[52] |