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Remind Me Tomorrow

Remind Me Tomorrow is the fifth studio album by American , released on January 18, 2019, through the independent record label . The album marks a significant evolution in Van Etten's sound, incorporating synth-driven production and atmospheric textures while exploring themes of personal growth, past relationships, and the passage of time. It features ten tracks, including singles like "Comeback Kid" and "Seventeen," and was produced by , blending Van Etten's introspective lyricism with a fuller, more muscular arrangement compared to her previous work. Following the 2014 release of her critically acclaimed album , Van Etten took a four-year hiatus from solo recording to pursue acting roles—such as in the series The OA—film scoring for projects like Strange Weather, and contributions to soundtracks including Twin Peaks and the documentary Tig. This period of diverse creative endeavors influenced Remind Me Tomorrow, which was written in fragmented "stolen moments" amid these pursuits, resulting in songs that reflect a "warped-time perspective" on life's delays, priorities, and the balance between realism and the lightness of new love. The album's production emphasizes corroded synths and emotional depth, drawing comparisons to atmospheric works like Low's , while tracks such as "Jupiter 4" and "Malibu" evoke tempests and their calms. Upon release, Remind Me Tomorrow received widespread critical praise for its songwriting and sonic innovation, with awarding it an 8.4 out of 10 and designating it "Best New Music," calling it the peak of Van Etten's artistry and her most emotionally piercing record to date. rated it 4 out of 5 stars, highlighting its richer, fuller sound, while Stereogum named it Album of the Week, noting Van Etten's transition without losing her core emotional intensity. Reviews from and further commended its cinematic quality and electronic elements, positioning it as a bold step forward in . The album's full tracklist is as follows:
  1. "I Told You Everything"
  2. "No One's Easy to Love"
  3. ""
  4. "Comeback Kid"
  5. "Jupiter 4"
  6. "Seventeen"
  7. "Malibu"
  8. "You Shadow"
  9. "Hands"
  10. "Stay"

Background and recording

Development and inspiration

Sharon Van Etten began developing material for Remind Me Tomorrow after taking a break from touring following the release of her 2014 album , during which she pursued roles and . In , she landed her debut acting part as Rachel in the Netflix series , while also appearing as herself in the revival of David Lynch's and composing the score for the film Strange Weather. These endeavors, alongside enrolling in a psychology graduate program, marked a period of creative diversification, as Van Etten grappled with her identity beyond music and considered stepping away from songwriting altogether. However, this exploration ultimately reignited her focus on music, leading her to channel personal growth into new compositions. Significant personal milestones profoundly shaped the album's inception, including the birth of her son with longtime partner Zeke Hutchins—her former drummer who later became her manager—in early 2017, and their engagement around 2019. These events, occurring while Van Etten was pregnant during the initial writing phase, prompted a thematic shift toward reflection on change, commitment, and forward-looking optimism, contrasting her earlier work centered on hardship and recovery. Van Etten has described how motherhood introduced a sense of urgency and routine, influencing her lyrics to emphasize presence and love amid life's uncertainties. The album's title itself draws from the idea of postponing personal updates or decisions—like an iPhone's "Remind Me Tomorrow" prompt—mirroring her experiences of balancing artistic priorities with delayed or evolving life choices during this time. Songwriting for Remind Me Tomorrow commenced in earnest in 2017, amid these transitions, with Van Etten amassing over 40 demos often composed during her son's naps or in brief windows of quiet. Tracks like "Comeback Kid," which explores themes of return and resilience, emerged early in this process as she experimented with synthesizers borrowed from collaborator , marking a departure from her guitar-driven style. This initial phase was driven by a motivation to process her evolving circumstances, including the joys and fears of parenthood and partnership, while prioritizing the completion of the album despite the demands of new responsibilities. Producer John Congleton's eventual involvement helped refine these ideas, though the foundational inspirations stemmed from Van Etten's introspective response to her life's rapid shifts.

Recording process

The recording of Remind Me Tomorrow primarily occurred at in , Studio 64, and Elmwood West, commencing in mid-2018. Producer guided the sessions, actively encouraging the integration of electronic and elements to create a sound that diverged markedly from Sharon Van Etten's earlier acoustic-driven albums. Key contributions came from session musicians, including Heather Woods Broderick on electric piano and backing vocals, enhancing the album's layered texture. The production faced logistical hurdles amid Van Etten's evolving personal circumstances as a new mother, which influenced scheduling.

Musical style and composition

Genre and influences

Remind Me Tomorrow marks a significant departure from Sharon Van Etten's earlier folk-indie style, embracing synth-pop and indie rock elements with experimental electronic textures. Whereas her previous albums, such as Are We There (2014), featured raw, guitar-driven introspection rooted in indie folk traditions, this record pivots toward atmospheric synths and pulsating rhythms, creating a more cinematic and urgent sound. The album's sonic palette incorporates driving beats and synthetic basslines, evoking a retro-futuristic vibe that contrasts her prior acoustic leanings. The album draws influences from artists like , , and Portishead, infusing its tracks with brooding electronic minimalism and intense, hypnotic grooves. 's proto-punk electronic urgency is evident in the record's propulsive rhythms and stark synth lines, while 's (2016) inspires the darker, introspective undercurrents amid brighter arrangements. Portishead's trip-hop haze contributes to the atmospheric depth, particularly in tracks with layered drones and reverb-soaked vocals that heighten emotional tension. These external inspirations shape the album's blend of vulnerability and bombast, allowing Van Etten to explore themes of change through a more electrified lens. Vintage synthesizers play a central role in the album's retro-futuristic aesthetic, with the —borrowed from actor —used to generate haunting drones and whirring textures that anchor several tracks. This analog instrument, famously employed by acts like , imparts a warm, analog glow to the electronic elements, bridging new wave with contemporary indie experimentation. The deliberate choice of such equipment underscores the album's nod to electronic music's past while pushing forward Van Etten's evolving sound. Produced by , known for his work with St. Vincent and , Remind Me Tomorrow employs layered electronics and reverb-heavy techniques to amplify its immersive quality. Congleton's approach features overdriven synths, saturated drums, and multi-tracked, echo-laden vocals, creating a polished yet brittle sheen that enhances the songs' emotional immediacy. This production style allows the album's and fusion to feel both expansive and intimate, marking a bold evolution in Van Etten's oeuvre.

Themes and songwriting

The album Remind Me Tomorrow explores themes of personal evolution, often reflecting on transitions from youthful insecurity to adult stability, as seen in tracks like "Seventeen," where Van Etten confronts regrets and anxieties from her teenage years with a mix of and forward-looking . This evolution is tied to broader life changes, including her pursuit of and parenthood, marking a shift from the unsettled narratives of her earlier work to a more settled, yet tentative, present. Vulnerability in relationships forms a core , with emphasizing emotional openness amid uncertainty, such as in "I Told You Everything," where the narrator begins a romance by divulging near-death experiences, highlighting raw candor as a foundation for connection. Tracks like "Malibu" delve into partnership through recollections of a fleeting romantic escape, underscoring impermanence and the embrace of uncertainty rather than seeking closure. Similarly, "Stay" examines motherhood and mutual support in relationships, portraying the mother-child bond as an ongoing, unresolved process of protection and independence, with lines like "I don’t know how it ends" capturing persistent emotional tension. Van Etten's songwriting approach draws heavily from autobiographical elements, employing a stream-of-consciousness style that evolved over four years of life experiences, including global events like the 2016 U.S. election and personal milestones such as becoming a parent. Many songs originated on guitar but were adapted to synth and electronic elements to avoid repetition and infuse freshness, reflecting a deliberate move toward universality over intensely personal confession. This method prioritizes ongoing processes—blending despair, pride, and hope—without narrative resolution, allowing themes of vulnerability and evolution to linger as open-ended explorations rather than concluded stories.

Release and promotion

Singles and artwork

The lead single from Remind Me Tomorrow, "Comeback Kid", was released digitally on October 2, 2018, marking Sharon Van Etten's shift toward a synth-driven sound. An official music video for the track, directed by Jonathan William Turner, premiered on October 30, 2018, and was shot in Van Etten's hometown of New York, emphasizing her resilient persona through stark, urban imagery. Follow-up singles included "Jupiter 4", released digitally on November 27, 2018, which featured a music video directed by Katherine Dieckmann, capturing Van Etten in contemplative, shadowy scenes that echoed the song's introspective tone. "Seventeen" followed as the third single, released digitally on January 8, 2019, ahead of the album's launch, accompanied by an music video directed by Maureen Towey that depicts Van Etten alongside an actress portraying her 17-year-old self; no B-sides or official remixes were issued for any of the singles, though they were available in standard digital formats via platforms like and . The album's artwork centers on a front-cover photograph by Katherine Dieckmann depicting her young children in a cluttered domestic interior, complete with a crib, tiara, and everyday disarray, evoking a sense of meditative calm within the chaos of home life and motherhood. This image, which Van Etten used as studio inspiration during recording, symbolizes broader themes of personal transformation and domestic change amid life's transitions, such as her own experiences with pregnancy and new beginnings. The layout and design were handled by Nathaniel David Utesch, with additional inner-sleeve photography by Rob Houston featuring Van Etten in intimate, everyday settings. Physical album editions, including standard black vinyl and limited colored variants like clear blue and blue splatter, maintained the core artwork while offering collectors' appeal through variant pressing colors.

Marketing and touring

Remind Me Tomorrow was released on January 18, 2019, through the independent record label , in multiple formats including , , and digital download. The promotional campaign for the began with teasers in the weeks leading up to its announcement, including a limited-edition sold exclusively on Van Etten's featuring the phrase "When is ’s next ?" on the front and the release date on the back, building anticipation among fans. The "Comeback Kid" received its world premiere on Music's in October 2018, highlighting the 's shift to a bolder, synth-driven sound, followed by an in-depth track-by-track discussion on the same platform shortly after release. Van Etten further amplified promotion through late-night television, performing "Comeback Kid" on Starring in March 2019, where she delivered a high-energy rendition emphasizing the track's rock-infused energy. To support the album, Van Etten embarked on a world tour in 2019, headlining dates across , , and the , beginning February 6 at the 9:30 Club in , and extending through April with additional shows later in the year. The North American leg featured support from British singer-songwriter , while a special guest appearance by comedian and musician occurred at her show at Beacon Theatre. Setlists heavily emphasized material from Remind Me Tomorrow, with staples like "Comeback Kid," "Seventeen," and "Jupiter 4" often opening shows and comprising the majority of each performance to showcase the album's fresh sonic direction. Following the album's release, Van Etten made notable festival appearances in 2019, including at in the UK later that month, closing with an emotive rendition of "Seventeen." These events extended the album's live promotion, drawing large crowds and reinforcing its thematic focus on personal reinvention.

Reception and legacy

Critical reviews

Remind Me Tomorrow received universal acclaim from music critics. On the review aggregation website , the album holds a score of 86 out of 100, based on 34 reviews, indicating "universal acclaim." Critics widely praised the album's emotional depth and sonic evolution from Van Etten's earlier folk-leaning work toward a more synth-driven, atmospheric sound. awarded it 8.4 out of 10, with reviewer Laura Snapes describing it as "the peak of her songwriting and her most atmospheric, emotionally piercing album to date." AllMusic rated it 4 out of 5 stars (equivalent to 8.0/10), commending Van Etten's instincts as a songwriter and her pursuit of an expanded sonic palette that retained her core strengths. gave it 4 out of 5 stars, highlighting how the record pushed toward a "grand, smoldering vision of pop" while noting that Van Etten's performances shone even amid occasional overproduction. NME also assigned 4 out of 5 stars, calling it Van Etten's "most intoxicating and impressive work to date," with a forceful shift incorporating , synthesizers, and spacious that invigorated her introspective style. The Guardian awarded 4 out of 5 stars, lauding the album's ambitious electro-tinged progression and Van Etten's newfound confidence in blending timeless melodies with raw vocals against a backdrop of nostalgia and eerie atmospherics. Some reviewers, however, pointed to minor flaws, such as uneven conveyance of lyrical nuances in certain tracks due to choices.

Accolades and influence

Remind Me Tomorrow earned a nomination for Best Independent Track at the 2019 AIM Independent Music Awards for the single "Seventeen". The album was also nominated for Best Album at the 2019 . It received widespread critical acclaim, appearing on numerous year-end lists, including No. 4 on The Guardian's best albums of 2019. The album's innovative blend of and synth elements has influenced subsequent artists in the genre. Sharon Van Etten's work on Remind Me Tomorrow positioned her as a predecessor to musicians like , whose introspective indie style echoes Van Etten's evolution toward atmospheric, synth-driven songwriting. Collaborations with contemporaries such as , including co-writing tracks and covers of Van Etten's earlier songs, highlight mutual artistic exchanges within the indie scene. In Van Etten's career, Remind Me Tomorrow marked a pivotal shift toward bolder production and themes of personal reinvention, laying the groundwork for her 2022 release We've Been Going About This All Wrong, which built on its experimental sound, and her 2025 album , which further expanded the atmospheric synth elements introduced here. Retrospective discussions in have underscored the album's role in elevating her profile, crediting it with facilitating her transition to mainstream recognition through expanded sonic palettes. The album has left a mark on , with tracks featured in prominent media. The lead single "Seventeen" appeared in the season 2 premiere of the TV series Yellowjackets, enhancing its themes of youth and survival. Additionally, songs from Remind Me Tomorrow have been curated into influential playlists on platforms like , amplifying its reach among listeners.

Commercial performance and credits

Chart positions and sales

Remind Me Tomorrow peaked at No. 94 on the US chart. It reached No. 15 on the Top Rock Albums chart, No. 11 on the Top Alternative Albums chart, and No. 4 on the Folk Albums chart. Internationally, the album reached No. 30 on the , according to the . In Belgium's region, it peaked at No. 49 on the chart, while in , it debuted at No. 68 on the Albums Chart. Additional peaks include No. 18 in , No. 68 in the , and No. 36 in . The album achieved modest commercial success, with streaming contributing to its longevity, including placements on editorial playlists like and . The promotional tour enhanced its visibility.

Track listing and personnel

The standard edition of Remind Me Tomorrow, released on January 18, 2019, by , contains ten tracks with a total runtime of 41:17. No major deluxe editions or reissues featuring bonus tracks have been released as of 2025. All songs were written by , except "Comeback Kid" (co-written with Sam Cohen) and "Seventeen" (co-written with ).
No.TitleWriter(s)Length
1"I Told You Everything"4:45
2"No One's Easy to Love"4:34
3"Memorial Day"4:27
4"Comeback Kid", Cohen3:02
5"Jupiter 4"5:14
6"Seventeen", 4:28
7"Malibu"3:03
8"You Shadow"3:18
9"Hands"4:00
10"Stay"3:12
The album was produced, recorded, and mixed by at studios including in , United Recording in , and others. Additional mixing was handled by , Blake Morgan, and Paul Kolderie. Engineering credits include additional and assistant engineering by Sean Cook and assistant engineering by Tyler Karmen, with mastering by at The Lodge (assisted by ). Design and layout were created by Nathaniel David Utesch. Key musicians include on vocals, , and ; Heather Woods Broderick on backing vocals; Zachary Dawes on and cello; McKenzie Smith and on drums; on guitar, , , and more; on and ; on and guitar; on drums and ; Lars Horntveth on guitar and woodwinds; and on drums. Additional contributions feature on for select tracks and on backing vocals and for "Comeback ."

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