Revis
Revis is an American post-grunge rock band from Carbondale, Illinois, formed in 1999.[1] The band gained recognition with their debut studio album, Places for Breathing (2003), released on Epic Records, featuring the single "Caught in the Rain" which peaked at number 18 on the Billboard Modern Rock Tracks chart. After a hiatus and breakup from 2004 to 2009, Revis briefly reunited in 2010–2012, releasing the EP Are You Taking Me Home? in 2010. The band reformed in 2023 and released their second studio album, Killing Time, on November 7, 2025.[2] The current lineup consists of Justin Holman (vocals), Robert Davis (guitar), Nathaniel Cox (guitar), Bob Thiemann (bass), and David Piribauer (drums).[3] Revis's music is characterized by post-grunge and alternative rock influences.[1]History
Formation and early years (1999–2001)
Revis was formed in the summer of 1999 in the small town of Ewing, Illinois, initially under the name Orco by vocalist Justin Holman and guitarist Robert Davis, along with a group of local friends and musicians. The band emerged from the Southern Illinois rock scene, where they began honing their sound through informal gatherings and early songwriting sessions.[4][5] During their formative period, Orco performed at local venues and events in southern Illinois, building a grassroots following among regional audiences. These early shows allowed the group to refine their post-grunge style, drawing on influences from the late-1990s alternative rock landscape while establishing a cohesive identity. The lineup evolved gradually, incorporating additional members to support their growing ambitions.[5][6] In 2001, seeking greater exposure, the band relocated to Los Angeles to access the broader music industry network. Prior to the move, they solidified their core lineup with drummer David Piribauer and bassist Simon Huber, marking a pivotal shift toward professional development. The relocation also necessitated a name change, as "Orco" was already registered by other acts in multiple territories, leading to the adoption of "Revis" after considering numerous alternatives. This rebranding, combined with demo recordings in Los Angeles, positioned them for their major label breakthrough with Epic Records by early 2002.[7][4][6]Places for Breathing era (2002–2003)
In 2002, the band, previously known as Orco, relocated to Los Angeles and signed with Epic Records, prompting a name change to Revis due to a naming conflict with a UK act during the recording sessions for their debut album.[4] The group entered NRG Recording Studios in North Hollywood with producer Don Gilmore, who had previously worked on Pearl Jam's Ten, to craft a post-grunge sound emphasizing vocalist Justin Holman's dynamic range and the band's layered guitar work.[8] [9] Places for Breathing was released on May 20, 2003, via Epic Records, marking Revis's major-label debut and capturing their evolution from Illinois roots to a polished rock outfit.[10] The album debuted at No. 1 on the Billboard Heatseekers Albums chart, selling 10,000 copies in its first week, and ultimately peaked at No. 115 on the Billboard 200, establishing the band as an emerging force in the post-grunge scene.[4] Key singles drove its momentum: "Caught in the Rain" reached No. 8 on the Billboard Mainstream Rock chart after a 26-week run and No. 20 on the Alternative Songs chart over 16 weeks, while "Seven" climbed to No. 29 on Mainstream Rock during a 10-week stint.[11] [12] The band supported the album with extensive touring, sharing stages with acts like Evanescence, Fuel, 3 Doors Down, and Pearl Jam, including slots on the 2003 Nintendo Fusion Tour alongside Finger Eleven and Cold.[11] A music video for "Caught in the Rain," directed to highlight the song's brooding intensity, was released in 2003 and featured on the Daredevil: The Album soundtrack, broadening the band's exposure.[13] During this period, Revis's core lineup consisted of Justin Holman on lead vocals, Robert Davis and Nathaniel Cox on guitars, Bob Thiemann on bass, and David Piribauer on drums.[6]Hiatus and breakup (2004–2009)
Following the modest success of their 2003 debut album Places for Breathing, Revis faced mounting difficulties with Epic Records, including insufficient promotional support for follow-up material. The label dropped the band amid the development of a second album, resulting in the shelving of recorded demos and tracks intended for release.[3] These contractual and financial disputes, compounded by personal life changes, prompted the band's breakup, announced in late 2004 and taking effect in 2005, without acrimony among members.[3] The shelved project, tentatively titled Do We Have to Beg?, remained unreleased at the time due to legal entanglements with Epic.[14] From 2005 to 2009, Revis entered a period of complete inactivity as a group, with no tours, performances, or official output. During this hiatus, members pursued separate paths in music; vocalist Justin Holman engaged in session singing and early solo explorations, while guitarist Robert Davis took on production roles and collaborations with artists including Slash. Other members, such as bassist Bob Thiemann and drummer David Piribauer, contributed to local bands and side projects in the Midwest music scene.[15][16] Despite the disbandment, fan interest endured, sustained by underground sharing of demos and live recordings from the Places for Breathing era that circulated among dedicated listeners.[4]First reunion and dissolution (2010–2012)
In early 2010, Revis announced their reunion with original core members Justin Holman on vocals, Robert Davis on guitar, and David Piribauer on drums, joined by bassist Simon Huber and guitarist Kyle Needham.[1] The reformation was marked by initial enthusiasm, though the lingering effects of the 2005 breakup influenced the group's dynamics, with some original members like guitarist Nathaniel Cox and bassist Bob Thiemann opting not to participate.[4][3] The reunited lineup quickly entered recording sessions for new material, initially conceived as an EP titled Fire and Ice, which was independently produced and slated for release on July 27, 2010.[4] These sessions proved highly productive, expanding the project into a full-length sophomore album renamed Do We Have to Beg?, with a new release date announced for May 20, 2011, via the independent label NRG Artists.[17] In support of the album, the band released the single "Save Our Souls" in March 2011, available digitally on platforms like iTunes and Amazon.[18][17] Despite the progress, the band encountered significant challenges, including disinterest from major labels and difficulties securing distribution for the independently produced album.[19] These logistical hurdles, compounded by internal tensions among members, ultimately led to the project being shelved without an official release.[20] During this period, Revis conducted a limited number of live performances, including shows in 2011 such as one at the House of Blues in Chicago.[4][20] By 2012, unresolved creative differences and ongoing logistical issues resulted in the band's second dissolution, effectively ending the reunion.[1][3]Reformation and recent activity (2023–present)
In 2023, Revis reformed with a renewed focus on collaboration among core members including vocalist Justin Holman and guitarist Robert Davis, alongside additions to the lineup such as drummer David Piribauer, bassist Bob Thiemann, and guitarist Nathaniel Cox.[11] This reunion marked a deliberate effort to revive the band's creative momentum after years of inactivity, leading to intensive songwriting sessions that revitalized their post-grunge sound.[11] The band's first official release in over a decade, the EP Bottles of Lightning, arrived on May 2, 2024, self-released through independent distribution channels.[11] This six-track effort showcased their return with energetic tracks blending introspective lyrics and driving riffs, receiving positive reception from rock audiences.[21] Building on this momentum, Revis announced their sophomore studio album Killing Time in mid-2025, produced by guitarist Robert Davis in collaboration with Holman.[21][22] The album was released on November 7, 2025, via independent label Revis, Inc., featuring singles including "Honey Castle," "Stardust (All Around Us)," "Cool Blacktop," and the title track "Killing Time."[23][24][25] These tracks highlighted an evolution in their post-grunge style, incorporating more polished production while retaining raw emotional intensity.[26] To support the new material, Revis launched a revival tour in 2025, including a performance at Shank Hall in Milwaukee, Wisconsin, on May 22.[27][28] The band also joined Hinder for a series of fall shows, co-billing dates that extended their live presence across the Midwest and beyond.[29][30] As of late 2025, Revis remains active, engaging fans through social media platforms like Instagram (@revissounds) with updates on releases and tour announcements, while distributing music independently to maintain creative control.[31][32]Musical style and influences
Genre classification
Revis is primarily classified as a post-grunge band, emerging from the late-1990s and early-2000s alternative rock scene in the United States.[1][33] This genre positioning aligns with their formation in 1999 and debut album release in 2003, during a period when post-grunge acts revived elements of 1990s grunge with more accessible, radio-friendly production.[34] Their sound fits within the broader rock category, often overlapping with alternative rock and hard rock subgenres.[34] Key characteristics of Revis's music include heavy, explosive guitar riffs, melodic and emotionally charged vocals, and introspective lyrics exploring themes of uncertainty, loss, and personal transformation—hallmarks typical of post-grunge bands such as Nickelback and 3 Doors Down.[35][36] The band's arrangements frequently feature dynamic shifts from acoustic introspection to intense, guitar-driven energy, creating a balance of raw aggression and catchy hooks that emphasize emotional depth over experimental elements.[35] While some observers have debated occasional nu-metal-like heaviness in their riffing, Revis remains firmly rooted in grunge revival traditions, eschewing rap, electronic, or industrial components common in nu-metal.[1] Over time, Revis's style has evolved from the raw, unpolished energy of their 2003 debut Places for Breathing, which achieved moderate chart success with tracks like "Caught in the Rain," to a more refined production in their 2025 release Killing Time.[35][26] This later work maintains the core post-grunge grit and melody but incorporates a polished, heartfelt edge reflective of matured songwriting and contemporary rock recording techniques.[26][37]Key influences
Revis's music emerged from the 1990s grunge and alternative rock movements, drawing heavily on the raw energy and melodic intensity of that era. Critics have noted similarities to Nirvana's Nevermind album, particularly in the grungy texture and emotional delivery that permeated their debut work.[35] This foundation was further shaped by exposure to regional radio stations in southern Illinois during the 1990s, which broadcast a mix of grunge and alternative hits that influenced the band's early sound development.[3] As part of the post-grunge landscape, Revis incorporated melodic hard rock elements common among contemporaries such as Creed and Puddle of Mudd, contributing to a polished yet angst-driven style that emphasized anthemic choruses and guitar-driven riffs.[38] The local music scene in Carbondale, Illinois, played a crucial role in honing their early songwriting, where the band—originally formed as Orco—built a dedicated following through gigs and regional performances before relocating to Los Angeles.[11][5] In their 2020s reformation and releases, Revis has subtly evolved their post-grunge core with added maturity from members' diverse experiences, resulting in a more confident and layered sound on works like the EP Bottles of Lightning and album Killing Time.[3] This shift reflects broader contemporary rock trends while retaining the genre's foundational intensity.[11]Personnel
Current members
The current lineup of Revis as of November 2025 features the original members following their reunion announced on March 15, 2024. Justin Holman serves as lead vocalist (1999–2005, 2010–2012, 2023–present), acting as the band's primary songwriter and frontman.[7][3] Robert Davis handles lead guitar and backing vocals (1999–2005, 2010–2012, 2023–present), and has taken on production duties for the band's recent albums, including the 2025 release Killing Time.[3][21] David Piribauer provides drums (1999–2005, 2010–2012, 2023–present), managing the live percussion dynamics that underpin the band's post-grunge energy.[3] Nathaniel Cox plays rhythm guitar (1999–2005, 2023–present), having rejoined the original lineup to support live performances and recordings.[3][7] Bob Thiemann contributes bass (1999–2005, 2023–present), anchoring the rhythm section for current touring efforts.[3][7] These members collectively shaped the sophomore album Killing Time, released on November 7, 2025, marking a full reunion of the original quintet after prior partial lineups.[21][39]Former members
During the 2010 reunion, Kevin Haaland performed on guitar for live shows, while Brad Smith (of Blind Melon) handled bass for live performances, as original members Nathaniel Cox and Bob Thiemann did not participate.[40] These lineup changes occurred amid internal challenges following the initial breakup, with members departing to pursue individual projects after failed label negotiations.[3]Discography
Studio albums
Revis's debut studio album, Places for Breathing, was released on May 20, 2003, through Epic Records. Produced by Don Gilmore and recorded at NRG Recording Studios in North Hollywood, California, the album features 12 tracks blending post-grunge melodies with introspective lyrics, including standout singles like "Caught in the Rain" and "Seven." Critics praised it as a solid post-grunge debut, with Melodic Net hailing it as "probably the best modern rock album of 2003" for its polished production and emotional depth. Commercially, it debuted at No. 1 on Billboard's Heatseekers chart and sold 10,000 copies in its first week. The band's long-awaited sophomore studio album, Killing Time, arrived on November 7, 2025, as an independent self-release. Co-produced by guitarist Robert Davis and vocalist Justin Holman with consulting from Michael Beinhorn, the 10-track effort revives the group's gritty post-grunge sound, exemplified by tracks such as the title song "Killing Time" and "Honey Castle," which explore themes of resilience and introspection. Early reviews lauded its heartfelt revival of the genre, with Foxfire Magazine describing it as a "gritty, heartfelt revival of post-grunge glory." As of November 18, 2025, no major chart performance data was available. The tracklist is as follows:| No. | Title | Length |
|---|---|---|
| 1 | Killing Time | 3:19 |
| 2 | Honey Castle | 2:41 |
| 3 | Cool Blacktop | 3:23 |
| 4 | Call Me Paranoid | 3:59 |
| 5 | I'm Not Fine | 3:47 |
| 6 | Stardust (All Around Us) | 3:39 |
| 7 | After The End | 3:22 |
| 8 | Heavy Medicine | 4:01 |
| 9 | Today's Are for Dreaming | 3:55 |
| 10 | From the Distance | 4:12 |
Extended plays
Following their 2023 reunion, Revis released Bottles of Lightning, a six-track EP that captured the band's revitalized creative energy after more than two decades away from recording.[11] Self-released digitally on May 2, 2024, via platforms like Spotify and Apple Music, the EP served as an initial showcase of material from the reunion sessions, blending post-grunge hooks with emotional depth to reengage longtime listeners.[42][43] Physical editions, including vinyl LP and CD, followed later in the year through the band's merchandise store, emphasizing a direct-to-fan approach without a traditional label.[43] The EP was written, produced, and mixed in-house by guitarists Nathaniel Cox and Robert Davis during the 2023 collaboration sessions, with contributions from vocalist Justin Holman, bassist Bob Thiemann, and drummer David Piribauer. Running approximately 27 minutes, it features dynamic arrangements that highlight the band's signature alternative rock sound, from driving riffs to layered vocals. The tracklist is as follows:| No. | Title | Length |
|---|---|---|
| 1 | Play for Keeps | 4:36 |
| 2 | Ultraviolet | 3:14 |
| 3 | Taste in the Flash | 5:44 |
| 4 | My Imagination | 4:18 |
| 5 | One More Day | 4:58 |
| 6 | Bottles of Lightning | 4:12 |