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Rob Kinelski

Robert Michael Kinelski (born January 27, 1981) is an American audio engineer, mixer, and renowned for his work in pop, , and urban music genres. Born in , , Kinelski relocated to as a child, graduated from Howell High School, and studied audio engineering at the in . His career began in the mid-2000s as an assistant engineer at in , where he collaborated with artists including , , and , and contributed to Beyoncé's 2006 album , which won a Grammy Award for Best Album. In 2009, Kinelski moved to , where he established himself as a leading mix engineer, working on multi-platinum projects across diverse artists such as (), (Yours Truly), (Everybody), (American Teen), and . His partnership with and producer , starting in 2018, marked a career pinnacle; he mixed their debut album When We All Fall Asleep, Where Do We Go? (2019), earning four in 2020, including , Best Pop Vocal Album, for "bad guy," and Best Engineered Album, Non-Classical. He also won a Grammy for Best Pop Duo/Group Performance for Eilish's "" in 2021. Kinelski's recent collaborations include mixing Karol G's album Mañana Será Bonito (2023), which secured him a win for Best Música Urbana Album at the in 2024 and at the 2023 . He received a nomination for at the 2024 for mixing Anitta's "Mil Veces." As of November 2025, Kinelski has received nominations for the 68th Annual Grammy Awards. Other notable credits encompass , , , , , , , and , showcasing his versatility in vocal processing, , and dynamic control. With over 200 projects in his , Kinelski continues to influence modern music production through his engineering expertise and mentorship at platforms like PureMix.

Early life and education

Upbringing in New York and New Jersey

Rob Kinelski was born on January 27, 1981, in , . His family, including parents Marilyn Dobbin Kinelski and Ken Kinelski, relocated to , when he was a young child, where he spent the majority of his formative years. During his upbringing in Howell, Kinelski developed an early interest in music through local educational influences, particularly by studying fine and at Howell High School. He graduated from Howell High School, honing self-taught skills in creative expression without formal professional training in audio engineering at that stage. This period laid the groundwork for his passion for music, shaped by the suburban environment and school-based artistic pursuits. Kinelski's move toward professional audio engineering began with his enrollment at the in , marking a key transition from his self-directed early explorations.

Formal education and initial influences

Kinelski grew up in , which provided a stable base for his pursuit of audio education in nearby . He enrolled at the in around 2002 to study audio engineering through the school's program, which emphasized practical training in recording and production techniques. He graduated from the program, ready to apply these fundamentals in professional environments. Kinelski's initial musical influences stemmed from his high school years playing bass in a rock band on Shore, where he also began producing demos in local studios. This exposure during his education inspired his versatility, motivating him to explore diverse production styles early on.

Career

Beginnings at Sony Studios

Following his graduation from the in , Rob Kinelski entered the professional by securing an entry-level position at in around 2006. Initially hired as a runner and general assistant, he quickly advanced to assistant engineering duties on high-profile sessions, operating equipment like SSL and Neve consoles in a bustling environment that handled major label productions. Kinelski's early roles involved supporting sessions for prominent hip-hop and R&B artists, including and , where he assisted with recording and tracking elements such as beats and vocals. His first major credit came on Beyoncé's sophomore album B’Day (2006), for which he served as assistant engineer on multiple tracks, including "Suga Mama" and contributions to recordings at in . This project, which earned Grammy recognition for its blend of R&B and pop, exposed him to collaborative workflows with top producers and performers during a peak era for the genres. The high-pressure atmosphere at Studios during the mid-2000s hip-hop and R&B boom presented significant learning opportunities alongside challenges, as Kinelski navigated demanding client revisions—often requiring adjustments as precise as a quarter of a on analog consoles—and adapted to the fast-paced demands of major label deadlines. He has recalled assisting on a couple of B’Day tracks as a pivotal "," where he absorbed techniques from veteran head engineers, honing his skills in under intense scrutiny that built his foundational expertise in audio . These experiences at , which closed in 2007, solidified his transition from novice to credited professional in New York's competitive studio scene.

Relocation to Los Angeles and key mid-career projects

In 2009, Rob Kinelski relocated from to to access a wider array of production opportunities and establish himself in the competitive music scene. This move allowed him to transition from assistant engineering roles to more prominent mixing and production positions, leveraging the vibrant and pop ecosystems in . His foundational skills honed in New York studios provided the technical independence needed for this shift. Upon arriving in Los Angeles, Kinelski joined the production collective Cocaine 80s, founded by No I.D. in 2011, where he served as an engineer and mixer alongside members like Common and James Fauntleroy. The group focused on experimental hip-hop and R&B, releasing projects such as the EP The Flower of Life (2012), which showcased Kinelski's contributions to soulful, layered soundscapes. Through these affiliations, he began mixing for high-profile artists, including engineering tracks on J. Cole's debut album Cole World: The Sideline Story (2011) and additional engineering on Rihanna's Unapologetic (2012), helping to refine his approach to vocal-heavy, genre-blending productions. Key mid-career projects further solidified Kinelski's reputation in the . He handled mixing duties for Big Sean's third studio Dark Sky Paradise (2015), which debuted at number one on the and featured collaborations with artists like and , emphasizing Kinelski's ability to balance dense arrangements with polished pop accessibility. Similarly, his work on Lil Dicky's debut Professional Rapper (2015) highlighted his versatility in comedic, narrative-driven , mixing tracks that integrated humor with intricate beats and guest features from artists like . During this period, Kinelski's mixing style evolved to incorporate influences from pop, , and alternative genres, prioritizing innovative techniques that enhanced clarity, groove, and emotional depth in diverse tracks. This approach allowed him to adapt to varied artistic visions while maintaining a signature focus on and spatial imaging, as seen in his handling of multi-genre elements in productions and solo artist collaborations.

Breakthrough and ongoing major collaborations

Kinelski's breakthrough came in 2018 through his close collaboration with and her brother/producer , where he mixed the majority of their subsequent releases, including the debut album When We All Fall Asleep, Where Do We Go? (2019), which earned him four in 2020, including , for "bad guy," Best Pop Vocal Album, and Best Engineered Album, Non-Classical. This partnership established Kinelski as a key figure in modern pop production, emphasizing minimalist and intimate soundscapes that aligned with the duo's bedroom-recording aesthetic. Expanding into urban pop, Kinelski mixed Karol G's album (2023), including the title track featuring , contributing to its global success and a 2024 Grammy win for Best Música Urbana Album. His work on this project highlighted his adaptability to and Latin rhythms, blending polished mixes with energetic dynamics. In 2024, Kinelski advanced his technical capabilities by launching a dedicated home studio with a 7.1.4 immersive mixing setup featuring Amphion monitors, including ThreeWay Two18s for the front stage, One18s for surrounds, and One15s for heights, powered by Amphion's Amp400 amplifiers. This configuration allows for flexible stereo-to-Atmos transitions and precise spatial audio rendering, enhancing his production for contemporary releases. Kinelski's ongoing collaborations into 2025 continue to span pop and alternative genres, with mixes for Joji's tracks like "Gimme Love," "Sanctuary," and "Daylight" (feat. ) from the album (2020), Ariana Grande's Eternal Sunshine (2024), and NewJeans' single "" (2024). These projects underscore his sustained influence in high-profile, genre-blending productions.

Mixing discography

Albums and EPs

Rob Kinelski has established himself as a key mixer for full-length albums and EPs across pop, , and urban genres, often shaping their distinctive sonic landscapes through meticulous attention to clarity and emotional depth. His collaborations frequently stem from his mid-career base in , where he partnered with producers like and Ovy on the Drums to elevate emerging artists' visions. For Billie Eilish's debut album When We All Fall Asleep, Where Do We Go? (2019), Kinelski handled the full album mix, contributing to its intimate, whispery production and innovative use of space that propelled it to global acclaim. His approach emphasized simplicity and rule-breaking techniques, such as unconventional panning and reverb, to capture the album's eerie, minimalist aesthetic. On Eilish's follow-up (2021), Kinelski served as the primary mixer for all tracks, refining the album's dynamic shifts from soft ballads to explosive rock elements while maintaining vocal intimacy and spatial balance. This work enhanced the record's raw emotional texture, drawing on his established rapport with Eilish and Finneas to integrate live instrumentation seamlessly. Kinelski mixed multiple tracks on Big Sean's (2015), including lead singles like "I Don't F**k With You," where his contributions bolstered the album's polished sound with crisp beats and layered vocals. His mixing on tracks such as "One Man Can Change the World" helped define the project's introspective yet anthemic vibe. For Karol G's (2023), Kinelski provided album-wide mixing that amplified its vibrant urban pop essence, blending rhythms with melodic hooks for a cohesive, high-energy flow. His techniques ensured vocal prominence amid dense instrumentation, supporting the album's breakthrough in markets. Among other notable projects, Kinelski mixed Alessia Cara's debut (2015), infusing its soulful pop tracks with warmth and immediacy that highlighted her confessional style. Similarly, on Alexander 23's EP (2019), he crafted a clean, emotive mix that underscored the project's lo-fi intimacy. Kinelski mixed multiple tracks on Jessie Murph's album Sex Hysteria (2025), contributing to its pop sensibilities with focused vocal clarity and dynamic range.

Selected singles and features

Rob Kinelski handled the mixing for the 2019 remix of Billie Eilish's "" featuring , adapting the original track's sparse production to incorporate Bieber's verse while maintaining its minimalist aesthetic. The remix debuted at number 2 on the , contributing to the song's overall success by boosting streams and sales during Eilish's debut album era. In 2020, Kinelski mixed Billie Eilish's "No Time to Die," the theme song for the James Bond film of the same name, emphasizing its orchestral elements and haunting vocals in collaboration with producer Finneas O'Connell. The single debuted at number 16 on the Billboard Hot 100 and reached number 1 on the UK Singles Chart, later winning the Academy Award for Best Original Song in 2021. Kinelski served as the for and Nicki Minaj's 2019 collaboration "Tusa," blending rhythms with flows to create a global anthem of empowerment. The track debuted at number 1 on the chart and peaked at number 42 on the Hot 100, marking a significant crossover hit with over 2 billion streams worldwide. For the 2022 single "My G" by Aitch featuring , Kinelski mixed the pop-rap hybrid, balancing Sheeran's melodic hooks with Aitch's influences for a radio-friendly sound. It peaked at number 3 on the , showcasing Kinelski's versatility in contemporary British pop-rap. Kinelski mixed 5 Seconds of Summer's 2022 single "Older" featuring Sierra Deaton, from their album 5SOS5, focusing on its introspective pop-rock arrangement and emotional depth. As a recent example of his work, the track highlighted his ongoing collaborations with established pop acts. Kinelski mixed the 2024 EP How Sweet by NewJeans, enhancing its fresh K-pop sound with precise stereo imaging and vocal balance.

Awards and nominations

Grammy Awards

Rob Kinelski has received multiple nominations and wins at the , primarily in categories recognizing engineering, production, and pop/urban music achievements. His first major recognition came at the in 2020, where he contributed to Billie Eilish's debut album When We All Fall Asleep, Where Do We Go?. For this project, Kinelski shared wins in for the single "," Album of the Year, Best Engineered Album, Non-Classical, and Best Pop Vocal Album. These victories highlighted his mixing and engineering work alongside and John Greenham, marking a sweep in key categories for the bedroom-recorded project. At the in 2021, Kinelski earned another win in for Billie Eilish's single "," where he served as engineer and mixer with and John Greenham. This accolade reinforced his role in crafting Eilish's signature intimate sound. The following year, at the in 2022, Kinelski received nominations for and for Eilish's , though the awards went to other projects. Kinelski's contributions extended beyond pop into urban music at the 66th Annual Grammy Awards in 2024, where he won Best Música Urbana Album for Karol G's as engineer and mixer. He was also nominated that year for for "What Was I Made For?" from the soundtrack, performed by . For the 67th Annual Grammy Awards in 2025, Kinelski had no nominations tied to recent projects such as Billie Eilish's Hit Me Hard and Soft, on which he did not serve as mixer.

Latin Grammy Awards and other honors

Kinelski received his first Latin Grammy nomination in 2020 for Record of the Year for his mixing work on "Tusa" by Karol G featuring Nicki Minaj. The track, a global hit blending reggaeton and pop elements, highlighted his ability to craft polished, cross-cultural sounds that resonated internationally. In 2023, Kinelski earned a Latin Grammy win for as mixer on Karol G's , a landmark release that became the first all-Spanish-language album by a female artist to top the 200. His contributions to the album's sonic clarity and were integral to its critical and commercial success, underscoring his role in elevating Latin urban on a worldwide stage. This achievement built on his prior Grammy successes, forming a trajectory of recognition across major awards bodies. Kinelski garnered another Latin Grammy nomination in 2024 for on "Mil Veces" by Anitta, showcasing his continued influence in blending electronic and Latin rhythms for immersive, dance-oriented productions. His mixing brought depth and vibrancy to the track's fusion of and pop, contributing to its appeal in diverse markets. Beyond Latin Grammys, Kinelski has been honored for his broader industry impact. At Puremix, where he serves as a mentor, his tutorials on hybrid mixing and vocal processing have earned acclaim for guiding emerging engineers toward professional workflows, drawing from his experience with high-profile releases. Music has endorsed his use of their gear, such as the 2-Bus+ summing system, in feature articles that credit it for enabling the analog warmth in his multi-platinum mixes. In 2024, industry publications recognized his innovations in immersive mixing, particularly his adoption of a 7.1.4 Amphion setup for projects, which enhanced spatial audio for artists like and positioned him at the forefront of evolving production standards.

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