Robert Daws
Robert Daws (born 4 May 1959) is an English actor and crime fiction author renowned for his extensive work in television, stage, and film, as well as for creating the Sullivan and Broderick murder mystery series set in Gibraltar.[1][2][3] Daws began his acting career in the 1980s, gaining prominence through comedic and dramatic roles in British television. His breakthrough came with the role of Tuppy Glossop in the ITV series Jeeves and Wooster (1990–1993), where he portrayed the bumbling yet endearing friend of P.G. Wodehouse's protagonist.[1] He later starred as Dr. Gordon Ormerod in the long-running medical drama The Royal (2003–2011), a spin-off of Heartbeat, appearing in over 80 episodes and earning acclaim for his portrayal of the compassionate hospital administrator.[1][4] Other notable television roles include Roger Dervish in the sitcom Outside Edge (1994–2003), for which he received a nomination for the British Comedy Award for Best TV Comedy Actor in 1995, Dr. Choake in the BBC period drama Poldark (2015–2019), and Chief Constable Hector Lowsley in Sister Boniface Mysteries (2022–present).[2][5] Daws has also appeared in films such as Swimming with Men (2018), where he played Michael Blore, and The Piper (2023), where he starred as Peter Weiss, and has maintained an active stage presence, including performances in West End productions.[2][1] In addition to acting, Daws has established himself as a bestselling author in the crime fiction genre. His debut novella, The Rock (2012), introduced detectives DS Tamara Sullivan and DCI Gus Broderick investigating a murder linked to Gibraltar's colonial past, blending historical intrigue with modern policing.[6] This was followed by The Poisoned Rock (2016), which uncovers wartime secrets and tests the detectives' partnership, and The Killing Rock (2018), a tale of family massacre and mummified remains that became a #1 bestseller.[6][7] In 2020, he released Echo Rock: A Rock Ghost Story, shifting to supernatural elements while retaining the Gibraltar setting and Sullivan as the protagonist.[6] Daws often narrates the audiobooks of his works, leveraging his acting background for immersive storytelling.[8] On a personal note, Daws has been married to actress Amy Robbins since February 2003, with whom he has two children; he was previously married to actress Amanda Waring.[2] Born in Leigh-on-Sea, Essex, he continues to balance his careers in acting and writing, contributing to various television projects and expanding his literary output.[1]Early life and education
Upbringing
Robert Daws was born on 4 May 1959 in Leigh-on-Sea, Essex, England.[9] His first home was a modest chalet in the coastal town, where he grew up with one younger brother, Michael, and two younger sisters, Katie and Jo.[10] Daws faced significant health challenges from birth, having been born with two club feet, which required numerous corrective operations. He spent the first five years of his life at Rochford Hospital in Essex, an experience that marked his early childhood in the post-war era of suburban expansion and community resilience along the Essex coast.[10] His initial interest in the performing arts emerged during childhood through local theater involvement; one of his earliest roles was playing the back end of a camel in a production of Aladdin at the Westcliff Palace Theatre, where he earned his first wages of £17.50.[10] This exposure to stage performance in the vibrant seaside community of Leigh-on-Sea helped foster his passion for acting, paving the way for formal dramatic training later in his youth.Training at RADA
Robert Daws trained at the Royal Academy of Dramatic Art (RADA), completing his acting diploma by the age of 20 in 1979.[11] His time at the institution provided a foundational education in dramatic arts, aligning with his longstanding passion for performance that had emerged during his youth.[11] At RADA, Daws encountered notable figures such as director Tom Wilkinson, who introduced him to P.G. Wodehouse's Right Ho, Jeeves and ignited his appreciation for comedic writing.[12] The curriculum included musical elements, where he earned an award, though he later recalled struggling with the dance requirements.[12] RADA's emphasis on classical theater techniques, including verse speaking and period styles, formed a core part of his preparation, fostering precision in delivery and emotional depth.[9] Following graduation, Daws secured his initial professional roles at Derby Playhouse in 1980, marking the launch of his stage career.[13] He was cast as understudy to the lead in J.P. Donleavy's The Ginger Man but performed the role throughout its full run, gaining early confidence in lead performances.[9] That season also featured him in Bram Stoker's Dracula, Joe Orton's Loot, and Richard Brinsley Sheridan's The School for Scandal, showcasing his emerging range across horror, farce, and Restoration comedy.[13] The comprehensive approach at RADA profoundly influenced Daws' acting style, honing his abilities in improvisation and character development to support seamless transitions between comedic timing and dramatic nuance.[12] This versatility, rooted in the academy's balanced curriculum, allowed him to tackle diverse genres from the outset, blending technical discipline with creative spontaneity.[9]Acting career
Early and breakthrough roles
Following his graduation from the Royal Academy of Dramatic Art (RADA) in the early 1980s, Robert Daws secured his first professional engagements at the Derby Playhouse in 1980, where he appeared in a season of productions including a stage adaptation of Bram Stoker's Dracula, Joe Orton's Loot, and Richard Brinsley Sheridan's The School for Scandal.[13] Reflecting on his initial arrival at the venue, Daws recalled the disorientation of navigating the city, noting, “I thought ‘I’m lost, I’m going to be late.’ Then someone said ‘you want the Eagle Centre.’ I think the theatre was heavily disguised as a supermarket and then I found this lovely Playhouse. I had a marvellous time.”[13] These repertory theater roles provided foundational experience in classical and modern works, honing his versatility in supporting parts shortly after his RADA training, which emphasized rigorous dramatic technique as preparation for professional demands.[13] Daws continued building his stage presence with appearances in London productions, notably joining the cast of On Your Way, Riley! at the Theatre Royal Stratford East in 1982, alongside Brian Murphy and Maureen Lipman in this musical adaptation of songs by Alex Glasgow.[14] The play, which explored working-class life through a lens of humor and pathos, marked one of his early credits in the capital's theater scene and showcased his emerging comedic timing in ensemble settings.[14] Transitioning to television, Daws made his early screen impact with a recurring role as Hubert de Giscard, a herald to King John, in the ITV fantasy series Robin of Sherwood across two episodes in 1985 ("The Greatest Enemy") and 1986 ("The Sheriff of Nottingham").[15] This medieval adventure series, known for its mystical take on the Robin Hood legend, offered Daws supporting appearances that highlighted his ability to portray authoritative yet scheming characters, bridging his theater background to broadcast work.[15] Daws' breakthrough came in 1990 with his casting as the boisterous and impulsive Tuppy Glossop in the ITV adaptation of P.G. Wodehouse's Jeeves and Wooster, appearing across all four series (1990–1993) in multiple episodes as the hapless suitor and friend to Bertie Wooster.[16] Played opposite Hugh Laurie and Stephen Fry, the role of the lovelorn, food-obsessed aristocrat Tuppy established Daws' reputation for comic character work in British television, transitioning him from minor supporting parts to a prominent recurring presence in a critically acclaimed period comedy.[16]Major television series
One of Robert Daws' breakthrough sustained television roles came in the British sitcom Outside Edge, where he portrayed Roger Dervish across three series from 1994 to 1996.[17] As the uptight captain of the amateur cricket club Brent Park, Dervish is depicted as a traditionalist who obsesses over the game, treating matches with intense seriousness while navigating comedic tensions in his marriage to the more laid-back Miriam, played by Brenda Blethyn.[18] This role highlighted Daws' skill in portraying domestic dynamics, contributing to the series' focus on contrasting couple relationships within the suburban cricket community, which earned praise for its gentle humor and relatable character interactions.[19] Daws continued his prominence in ensemble comedies with the role of Sam Mountjoy in Roger Roger, a BBC comedy-drama series created by John Sullivan that aired a pilot in 1996 and three series from 1998 to 2003.[20] Mountjoy serves as co-owner of the chaotic mini-cab firm Cresta Cabs, where his pragmatic yet exasperated leadership drives the narrative amid the firm's mishaps and interpersonal rivalries.[20] The character's development underscores themes of working-class camaraderie and absurdity in urban service life, enhancing the series' impact as a successor to Sullivan's Only Fools and Horses style of character-driven humor. Shifting to drama, Daws played Dr. Gordon Ormerod in the ITV medical series The Royal from 2003 to 2011, spanning eight series as a spin-off from Heartbeat.[4] Ormerod, a dedicated GP and anaesthetist at St. Aidan's Royal Free Hospital in 1960s Yorkshire, evolves from a steadfast professional to a family man after marrying Dr. Jill Weatherill (Amy Robbins, Daws' real-life wife) in series 4, with their relationship adding emotional depth amid hospital crises and patient stories. The role's arc culminates in the finale, where Ormerod fights for survival after a stabbing, underscoring the series' blend of medical procedural elements and period drama that attracted a loyal audience for its character-focused storytelling.[21] In more recent years, Daws has taken on the recurring role of Chief Constable Hector Lowsley in the BBC's Sister Boniface Mysteries, starting in 2022 and continuing through 2025. As the authoritative yet collaborative police leader in the 1960s Great Slaughter, Lowsley supports the amateur sleuthing of Sister Boniface (Lorna Watson), with his character developing layers of vulnerability, including personal strains revealed in team-building scenarios during season 4.[22] This ongoing portrayal has contributed to the series' success as a light-hearted mystery spin-off from Father Brown, emphasizing Lowsley's evolving rapport with the ensemble and the show's nostalgic appeal.Film, stage, and audio work
Robert Daws has maintained a diverse career in film, showcasing his versatility across genres including comedy, horror, and drama. In the 2018 comedy Swimming with Men, directed by Oliver Parker, Daws portrayed Michael Blore, the stern boss of protagonist Eric Scott (played by Rob Brydon), in a story centered on a group of middle-aged men forming a synchronized swimming team to cope with personal crises. His performance contributed to the film's lighthearted exploration of male vulnerability and camaraderie, earning positive notes for the ensemble dynamics.[23] Shifting to horror, Daws appeared in The Unfolding (2016), a found-footage thriller directed by Eugene McGing, where he played a supporting role amid a narrative of paranormal events and nuclear paranoia unfolding in an isolated Dartmoor house.[24] The film blended supernatural horror with psychological tension, highlighting Daws' ability to convey unease in low-budget, atmospheric settings.[25] More recently, in the 2023 horror film The Piper, directed by Anthony Waller, Daws took on the role of Peter Weiss in a modern retelling of the Pied Piper legend, involving a restless spirit targeting a family in Hamelin for past sins.[26] This supernatural drama emphasized themes of guilt and retribution, with Daws' character adding depth to the ensemble's unraveling secrets.[27] On stage, Daws has excelled in both ensemble and solo performances, often embracing the demands of touring productions that allow for fresh audience interactions each week. He starred as Dr. John Watson opposite Peter Egan's Sherlock Holmes in the 2010 West End revival of The Secret of Sherlock Holmes at the Duchess Theatre, running from July to September, where his sympathetic portrayal brought emotional nuance to the duo's partnership in Jeremy Paul's two-hander exploring Holmes' later years.[28] The production's intimate focus on the detectives' relationship rewarded Daws with opportunities to delve into character psychology through live dialogue, contrasting the immediacy of theatre with pre-recorded screen work. In recent years, he has toured in the one-man show Wodehouse in Wonderland (premiering in 2022), written by William Humble, portraying P.G. Wodehouse in a biographical performed reading that weaves the author's life, wit, and songs by composers like Jerome Kern and Cole Porter.[29] This touring format, which Daws has described as offering "every week is a first night" with diverse audiences across UK theatres, highlights the rewards of live performance's energy and variety, though it presents challenges like anti-social hours and time away from family.[9][30] Daws' audio and radio work further demonstrates his vocal range and collaborative spirit, often in scripted series that echo the character-driven narratives of his stage roles. He co-created and starred as the sharp-witted Detective Inspector Trueman in the BBC Radio 4 series Trueman and Riley, alongside Duncan Preston as the bumbling Riley, across three series from 2007 to 2012, tackling Leeds-based crimes with humor and banter in episodes like "Every Dog Has His Day." The format's reliance on voice alone allowed Daws to emphasize comic timing without visual cues, a rewarding shift from screen acting's physical demands. In 2024, he voiced The Quartermaster (and Howard) in Sunstrike, the opening story of Big Finish Productions' Doctor Who: The Twelfth Doctor Chronicles – You Only Die Twice, featuring Jacob Dudman as the Twelfth Doctor in a tale of time manipulation and cosmic threats.[31] This audio adventure underscored Daws' adaptability to ensemble voice work in expansive sci-fi narratives, building on his television success to access such specialized projects.[32]Literary career
Entry into writing
Daws began his writing career in the mid-1980s, where he authored two stage plays, Out to Lunch and Paris, both produced at the New End Theatre in Hampstead.[33] These early scriptwriting efforts drew directly from his acting experiences in theater, allowing him to explore character dynamics and dialogue informed by live performances.[34] In 2002, Daws co-created the long-running BBC Radio detective series Trueman and Riley alongside writer Brian B. Thompson, starring as the lead detective DI Trueman across three series broadcast on BBC Radio 4 and later Radio 7.[35] The series' crime fiction focus reflected his growing interest in the genre, sparked by roles in television mysteries like Midsomer Murders.[11] Throughout the early 2010s, Daws balanced his established acting career—spanning television, stage, and voice work—with writing, viewing it as a complementary creative outlet rather than a replacement.[11] This period culminated in his shift to prose, as he diversified his professional pursuits.[36] His choice of crime fiction for novels stemmed from a lifelong fascination with the form, further shaped by his experiences traveling to locations like Gibraltar, which provided authentic settings and cultural insights.[37][38]Gibraltar crime novels
Robert Daws' Gibraltar crime novels form a trilogy of novellas featuring Detective Sergeant Tamara Sullivan, a London Metropolitan Police officer temporarily exiled to the Royal Gibraltar Police, and her partner, the experienced local Detective Chief Inspector Gus Broderick. The series, set against the unique backdrop of Gibraltar as a British Overseas Territory, blends contemporary murder investigations with historical intrigue tied to the Rock's colonial past, wartime espionage, and cultural tensions between British expats and the Spanish border. Daws' affinity for Gibraltar, stemming from a 30-year association with the territory where he has frequently visited and contributed to events like the Gibraltar International Literary Festival, inspired the setting, which he describes as one of his favorite places due to its vibrant history and strategic location overlooking the Strait.[39][3] The inaugural novel, The Rock (2012), introduces the protagonists as they probe the apparent suicide of a young constable in the present day, uncovering links to a 1966 murder in a colonial house and secrets from Gibraltar's mid-20th-century espionage era. Published initially by Urbane Publications, it establishes the series' focus on the Rock's layered social dynamics, including expat isolation and local loyalties. The sequel, The Poisoned Rock (2016), deepens the exploration of Gibraltar's World War II history when a poisoned expatriate's death reveals wartime sabotage and smuggling networks still echoing in modern-day crimes, highlighting themes of betrayal and cultural hybridity in the territory's British-Spanish relations. This installment, also from Urbane, expands on Sullivan's adjustment to Gibraltar's sunlit yet insular environment and Broderick's deep-rooted knowledge of its undercurrents.[6][40] The trilogy concludes with The Killing Rock (2020), published by Hobeck Books, where a family's massacre on the nearby Costa del Sol intertwines with the unearthing of a mummified body on a Gibraltar construction site, escalating personal stakes for Sullivan and Broderick as they confront a killer exploiting the territory's porous borders and historical grudges. Republished under Hobeck Books, the series maintains its emphasis on heightened tension and resolution, weaving in motifs of territorial intrigue and the psychological toll of policing a small community rife with expat secrets. Throughout, Daws incorporates authentic details of Gibraltar's daily life, from its bustling border queues to hidden tunnels, to underscore the interplay between past atrocities and present-day mysteries.[41] The novels have received positive acclaim for their evocative portrayal of Gibraltar, with international bestselling crime author Peter James praising Daws for "brilliantly and vividly bring[ing] Gibraltar into the glare of contemporary crime-busting searchlights." Crime writer Adam Croft likened the series to the works of John le Carré and Ian Rankin, noting its intelligent plotting and atmospheric tension, while actor Hugh Fraser commended its "gripping climax." By 2025, the trilogy has solidified Daws' reputation as a versatile author, with the books contributing to his status as a bestselling writer in the crime fiction genre, particularly among readers interested in overseas territory settings.[3]Personal life
Marriage and family
Robert Daws married actress Amy Robbins in February 2003. The couple met during the first read-through for the ITV medical drama The Royal, where they co-starred as on-screen spouses Dr. Gordon Ormerod and Dr. Jill Weatherill; their professional partnership quickly evolved into a personal relationship after several months of friendship.[42][43] Together, Daws and Robbins have two daughters: Elizabeth Kate, born in June 2003, and May, born in November 2005. Daws also has a son, Benjamin, born in July 2000, from his earlier marriage to actress Amanda Waring.[44][45] The pair's marriage has fostered ongoing professional collaborations, including their lead roles in the 2016 stage thriller Rehearsal for Murder, produced by Bill Kenwright. This synergy has enabled mutual support in the entertainment industry, allowing them to select projects that align with family priorities.[46][43] To balance demanding acting schedules with parenting, Daws and Robbins often worked in tandem during The Royal's production, filming for six months annually in Leeds while integrating their young children into the routine—frequently bringing them to the set and relying on trusted childcare support during shoots. This approach has been described by Daws as "priceless" for maintaining family closeness amid career demands.[47]Later residence and interests
In the early 2000s, Robert Daws relocated to Ampthill, Bedfordshire, where he has resided in an Edwardian villa since at least 2000, drawn to the area's family-friendly environment and countryside surroundings.[48][49] He has been frequently observed walking in the local landscape with his family, reflecting a settled domestic life that supports his professional pursuits.[48] Daws maintains a strong affinity for Gibraltar, his favorite destination, which he has visited regularly for over 30 years; these trips have inspired the settings for his crime novels, though he does not reside there.[37][39] His preferred spot in Gibraltar is Europa Point, where he appreciates the blend of history, geography, and culture.[38] Among his personal interests, Daws enjoys golf, though he humorously notes the sport's challenges for him, and he actively participates in community activities in Ampthill, including compering the town's first Proms concert in 2009 and co-founding the Ampthill Literary Festival, where he has headlined events.[50][51][52] Additionally, he serves as patron of CHUMS Charity, a Bedfordshire-based organization supporting mental health services, and has promoted its initiatives through public messages and fundraising events as recently as 2025.[53][54]Filmography
Film roles
Daws has appeared in several feature films throughout his career, with roles often portraying authoritative or eccentric characters in varied genres from political satire to horror.- 2006 - Land of the Blind: Played Jones, a loyal prison guard in a dystopian society where an idealistic soldier challenges the authoritarian regime.
- 2016 - The Unfolding: Portrayed Professor Chessman, a skeptical academic assisting in the investigation of supernatural occurrences at a remote manor house.
- 2017 - Amazon Adventure: Depicted Charles Darwin, the renowned naturalist, in this IMAX documentary recounting explorer Henry Walter Bates' journey through the Amazon rainforest.
- 2018 - Swimming with Men: Acted as Michael Blore, a member of an all-male synchronized swimming team helping a midlife crisis-stricken accountant find purpose.
- 2023 - The Piper: Starred as Peter Weiss, a sinister figure tied to the Pied Piper legend in a horror film where a family uncovers dark secrets in their new town.
- TBA - The Chelsea Cowboy: Set to play Tony Block in this biographical drama about the rise and fall of underworld figure John Bindon, who transitioned to acting in the 1960s and 1970s.
Television roles
Robert Daws has appeared in numerous television series and guest roles throughout his career, often portraying comedic or authoritative characters in British productions.[2] His early notable role was as Tuppy Glossop in the ITV adaptation of Jeeves and Wooster (1990–1993), appearing in 8 episodes across multiple seasons.[55] In the sitcom Outside Edge (1994–1996), Daws played the gruff cricketer Roger Dervish in the first three series, contributing to 22 episodes.[17] He portrayed cab firm owner Sam Mountjoy in John Sullivan's comedy Roger Roger (1998–2003), starring in all three series for a total of 20 episodes. One of his longest-running roles was as Dr. Gordon Ormerod in the medical drama The Royal (2003–2011), a spin-off of Heartbeat, where he appeared in 87 episodes over eight series.[56] Daws guest-starred as Tom 'The Tank' Hughes in the soap opera Coronation Street in 2010, appearing in 4 episodes. In the historical drama Poldark (2015–2019), he played the eccentric physician Dr. Thomas Choake in series 1–4, featuring in 9 episodes.[57] He took on the role of the hapless doctor Shank in the dark comedy Sick Note (2017–2018), appearing in 7 episodes over two seasons.[58] More recently, Daws has portrayed Chief Constable Lowsley in the spin-off series Sister Boniface Mysteries (2022–present), with ongoing appearances in multiple episodes as of 2025. In 2025, he appeared as Winston Churchill in the two-part miniseries Outrageous.[59] Other guest spots include Hamish Rafferty in Midsomer Murders (2005, 1 episode) and various one-off roles in series such as Doc Martin, New Tricks, Holby City, and Wyant Bridge in The Man Who Fell to Earth (2022, 3 episodes).[2]Stage credits
Robert Daws began his professional stage career shortly after graduating from the Royal Academy of Dramatic Art in 1980, with initial roles at Derby Playhouse, including a stage adaptation of Bram Stoker's Dracula.[13] His early work encompassed a range of repertory theatre productions, establishing a foundation for his later prominence in West End and touring comedies. Over the decades, Daws has built a reputation for versatile performances in both classic revivals and contemporary plays, often earning critical acclaim for his comic timing and character depth. Notable among these are nominations for Best Actor at the Manchester Evening News Theatre Awards for leading roles in Alarms and Excursions (2011) and Blackbird (2008).[60] Daws' stage credits highlight his affinity for British comedy and dramatic roles, with frequent collaborations on works by Alan Ayckbourn and appearances in one-man shows that showcase his solo prowess. Key productions include West End runs in political satire and literary adaptations, alongside extensive UK tours that brought his performances to regional audiences. His work up to 2025 demonstrates a sustained commitment to live theatre, blending humor with poignant character studies.| Year | Title | Role | Venue/Notes |
|---|---|---|---|
| 1980 | Dracula (adaptation) | Unspecified ensemble | Derby Playhouse, UK repertory debut.[13] |
| 1982 | On Your Way, Riley! | Unspecified | UK stage production with Brian Murphy and Maureen Lipman.[61] |
| 2006 | Summoned by Betjeman | John Betjeman | UK tour; one-man show by Christopher Matthew, portraying the poet laureate.[60] |
| 2008 | Blackbird | Ray | UK tour, including Oxford Playhouse; David Harrower's drama; Manchester Evening News Theatre Award nomination for Best Actor.[62][60] |
| 2009 | Public Property | Geoffrey Hammond | Trafalgar Studios, West End; Sam Peter Jackson's comedy-drama.[63] |
| 2010 | The Secret of Sherlock Holmes | Dr. John Watson | Duchess Theatre, West End; opposite Peter Egan as Sherlock Holmes; Jeremy Paul's two-hander revival.[64] |
| 2011 | Alarms and Excursions | Leading role (multiple characters) | UK tour, including Theatre Royal Windsor; Michael Frayn's comedy on technology; Manchester Evening News Theatre Award nomination for Best Actor.[65][60] |
| 2012 | Yes, Prime Minister | Jim Hacker | Trafalgar Studios, West End (transfer from Chichester Festival Theatre 2010); Antony Jay and Jonathan Lynn's political satire.[66] |
| 2014 | The Perfect Murder | Victor Smiley | UK tour, including New Wimbledon Theatre; Peter James' thriller adaptation.[67] |
| 2017 | How the Other Half Loves | Frank Foster | UK tour, including Theatre Royal Windsor; Alan Ayckbourn's farce, first production by Bill Kenwright's Classic Comedy Company.[68] |
| 2019–2020 | Ten Times Table | Ray | UK tour, opening at Theatre Royal Windsor; Alan Ayckbourn's committee satire, inaugural production by Bill Kenwright's Classic Comedy Company.[69] |
| 2022–2025 | Wodehouse in Wonderland | P.G. Wodehouse | UK tours (premiere 2022), Tabard Theatre, London (July 2025), Edinburgh Fringe (August 2025); one-man show by William Humble, directed by Robin Herford; celebrates the author's life and works including Jeeves and Wooster.[70][71] |
Audio credits
Robert Daws has contributed to numerous audio productions, showcasing his versatile voice acting in radio dramas, full-cast audiobooks, and narrations. His work spans BBC radio series, Big Finish Productions' Doctor Who audio adventures, and personal narrations of his own writing.[72][73][74] In the BBC Radio 4 Extra crime series Trueman and Riley (2007–2010), Daws starred as the gruff Detective Inspector Trueman alongside Duncan Preston as Detective Sergeant Riley, across three series totaling 18 episodes written by Brian B. Thompson. The show, which Daws co-created, follows the bickering Leeds-based detectives solving cases with humor and tension.[72][75] Daws has voiced multiple characters in Big Finish Productions' Doctor Who audio range, including:- Anvar in The War Master: Only the Good (2017), a Time War-era story featuring Derek Jacobi as the Master.[76]
- The Royal in Doctor Who: The Early Adventures – The Dalek Occupation of Winter (2018), a First Doctor adventure with David Bradley.[77]
- Sir Basil Hexworthy in Doctor Who: The Third Doctor Adventures – Volume 08 (2022), opposite Tim Treloar as the Third Doctor.[78]
- Timble Feebis and Thug 2 in Doctor Who: Classic Doctors, New Monsters – Volume 3: The Stuff of Nightmares (2022), featuring Tom Baker as the Fourth Doctor.[79]
- The Quartermaster in Doctor Who: The Twelfth Doctor Chronicles – Volume 03: You Only Die Twice – Sunstrike (2024), with Jacob Dudman voicing the Twelfth Doctor in a Time Agency thriller.[31]
Bibliography
- ''The Rock'' (2012)[6]
- ''The Poisoned Rock'' (2016)[6]
- ''The Killing Rock'' (2018)[6]
- ''Echo Rock: A Rock Ghost Story'' (2020)[6]