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Rog

Rog (transl. Malady) is a 2005 Indian Hindi-language film written by and directed by Himanshu Brahmbhatt in his directorial debut. Produced by under the banner, it stars , Ilene Hamann, and in lead roles. The film follows a troubled police officer investigating a model's while grappling with and . It was released on 7 January .

Synopsis and cast

Plot

Inspector Uday Singh Rathod, a highly regarded but insomniac , is assigned to investigate the brutal murder of renowned model Maya Solomon, whose body is discovered in her lavish apartment. As Rathod sifts through the crime scene, he becomes increasingly obsessed with Maya's photographs, diaries, and personal effects, leading to a psychological descent that intensifies his chronic , turning the investigation into a personal quest for connection with the enigmatic victim amid the film's noir-style atmosphere of shadowy visuals and moral ambiguity. The primary suspects emerge from Maya's inner circle: Harsh, her possessive boyfriend and a who stands to inherit her estate; wealthy and former lover with a history of controlling behavior; and Shyamoli, Ali's partner who harbors unspoken resentments. Rathod conducts intense interrogations, uncovering incriminating evidence such as love letters suggesting , financial discrepancies in Ali's accounts, and Shyamoli's suspicious . The probe reveals layers of , , and exploitation in Maya's high-society life, with the soundtrack's haunting melodies underscoring tense confrontations and solitary reflections. Irrfan Khan's portrayal of Rathod captures the cop's unraveling psyche through subtle, introspective performance. As Rathod narrows in on the culprits, a pivotal twist upends the narrative: the murdered woman was not but a hired named , part of an elaborate scheme to fake her death and escape her turbulent relationships. The real , who had been on , emerges during a climactic showdown at her apartment, where Harsh attempts to eliminate Rathod to cover his tracks but leaps at him with a knife. In a desperate act of , appears behind Harsh and shoots and kills him, saving Rathod's life and exposing the full extent of the conspiracy involving and Shyamoli. In the , Rathod confronts the truth about 's deceptions, leading to his congratulations for solving the case and a shared moment with , allowing him to finally for the first time in years, symbolizing a fragile recovery from his , though the psychological scars of linger in the film's moody, introspective close.

Cast

The Rog features a compact , blending established actors with newcomers to portray its intimate thriller narrative. Leading the cast is as Inspector Uday Rathod, the troubled police officer at the story's center. Ilene Hamann, a South African model making her Bollywood debut, plays Solomon, the enigmatic figure pivotal to the plot. Himanshu Malik portrays Ali, a key supporting character entangled in the central events, while Suhel Seth takes on the role of Harsh, Maya's boyfriend. Shyamoli Varma appears as Shyamoli, adding depth to the interpersonal dynamics. The supporting roles include Denzil Smith as Deputy Commissioner Kumar, a senior police colleague overseeing the investigation; Munish Makhija as Munna, a local informant; and Ankur Desai in a minor capacity as a witness. Additional ensemble members, such as Sridhar Gorthi and others, fill out positions like police officers and peripheral figures, contributing to the film's atmospheric tension without overshadowing the leads.

Production

Development

The screenplay for Rog was written by (story) and (screenplay), drawing inspiration from classic thrillers and psychological dramas, particularly the 1944 Hollywood Laura, which influenced its narrative structure centered on a detective's with a mysterious woman. Bhatt crafted the script to blend suspense with introspective elements, emphasizing moral ambiguity and urban isolation typical of the genre. Himanshu Brahmbhatt was selected as director for his debut feature, aligning his sensibilities—reminiscent of the gritty, emotional tone in (1991)—with the film's intimate psychological focus. Originally, the project was slated for ad filmmaker Aayush Raina, known for music videos like those in (2003), but he withdrew due to the feature's scale; Brahmbhatt, a family associate, stepped in after expressing enthusiasm for the script's non-cerebral, audience-driven appeal targeting middle-class viewers rather than elite or "" crowds. This choice reflected Bhatt's intent to avoid overly intellectual filmmaking, opting instead for accessible entertainment. Pooja Bhatt produced the film under the banner, capitalizing on the commercial success of her debut production (2003), which had established the erotic-thriller genre as a viable low-budget formula for the company. , founded by in 1987, prioritized cost-effective storytelling to replicate 's intimate, sensuous vibe while exploring deeper psychological themes in Rog. The production emphasized economical elements, such as shooting primarily indoors in old bungalows, to keep expenses modest. The estimated budget was 3.5 INR, allowing focus on character-driven psychological tension over lavish sets or action sequences, with the total cost comparable to art direction fees on larger productions. This approach enabled a swift development-to-release pipeline, culminating in the film's theatrical debut on 7 January 2005.

Filming

for Rog took place primarily in , , , beginning in mid-2004. The production utilized various urban settings to capture the film's noir-inspired atmosphere, including the opulent interiors of the Grand Hyatt Hotel and its "M" Restaurant for key interior scenes, the historic Ballard Pier for exterior shots evoking isolation, and the bustling streets of to underscore the thriller's tense urban backdrop. Additional filming occurred at Dubash Bungalow on , providing secluded locations for intimate sequences. Cinematographer Anshuman Mahaley handled the visual style, employing and shadowy compositions to heighten the psychological tension, with frequent close-ups on Irrfan Khan's expressive face to convey his character's inner turmoil and . This approach contributed to the film's moody, introspective tone, distinguishing it from more conventional Bollywood thrillers of the era. The production faced significant challenges from a constrained , which imposed a tight shooting schedule. This required efficient planning, with Himanshu Brahmbhatt prioritizing essential scenes to stay on track. In post-production, editor Akiv Ali streamlined the narrative through precise cuts that amplified the suspense, while sound design efforts focused on atmospheric effects and subtle audio cues to enhance the thriller elements, creating an immersive experience of mystery and emotional depth.

Music

Soundtrack

The soundtrack of Rog was composed by M. M. Kreem, professionally known as M. M. Keeravani, with lyrics by Neelesh Misra and Sayeed Quadri. The album, released by Saregama on 15 March 2004 ahead of the film's January 2005 theatrical debut, spans 42 minutes across eight tracks and fuses romantic ballads with suspenseful undertones to align with the psychological thriller's narrative. Tracks like "Maine Dil Se Kaha" and "Khoobsoorat" achieved notable popularity for their poignant emotional resonance, capturing the film's themes of love and inner conflict. In the movie, Kreem's score amplifies the psychological tension through haunting background motifs, leveraging the composer's distinctive style—later recognized with an Academy Award for "Naatu Naatu" from RRR in 2023—to deepen the suspenseful atmosphere.

Track listing

The original motion picture soundtrack for Rog features eight principal tracks, composed by M. M. Kreem with lyrics by Neelesh Misra and Sayeed Quadri.
No.TitleSinger(s)Duration
1Khoobsurat (Pt. 1)5:25
2Rog ThemeInstrumental4:31
3Guzar Na Jaye (Duet), 5:12
4Maine Dil Se Kaha5:12
5Paigaam, 5:30
6Khoobsurat (Pt. 2)4:45
7Yun HiRoop Kumar Rathod5:20
8Ishq Hua4:55

Release

Theatrical release

Rog was theatrically released in on 7 January 2005, distributed by under the production banner led by . The film carries a runtime of 115 minutes. Marketing strategies included promotional trailers that spotlighted Irrfan Khan's portrayal of the troubled and the film's elements, drawing on the Bhatt family's extensive industry connections for wider promotion. Internationally, the release was limited in 2005, focusing on markets with significant populations, including screenings in and . The rollout aligned briefly with the soundtrack's promotional push to build anticipation among audiences.

Home media

Following its theatrical release, Rog was made available on DVD and VCD formats in 2005, catering to the market in during the era when was predominant for Bollywood films. In the , the film transitioned to digital streaming platforms, becoming accessible on for viewers seeking viewing options. The original motion picture soundtrack has been available for streaming on , featuring compositions by M. M. Kreem and songs performed by artists such as and . No official Blu-ray release has been produced for Rog, though high-definition versions of the film are offered through the aforementioned streaming services, providing enhanced visual quality compared to standard DVD. Internationally, limited home video editions were distributed in the UK via Moviebox and in the through importers like WEG, targeting the community with English subtitles. As of November 2025, Rog continues to stream on , with renewed interest spurred by tributes to Irrfan Khan's legacy following the 20th anniversary of the film's release in January 2025.

Reception

Critical response

Upon its release in 2005, Rog received mixed reviews from critics, with particular acclaim directed toward Irrfan Khan's lead performance as Inspector Uday Rathore, a role that showcased his ability to convey emotional depth and obsession through subtle expressions. Harish Kotian of praised Khan's work as a "masterpiece," noting that the actor "has stolen the show in yet another disappointing movie by ," highlighting it as a standout amid the film's flaws. Kotian's review emphasized Khan's versatility, drawing comparisons to his prior roles in Haasil (2003) and (2003), where he similarly delivered nuanced portrayals. Critics appreciated the film's atmospheric tension and neo-noir aesthetic, which infused Bollywood with a moody, introspective thriller style reminiscent of classic Hollywood influences like Otto Preminger's Laura (1944), but many faulted its slow pacing and uneven character development. Kotian described the narrative as starting strong as a murder mystery before morphing into a "dragging" love story, criticizing the direction by Himanshu Brahmbhatt for lacking emotional resonance and the supporting performance by Suhel Seth as robotic and expressionless. Female characters, including Ilene Hamann's portrayal of the enigmatic Maya Solomon, were seen as visually striking but underdeveloped, with Hamann's efforts commended given her non-native language and inexperience, yet ultimately overshadowed by the script's limitations. In retrospective assessments following Khan's death in 2020, Rog has been reevaluated as an early showcase of his potential as a in commercial , marking his first such role and demonstrating his command of complex psychological layers. A 2021 Filmfare feature listed it among his best Bollywood films, crediting the actor for elevating the material through his immersive performance in a plot adapted from traditions. More recently, on the film's 20th anniversary in 2025, co-star reflected on Khan's gentle professionalism off-set, underscoring how his on-screen intensity in Rog foreshadowed his later acclaimed roles in international projects. The overall critical consensus remains middling, with a 27% approval on based on four reviews, valuing its stylistic ambition within Bollywood's thriller landscape despite narrative shortcomings. On , it holds an average user of 5.2 out of 10 from 6,034 votes, as of November 2025, reflecting a similar divide where Khan's is frequently cited as the primary .

Box office

Rog had a of 3.5 INR. The film opened with a first-day nett collection of 44 INR in and grossed 1.30 INR over its first weekend. Its total India nett gross reached 2.23 INR, while the overall gross in India amounted to 3.23 INR, with negligible overseas earnings. Despite the involvement of the Bhatt production banner, which had seen success with films like , Rog underperformed commercially and was deemed a flop, or even a , as it failed to recover its costs adequately. The film's earnings were primarily driven by urban multiplex audiences in metros like , with limited penetration in other territories and virtually no international contribution. This performance was further hampered by its release on January 7, 2005, in a crowded post-holiday slot competing with other major releases.

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