Roy Scheider
Roy Scheider (November 10, 1932 – February 10, 2008) was an American actor renowned for his intense, everyman portrayals in leading and supporting roles across film, stage, and television during a career spanning over four decades.[1] Born in Orange, New Jersey, to a mechanic father and a homemaker mother of German and Irish descent, Scheider initially pursued amateur boxing, earning a spot in the New Jersey Diamond Gloves before a broken nose ended that path.[1] He studied history at Rutgers University and Franklin & Marshall College, served three years as a first lieutenant in the U.S. Air Force, and transitioned to acting with a professional stage debut as Mercutio in the New York Shakespeare Festival's 1961 production of Romeo and Juliet.[1][2] Scheider's breakthrough came in the early 1970s with gritty, streetwise performances, including his Oscar-nominated supporting role as Detective Buddy Russo in The French Connection (1971), opposite Gene Hackman.[1][2] He followed with a memorable turn in Klute (1971) and achieved stardom as Police Chief Martin Brody in Steven Spielberg's blockbuster Jaws (1975), delivering the iconic line, "You're gonna need a bigger boat."[1][2] Other defining roles included the semi-autobiographical dancer Joe Gideon in Bob Fosse's All That Jazz (1979), earning him a second Academy Award nomination for Best Actor, as well as appearances in Marathon Man (1976), Sorcerer (1977), and later films like The French Connection II (1975) and 2010 (1984).[1][2] On stage, Scheider earned an Obie Award in 1968 for Stephen D. and a Drama League of New York award for Betrayal (1980), while his television work included starring as Captain Nathan Bridger in the NBC series seaQuest DSV (1993–1996).[2] Scheider's personal life included marriages to Cynthia Bebout (1962–1989), with whom he had a daughter, and actress Brenda King (1989–2008), with whom he had two children; he was predeceased by his eldest daughter, Maximillia, in 2006.[1] He battled multiple myeloma for several years before dying of complications from a staph infection in Little Rock, Arkansas, at age 75.[1]Early life
Family background
Roy Scheider was born on November 10, 1932, in Orange, New Jersey, the son of Anna Scheider (née Crosson), who was of Irish Catholic descent, and Roy Bernhard Scheider, an auto mechanic of German ancestry.[3][4] He had one younger brother, Glenn.[5] Scheider spent his childhood in a working-class household in Orange and nearby communities in Essex County, New Jersey, where his father's occupation as a mechanic reflected the family's modest circumstances.[6] He graduated from Columbia High School in Maplewood in 1950.[7] As a child in this environment, Scheider developed early athletic inclinations through participation in organized sports like baseball, which contributed to his physical robustness and set the stage for later pursuits in athletics.[8] These interests, fostered amid his family's blue-collar lifestyle, eventually drew him toward amateur boxing as a teenager.[8]Amateur boxing
As a child, Scheider had suffered from rheumatic fever, and he took up boxing to rebuild his strength.[9] Roy Scheider entered amateur boxing during his time at Columbia High School in Maplewood, New Jersey, where he developed an interest in the sport as part of his athletic pursuits.[8] Competing as a welterweight, Scheider participated in the New Jersey Diamond Gloves tournament in 1946, during which he suffered a broken nose that left a lasting mark on his facial features.[1][8][10] This brief but intense engagement with boxing instilled in him a sense of physical discipline and resilience, elements that later informed the rugged, authoritative personas he portrayed in films such as The French Connection and Jaws.[1] Ultimately, Scheider opted against a professional boxing path, prioritizing his academic goals—including studies at Rutgers University and Franklin & Marshall College—before transitioning to drama and the stage.[1]Education
Scheider began his higher education at Rutgers University in the early 1950s, initially pursuing studies that aligned with his pre-law interests.[1] He later transferred to Franklin & Marshall College in Lancaster, Pennsylvania, where he focused on history and graduated in 1955 with a Bachelor of Arts degree.[8][1] During his time at Franklin & Marshall, Scheider shifted his focus from athletics to the performing arts, joining the Green Room Club—the college's drama society—and eventually serving as its president.[11] This involvement provided foundational classical training and honed his stage presence and dramatic skills. His disciplined approach, shaped by his earlier amateur boxing experience, contributed to his commitment to theater studies.[1]Military service
Following his graduation from Franklin and Marshall College in 1955 with a degree in history, Roy Scheider enlisted in the United States Air Force, leveraging his academic background to commission as an officer.[1] He served on active duty for three years, from 1955 to 1958, attaining the rank of first lieutenant in air operations, which included administrative duties related to air traffic control.[12][13] Scheider was stationed exclusively within the United States during his active service, with no combat deployments, primarily at a radar station in North Bend, Oregon, in the mid-1950s.[14] He continued to pursue his interest in drama during this period by participating in local theater productions, acting, directing, and assisting with sets at the Little Theatre on the Bay in North Bend, where he devoted much of his off-duty time.[15] After his active duty ended in 1958, Scheider transitioned to the Air Force Reserve, rising to the rank of captain while serving in the 4th Emergency Activities Group until his honorable discharge in 1964.[12][16] Upon release from reserve obligations, he immediately relocated to New York City to dedicate himself fully to acting pursuits.[1]Acting career
Stage and early work
Scheider began his professional acting career in the early 1960s with off-Broadway productions that honed his skills in classical and comedic roles. In 1964, he portrayed Face in Ben Jonson's The Alchemist at the Gate Theatre, a revival of the 17th-century satire that showcased his versatility in ensemble comedy.[17] This performance also led to a television adaptation on Camera Three, where he reprised the role in scenes from the play.[18] His Broadway debut came in 1964 as an understudy and eventual replacement for Tarver in George Furth's The Chinese Prime Minister at the Royale Theatre, marking his entry into major New York theater.[19] The following year, Scheider appeared in the Broadway revival of Molière's Tartuffe at the ANTA Washington Square Theatre, playing the dual roles of Sergeant and Clerk in a production noted for its sharp comedic timing.[20] These early stage appearances built on his classical training, establishing a foundation in repertory theater. From 1968 to 1971, Scheider was a member of the Repertory Theatre of Lincoln Center, where he performed in a range of classical works by playwrights including Shakespeare, Chekhov, and O'Neill, contributing to the company's mission of presenting diverse American and international repertoire.[8] During this period, he earned critical acclaim for his off-Broadway role as Stephen Dedalus in Hugh Leonard's Stephen D., an adaptation of James Joyce's Ulysses, winning an Obie Award for Distinguished Performance in 1968.[21] Scheider's early television work in the 1960s complemented his stage efforts, providing exposure through episodic dramas and soap operas. He appeared as Kenny Phillips on the CBS daytime serial The Edge of Night from 1965 to 1966, playing a recurring character in the long-running show.[22] Additional guest spots included roles on Coronet Blue in 1967 and earlier soap appearances on The Secret Storm and Love of Life, which helped him gain small-screen experience while pursuing theater.[8]Breakthrough films
Scheider's breakthrough into major cinema came in the early 1970s with a series of gritty urban roles that showcased his intense screen presence and earned him critical acclaim. Transitioning from his stage work, he quickly established himself in high-profile thrillers that captured the raw energy of New York City crime stories.[1] His first significant film role was as Buddy "Cloudy" Russo, the loyal partner to Gene Hackman's Detective Popeye Doyle, in William Friedkin's The French Connection (1971), a seminal police procedural based on real-life events. Scheider's portrayal of the street-smart detective complemented Hackman's lead performance, contributing to the film's taut depiction of a narcotics investigation. For this role, Scheider received his first Academy Award nomination for Best Supporting Actor, marking a pivotal recognition of his film potential.[1][23] That same year, Scheider delivered a memorable supporting performance as the menacing pimp Arnie in Alan J. Pakula's Klute (1971), opposite Jane Fonda's Oscar-winning portrayal of a call girl entangled in a mystery. His brief but impactful scenes highlighted the seedy underbelly of urban life, adding layers of tension to the film's psychological thriller narrative and demonstrating Scheider's versatility in embodying moral ambiguity.[1][24] Scheider took the lead as Detective Buddy Manucci in Philip D'Antoni's The Seven-Ups (1973), a high-octane action film that served as an unofficial sequel to The French Connection, with Scheider reprising a similar tough-cop archetype. Driving intense car chases through New York streets, his character led an elite squad targeting organized crime, further cementing Scheider's reputation as a commanding presence in the action-thriller genre.[25][26]Major roles and peak period
Scheider reprised his role as Detective Buddy "Cloudy" Russo in The French Connection II (1975), the sequel to his breakthrough film, where he joined Gene Hackman in Marseille for a tense pursuit of drug lords, showcasing his character's resilience amid international intrigue.[1] Scheider's portrayal of Police Chief Martin Brody in Steven Spielberg's Jaws (1975) marked a pivotal moment in his career, embodying the everyman hero confronting an unseen terror in the blockbuster that pioneered the summer movie phenomenon.[27] As the reluctant lawman of Amity Island, Brody's determination to protect his community from a great white shark attack showcased Scheider's ability to convey quiet resolve and vulnerability, contributing to the film's groundbreaking box office success, where it became the first movie to gross over $100 million domestically.[28] This role solidified his status as a leading man in action-thrillers, blending suspense with relatable heroism. In Marathon Man (1976), directed by John Schlesinger, Scheider demonstrated his dramatic range as Doc Levy, the shadowy government agent and older brother to Dustin Hoffman's innocent graduate student, entangled in a web of espionage and Nazi intrigue.[30] His tense, morally ambiguous performance added layers of complexity to the thriller's high-stakes narrative, highlighting Scheider's skill in portraying characters caught between loyalty and deception alongside co-stars like Laurence Olivier.[31] The film further showcased his versatility, shifting from the visceral action of Jaws to psychological intensity.[32] Scheider took on a grueling lead role as Jackie Scanlon in William Friedkin's Sorcerer (1977), a remake of The Wages of Fear, where he played a fugitive American gangster driving a volatile truck through perilous South American terrain to transport nitroglycerin.[33] His commanding portrayal captured the desperation and physical toll of survival, emphasizing themes of fate and redemption in this neo-noir adventure.[34] The pinnacle of Scheider's peak period arrived with All That Jazz (1979), Bob Fosse's semi-autobiographical musical drama, in which Scheider starred as the driven choreographer Joe Gideon, a role that required him to perform intricate dance sequences while portraying a man unraveling under creative and personal pressures.[35] For this transformative performance, Scheider received his second Academy Award nomination for Best Actor and a Golden Globe nomination for Best Actor in a Motion Picture – Musical or Comedy.[36] The film's innovative structure, blending fantasy and reality, earned Scheider widespread acclaim for merging his dramatic depth with physicality.[37] These mid-1970s to early 1980s roles exemplified Scheider's zenith, as he navigated diverse genres from action-horror and espionage thrillers to intense dramas and musicals, achieving both commercial triumphs like Jaws's blockbuster status and critical recognition through award nominations.[2] Building on his breakthrough films of the early 1970s, Scheider's work during this era fused high-stakes action with introspective drama and semi-autobiographical elements, particularly in All That Jazz, cementing his reputation as a versatile leading actor at the height of the American New Wave cinema.[38]Later career and television
In the mid-1980s, Scheider ventured into science fiction with lead roles that broadened his range beyond action and drama. He portrayed tormented LAPD helicopter pilot Frank Murphy in the conspiracy thriller Blue Thunder (1983), uncovering a sinister government surveillance program.[39] The following year, he reprised Dr. Heywood Floyd from 2001: A Space Odyssey in 2010 (1984), leading a mission to Jupiter to investigate the Discovery's fate amid Cold War tensions.[1] As his leading film opportunities diminished in the late 1980s and 1990s, Scheider increasingly took supporting parts in genre films while reflecting on the typecasting stemming from his 1970s everyman heroes like Chief Brody in Jaws.[39] Notable examples include his portrayal of the ruthless Mafia don Don Falcone in the neo-noir crime drama Romeo Is Bleeding (1993), opposite Gary Oldman.[1] He later played the pragmatic Dr. Bruce Trent in the high-stakes action film Executive Decision (1996), assisting in a mid-air counterterrorism operation.[39] Scheider's most significant television commitment came with the role of Captain Nathan Bridger, the brilliant designer and commander of the high-tech submarine seaQuest, in NBC's seaQuest DSV (1993–1996).[1] Produced by Steven Spielberg, the series followed Bridger's underwater adventures in a flooded future world; Scheider departed as a regular after the second season amid creative disputes but returned for select episodes in the third.[39] Toward the end of his life, he guest-starred as the manipulative serial killer Mark Ford Brady on Law & Order: Criminal Intent in the 2007 episode "Endgame," a role that showcased his ability to embody chilling authority figures.[40] Scheider's final on-screen appearance was in the thriller Iron Cross (released 2011), where he starred as Joseph, a retired New York police officer and Holocaust survivor confronting a Nazi war criminal in modern-day Germany.[41] Filmed before his death, the project marked a poignant close to his career, emphasizing themes of vengeance and reconciliation.[41]Personal life
Marriages and children
Scheider married film editor Cynthia Bebout on November 8, 1962.[8] The couple collaborated professionally on several projects, including her editing work on films such as The French Connection and Sorcerer, where she prioritized the director's vision over personal preferences.[42] They coordinated their schedules to minimize time apart during work commitments, with Scheider occasionally taking on household duties while Bebout edited films in locations like Southern California.[42] The marriage produced one daughter, Maximillia Connelly Lord, and ended in divorce in 1989.[43] Maximillia, born in 1963, predeceased her father, dying of leukemia in 2006. In 1989, Scheider married actress and producer Brenda Siemer.[1] The couple had one son, Christian Verrier Scheider, born in 1990, and adopted a daughter, Molly Mae Scheider, born in 1995.[1] They remained married until Scheider's death.[43] Scheider and Siemer made their home in Sag Harbor, New York, where they co-founded the Hayground School in nearby Bridgehampton in 1996 to provide an alternative education focused on arts and creativity for their children and the local community.[44] This initiative reflected their commitment to nurturing family life amid Scheider's demanding acting career, emphasizing hands-on parenting and community involvement over the years.[1]Health issues
Scheider was diagnosed with multiple myeloma, a form of blood cancer affecting plasma cells, in December 2004.[45] He sought treatment at the University of Arkansas for Medical Sciences' Myeloma Institute for Research and Therapy, a leading center for the disease under director Bart Barlogie, M.D., Ph.D., where innovative protocols had extended average patient survival to six or seven years post-diagnosis—double the national average at the time.[45][46] In June 2005, Scheider underwent an autologous stem cell transplant at the institute, preceded by high-dose chemotherapy to eradicate myeloma cells and followed by reinfusion of his own purified stem cells to rebuild bone marrow function.[47] Despite this aggressive intervention, involving drugs such as steroids, thalidomide, or bortezomib, the procedure proved unsuccessful in achieving remission, and Scheider continued to manage the cancer through ongoing therapies at the facility.[47][46] By late 2007, Scheider's condition worsened when he developed a staph infection following a leg cut, leading to his hospitalization at the University of Arkansas Medical Sciences in Little Rock shortly after Thanksgiving.[1][48] This bacterial complication severely exacerbated his multiple myeloma, yet he persisted with professional commitments, including voice work and minor roles, demonstrating resilience amid declining health.[1][49]Death and legacy
Final years and death
In early 2008, Scheider sought treatment for a recurrence of multiple myeloma at the University of Arkansas for Medical Sciences in Little Rock, Arkansas, a facility renowned for its Myeloma Institute specializing in blood cancer care.[45][46] Following years of battling the disease, diagnosed in 2004, he succumbed to complications from a staph infection on February 10, 2008, at the age of 75, while still under care at the Little Rock hospital.[1][45] His wife, Brenda Siemer Scheider, confirmed the cause of death and noted his resilient fight against the illness.[1] A private funeral service was held for Scheider in New Jersey, his home state, where family members reflected on his profound roles as a devoted husband, father, and multifaceted artist whose work touched generations.[50][51]Cultural impact and tributes
Roy Scheider is widely regarded as a quintessential figure of the New Hollywood era in the 1970s, where his performances brought authenticity and moral ambiguity to portrayals of authority figures in thrillers and dramas, influencing later actors in roles depicting grounded, reluctant heroes confronting systemic or existential threats. Following his death in 2008, Scheider received numerous posthumous tributes from co-stars and the film community, including a 2009 Beverly Hills memorial event attended by Jaws collaborator Richard Dreyfuss, Shirley MacLaine, and Christopher Lloyd, which raised funds for cancer research in his honor.[46] His role as Police Chief Martin Brody in Jaws (1975) contributed to the film's recognition in the American Film Institute's 2003 list of 100 Years...100 Heroes & Villains, where the antagonistic shark ranked as the 18th greatest villain, underscoring the enduring cultural resonance of Scheider's heroic counterpoint.[52] Scheider's early training in theater and his immersive approach to character preparation, aligned with method acting principles, established a legacy in emphasizing physical and emotional realism that influenced subsequent generations of stage and screen performers.[53] In the 2010s and beyond, documentaries such as The Shark Is Still Working: The Impact & Legacy of Jaws (2007, narrated by Scheider) and the 2025 release Jaws @ 50, along with retrospective features on All That Jazz (1979) in Criterion Collection editions, highlighted his contributions to these seminal works.[54][55][56] By 2025, while no major new honors had emerged, Scheider maintained a dedicated fanbase through streaming revivals of his films, bolstered by Jaws' 50th anniversary celebrations including NBC broadcasts, Academy Museum exhibitions, and 4K restorations that renewed appreciation for his everyman intensity.[57][58][59]Filmography
Film roles
| Year | Title | Role | Director | Notes |
|---|---|---|---|---|
| 1964 | The Curse of the Living Corpse | Bruce Bennett | Del Tenney | Supporting |
| 1968 | Star! | Ben | Robert Wise | Supporting |
| 1968 | Paper Lion | Center (uncredited) | Alex March | Supporting |
| 1969 | Stiletto | Bennett | Bernard L. Kowalski | Supporting |
| 1970 | Puzzle of a Downfall Child | Mark | Jerry Schatzberg | Supporting |
| 1971 | Klute | Frank Ligouri | Alan J. Pakula | Supporting |
| 1971 | The French Connection | Buddy "Cloudy" Russo | William Friedkin | Supporting |
| 1972 | The Outside Man | Jerome | Jacques Deray | Supporting |
| 1973 | The Seven-Ups | Buddy Manucci | Philip D'Antoni | Lead |
| 1975 | Jaws | Police Chief Martin Brody | Steven Spielberg | Lead |
| 1975 | The Hindenburg | Captain Ernst A. Lehmann | Robert Wise | Supporting |
| 1976 | Marathon Man | Doc Levy | John Schlesinger | Supporting |
| 1977 | Sorcerer | Jackie Scanlon | William Friedkin | Lead |
| 1978 | Jaws 2 | Police Chief Martin Brody | Jeannot Szwarc | Lead |
| 1979 | All That Jazz | Joe Gideon | Bob Fosse | Lead |
| 1979 | Last Embrace | Harry Hannan | Jonathan Demme | Lead |
| 1980 | Still of the Night | Dr. Sam Rice | Robert Benton | Lead |
| 1983 | Blue Thunder | Frank Murphy | John Badham | Lead |
| 1984 | 2010 | Dr. Heywood Floyd | Peter Hyams | Lead |
| 1985 | The Men's Club | C.C. Drogan | Peter Medak | Supporting |
| 1986 | 52 Pick-Up | Harry Mitchell | John Frankenheimer | Lead |
| 1987 | Jaws: The Revenge | Chief Martin Brody | Joseph Sargent | Lead |
| 1988 | Cohen and Tate | Cohen | Eric Red | Lead |
| 1989 | Night Game | Mike Wilson | Peter Masterson | Lead |
| 1989 | Listen to Me | Tucker | Douglas Day Stewart | Supporting |
| 1990 | The Fourth War | Col. Jack Andrews | John Frankenheimer | Lead |
| 1990 | The Russia House | Russell | Fred Schepisi | Supporting |
| 1991 | Naked Lunch | Dr. Benway | David Cronenberg | Supporting |
| 1993 | Romeo Is Bleeding | Don Falcone | Peter Medak | Supporting |
| 1997 | Executive Target | President Carlson | Joseph Merhi | Supporting |
| 1997 | The Myth of Fingerprints | Earl | Bart Freundlich | Supporting |
| 1997 | The Peacekeeper | President Robert Baker | Frédéric Forestier | Supporting |
| 1997 | The Rage | John Taggart | Sidney J. Furie | Lead |
| 1997 | Plato's Run | Senarkian | James Becket | Lead |
| 1997 | The Rainmaker | Wilfred Keeley | Francis Ford Coppola | Supporting |
| 1998 | Better Living | Tom | Max Mayer | Supporting |
| 1998 | Evasive Action | Enzo Marcelli | Jerry P. Jacobs | Lead |
| 1998 | The White Raven | Nico Ravich | Joe Doyle | Lead |
| 2000 | Falling Through | Earl | Peter Pistor | Lead |
| 2002 | Angels Crest | Jack | David Woller | Supporting |
| 2002 | King of Texas | Henry Westover | Uli Edel | Supporting |
| 2003 | Dracula II: Ascension | Cardinal Siqueros | Patrick Lussier | Supporting |
| 2004 | The Punisher | Frank Castle Sr. | Jonathan Hensleigh | Supporting |
| 2005 | Dracula III: Legacy | Cardinal Siqueros | Jonathon Dawson | Supporting |
| 2005 | Citizen Verdict | Bull Tyler | Jean-Claude La Marre | Lead |
| 2007 | Chicago 10 | Judge Julius Hoffman (voice) | Brett Morgen | Supporting |
| 2007 | If I Didn't Care | Al | Lawrence Trilling | Lead |
| 2008 | The Poet | Zaretsky | Damian Lee | Supporting |
| 2008 | Dark Honeymoon | Sam | David Palmer | Supporting |
| 2009 | Beautiful Blue Eyes | Joseph | James D. Stern | Posthumous, Lead |
| 2010 | Iron Cross | Joseph Grohn | Joshua Newton | Posthumous, Lead |
Television roles
Scheider's television career began in the early 1960s with guest spots on anthology and soap opera series. His first credited role was as Kenny on the daytime soap The Edge of Night in 1962.[8] In 1964, he appeared as Face in the Camera Three episode "The Alchemist."[61] From 1965 to 1966, Scheider had a recurring role as Jonas Falk on the CBS soap opera Love of Life, appearing in multiple episodes over 18 months.[8][62] In 1967, he guest-starred as the Apartment Manager in the Coronet Blue episode "A Charade for Murder" (1 episode).[63] That same year, Scheider played Bob Hill on the CBS soap opera The Secret Storm.[8] His next notable guest appearance came in 1968 as Paul Jason in the N.Y.P.D. episode "Cry Brute" (1 episode).[64] In 1971, he portrayed Dan Bowen in the Cannon episode "No Pockets in a Shroud" (1 episode).[8] Additional early guest roles included Dr. Sidney Brody on Medical Center in 1975 (1 episode) and David Bartell on Family in 1976 (1 episode).[65] Scheider transitioned to television movies in the 1970s and 1980s. He starred as Jake Webster in the 1972 ABC movie Assignment: Munich.[8] In 1983, he played the title role in the NBC biographical drama Jacobo Timerman: Prisoner without a Name, Cell without a Number.[8] He followed this with the lead as Billy Young, an aging baseball player, in the 1983 Disney Channel Original Movie Tiger Town.[66] Other television films from this period include his portrayal of Billy the Kid in the 1989 ABC special Gore Vidal's Billy the Kid.[8] In the 1990s, Scheider achieved prominence as a series regular, starring as Captain Nathan Bridger in the NBC science-fiction series seaQuest DSV from 1993 to 1995, appearing in 47 episodes across three seasons before departing the show.[67] He also starred in several made-for-television movies, such as Paul Marish in the 1990 HBO film Somebody Has to Shoot the Picture and Johnny Tobin in the 1998 TV movie Money Play$.[8] Later in his career, Scheider continued with recurring and guest roles on series. He appeared as Fyodor Chevchenko, a Russian mobster, in three episodes of the NBC drama Third Watch in 2002.[8][68] In 2007, he guest-starred as serial killer Mark Ford Brady in the Law & Order: Criminal Intent episode "Endgame" (1 episode).[69] His final on-screen television appearance was a voice role as himself in the 2007 Family Guy episode "Bill & Peter's Bogus Journey" (1 episode), with a posthumous narration credit in the 2009 episode "Three Kings."[70][71]Awards and nominations
Scheider received numerous awards and nominations throughout his career. The following table lists his major accolades:| Year | Award | Category | Nominated for | Result |
|---|---|---|---|---|
| 1968 | Obie Award | Distinguished Performance | Stephen D. | Won[21] |
| 1972 | Academy Awards | Best Supporting Actor | The French Connection | Nominated[72] |
| 1980 | Academy Awards | Best Actor | All That Jazz | Nominated[73] |
| 1980 | Golden Globe Awards | Best Actor in a Motion Picture – Musical or Comedy | All That Jazz | Nominated[74] |
| 1980 | Drama League Award | Distinguished Performance | Betrayal | Won |
| 1981 | BAFTA Awards | Best Actor in a Leading Role | All That Jazz | Nominated[75] |
| 1984 | Saturn Awards | Best Actor | Blue Thunder | Nominated[76] |
| 2007 | SunDeis Film Festival | Lifetime Achievement Award | - | Won |