Run with the Pack
Run with the Pack is the third studio album by the English rock supergroup Bad Company, released on 21 February 1976 by Swan Song Records.[1][2] Self-produced by the band, it was recorded in Grasse, France, in September 1975 using the Rolling Stones Mobile Studio.[3] The album features ten tracks, including the title song "Run with the Pack" and "Young Blood," blending hard rock, blues-rock, and arena rock elements that defined the band's sound during their mid-1970s peak.[1][4] The album achieved significant commercial success, peaking at number 5 on the US Billboard 200 chart and number 4 on the UK Albums Chart, where it spent 12 weeks.[5][3] It marked Bad Company's third consecutive platinum-selling release in the United States, certified by the RIAA for shipments of over 1,000,000 copies.[6] Recorded by core members Paul Rodgers on vocals and piano, Mick Ralphs on guitar, Boz Burrell on bass, and Simon Kirke on drums, Run with the Pack captured the group's touring energy and contributed to their reputation as a leading rock act of the era.[7] Critically, the album received positive attention for its straightforward rock grooves and Rodgers' soulful vocals, though some reviewers noted it followed closely in the footsteps of the band's earlier successes without major innovation.[4] Standout tracks like "Silver, Blue & Gold" and "Simple Man" highlighted the album's mix of introspective lyrics and driving rhythms, solidifying Bad Company's influence in the hard rock genre.[1] In 2025, the title track saw renewed interest through a cover by Blackberry Smoke featuring original vocalist Paul Rodgers and Mastodon drummer Brann Dailor.[8]Development and recording
Background
Bad Company was formed in 1973 as a supergroup in London, comprising vocalist Paul Rodgers and drummer Simon Kirke from Free, guitarist Mick Ralphs from Mott the Hoople, and bassist Boz Burrell from King Crimson.[9] The band's self-titled debut album, released in 1974, reached number one on the US Billboard 200, while their follow-up Straight Shooter in 1975 peaked at number three on the same chart, solidifying their reputation for a straightforward hard rock sound characterized by bluesy riffs and anthemic choruses.[10][11] By mid-1975, Bad Company had achieved significant commercial success in the United States, becoming one of the era's leading hard rock acts despite facing a cooler reception at home.[9] In 1975, facing a top UK income tax rate of 83% on earnings over £20,000, the band became tax exiles, with members relocating to places like Miami and Jersey, advised by manager Peter Grant.[9] As tax exiles, the band decided to record their next album abroad in France, drawing inspiration from Led Zeppelin's innovative use of mobile recording studios to capture spontaneous performances in unconventional settings.[9] Songwriting for the album began during the summer of 1975, as Rodgers and Ralphs composed material during breaks from the band's intensive touring schedule.[9] Initially, the group planned to include several cover songs but ultimately excluded most, opting to retain only a rendition of "Young Blood," originally by the Coasters and suggested by Burrell as a potential single after recognizing a lack of obvious originals for radio play.[12]Recording sessions
The recording sessions for Run with the Pack took place in September 1975 at a modest château in Grasse, Provence, France, where Bad Company set up the Rolling Stones Mobile Studio for live multi-track capture.[9][13] The band, self-producing the album, adopted a streamlined approach to emphasize the raw energy of full-band performances, limiting overdubs to preserve a natural, immediate sound reflective of their stage dynamic.[9][14] Engineer Ron Nevison oversaw the on-site tracking, focusing on capturing the group's interplay in a relaxed environment that encouraged creative flow.[13][14] Following the French sessions, initial mixing was handled by Eddie Kramer at Kendun Recorders in Los Angeles, where technical complexities—such as managing 36 faders for the title track—necessitated multiple passes to balance the arrangement's intensity without losing its drive.[14] Songwriting for the album had originated during the band's summer 1975 rehearsals, providing a foundation of material ready for the studio.[9]Production
Following the recording sessions, Bad Company opted to self-produce the album without external producers, a decision consistent with their approach on the previous two albums.[13] Mixing was handled by engineer Eddie Kramer in Los Angeles, under the band's self-production.[9] The tapes from the Rolling Stones Mobile Studio, used during the initial capture in France, were brought over for this phase.[15] Mastering took place at Allen Zentz Mastering in Los Angeles, with several U.S. vinyl pressings bearing the facility's stamp in the runout etchings.[16] The artwork was designed by John Kosh, featuring an embossed image of a wolf pack on the cover and interior band photographs by David Alexander.[13][9] The final album runs for a total of 36:14 across its 10 tracks.[17]Music and lyrics
Musical style
Run with the Pack exemplifies Bad Company's signature hard rock sound, deeply infused with blues and boogie elements that define their early catalog. The album blends Paul Rodgers' soulful, emotive vocals—often drawing from his Free-era influences—with Mick Ralphs' straightforward yet effective guitar riffs, creating a robust, groove-oriented foundation that prioritizes rhythmic drive over technical flash.[4][18] Compared to the more ballad-heavy Straight Shooter, this third release marks a noticeable shift toward upbeat, party-oriented tracks, emphasizing infectious energy and accessibility to broaden the band's appeal amid the mid-1970s rock landscape. Songs like "Live for the Music" and "Honey Child" capture this evolution, delivering lively, riff-driven anthems suitable for live performances.[2][9] Instrumentation plays a central role in the album's propulsion, with Simon Kirke's driving drum patterns providing a solid backbone, particularly through emphatic bass drum accents that enhance the boogie feel. Boz Burrell's bass grooves add depth and swing, locking in with the rhythm section to support the bluesy undercurrents.[9][18] The inclusion of a cover of the 1950s rock 'n' roll standard "Young Blood"—originally by the Coasters—introduces an energetic contrast, infusing the album with playful boogie-woogie flair and nodding to classic R&B roots amid the harder-edged originals.[2][18] Self-produced by the band, the album achieves a fuller, arena-ready sound through minimal overdubs and a polished yet raw aesthetic, optimized for the expansive stadium tours of the era and contributing to its commercial resonance.[9][2]Songwriting and themes
The songwriting for Run with the Pack was primarily handled by vocalist Paul Rodgers and guitarist Mick Ralphs, who contributed the majority of the original compositions, often drawing from their experiences in the rock world. Rodgers penned tracks like "Run with the Pack," "Love Me Somebody," "Silver, Blue & Gold," "Do Right by Your Woman," and "Fade Away," infusing them with his signature emotional depth and melodic sensibility, while Ralphs wrote "Live for the Music," "Simple Man," and "Sweet Lil' Sister," emphasizing strong, riff-driven structures rooted in blues influences. The collaborative track "Honey Child" involved input from all four band members—Rodgers, Ralphs, bassist Boz Burrell, and drummer Simon Kirke—highlighting a band-wide creative process during sessions in Grasse, France. The sole cover, "Young Blood," was an adaptation of the 1957 Coasters hit originally written by Jerry Leiber, Mike Stoller, and Doc Pomus, which the band delivered with a humorous, lighthearted twist.[15][9] Lyrically, the album explores themes of freedom, hedonism, and the exuberant rock lifestyle, serving as an escapist anthem for the era's touring musicians. The title track, "Run with the Pack," stands out as a rallying cry for wild, independent living, with Rodgers' piano-driven composition evoking a sense of liberation and Beatles-esque optimism. In contrast, "Simple Man" delves into personal integrity and working-class resilience, echoing Ralphs' straightforward blues ethos while maintaining an uplifting tone. Songs like "Honey Child" capture the indulgent excesses of life on the road, portraying fleeting romantic encounters in a celebratory light, while the album as a whole shifts toward escapist rock pleasures, departing from the rawer, more grounded working-class narratives of Rodgers' prior work with Free.[9] Notable musical elements underscore these themes, such as the reflective balladry of "Silver, Blue & Gold," where Rodgers' emotive vocals convey introspection amid the glamour of success, and the infectious energy of "Live for the Music," built around Ralphs' propulsive riffs that invite listeners to embrace the moment. This upbeat shift in the band's approach amplified the escapist vibe, prioritizing joy and immediacy over heavier introspection.[9]Release and promotion
Album release
Run with the Pack was released in the United Kingdom on 23 January 1976 by Island Records (catalogue ILPS 9346) and in the United States on 21 February 1976 by Swan Song Records (catalogue SS 8415), an imprint of Atlantic Records.[19][15] The album debuted in vinyl LP format, with a gatefold sleeve that included printed lyrics on the inner spread.[13] Swan Song promoted the record as Bad Company's third consecutive major studio album, capitalizing on the band's established supergroup reputation from prior successes.[20] Internationally, the release occurred around the same period in Europe and Australia through affiliated labels like Island and WEA, featuring minor regional differences in artwork such as label-specific printing variations.[21]Singles and marketing
The lead single from Run with the Pack, "Young Blood", was released in the United States in March 1976, backed with "Do Right by Your Woman" on the B-side. It peaked at No. 20 on the Billboard Hot 100 chart. Follow-up singles included "Honey Child", issued in the United States in July 1976, and the title track "Run with the Pack", released in the United Kingdom in March 1976, also backed with "Do Right by Your Woman".[22][9][23] A promotional video clip for the title track "Run with the Pack" was produced in 1976, marking one of the band's earliest such efforts.[24] Marketing efforts centered on the band's extensive 1976 United States tour, which began in February to coincide with the album's release, featuring live performances that emphasized their high-energy rock style.[25] Swan Song Records supported this with advertising campaigns, including posters that incorporated wolf imagery drawn from the album's cover art to evoke the theme of pack mentality and raw power.[26]Reception and legacy
Critical reception
Upon its release in 1976, Run with the Pack received generally positive reviews from contemporary critics, who praised its energetic hard rock sound while noting some formulaic tendencies. In a review for Rolling Stone, the album was hailed as Bad Company's "third and best," lauding the raw, rowdy style reminiscent of their debut and highlighting the vitality of tracks like the title song "Run with the Pack," though it acknowledged the band's reliance on familiar structures.[27] Robert Christgau, writing in his Village Voice Consumer Guide, awarded it a B− grade, recognizing it as solid rock that softened the band's Free-derived formalism album by album but critiquing the lack of innovation in its blues-based approach. Retrospective assessments have similarly viewed the album as competent but unremarkable within Bad Company's catalog. AllMusic's Stephen Thomas Erlewine gave it three out of five stars, describing it as "workmanlike" hard rock that excels in hooks and Paul Rodgers' soulful vocals but fails to break new ground, settling into predictable arena-ready formulas.[28] Common critiques across reviews point to an over-reliance on blues riffs and big beats, which some saw as settling the band into a rut after their stronger initial efforts.[2] In modern retrospectives from the 2020s, the album has been appreciated as a peak representation of Bad Company's 1970s commercial sound, blending gritty blues rock with anthemic elements that influenced arena rock's development. A 2021 review in V13.net emphasized its soulful, bluesy mystique and standout tracks like "Silver, Blue and Gold," positioning it as a chart-topping milestone that solidified the band's global stature.[18] Rodgers' vocals remain a consistent point of praise, often cited as the album's defining strength for their blend of soul and power.[2]Commercial performance
Run with the Pack achieved significant commercial success upon its release, peaking at number 5 on the US Billboard 200 chart in April 1976.[2] In the United Kingdom, it reached number 4 on the UK Albums Chart.[6] The album also performed well internationally, attaining number 11 on the Australian albums chart,[29] number 11 in the Netherlands,[30] and number 11 on the Canadian RPM 100 Albums chart.[31] In the United States, the album sold over 1 million copies by the end of 1976, earning a platinum certification from the RIAA for shipments of 1,000,000 units, awarded in December 1976; this marked Bad Company's third consecutive platinum-selling album.[6][20] Estimates indicate the record has sold more than 1.1 million copies in the US alone. Worldwide, it has exceeded 1.25 million units shipped by the late 1970s, including 100,000 in the UK (gold certified by BPI in February 1977) and 50,000 in Canada (gold certified by CRIA).Accolades and reissues
While Bad Company as a band received a Grammy nomination for Best New Artist in 1974, they earned no major Grammy wins, with the group instead gaining enduring recognition through critical acclaim for albums like Run with the Pack. The album received positive coverage in Rolling Stone's 1976 review, which described it as Bad Company's "third and best album," highlighting its return to the raw blues-rock energy of their debut. This praise contributed to its placement within the band's catalog of 1970s classics, further solidified by Bad Company's induction into the Rock & Roll Hall of Fame in 2025, which honors their overall contributions to the classic rock canon.[32] The album's legacy extends to its influence on subsequent rock genres, including elements of 1980s hair metal through Bad Company's blues-infused hard rock style and anthemic songwriting, as noted in discussions of the band's impact on arena-oriented acts. The title track "Run with the Pack" has been covered in various tributes, underscoring its lasting appeal in rock circles. Run with the Pack has seen several reissues, beginning with a 2009 remaster by Rhino Records that enhanced audio quality for digital and CD formats. In 2017, Rhino released a deluxe edition expanding the original 10-track album to 24 tracks across two discs, incorporating live versions from a 1976 New York show, alternate mixes, and unreleased outtakes such as early versions of "Honey Child" and "Simple Man." Marking the album's 49th anniversary, the 2025 tribute album Can't Get Enough: A Tribute to Bad Company features covers of songs from Run with the Pack, including Blackberry Smoke's rendition of the title track with Paul Rodgers and Mastodon's Brann Dailor, celebrating the band's Rock Hall induction and half-century milestone.[33]Credits
Track listing
All tracks on the original album were written by members of Bad Company, primarily Paul Rodgers and/or Mick Ralphs, except where noted.[13]| No. | Title | Writer(s) | Length |
|---|---|---|---|
| 1. | "Live for the Music" | Ralphs | 3:58 |
| 2. | "Simple Man" | Ralphs | 3:37 |
| 3. | "Honey Child" | Rodgers, Ralphs, Burrell, Kirke | 3:15 |
| 4. | "Love Me Somebody" | Rodgers | 3:09 |
| 5. | "Run with the Pack" | Rodgers | 5:21 |
| No. | Title | Writer(s) | Length |
|---|---|---|---|
| 6. | "Silver, Blue & Gold" | Rodgers | 5:04 |
| 7. | "Young Blood" | Leiber, Stoller, Pomus | 2:37 |
| 8. | "Do Right by Your Woman" | Rodgers | 2:50 |
| 9. | "Sweet Lil' Sister" | Ralphs | 3:25 |
| 10. | "Fade Away" | Rodgers | 2:58 |