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Saba Qamar

Saba Qamar Zaman (born 5 April 1984) is a Pakistani actress and active primarily in Urdu-language films and serials. She began her in television with the 2005 series Mein Aurat Hoon and achieved breakthrough success with the 2010 drama Dastaan, establishing her as a leading figure in Pakistani entertainment. Qamar made her film debut in 2013 with Aina and garnered international recognition for her role opposite in the 2017 Bollywood comedy-drama , which became one of Pakistan's highest-grossing cross-border collaborations. Regarded as one of Pakistan's highest-paid actresses, she has received multiple accolades, including , for performances in projects like the Manto. Her has also involved public disputes, such as boycotting the 2017 over perceived biases in nominations and recent backlash for bold scenes in the series .

Early life and background

Childhood and family influences

Saba Qamar Zaman was born on April 5, 1984, in , , into a family. Her father died when she was very young, prompting her mother to relocate the family to , —her mother's hometown—where Qamar spent much of her early childhood primarily under the care of her grandmother. The family later moved to , exposing Qamar to the conservative cultural norms prevalent in society during her formative years. This environment included traditional gender roles often highlighted in household interactions, shaping her early observations of familial structures. In public statements, Qamar has attributed a lasting caution toward romantic relationships to the marital discord she witnessed between her parents, characterized by frequent arguments that occurred in her presence during her childhood. She has described how these tensions instilled a of and emphasized the need for parents to shield children from such conflicts to avoid long-term emotional impacts.

Education and early aspirations

Qamar received her early schooling in before relocating to to complete , with no publicly documented pursuit of higher degrees or formal training in . Her pre-professional interests gravitated toward performance, influenced by exposure to Pakistani television dramas and local media, though without structured involvement in theater or amateur groups. Around age 18–20, amid family financial strains following her father's death, Qamar turned to modeling as an accessible entry into entertainment for economic self-reliance, conducting self-initiated auditions without industry connections or nepotistic support. This practical ambition prioritized viable income over purely artistic ideals, marking a pragmatic shift from schooling to professional pursuits prior to her 2004 television debut.

Professional beginnings

Modeling and initial television roles (2004–2011)

Qamar began her professional career in modeling during the early , appearing in advertisements and music videos, including Abrar-ul-Haq's "Boliyan" from the album Nachan Main Audhay Naal. This entry provided initial visibility in Pakistan's entertainment industry, where she worked amid challenges like limited opportunities for newcomers without established connections. Transitioning to acting, Qamar made her television debut in 2004 with the PTV Home series Mein Aurat Hoon, portraying a supporting role in a drama centered on women's struggles. The series, which aired on state-run Pakistan Television, marked her first on-screen acting credit and helped establish baseline recognition, though her roles remained minor and commercial-oriented, reflecting the era's typecasting of models into light dramatic parts. She followed with appearances in telefilms like Ishq, directed by Dilawar Malik, further building experience in short-form narratives. By 2009, Qamar received her first notable media attention for the role of Ruqsana Inayat in the historical drama Jinnah Ke Naam, a PTV production depicting events related to Pakistan's founder. This performance, amid a landscape dominated by family ties in casting, signaled modest progress but did not yet yield widespread acclaim or lead roles, as her output stayed limited to episodic or supporting television work until the period's end.

Television career

Breakthrough dramas and critical reception (2012–2015)

In (2011–2012), Qamar portrayed Saman, a greedy and manipulative younger sister in a lower-middle-class family, marking a departure from her earlier supportive roles and earning praise for her realistic depiction of a negative character. Reviewers highlighted her ability to evoke strong audience disdain, with one noting that her performance elevated the drama's emotional depth and demonstrated newfound acting maturity. The series, directed by and aired on , received an IMDb user rating of 8.2/10 from limited reviews, reflecting appreciation for its portrayal of familial greed and , though some criticized the storyline for unrealistic escalations and frustrating plot resolutions. Qamar's lead role as Hania in Tera Pyar Nahi Bhoole (2012), directed by Rafique Ahmad Warraich and broadcast on , further solidified her versatility through a romantic drama centered on and sacrifice. Her performance garnered the PTV Award for Best Actress in 2012, signaling industry recognition of her command in emotionally charged narratives. The series contributed to her transition toward lead status, though contemporaneous critiques of Pakistani television often pointed to formulaic scripting reliant on heightened over subtle character development, a trope evident in the production's reliance on prolonged confrontations. By 2013–2014, Qamar starred as Ruqaiya in Sannata on , alongside and , depicting a resilient woman navigating family conflicts and moral dilemmas in a multi-generational household. The drama earned an IMDb rating of 8.7/10 and a nomination for Qamar at the 2015 for Best TV Actress (Terrestrial), underscoring its popularity and her acclaim for embodying determined female leads amid societal pressures. Critics commended her voiceovers and presence but debated the genre's overemphasis on intense emotional outbursts, which sometimes overshadowed nuanced subtlety in favor of audience-engaging tropes common to serials of the era. These roles collectively boosted her profile, evidenced by award nods and sustained viewership in Pakistan's competitive TV landscape, while highlighting persistent industry reliance on resilient-yet-reactive archetypes without deeper causal exploration of character motivations.

Consolidation of stardom and diverse roles (2016–2019)

In 2016, Qamar starred as a struggling in the period drama Mein Sitara, which depicted the challenges of the golden era from the 1960s to the early 2000s, earning praise for its nostalgic portrayal of the industry's decline amid socio-economic shifts. The series highlighted her ability to embody resilient female characters navigating professional and personal hardships, contributing to her growing reputation for emotionally layered performances. That year, she also received the award from the , recognizing her contributions to the arts. Qamar's role as Fouzia Batool (based on the real-life personality ) in the 2017 biographical drama Baaghi marked a commercial pinnacle, with the series generating significant hype and dominating TRP charts due to its exploration of , exploitation, and female agency in conservative contexts. Her portrayal humanized a polarizing figure, blending vulnerability with defiance, and secured her the Lux Style Award for Best Television Actress in 2018, while the series itself won Best TV Play at the same event. Audience loyalty was evident in its sustained viewership, reflecting market demand for narratives challenging patriarchal norms yet rooted in familiar empowerment tropes. Efforts toward genre diversification appeared in later works like Cheekh (2019), a thriller emphasizing justice-seeking amid familial betrayal, showcasing Qamar in a more suspense-driven role. However, critiques persisted regarding the limitations of role variety in Pakistani serials, where female leads like Qamar's were frequently confined to "strong-woman" archetypes—resilient yet victimized figures enduring abuse or societal prejudice—driven by industry preferences for high-rated, didactic stories over nuanced character exploration. This pattern stemmed from causal factors such as audience expectations for moralistic resolutions and production economics favoring formulaic empowerment tales amid entrenched gender biases, rather than innovative scripting. Qamar herself expressed reservations about repetitive narratives, such as women romanticizing harassers, indicating selective project choices aligned with commercial viability.

Contemporary works and personal impacts (2020–present)

In 2025, Qamar starred as Sehar Moazzam in the Har Pal Geo drama Case No. 9, portraying a woman who endures and confronts systemic injustices, with the series emphasizing themes of and legal . The role required her to film repeated intense emotional scenes, which she later described as causing significant physical and mental strain, including exhaustion that blurred the boundaries between performance and personal well-being. This toll manifested in her hospitalization on , 2025, at Quaid-e-Azam International Hospital in , where she was admitted to the ICU after collapsing on set due to chest pain and stress-related cardiac complications; she was discharged after stabilization but advised to rest for weeks. Colleagues, including actress , confirmed Qamar required hospitalization twice during production, attributing it to the demanding nature of embodying . Qamar's ambassadorship with , appointed as the organization's first National Ambassador for Child Rights on October 11, 2024, has intersected with her television choices, as she leverages roles addressing vulnerability—such as exploitation and abuse in Case No. 9—to amplify advocacy for protections against and issues affecting youth. However, the series faced mixed reception, earning praise for its unflinching depiction of assault (with an IMDb rating of 9.5 from early viewers) but drawing backlash and trolling directed at Qamar and co-star Faysal Qureshi for sensationalizing sensitive topics, reflecting broader critiques of her pattern of selecting provocative narratives over mainstream appeal. Post-2020 Pakistani television has seen industry-wide viewership declines, with many dramas struggling to exceed 1 million views within days of release amid competition from international content and shifting audience habits exacerbated by disruptions. Qamar's recent projects, including Tumharey Husn Kay Naam (2023) and episodes in Pamaal (2025), align with this trend, prioritizing depth in character-driven stories on but yielding fragmented metrics compared to pre-pandemic peaks, where top dramas routinely garnered higher TRPs through broader syndication. These choices underscore a personal commitment to in , evidenced by the verifiable costs, yet have invited scrutiny for favoring , as seen in online debates questioning whether such roles sustain long-term audience engagement in a contracting .

Film career

Pakistani film debut and establishment (2016–2019)

Qamar transitioned from television to Pakistani cinema in 2016 with her debut lead role in the romantic comedy Lahore Se Aagey, directed by Wajahat Rauf and co-starring Yasir Hussain. The film, a sequel to Karachi Se Lahore (2015), depicts a chaotic road trip from Lahore to Islamabad involving family misunderstandings and comedic mishaps. Reviews were mixed, with critics highlighting the film's formulaic narrative and underdeveloped plot as detracting from its potential, though Qamar's chemistry with Hussain and her comic timing received some praise for adding levity to the proceedings. Commercially, it performed adequately within the constraints of Lollywood's recovering industry, contributing to the era's modest revival of local productions amid competition from imported films. In 2018, Qamar starred as Anya in the action-comedy , opposite , under Ahsan Rahim's direction. The plot follows a Lahore-based fixer tasked with retrieving Zafar's character from , blending high-energy chases, humor, and romance in a cross-cultural setup. Qamar's portrayal earned acclaim for demonstrating her versatility beyond television's serialized drama format, particularly in handling action sequences and comedic banter, which contrasted with her prior intense roles. The film faced pre-release controversy over its depiction of gender dynamics, with some viewing promotional material as endorsing harassment tropes prevalent in South Asian cinema, though defenders argued it satirized such elements. Teefa in Trouble marked a commercial breakthrough, grossing approximately 50 crore rupees domestically and setting records for non-Eid openings, including the highest single-day collection for a Pakistani at the time. This success, against a backdrop of higher production values and international shoots, underscored 's shift toward genre blends appealing to urban youth audiences, though critics noted persistent reliance on predictable tropes like damsel-in-distress motifs. 's choices reflected a strategic move to leverage her fame for cinema's broader reach and potential remuneration, where lead roles could command fees exceeding episodic pay despite the industry's volatility and lower average actor salaries compared to sustained drama series earnings. No major Pakistani releases followed for Qamar in 2019, as she balanced selective projects amid Bollywood crossovers, solidifying her establishment in through these hits that prioritized entertainment over artistic experimentation. Perceptions of industry persisted in critiques of casting, but Qamar's trajectory stemmed from merit-based breakthroughs rather than familial ties, highlighting self-made actors' navigation of formula-driven narratives.

Bollywood crossover and international exposure

Saba Qamar made her Bollywood debut in the 2017 film , directed by Saket Chaudhuri, where she portrayed Meeta Batra, the wife of a shopkeeper navigating Delhi's elite education system alongside 's character. Released on 21 April 2017, the comedy-drama addressed class divides and English-medium schooling pressures, grossing ₹69.59 nett in and over ₹322 worldwide, bolstered by a strong run in . Qamar's performance received critical acclaim for its authenticity and emotional depth, with reviewers noting her seamless integration opposite Khan and comparisons to established actresses like Sridevi in similar roles. She earned a nomination for Best Actress at the 63rd Filmfare Awards in 2018, though the film itself won Best Film, highlighting its industry recognition. The project sparked debates amid India-Pakistan tensions following the , which prompted calls in India for bans on Pakistani artists; Qamar faced restricted promotions and could not travel freely for the release. In Pakistan, nationalist sentiments criticized her cross-border work as compromising national interests during bilateral strains, while supporters emphasized economic opportunities and cultural exchange as pragmatic pursuits. Geopolitical escalations, including post-2019 Pulwama restrictions, curtailed further Bollywood offers, resulting in no subsequent films despite initial post-release interest, marking the crossover as a temporary career boost rather than sustained expansion.

Recent films and industry challenges (2020–present)

Qamar starred in the drama film Kamli (2022), directed by Sarmad Sultan Khoosat, portraying a grappling with and secrets alongside . The project, initially announced for 2020, faced delays due to restrictions that shuttered cinemas and disrupted production schedules across Pakistan's film sector. Upon release on June 3, 2022, Kamli earned critical praise for its introspective narrative and Qamar's performance, securing her the Best Actress award at the Indus Valley International Film Festival in . Box office collections totaled approximately 5 PKR in its first week, with daily figures rising from 32 PKR on opening Friday to 44 on Saturday and 42 on Sunday, reflecting modest multiplex appeal amid broader industry recovery struggles. The Pakistani encountered severe setbacks from 2020 onward, including widespread closures, halts, and economic pressures that diminished theatrical viability. These factors contributed to stalled releases and a pivot toward digital platforms for distribution and revenue sustainability, as traditional box office revenues plummeted with limited screenings and audience hesitancy. Qamar's subsequent projects, such as the 2025 release of via , exemplify this trend, bypassing theaters for online accessibility to mitigate financial risks. In July 2025, Qamar experienced a health scare attributed to and during an active shoot, leading to hospitalization and temporary ICU admission, which halted production briefly. Medical assessments emphasized the need for rest, delaying her schedule without announced long-term alterations to ongoing commitments like promotional work. Industry observers have noted persistent critiques of prioritizing project volume over narrative depth in post-pandemic output, particularly in the divide between indie efforts like Kamli—which favored —and commercial ventures struggling with substandard scripting amid resource constraints. This has underscored calls for quality-focused reforms to rebuild audience trust and counter the era's emphasis on quantity-driven digital releases.

Other professional activities

Hosting, production, and endorsements

Saba Qamar has featured prominently in television award ceremonies, including a tribute performance to actress at the on October 8, 2023, where she recreated dance sequences from Khan's films. She also delivered energetic performances at the HUM 22nd in 2024. In April 2017, Qamar boycotted the , protesting the event's failure to recognize her pre-Bollywood contributions despite her established television success. Qamar has secured endorsement deals with consumer brands, notably appearing in a Cola Next television commercial in June 2020, which highlighted her as a style icon through effortless on-screen presence. Her advertisements have included sectors such as beverages, with additional modeling work for leading and products. These endorsements, alongside her acting income, factor into estimates of Qamar's at approximately Rs 10 crore as of January 2025.

Philanthropy and public advocacy

Saba Qamar was appointed UNICEF Pakistan's first National Ambassador for Child Rights on October 11, 2024, tasked with advocating for , girls' empowerment, and issues such as , , and educational access. In this role, she participated in a UNICEF video campaign launched on May 29, 2025, aimed at raising awareness about the harms of , emphasizing its disruption of girls' education and future prospects, though empirical data on the campaign's direct impact on marriage rates remains limited amid Pakistan's entrenched cultural practices. Through her ambassadorship, Qamar has promoted awareness among children, urging the destigmatization of seeking help, particularly in contexts where familial and societal pressures exacerbate youth vulnerabilities; however, while such celebrity-led initiatives expand reach via —evidenced by her posts garnering thousands of engagements—causal links to reduced or improved access to services are not robustly documented in independent evaluations. On International Women's Day 2025, she engaged with rural women to underscore empowerment through education and opportunity, aligning her efforts with calls for rather than ideological , noting that men and women share equal emotional capacities and familial duties. Critics of celebrity advocacy, including Qamar's, argue that high-profile endorsements often prioritize visibility over sustained outcomes, with UNICEF's own reports indicating persistent challenges like Pakistan's 18 million out-of-school children despite awareness drives; Qamar's platform has amplified discussions on girls' rights, yet traditional perspectives emphasize family structures and community-led preservation of roles as more causal in long-term stability than individualized empowerment narratives. No verifiable records exist of direct financial donations from Qamar to disaster relief, such as the , limiting assessments of her to advocacy impacts where measurable efficacy trails rhetorical commitments.

Personal life

Relationships and views on marriage

Saba Qamar has remained unmarried as of October 2025, with no publicly confirmed romantic relationships. In early October 2025, she attributed her aversion to to childhood exposure to her parents' frequent arguments and troubled relationship, stating that overhearing these disputes created a lasting fear of marital discord and emphasized the need for parents to resolve conflicts privately to avoid impacting children. She described this experience as fostering a for emotional self-sufficiency over , without endorsing as essential for personal fulfillment. Qamar's perspective critiques aspects of traditional marriage customs in , such as the notion of "giving away daughters," which she links causally to her reluctance amid observed familial instability. However, conservative viewpoints in Pakistani society counter that arranged marriages, predominant in 81% of unions, promote social stability through family-vetted compatibility and yield empirically lower rates compared to marriages, as indicated by district-level research from showing elevated dissolution in self-selected pairings. These traditional arguments prioritize communal oversight and long-term empirical outcomes over individual emotional histories, though data remains context-specific to cultural enforcement mechanisms.

Health challenges and mental well-being

In August 2025, Saba Qamar was hospitalized for while filming a project, requiring ICU admission before stabilization by medical staff. Hospital sources attributed the episode to acute stress from demanding work schedules, highlighting the physical manifestations of professional pressures in Pakistan's sector. Following her portrayal of a survivor in the 2025 drama Case No. 9, Qamar disclosed that repeatedly filming intense emotional scenes, including simulated assaults, induced significant psychological strain, exacerbating physical symptoms such as fatigue and requiring her to reduce her pace. She described the role's demands as altering her mental state, with the cumulative effect of embodying prolonged contributing to broader disruptions. This aligns with her prior admissions that unresolved emotional stressors, including echoes of childhood adversities like familial discord, amplify adult vulnerabilities to work-induced . Qamar has publicly emphasized the interplay between mental well-being and physical , advising against suppressing or , which she links to her own episodes of distress manifesting somatically. As UNICEF's National Ambassador for Child Rights since 2024, she has incorporated calls for prioritization in youth-focused messaging, though industry observers note persistent structural issues like extended shoots without mandated recovery protocols perpetuate such risks for performers.

Public image and controversies

Media reception and cultural impact

Saba Qamar's performances in Pakistani television dramas have garnered acclaim for portraying multifaceted female characters, such as Fauzia in Baaghi (2017), which depicted a woman's transformation from subjugation to empowerment, influencing public discourse on gender dynamics in conservative settings. The series shifted viewer perceptions, with Qamar noting it helped audiences recognize the injustices faced by real-life figures like , fostering greater empathy for women's struggles against patriarchal constraints. Her Bollywood debut in (2017) opposite earned widespread praise for her natural acting and chemistry, receiving positive reviews that highlighted her as a fresh talent capable of bridging South Asian cinematic styles. The film's international success, including strong performance in , underscored her appeal beyond borders, contributing to discussions on Pakistani artists enhancing regional cultural exchange despite political tensions. Qamar's career has impacted the portrayal of female leads in Pakistani media by challenging stereotypes through roles emphasizing resilience and agency in a male-dominated , setting precedents for bolder narratives that prioritize women's inner strength over traditional subservience. Her crossover to Bollywood has been cited in analyses of , where Pakistani performers like her amplify cultural visibility and foster interpersonal connections across India-Pakistan divides via shared artistic endeavors. Recent works, such as her role in Case No. 9 (2025), continue to captivate audiences with authentic depictions of and , reinforcing her influence on socially relevant .

Criticisms, debates, and traditional counterperspectives

Saba Qamar has drawn criticism from conservative segments in Pakistan for roles and public appearances perceived as challenging traditional modesty norms. A notably intimate scene in the 2024 web series Mr. and Mrs. Shamim, co-starring Nauman Ijaz, elicited widespread backlash on social media platforms, where users argued that veteran actors of their caliber—known for dramatic prowess—unnecessarily resorted to provocative content to maintain audience engagement, thereby eroding cultural decorum. Similar sentiments arose in January 2025 following a magazine photoshoot featuring Qamar in a form-fitting tiger-print gown, which detractors labeled as boundary-pushing attire ill-suited to Pakistani societal expectations, prompting calls for greater restraint in celebrity self-presentation. Traditionalist rebuttals have targeted Qamar's expressed skepticism toward marriage, particularly her September 2025 comments critiquing customs wherein daughters are "given away" in wedlock and citing childhood exposure to her parents' acrimonious union as fostering lifelong apprehension. Such views, opponents contend, inadvertently promote individualism over familial duty, contrasting with evidence from longitudinal studies indicating that earlier, tradition-aligned unions correlate with enhanced relational stability and reduced instances of dissolution; for example, research from the Institute for Family Studies highlights elevated divorce risks among cohorts delaying marriage beyond age 30, attributing this to entrenched habits of self-reliance that complicate spousal adaptation. Debates surrounding Qamar's career trajectory also encompass accusations of selective industry favoritism, though she rose without familial ties in Pakistani entertainment. Playwright publicly declined collaboration with her in 2024, decrying her on-screen aesthetic and acting suitability for his scripts as misaligned with substantive , a stance he contrasted with partnerships involving peers like despite comparable bold elements in their work. These critiques underscore broader tensions between evolving media and entrenched conservative priors prioritizing narrative integrity over visual allure.

Awards and honors

Major accolades

Saba Qamar has received two , three PTV Awards, one Hum Award, and one Nigar Award, alongside a nomination, primarily for standout performances in Pakistani television dramas and films. These accolades stem from industry ceremonies where selection processes blend jury evaluations—often prioritizing technical merit and critical reception—with public voting, the latter susceptible to biases from urban, youth-heavy demographics favoring commercially appealing roles over depth-driven ones. Her Lux Style Award for Best Television Actress came for the role of in the 2011 drama , a serial lauded for addressing through a jury-assessed performance highlighting emotional range amid domestic turmoil. A second Lux Style win occurred in as Best Film Actress (Viewers' Choice) for Kamli, determined by audience polls that amplified fan-driven support for her portrayal of a resilient , though such categories risk prioritizing popularity over substantive critique. The three PTV Awards for Best Actress include a 2012 win for Tera Pyar Nahi Bhoole, awarded via dual public and jury mechanisms that balanced viewer accessibility with professional judgment, albeit with public input often skewed toward relatable, high-viewership narratives. She secured the Hum Award for at the 3rd Hum Awards, recognizing excellence in a television role through peer and audience consensus. The Nigar Award for followed in 2017, honoring work in a jury-led process focused on cinematic contributions within Pakistan's sector. Internationally, Qamar earned a 2018 Filmfare nomination for Best Actress for Hindi Medium, selected by Indian film experts for her debut alongside Irrfan Khan, evidencing merit-based acclaim across borders despite geopolitical tensions.

Nominations and industry recognition

Qamar has garnered multiple nominations in Best Actress categories across Pakistani television and film awards, including the Lux Style Awards for her role in Lahore Se Aagey (2017) in the Best Lead Actress in a Film category and for Sannata (2015) in Best TV Actress. She also received nominations at the Hum Awards for Best Actress (Jury and Popular categories) for Baaghi (2017), highlighting patterns of recognition for dramatic roles amid competitive fields featuring peers like Sajal Aly and Iqra Aziz. These nominations, while indicative of industry acknowledgment, have not always translated to wins, with Qamar publicly critiquing the Lux Style Awards for "twisted criteria" that nominate performers without awarding them, pointing to subjective selection processes. In addition to domestic awards, Qamar earned a Filmfare Award nomination for Best Actress for her performance in the Bollywood film Hindi Medium (2017), marking rare cross-border validation for a Pakistani in . Pakistani entertainment awards like Lux Style and have drawn broader industry criticism for opaque jury decisions and alleged favoritism toward established cliques, as voiced by actors such as and , who described nominations as "party pris" favoring self-promotion over merit. Such critiques suggest that while Qamar's repeated shortlistings—often alongside 3-5 peers per category—demonstrate peer respect, the processes may inflate perceived prestige without rigorous standards comparable to international benchmarks. Beyond awards, Qamar received industry recognition through her appointment as UNICEF Pakistan's first National Ambassador for Child Rights in October 2024, a role extended into 2025 with campaigns against and for girls' empowerment, leveraging her public influence for advocacy. This non-competitive honor from an international panel underscores her broader impact, distinct from award circuits prone to domestic biases.

Works

Television appearances

Qamar debuted on television in the PTV series Mein Aurat Hoon in 2005. She achieved early recognition with the Hum TV historical drama Dastaan in 2010, portraying a supporting role in a narrative centered on the . In 2017, she starred as Fauzia Batool (based on Fouzia Azeem, known as ) in the biographical series Baaghi, which chronicled the subject's rise and tragic end in 28 episodes. Qamar played the lead role of , a woman seeking justice, in the courtroom series in 2019. Her recent work includes the role of Sehar Moazzam in Case No. 9, which premiered in 2025.

Film roles

Saba Qamar debuted in film with the Pakistani biographical drama Manto (2015), directed by , portraying the legendary singer . The film explores the life of writer . In the romantic comedy Lahore Se Aagey (2016), she played the lead role of Tara alongside , serving as a sequel to . The story follows a couple's misadventures during a . Qamar entered Bollywood with (2017), directed by Saket Chaudhary, where she portrayed Mita Batra, the wife of Irrfan Khan's character in a on and divides. The film was released on April 21, 2017, and grossed over ₹200 crore worldwide. She starred in the action comedy Ghabrana Nahi Hai (2022), playing a lead role opposite Zahid Ahmed and , focusing on themes of fear and resilience. Directed by , it premiered on March 25, 2022. In Kamli (2022), directed by Sarmad Sultan Khoosat, Qamar took the central role of Hina, a navigating , loss, and family secrets in a intertwining multiple women's stories. The film was released in Pakistani theaters on June 3, 2022.

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