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Saltburn

Saltburn may refer to several places in the and , as well as media works inspired by or named after them. == Places == == Media ==

Places

Saltburn-by-the-Sea

is a Victorian town located in the borough of , , situated on the coast approximately 12 miles southeast of . The town forms part of the larger Saltburn, Marske and New Marske and is known for its sandy beach backed by cliffs, attracting visitors for and recreation. As of the 2021 census, the built-up area of had a of 5,874, reflecting a stable community centered around and local services. The town was founded in 1861 as a planned development by Quaker entrepreneur Henry Pease, a director of the Company, who envisioned a to capitalize on the region's growing prosperity from in the nearby Cleveland Hills. Pease and his family, through the Saltburn Improvement Company, acquired land from the Earl of Zetland and extended the railway line from to Saltburn, facilitating the transport of and boosting economic activity. This connection to and rail infrastructure transformed the area from a quiet into a burgeoning Victorian by the , with terraced housing, promenades, and amenities designed to appeal to middle-class holidaymakers seeking sea air and health benefits. Key landmarks define the town's character and draw tourists year-round. Saltburn Pier, constructed in 1869 by engineer under the Saltburn Pier Company, originally measured 1,500 feet and served as a steamer landing point; it is now one of about 50 surviving pleasure piers in the UK and the only remaining one in , having undergone restorations to preserve its iron structure. The , opened in 1884, is the oldest operating water-balanced in the , providing a 120-foot ascent from the beach to the town cliffs and offering panoramic views of the coast. Complementing these is the Valley Gardens, a 15-acre public park developed between 1861 and 1873 as part of Pease's vision, featuring Italianate gardens, a miniature railway operational from April to October, woodland trails, a room, and facilities managed by the local woodlands trust. Economically, Saltburn-by-the-Sea thrives on , leveraging its preserved for events that celebrate its , such as the annual Saltburn and Folk Festival, alongside surfing competitions on its beach, which offers some of the best waves on England's east coast with dedicated surf schools. The town's proximity to the National Park enhances its appeal for hiking and nature-based activities, contributing to a vibrant cultural scene. The Saltburn electoral ward, which encompasses the town, handles local matters including these tourism initiatives. Recent developments have focused on regeneration and amid environmental challenges. Post-COVID has rebounded strongly, with recording 20.4 million visitors in 2024—a 5% increase from 2023—generating £475 million in overnight stays, driven by Saltburn's appeal as an underrated seaside destination. Beach management efforts intensified after storms in winter 2023/24 damaged groynes and slipways; repairs were prioritized in 2024, alongside ongoing monitoring of to protect the pier and funicular. Preliminary 2025 data indicates over 21 million visitors to the , continuing the upward trend. These initiatives aim to sustain growth while addressing climate vulnerabilities.

Saltburn (electoral ward)

Saltburn is an electoral ward within the in , , primarily comprising the seaside town of and adjacent coastal and residential areas to the south and west. The ward's boundaries follow the coastline eastward, extending inland to include urban and semi-rural zones, with limits defined by neighboring wards such as Skelton and Brotton; these boundaries were adjusted in 2018 under the Local Government Boundary Commission for England's recommendations to ensure electoral equality. Transport infrastructure within the ward includes the A174 road linking to and , and Saltburn railway station, which provides services on the operated by . According to the 2021 United Kingdom census, the ward had a population of 6,440 residents, reflecting a modest 0.78% increase from 2011. Demographically, the population is 48% male and 52% female, with an age structure of 15.7% aged 0-17, 53.7% aged 18-64, and 30.6% aged 65 and over, indicating a higher proportion of older residents compared to the national average. Ethnically, 97.5% identify as White, and 95.3% were born in the UK; religiously, 51.3% are Christian, 40.1% report no religion, and smaller groups include 0.5% Muslim and 0.5% Buddhist. Employment in the ward centers on tourism and hospitality due to its coastal location, alongside retail and professional services, with historical remnants of the iron mining and steel industries influencing some skilled trades; the overall employment rate for working-age residents aligns with the borough's 74.3% figure as of late 2023. The ward elects three councillors to Borough Council every four years, contributing to the authority's 59-member composition across 24 wards. In the 2023 local elections, secured all three seats with Stuart Smith receiving 1,385 votes (58.6%), Philip Thomson 1,041 (44.1%), and Craig Hannaway 805 (34.1%), defeating and other challengers amid a 49.1% turnout; this followed a mixed history, including a 2015 result where one , one Conservative, and one councillor were elected. The ward's representatives participate in regional planning through the council's involvement in the , focusing on and economic regeneration. Key local issues in the ward include managing along its 5.388 km² shoreline, where the North East Coastal Group employs a "" strategy with and groyne maintenance, as outlined in the Shoreline Management Plan 2; no major interventions are planned at the cliff toe, but crest stabilization works are under consideration to protect properties. Housing development is directed by the Redcar and Cleveland Local Plan Strategy 2024-2027, which allocates sites for approximately 500 new homes borough-wide, including and proposals in Saltburn to address affordability while preserving areas. Community services emphasize resilience to , with initiatives like the 2024 installation of a Time & Bell on Saltburn to raise sea-level awareness, alongside ongoing support from the Saltburn and parish council for health and recreational programs through 2025.

Other geographical locations

Saltburn, located in within the , is a small coastal village situated on the northern shore of the , approximately 1 mile northeast of . Historically associated with agriculture and fishing communities, it forms part of area and reflects the rural character of the region. In , Saltburn is an unincorporated rural community in the province of , lying within the of Lacadena No. 228. This sparsely populated area is primarily dedicated to farming and , typical of the prairie landscape in central . The name Saltburn remains rare outside of prominent contexts, with no additional geographical locations emerging as of 2025; its use in these minor sites likely draws from British naming conventions inspired by coastal or saline features akin to those in .

Media

Saltburn (2023 film)

Saltburn is a 2023 written and directed by , marking her follow-up to the Academy Award-winning . The stars as Oliver Quick, a scholarship student at Oxford University who becomes increasingly obsessed with his charismatic and privileged classmate, Felix Catton, played by . When Felix invites Oliver to spend the summer at his family's sprawling estate, Saltburn, the story delves into themes of class disparity, desire, and obsession, unfolding as a dark on and . Released theatrically on November 22, 2023, by after premiering at the in September 2023, the movie blends elements of and Gothic intrigue to explore the intoxicating allure of . The centers on Oliver's immersion into the eccentric Catton family dynamics, where he navigates the opulent yet decaying world of inherited privilege, marked by lavish parties, hidden tensions, and moral ambiguities. Without revealing key twists, the narrative builds tension through Oliver's evolving relationships and the estate's isolating grandeur, drawing parallels to classic tales of and intrusion. Fennell, who also produced the film, crafted the to evoke the Gothic tradition, influenced by literary works that probe the underbelly of upper-class excess. With a reported of approximately $10 million, Saltburn achieved a worldwide gross of $21 million, including $11.4 million domestically, demonstrating strong returns driven by word-of-mouth and streaming success on Prime Video following its December 2023 debut there. The ensemble cast delivers standout performances that amplify the film's satirical edge. Keoghan's portrayal of Oliver earned praise for its unsettling intensity, securing a BAFTA nomination for Best Actor in 2024, while Elordi's Felix embodies effortless charm and vulnerability. Rosamund Pike shines as Elspeth Catton, Felix's aloof mother, receiving a BAFTA nod for Best Supporting Actress, and Richard E. Grant brings wry humor to the role of Sir James, the patriarchal figurehead. Alison Oliver as Venetia, Felix's sister, and Archie Madekwe as the sharp-tongued cousin Farleigh round out the family, with their interactions highlighting the film's critique of inherited entitlement. Additional supporting roles, including Carey Mulligan as a peculiar "poor thing," add layers of eccentricity. The film's awards recognition included five BAFTA nominations overall—Outstanding British Film, Best Supporting Actor for Elordi, and Original Screenplay for Fennell—along with two Golden Globe nods, though it did not secure major wins. Principal photography took place primarily in the summer of 2022, with in , , serving as the imposing Saltburn estate, its lending an air of timeless decadence to the interiors and grounds. Oxford University locations, including Brasenose College, captured the academic setting, while additional scenes were shot in and to evoke the 2000s period aesthetic. The production's visual style, lensed by cinematographer , emphasizes lush, voyeuristic shots that heighten the sense of intrusion and excess. Critically, Saltburn holds a 72% approval rating on based on 302 reviews, with the consensus praising Fennell's "candy-coated and incisive" direction for its debauched energy and , though some reviewers noted uneven pacing and tonal shifts as drawbacks. Publications like lauded its psychological depth and visual flair, while highlighted its provocative take on privilege. The sparked widespread cultural discourse, fueling memes and trends around its shocking scenes and the viral resurgence of Sophie Ellis-Bextor's "," which charted anew in late 2023. By 2025, discussions persisted on about its efficacy, with debates on whether it sufficiently critiques or glamorizes the elite, contributing to its status as a divisive yet enduring cultural phenomenon. The soundtrack, featuring period-specific tracks, enhances the atmospheric tension without overshadowing the narrative. As of November 2025, no has been confirmed, despite fan speculation, with Fennell expressing satisfaction in the story's self-contained arc.

Saltburn (soundtrack)

The soundtrack for the 2023 film Saltburn features an original score composed by Anthony Willis alongside a curated selection of licensed pop and classical tracks, enhancing the movie's themes of disparity, desire, and psychological tension. Released in two separate albums in November 2023, the music blends orchestral grandeur with early indie and dance hits to evoke a sense of nostalgic excess and underlying unease, mirroring the film's setting in 2006 and a fictional English estate. The eclectic choices, including period-specific anachronisms, contribute to the satirical tone by juxtaposing aristocratic formality with brash pop energy. Anthony Willis's original score integrates symphonic elements, such as strings and choir, with electronic synths and dissonant motifs to underscore moments of opulence and discomfort, drawing inspiration from the film's gothic undertones and character psyches. Performed by the London Contemporary Orchestra, the score avoids overt cues in favor of subtle tension-building, using motifs like a recurring "dirty synth" to reflect the protagonist's obsessive gaze. The full score , Saltburn (Original Motion Picture Score), contains 21 tracks, including "I Loved Him/Oliver Quick!" (which interpolates Handel's ) and "Journey to Saltburn," emphasizing emotional isolation and grandeur. Some cues, such as incidental underscore for intimate scenes, remain unlicensed and unreleased on the album, allowing for focused without commercial distraction. The companion album, Saltburn (Music from the Motion Picture), compiles 13 licensed songs that appear in key sequences, highlighting director 's vision of nostalgia tied to upper-class frivolity. Notable tracks include Sophie Ellis-Bextor's "" (featured in the film's climactic bathroom dance scene), The Killers' "" (used briefly in a party moment), and Girls Aloud's "Sound of the Underground" (evoking youthful rebellion). Other highlights are Arcade Fire's "No Cars Go" for arrival sequences and Tomcraft's "" during a euphoric scene, selected to amplify themes of amid . The tracklist is as follows:
No.ArtistTitle
1This Modern Love
2Destroy Everything You Touch
3
4No Cars Go
5TomcraftLoneliness (Radio Cut)
6Mason vs. Perfect (Exceeder)
7
8
9
10Sound of the Underground
11
12 & The BizSatisfaction (UK Radio Edit)
13Have a Cheeky
This selection prioritizes high-energy tracks from the era, with licensing challenges noted for popular cuts like "Mr. Brightside" due to their cost and contextual fit. Both albums were digitally released on November 17, 2023, coinciding with the film's premiere, via for the score and for the songs compilation. The soundtrack gained traction through viral recreations of dance scenes, particularly "," which amassed millions of views and propelled related trends into 2025. On the Official Albums Chart, the peaked at No. 1 in July 2024, with 10 weeks in the Top 75, driven by streaming surges and special vinyl editions like a limited and liquid-filled variant released that year. No expanded edition has been issued as of November 2025, though fan remixes—such as edits layering score cues over pop tracks—have proliferated online, often focusing on unlicensed motifs for fan videos. Critics lauded the soundtrack's mix for its ironic reflection of class satire, with Willis's score praised for its "symphonic unease" that complements the pop tracks' . The eclectic curation was highlighted as a standout element, evoking the film's blend of elegance and vulgarity. Willis received three s at the 2024 for Discovery of the Year, Public Choice Award, and Film of the Year, though he did not win; the score also earned a BAFTA nomination for Best Original Score. Post-release, the music's resurgence led to over 100 live performances by tied to the film's popularity by late 2024. Fennell, alongside music supervisor Kirsten Lane, curated the selections during scripting and to capture 2000s pre-smartphone exuberance and aristocratic detachment, with half the cues pre-written into the . Tracks were chosen for their cultural resonance in British , fostering a sense of ironic detachment that underscores the . Willis collaborated closely with Fennell to align the score's electronic-orchestral fusion with these licensed elements, ensuring seamless transitions in scenes like festive gatherings.

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