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Spacehog

Spacehog is an English-American alternative glam rock band formed in the spring of 1994 in by four musicians originally from , . The group blends influences from glam rock artists such as and T. Rex with a dense, distorted guitar sound, achieving mainstream success in the mid-1990s through their platinum-selling debut album Resident Alien (1995) and its signature single "In the Meantime". The band originated when guitarist Antony Langdon encountered drummer Jonny Cragg at a café, soon recruiting Antony's brother on lead vocals and bass; guitarist Richard Steel completed the lineup after an initial member, Bob Curreri, departed to pursue . Signed to in spring 1995, Spacehog recorded their debut Resident Alien with producer Bryce Goggin at , releasing it on October 24, 1995; the album peaked at No. 49 on the and was certified gold by the RIAA in the United States for 500,000 units sold, while achieving platinum status in . Their breakthrough single "In the Meantime," released in 1996, reached No. 32 on the and became a staple of 1990s radio, often noted for its anthemic chorus and Bowie-esque flair. Following their debut, Spacehog toured extensively with prominent acts including the , , the , , and , solidifying their presence in the scene. Their second , The (1998), and third, The Hogyssey (2001), received critical attention but did not replicate the commercial peak of their first release, leading to a after 2001. The band reformed in July 2006 and continued performing, releasing a fourth studio , As It Is on Earth, in 2013 via MRI Associated Labels. Their song "In the Meantime" was featured in the film Guardians of the Galaxy Vol. 3 (2023), and the soundtrack Guardians of the Galaxy Vol. 3: Awesome Mix Vol. 3 received a Grammy for Best Compilation Soundtrack for Visual Media in 2024. The band remains active, with ongoing scheduled into 2025.

History

Formation and early career

Spacehog was formed in the spring of 1994 in by four natives of , : brothers (vocals and bass) and Antony Langdon (guitar), along with drummer Jonny Cragg and guitarist Richard Steel. The band's origins trace back to guitarist Antony Langdon meeting drummer Jonny Cragg at a café, after which Antony recruited his brother Royston. The lineup was initially completed by Antony's roommate Bob Curreri on guitar, who later departed to pursue and was replaced by Richard Steel. In their initial phase, Spacehog played early gigs at clubs in City's Greenwich Village music scene, where their performances rapidly built a dedicated local following and earned a reputation for energetic shows. The group honed a glam-influenced style during these outings, featuring distorted guitars, melodic basslines, and retro aesthetics inspired by 1970s British acts like , T. Rex, , and , setting them apart from the dominant trends of the era. After producing demo recordings that showcased their sound, Spacehog caught the ear of president and secured a deal with in early 1995.

Breakthrough with Resident Alien

Spacehog recorded their debut album, Resident Alien, at in , under the production of Bryce Goggin, who co-produced the tracks alongside the band. The sessions captured the band's raw energy, blending glam-infused rock with psychedelic elements during the summer of 1995. The album was released on October 24, 1995, through , a imprint, marking the group's entry into the major-label scene. The , "In the Meantime," propelled Resident Alien to commercial success, peaking at No. 32 on the chart in May 1996 and spending 12 weeks on the listing. Its distinctive bass-driven riff and anthemic chorus resonated with audiences, helping the album reach No. 49 on the Billboard 200. On July 29, 1996, Resident Alien earned gold certification from the RIAA for sales exceeding 500,000 units in the United States, underscoring the band's rapid rise. Critics praised Resident Alien for its bold revival of British aesthetics, frequently citing influences from David Bowie's theatricality and T. Rex's swaggering riffs as central to its sound. Publications highlighted tracks like "In the Meantime" and "Spacehog" for their spacey, retro-futuristic vibe, positioning the album as a fresh counterpoint to mid-1990s dominance. The accompanying for "In the Meantime," directed with surreal imagery of the band in a stark , achieved heavy rotation on MTV's programming, significantly boosting visibility and in the U.S. market. To promote the album, Spacehog embarked on an extensive U.S. tour in , sharing stages with prominent alternative acts and building a following through high-energy live performances. Notable supports included slots opening for on their summer tour alongside and , as well as appearances at festivals like . These outings solidified the band's reputation for charismatic stage presence, further cementing their breakthrough momentum.

Mid-1990s to early 2000s albums

Spacehog's second studio album, , was released on March 10, 1998, through . The record marked a creative shift toward a more experimental , originally conceived as the soundtrack for an unproduced titled Mungo City, incorporating Eastern musical influences and thematic elements of abundance and display. Key tracks included the title-inspired "Mungo City," which explored dystopian motifs, alongside "" and "2nd Avenue," reflecting the band's roots with psychedelic undertones. Despite the artistic ambition, the album experienced declining commercial success compared to their debut Resident Alien, which had sold over 500,000 copies and achieved status in the United States. Following the release of , Spacehog faced internal tensions and label challenges, leading to their departure from . The band signed with the independent label and issued their third album, The Hogyssey, on April 10, 2001. Produced by Paul Ebersold at in , the album represented a return to a more straightforward sound, emphasizing raw energy over conceptual experimentation, with tracks like "" and "This Is " highlighting themes of personal struggle and cultural observation. Singles such as "" received some radio play on alternative stations but failed to replicate the chart impact of earlier hits like "In the Meantime." The record's performance was hampered by Artemis's operational issues, including distribution problems, contributing to even lower sales figures than . Post-1998, creative differences within the band intensified, particularly around songwriting directions and production choices during the transition to , straining relationships amid the pressures of sustaining momentum after their breakthrough. Touring became increasingly challenging, with grueling schedules exacerbating fatigue and logistical hurdles, as seen in their 2001 support slots on major packages like alongside and . Into 2002, the band continued sporadic live performances across the U.S., including festival appearances, but from album promotions and label support signaled the winding down of their initial active phase.

Hiatus and side projects

Following the release of their third studio album, The Hogyssey in 2001 and an extensive tour supporting the Black Crowes, Spacehog entered an indefinite hiatus without issuing a formal breakup announcement. The band's inactivity stemmed from the exhaustion of constant touring and shifting label dynamics, as their relationship with Sire Records had dissolved after the album's underperformance. During this period, frontman Royston Langdon formed Arckid in 2006 alongside his brothers Antony and Christian Langdon, with longtime Spacehog drummer Jonny Cragg on drums; the project drew from glam rock influences similar to Spacehog but remained short-lived, performing live shows including at Lollapalooza but never releasing a full album. Guitarist Antony Langdon, meanwhile, ventured into acting, most notably portraying Joaquin Phoenix's personal assistant "Ant" in the 2010 mockumentary I'm Still Here, directed by Casey Affleck; he also appeared in minor roles in films such as Two Roads (2010). Drummer Jonny Cragg pursued opportunities in other groups, including alt-rock outfit The Twenty Twos and the band Samsara, while contributing to various recording sessions. Lead guitarist Richard Steel engaged in session work and joined projects like the bands Fireproof and , maintaining a lower-profile presence in the music scene. Additionally, Royston Langdon's garnered media attention through his marriage to actress in 2003, with whom he had a son, Milo, in 2004; the couple separated in 2008 after five years together.

Reunion and later releases

Following a decade-long hiatus, Spacehog announced their reunion in 2011, with drummer Jonny Cragg posting on the band's page about the completion of a new album, prompting the original lineup—brothers Royston and Antony Langdon, Richard Steel, and Cragg—to reconvene for occasional live performances. The group, which had previously been signed to major labels like and , embraced an independent approach, facing hurdles in funding and distribution without corporate backing. In 2013, Spacehog released their fourth studio album, As It Is on Earth, on via their own Hogspace imprint, marking their first full-length in 12 years. Produced by Bryce Goggin—who had helmed their debut Resident Alien and sophomore —the record was self-released after a successful campaign that met its goal in just 24 hours, highlighting fan support amid the challenges of going post-major label deals. Tracks like "Deceit," the , blend the band's signature glam-infused rock with introspective lyrics exploring themes of illusion and self-deception, while the overall album draws on influences from and T. Rex for a mature, reflective sound. Limited promotion relied on digital platforms and word-of-mouth, resulting in modest distribution primarily through online retailers and direct sales. To support post-reunion activities, multi-instrumentalist joined as a touring and in 2012, augmenting the core quartet for live shows. This expanded lineup enabled small-scale U.S. tours focused on the East Coast, including club dates in and , as well as festival slots like event in Asbury Park on May 20, 2012. The independent era brought logistical difficulties, such as building a new management team and navigating self-financed travel without label resources, but allowed creative freedom in setlists blending classics like "In the Meantime" with new material.

2020s revival and recent activities

Following the challenges posed by the , Spacehog maintained a low profile with only sporadic live performances between 2020 and 2024, including isolated appearances that were frequently disrupted or canceled due to health restrictions and venue closures. In 2023, their song "In the Meantime" was included on the soundtrack for the film Guardians of the Galaxy Vol. 3, earning a Grammy nomination for Best Compilation Soundtrack for Visual Media in 2024. The band regrouped for a significant resurgence in 2025, announcing a co-headlining U.S. tour with in March of that year. The 11-date run commenced on June 14 at The Ritz in , and concluded on June 28 at the House of Blues in Las Vegas, Nevada, visiting cities such as , , , and along the way. In October 2025, Spacehog marked the 30th anniversary of their debut album Resident Alien with a series of fan-engagement initiatives, including contests inviting submissions of artwork, reels, and posts related to the album for a chance to win prizes such as custom art pieces and memorabilia. These celebrations, centered around the October 24 release date, emphasized the enduring legacy of tracks like "In the Meantime" through online campaigns and behind-the-scenes content shared on the band's platforms. Operating independently without a major label, Spacehog manages its activities through its official website and active social media channels, including and , where updates on tours, merchandise, and fan interactions are posted directly. In 2025 interviews, band members reflected on their career trajectory, with Jonny Cragg expressing for Resident Alien's lasting impact and the joy of reconnecting with fans amid the tour's success. Frontman highlighted the band's glam-rock roots and the timeless appeal of their music in discussions about the anniversary and revival.

Musical style and influences

Core elements

Spacehog's core musical style fuses influences from artists such as and T. Rex with the denser, sensibilities of the , characterized by walls of distorted guitars and expansive, anthemic choruses that evoke a sense of grandeur and theatricality. Lead vocalist delivers dramatic, Bowie-esque performances that add a layer of flamboyant expressiveness to the band's sound, blending soaring melodies with a raw emotional intensity. This blend creates a distinctive neo-glam aesthetic, where intricate guitar arrangements build to euphoric peaks, distinguishing Spacehog within the landscape. The band's lyrics often explore themes of and , reflecting a sense of existential amid urban existence, as seen in tracks that meditate on and human connection. Their fascination with space—evident in song titles and the overall "spacey" atmosphere—infuses the music with cosmic undertones, enhanced by the use of synthesizers played by members like Antony Langdon, which contribute ethereal textures to the compositions. Production emphasizes reverb-drenched elements to amplify this otherworldly quality, creating immersive soundscapes that mirror the disorientation of city life in , where the band formed. While sharing neo-glam traits with British contemporaries like —such as ornate arrangements and glam-inspired flair—Spacehog's sound carries a transatlantic alt-rock edge, rooted in their base and infused with grit. This is epitomized in their signature hit "In the Meantime," where driving rhythms propel infectious hooks that capture the band's propulsive energy and melodic immediacy. Such elements, prominent on their 1995 debut Resident Alien, define Spacehog's foundational appeal as a bridge between glam excess and alternative accessibility.

Evolution over time

Spacehog's debut album, Resident Alien (1995), established the band's foundational glam-infused sound, characterized by catchy hooks and Bowie-esque flair. Their follow-up, (1998), marked a shift toward greater focus and diversity, incorporating more experimental elements within their alt-rock framework while retaining glam influences reminiscent of early . The album's conception as a for the unproduced Mungo City contributed to its cohesive, narrative-driven quality, blending with psychedelic undertones. By the time of The Hogyssey (2001), released on the independent-leaning after their departure from /Elektra, Spacehog streamlined their approach into a rawer, more straightforward rock style, emphasizing roots amid creative tensions and a less polished production. This period reflected a broader transition from major-label gloss to sensibilities, allowing for unfiltered energy in tracks that echoed their earlier but with reduced ornamentation. Following a hiatus marked by side projects, including frontman Royston Langdon's involvement in the electro-punk outfit Arckid (formed post-hiatus around 2006 with his brother Antony Langdon and later drummer Jonny Cragg), Spacehog reunited in 2006. Arckid's synth-driven sound introduced electronic layers that subtly informed the band's post-reunion experimentation. The 2013 album As It Is on Earth, crowdfunded via and self-released, showcased a matured aesthetic with introspective lyrics and balanced dynamics, incorporating acoustic-leaning textures in select tracks for added emotional depth. The reunion lineup included multi-instrumentalist (of ), whose versatile contributions enabled further sonic exploration, including electronic flourishes that built on Arckid's legacy. Overall, Spacehog's trajectory evolved from major-label polish to rawness, preserving core elements while embracing maturity and hybrid influences in their later works.

Band members

Current lineup

The current lineup of Spacehog as of 2025 consists of on lead vocals and bass, alongside his role as the band's primary songwriter; Antony Langdon on guitar and backing vocals; Jonny Cragg on drums; and Richard Steel on guitar. remains the creative force behind the band, leading performances with his distinctive vocals and bass lines while driving songwriting efforts that blend influences with introspective lyrics. He has been central to the band's 2025 U.S. tour, co-headlining with across 11 cities from June to July, where Spacehog delivered high-energy sets featuring classics like "In the Meantime" and deeper cuts from their catalog. Additionally, Langdon's 2023 solo album President Alien, a reimagined acoustic take on Spacehog's debut Resident Alien, underscores his ongoing contributions to the band's legacy, with tracks occasionally integrated into live shows. Antony Langdon, Royston's brother and a founding guitarist, provides rhythmic drive and harmonies on stage, while contributing to the band's visual and theatrical elements through flamboyant attire and dynamic presence that evoke their glam roots. His guitar work supports the band's signature blend of Bowie-esque flair and edge during recent tours. Cragg anchors the rhythm section with his drumming, delivering the propulsive energy that defines Spacehog's live sound and has been pivotal in maintaining the band's momentum. Cragg announced the 2011 reunion that revitalized the group, leading to new material and sustained activity, including his key role in the explosive percussion that powers their 2025 performances. Richard Steel, the lead guitarist since the band's formation, has been a consistent presence, focusing on crafting intricate riffs and solos that form the backbone of Spacehog's sound. His contributions emphasize riff-based songwriting that ties into the band's evolution, evident in the tight, guitar-driven arrangements showcased on the 2025 tour.

Past members and contributors

Spacehog has maintained a remarkably stable core lineup since its formation, with no permanent departures among the founding members. However, the band briefly featured an early guitarist whose involvement helped shape its initial sound. Robert "Bob" Curreri served as the original guitarist in 1994, recruited as Antony Langdon's roommate to complete the lineup alongside the Langdon brothers and Cragg. His tenure was short-lived, as he was replaced by Steel shortly before the band signed with , but Curreri contributed to early demos, including an initial recording of the hit single "In the Meantime." Beyond core members, Spacehog has relied on notable guest contributors and session players for production and occasional instrumentation. Producer Bryce Goggin played a pivotal role in the band's debut album Resident Alien (1995), helming sessions at that captured their glam-infused sound and helped propel the record to platinum status. Goggin later reunited with the band for their 2013 release As It Is on Earth, providing continuity in their sonic evolution during the reunion era. The band has also incorporated occasional touring musicians, particularly around the 2012 reunion period. Multi-instrumentalist joined for select live performances in 2012, adding guitar, keyboards, and backing vocals to support the core quartet. Additionally, during periods of reduced activity, individual members pursued side endeavors without leaving the group; for instance, Antony Langdon took a temporary break for roles, including a in the 2010 I'm Still Here, while fronted the short-lived project Arckid from 2006 to 2008 alongside his brothers and Cragg, exploring a more direction. These contributions and peripheral roles underscore Spacehog's collaborative ethos without altering its foundational stability.

Discography

Studio albums

Spacehog's debut studio album, Resident Alien, was released on October 24, 1995, by . The album features 13 tracks and blends with alternative influences, achieving commercial success by peaking at No. 49 on the chart. It was certified gold by the RIAA on July 29, 1996, for sales exceeding 500,000 copies in the United States and platinum in by . The band's second studio album, , followed on March 10, 1998, also under . Containing 11 tracks, it adopted a more concept-driven approach with experimental and artsy elements inspired by . In 2001, Spacehog issued The Hogyssey on April 10 via , comprising 12 tracks that shifted toward a harder , marking a transitional phase in the band's output. After a long hiatus, the group released As It Is on Earth in 2013 as an independent effort with limited distribution. The 11-track album explores introspective themes and mature songwriting, reflecting the band's evolution during their time apart.

EPs and compilations

Spacehog released a promotional sampler EP titled Was It Likely? in 1995 to preview their debut album Resident Alien. This limited-distribution CD featured four tracks: "In the Meantime," "Space Is the Place," "Candyman," and "Only a Fool Would," serving as an early showcase of the band's glam-infused sound. In 1996, the band issued Hamsters of Rock (Live at CBGB's), a promotional live EP recorded during a performance at High in . The release included energetic renditions of "Crack City," "To Be a Millionaire... Was It Likely?," "Candyman," and "," capturing Spacehog's raw stage presence and energy. The track "In the Meantime" gained further exposure through its inclusion on the 1996 MuchMusic compilation , a prominent Canadian anthology that highlighted emerging acts. This appearance helped solidify the song's status in the alt-rock scene, alongside artists like The Presidents of the United States of America and . Following their debut, Spacehog did not release any major official EPs, focusing instead on full-length , though their music continued to appear on various retrospective compilations in later years.

Singles

Spacehog's breakthrough single, "In the Meantime," was released in 1995 as the lead track from their debut album Resident Alien. The song achieved significant commercial success, peaking at No. 32 on the chart and No. 29 on the . Its accompanying , directed by , depicted the band performing amid abstract, dreamlike visuals that complemented the track's energy. The band's follow-up single, "Mungo City," arrived in 1998 from the album . It performed moderately on rock charts, reaching No. 1 on the Rock & Metal Singles Chart, while also charting at No. 19 on the Mainstream Rock Tracks. The track's release helped promote the album's blend of psychedelic and elements during a period of shifting trends. In 2001, Spacehog issued "Spiders" as a promotional from The Hogyssey. The garnered minor on radio stations but did not achieve notable positions, reflecting the 's limited commercial reception. " As It Is on Earth," released as a digital in 2013, marked the band's return after a decade-long . Tied to their self-released of the same name, it had limited impact amid the rise of streaming platforms, though it resonated with longtime fans through online distribution.

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