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Stephen Geoffreys

Stephen Geoffreys (born Stephen Geoffrey Miller; November 22, 1964) is an American actor best known for his role as the high school misfit-turned-vampire "" Thompson in the 1985 horror comedy . A versatile performer with roots in theater, Geoffreys gained early acclaim on before transitioning to film, where he appeared in a mix of comedies, dramas, and cult horror titles during the . His career later took an unconventional turn with a hiatus from mainstream acting, during which he worked in adult films, before returning to independent horror projects in the 2000s. Born in , , Geoffreys attended a performing arts high school there and later studied acting at . He made his professional stage debut in productions and achieved significant recognition in 1984 for his performance as Homer Macauley in the musical The Human Comedy, earning a Tony Award nomination for Best Featured Actor in a Musical and a Theatre World Award. This acclaim marked him as a promising young talent in theater circles, blending dramatic depth with musical performance. Geoffreys transitioned to screen acting in the mid-1980s, debuting in films like the teen comedy (1985) as Williams, a role that showcased his comedic timing alongside and . That same year, he starred in as the nerdy Wendell and guest-starred on television series including and . His breakout came with , directed by , where his energetic portrayal of Evil Ed—complete with memorable lines like "You're so cool, Brewster!"—cemented his status as a icon and contributed to the film's enduring . In the late 1980s, Geoffreys continued with roles in more serious fare, such as the crime drama (1986), playing Tim alongside , , and . He also starred in horror entries like (1988) as the troubled teen Hoax, a performance praised for its intensity in the cult slasher, and The Chair (1988) as the inmate Roach. His final mainstream film of the decade was the science fiction actioner (1990), where he portrayed the pilot Cookie opposite . Following a period of reduced visibility in the early , Geoffreys stepped away from conventional projects and appeared in over two dozen gay adult films under the pseudonyms Sam Ritter and Stephan Bordeaux, a phase he has discussed in interviews as a means of sustaining his career during challenging times. He made a return to narrative cinema in 2007 with a supporting role in Sick Girl and in 2010 with New Terminal Hotel, signaling a resurgence in genre work. Geoffreys has since participated in fan conventions, reunions for —including virtual events in 2020 and 2021—and maintains an interest in writing short stories and . His contributions to cinema, particularly in , continue to influence fans and filmmakers, highlighting a career defined by bold choices and memorable characters.

Early life and education

Childhood in Cincinnati

Stephen Geoffrey Miller was born on November 22, 1964, in , . Raised in , he attended the city's School for Creative and Performing Arts, a high school focused on nurturing talent in the performing disciplines. It was during his time at this institution that Geoffreys first began on stage, participating in school productions that ignited his passion for performance. These early experiences in local theater and extracurricular activities provided the foundational exposure to the arts that shaped his formative years before he pursued formal training elsewhere.

Acting training and early pursuits

Following his early involvement in theater at a performing arts high school in , , where he developed an initial passion for , Stephen Geoffreys pursued further formal education after high school graduation. Geoffreys relocated to shortly thereafter to advance his career, enrolling in acting classes at in the early , where he studied through college and graduate programs. This training provided him with a structured foundation in performance techniques, building on his high school experiences and preparing him for professional opportunities in the city's vibrant theater scene. During this period, Geoffreys adopted the stage name "Stephen Geoffreys," as his birth name, Stephen Geoffrey Miller, conflicted with an existing member of the . He began attending professional auditions and participating in entry-level theater activities, including minor credits in regional and workshops, which helped refine his skills ahead of more prominent stage engagements.

Stage career

Broadway breakthrough

Stephen Geoffreys achieved his Broadway breakthrough with a leading role in the musical adaptation of William Saroyan's 1943 novel The Human Comedy, which premiered after an run at . The production opened on December 28, 1983, at the Anspacher Theater in the Public Theater complex and ran through March 1984 before transferring to . The production, with book and lyrics by William Dumaresq and music by , transformed Saroyan's nostalgic II-era story of family, community, and loss in a small town into a opera-style musical. Geoffreys was cast as Macauley, the teenage telegraph messenger whose journeys deliver both hope and heartbreak to his neighbors. Directed by Wilford Leach and produced by , the show transferred to Broadway at the Royale Theatre (now the ), opening on April 5, 1984, after 20 previews. It featured a large including , Bonnie Koloc, and Don Kehr, emphasizing choral elements and period authenticity in its depiction of American resilience. However, the production struggled commercially, closing on April 15, 1984, after just 13 performances, amid high production costs exceeding $800,000 and mixed overall reception that praised its heartfelt intentions but critiqued its uneven pacing and score. Despite the show's short run, Geoffreys' portrayal of the quick-witted and resilient garnered strong critical acclaim for its vitality and emotional depth, positioning him as a promising young talent. Reviewers noted his commanding presence in key scenes, such as delivering tragic telegrams amid contrasting moments of youthful exuberance, which showcased his ability to convey innocence and maturity. This debut performance earned him the 1984 Theatre World Award for outstanding debut and a Tony Award nomination for Best Performance by an in a Featured Role in a Musical, marking a pivotal launchpad for his career in theater and beyond.

Notable theater roles and accolades

Geoffreys' notable theater work centered on his featured performance as Macauley in the 1984 musical adaptation of The Human Comedy, after which he transitioned to film and television. In the production, which originated at before transferring to the Royale Theatre on for a limited run from April 5 to April 15, 1984, Geoffreys portrayed the teenage protagonist—a telegraph messenger grappling with loss and family amid —within an ensemble emphasizing emotional depth and period authenticity. His work in the role drew notable recognition, including a nomination for the Tony Award for Best Featured Actor in a Musical and a Theatre World Award for outstanding debut performance. This stage experience informed the high-energy, outsider personas Geoffreys later brought to screen, such as the eccentric "" in Fright Night (1985).

Film and television career

1980s breakout roles

Geoffreys made his film debut in the 1985 coming-of-age comedy , directed by , where he portrayed Williams, a timid boy navigating life in 1965 . His performance, marked by subtle expressions of vulnerability under clerical authority, earned notice for its quiet intensity in a cast featuring and . That same year, Geoffreys achieved breakout recognition with his role as "Evil" Ed Thompson in Tom Holland's vampire horror Fright Night, playing Charley Brewster's eccentric, horror-obsessed best friend who undergoes a tragic transformation into a . The character's manic energy, high-pitched delivery, and memorable scenes—such as his wolfish demise and pleas for belonging—have cemented as an enduring '80s horror archetype, contributing to the film's cult status among genre fans. Geoffreys' theater-honed comedic timing infused the role with a blend of and , elevating it beyond typical tropes. Geoffreys continued his momentum with supporting parts in teen comedies and dramas, including the nerdy Wendell Tvedt in Fraternity Vacation, a raunchy spring break tale directed by James Frawley, where his awkward antics provided comic relief amid the chaos. He also appeared as the inmate Roach in the horror film The Chair (1988). In 1986, he appeared as Aggie, a member of a rural criminal gang, in James Foley's gritty crime drama At Close Range, starring alongside Sean Penn and Christopher Walken as a teenager drawn into his father's outlaw world based on real Pennsylvania events. By 1988, Geoffreys took a lead role in the supernatural horror 976-EVIL, directed by in his feature debut, playing Hoax, a bullied teen whose to a hotline unleashes demonic forces leading to and possession. Produced by Roger Corman's , the low-budget film highlighted Geoffreys' ability to portray escalating mania, from social outcast to vengeful antagonist, in a story blending '80s teen angst with occult themes. His final mainstream role of the era came in the science fiction actioner (1990), where he portrayed the pilot Cookie opposite . Throughout the decade, Geoffreys made minor television appearances, including guest spots on anthology series such as an episode of Amazing Stories in 1987, where he featured in a fantastical segment, and The Twilight Zone revival's "The Elevator" episode, playing a young man encountering bizarre phenomena in a high-rise. These roles showcased his versatility in short-form sci-fi and horror, building on his stage experience to deliver heightened, character-driven performances.

1990s transition to adult films

Following the success of his 1980s breakout roles portraying troubled teenagers in films like (1985) and (1988), Geoffreys faced that restricted him to similar characters, leading to a lack of substantial mainstream offers after 1990 and a subsequent career hiatus. In 1992, during this lull, Geoffreys entered the gay adult under the Sam Ritter, performing in over 20 titles throughout the decade. Representative examples include Powertool (1992) and Score (1995), produced by studios such as Falcon Studios. The transition was driven by financial necessities amid the hiatus, as well as personal exploration of his sexuality in an industry that aligned with his identity as a gay actor. In a 1998 interview, Geoffreys described the period as a time to "collect myself," during which he pursued adult films alongside theater and television work. This shift notably altered his public image, associating him primarily with adult entertainment and diminishing prospects for mainstream roles until his later return to horror projects; he retired from adult film performances by the early 2000s.

2000s return and later projects

After a hiatus from mainstream cinema, Geoffreys re-entered the genre with a supporting role as the eccentric teacher Mr. Putski in the independent -comedy Sick Girl, directed by Eben McGarr and released in 2007. This marked his return to acting after nearly a decade away, capitalizing on renewed fan interest in his cult roles. Geoffreys followed this with a lead role as the struggling Don Malek in New Terminal Hotel (2010), a later re-released as Do Not Disturb in 2013, where his character devises a vengeful plot amid personal downfall. He also appeared in the 2017 director's cut of Emerging Past, a mystery directed by Thomas J. Churchill, portraying the character Cameron in a story involving ritualistic sacrifices and a photographer's haunting visions. These projects reflected his transition to character parts in low-budget films, where he embraced supporting or antagonistic figures rather than pursuing leading roles suited to younger actors. Overcoming hurdles from his 1990s adult film work, Geoffreys has since focused on fan-driven engagements, including panel appearances at horror conventions that celebrate his legacy. For instance, he joined fellow cast members at Terror Con in in September 2023 for discussions on 1980s , and attended Saratoga Comic Con in May 2023 to meet enthusiasts. In a 2021 , he reflected on the enduring appeal of his early career, expressing appreciation for fans who approach him with enthusiasm decades later and describing the joy of reunions that rekindle memories of collaborative filmmaking. Into the 2020s, Geoffreys continued selective involvement in horror nostalgia projects, voicing his iconic character for a 2024 table read of the script on the Table Read Podcast, marking the film's 40th anniversary alongside surviving castmates like and . He has also participated in ongoing convention circuits, including appearances at events like Scareacon in September 2025, underscoring his sustained connection to the genre community.

Personal life

Entry into adult industry

In the early , following a period of reduced mainstream roles, Stephen Geoffreys appeared in adult films under the pseudonyms Sam Ritter and Stephan . This phase of his career has been noted in various sources as a significant shift, aligning with his sexuality during a time when such transitions were uncommon for actors from his background.

Post-2000s personal milestones

Following his return to acting in the 2000s, Stephen Geoffreys has maintained a notably private , with limited public details emerging about key milestones. Geoffreys has resided primarily in . Beyond convention appearances, Geoffreys has shown support for LGBTQ+ causes within horror fandom, participating in events such as the Killer Pride panel at Scares That Care in 2025.

Filmography

1980s Mainstream Films

Geoffreys debuted in feature films in 1985 with a trio of roles showcasing his comedic and dramatic range. In Heaven Help Us, directed by , he played Williams, a student at a Catholic boys' school, alongside and . Later that year, he appeared as Wendell Tvedt in , directed by , co-starring and in a about college antics. His breakout role came in , directed by , where he portrayed , the quirky best friend of the protagonist, with co-stars and ; the film achieved status and grossed $24.9 million at the against a $9 million budget. In 1986, Geoffreys played Aggie in the crime drama , directed by James Foley, featuring and as a young man drawn into his father's criminal world. He starred as Hoax in the horror film (1988), directed by , alongside and ; the movie has earned a dedicated for its themes. That same year, he appeared as in the horror-thriller The Chair, directed by Waldemar Korzeniowsky, with and . Geoffreys closed the decade with a mainstream science fiction role as Cookie in (1990), directed by , co-starring and in a space mining adventure.

1990s Adult Films

During the , Geoffreys transitioned to adult films under the Sam Ritter, appearing in numerous gay pornographic productions. Key titles include Powertool (1991), directed by , where he played a lead role alongside performers such as Jake Corbin and Tony Hampton. Other notable entries were Drivin' Hard (1995), directed by William Hunter, featuring co-performers Tanner Reeves; Quick Study: Sex Ed 1 (1995), with Bob Wainwright; Soccer Coach Studs (1995), directed by ; Flavor of Leather (1997), directed by Bianco Piagi; Tongue Dancing (1998), with Matt Bradshaw and Tony Erickson; Halfway House Hunks (1998); and Private Temptations (1998).

2000s and Later Indie Films

Geoffreys returned to mainstream indie projects in the 2000s. In Sick Girl (2007), directed by Eben McGarr, he played Mr. Putski, a in the co-starring Leslie Andrews and Charlie Trepany. Subsequent roles included Don Malek in New Terminal Hotel (2010), directed by B.C. Furtney, with . He portrayed Stark in the Mr. Hush (2010), directed by Dwayne Buck, alongside . In Emerging Past (2011), directed by I. Q. Perkins, Geoffreys played Cameron in the horror mystery. In Bite Marks (2011), directed by , Geoffreys appeared as Walsh, with co-stars and Eddie Rouse. He had a role as Steven Wells in the Lazarus: Day of the (2014), directed by Andrew Baird. Geoffreys played Grant in the action thriller (2017), directed by Thomas J. Churchill, featuring and William Forsythe. No feature film credits for Geoffreys appear between 2017 and 2025.

Television and other appearances

Geoffreys began his television career with guest roles on popular anthology series in the 1980s. In the revival of The Twilight Zone, he portrayed Will, the anxious younger brother accompanying his sibling on a eerie search for their scientist father in an abandoned warehouse, in the 1986 episode "The Elevator." This performance highlighted his ability to convey youthful vulnerability amid supernatural tension. He followed this with an appearance on Amazing Stories in 1987, playing Alan Webster, a sci-fi-obsessed teenager who encounters bizarre phenomena during his family's move to a new home, in the episode "Moving Day." The role showcased his comedic timing in a fantastical setting directed by Robert Stevens. Beyond scripted television, Geoffreys has contributed to retrospective media on his horror legacy. He appeared as himself in the 2016 documentary You're So Cool, Brewster! The Story of Fright Night, offering insights into the production and his breakout role as Evil Ed through exclusive interviews alongside castmates like William Ragsdale and Amanda Bearse. In the 2000s and , Geoffreys became a staple at fan conventions, participating in panels discussing his films and career transitions, with documented appearances at events such as Chiller Theatre in 2010 and Scarefest in 2014. His convention engagements extended into the 2020s, including Q&A sessions at MonstahXpo in 2023, Scarefest in 2024, and Halloweenapalooza in 2025, where he engaged with fans on horror genre influences.

Awards and nominations

Tony Award nomination

In 1984, Stephen Geoffreys earned a nomination for the for Best Performance by a Featured in a Musical for his role as Homer Macauley in the production of The Human Comedy. The 38th Annual ceremony, honoring achievements from the 1983-1984 season, took place on June 3, 1984, at the in , with and Robert Preston serving as hosts. Geoffreys competed in the category against Todd Graff for his performance as Danny in Baby and Samuel E. Wright for his role as Richie in The Tap Dance Kid. The award ultimately went to Hinton Battle for portraying Dipsey in The Tap Dance Kid. Although he did not win, the nomination represented significant early acclaim for Geoffreys as a 20-year-old newcomer to Broadway, highlighting his potential in musical theater following his Off-Broadway debut in the same production.

Theatre World Award and other honors

Geoffreys earned the Theatre World Award in 1984 for his debut Broadway performance as Homer Macauley in the musical The Human Comedy, which ran at the Royale Theatre from April 5 to April 15. This accolade highlighted his emergence as a promising young actor in theater. The Theatre World Award, founded in 1945 by the Theatre World magazine under Daniel Blum, recognizes outstanding debut performances by actors and actresses in and productions. It annually honors up to 12 recipients for exceptional contributions that demonstrate significant potential and innovation in their first major stage appearances, aiming to support and inspire emerging talent in the theatrical community. The award consists of a and a commemorative medallion, and its recipients have included notable figures such as and in earlier years. The 1984 Theatre World Awards ceremony celebrated newcomers from the 1983-1984 season, with Geoffreys among the select group recognized alongside performers like Bonnie Koloc for their roles in The Human Comedy. This honor underscored Geoffreys' early impact in musical theater, marking a key milestone in his nascent career.

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