Tamta
Tamta Karanfilović (Greek: Τάμτα Καρανφιλίδου, born Tamta Varlam Karanfilović on 10 May 1981) is a Georgian-born Greek singer, actress, and television personality. She first gained fame in Greece after finishing third in the debut season of the Greek version of Pop Idol, Super Idol, in 2003–2004. Born in Batumi, Georgian SSR, Soviet Union, to a Georgian father and Pontic Greek mother, Tamta immigrated to Greece with her family in 1993 due to the Georgian Civil War. She pursued a career in music, releasing her self-titled debut album in 2006, which included hits like "Na Ti Lei". Subsequent albums such as Agapise Me (2008) and Tharros i Alitheia (2011) established her in the Greek pop scene. Tamta has ventured into theater, starring in productions like Rent (2013) and Cabaret (2017), and served as a judge on The X Factor Greece from 2014 to 2016. In 2019, she represented Cyprus at the Eurovision Song Contest with "Replay", finishing 13th in the semi-final. Her recent work includes the album AWAKE (2021), the EP Identity Crisis (2023), and the single The Villain Heroine (2024), marking a shift toward more experimental genres like electropop and R&B. As of 2025, she resides in Athens and continues to perform and appear on television.[1][2] For the 13th-century noblewoman, see Tamta Mkhargrdzeli.Early life
Childhood in Georgia
Tamta Goduadze was born on January 10, 1981, in Tbilisi, Georgia, to a Georgian family.[3] Her parents divorced during her early years, after which she was raised primarily by her mother along with her younger brother, fostering a sense of early maturity amid personal hardships.[4] From a young age, Tamta displayed a passion for music, beginning to sing at the age of five. In Georgia, singing served as a common recreational activity for children, providing her with initial exposure to musical expression within the cultural context of her upbringing.[5] At 14, Tamta entered into marriage with her 16-year-old boyfriend, a union that soon led to the birth of their daughter, Annie, in 1995.[6] The couple divorced after six years, leaving Tamta to navigate the responsibilities of single motherhood during her teenage years.[6] These early family obligations limited Tamta's opportunities for formal education, though she persevered to graduate from high school and enroll at Tbilisi State University while raising her daughter.[6]Immigration to Greece
In 2003, at the age of 22, Tamta relocated from Georgia to Athens, Greece, accompanied by her young daughter Annie, following her divorce and driven by the difficult political situation in her home country, where her mother and younger brother had already settled.[7][8] The move was motivated by the pursuit of better economic and living opportunities, though it initially brought significant challenges, including a lack of residency permit that limited her options.[9] Upon arrival, Tamta supported her family by assisting her mother in housekeeping work and taking on various odd jobs, as she did not yet possess legal work authorization.[9] These roles were demanding, amid profound language barriers—she initially spoke no Greek—and cultural adjustments, such as adapting to a new urban environment far from her Georgian roots. Her daughter also struggled, experiencing isolation in nursery due to the language gap and the emotional strain of leaving extended family behind, which left Annie withdrawn and in distress for months.[8] Tamta's integration process was gradual and arduous, marked by ongoing struggles with residency permits that persisted for nearly two decades. In 2022, after nearly 20 years in Greece, she finally acquired Greek citizenship, a milestone that symbolized her long-term commitment to the country and provided legal stability for her and her family.[8][10] Despite these obstacles, she never concealed her Georgian heritage and reported no direct experiences of racism during this period.[8]Career
2004–2006: Super Idol Greece and debut album
In 2004, Tamta participated in the first season of Super Idol Greece, the Greek adaptation of Pop Idol, where she advanced to the finals and finished as runner-up behind winner Stavros Konstantinou.[11] Her performance on the show, which aired on Mega Channel, garnered significant national attention in Greece and introduced her to a wide audience, marking her breakthrough into the entertainment industry.[12] Following the competition, Tamta signed with the Greek record label Minos EMI, which supported her transition into a professional music career.[4] In February 2006, she released her self-titled debut album Tamta, a collection of 10 pop and dance-oriented tracks produced in collaboration with various Greek songwriters and composers.[4] The album featured upbeat, contemporary sounds typical of mid-2000s Greek pop, with lead singles including "Ftais (Faraway)", a cover of Gala's hit that topped radio charts, and "Den Telionei Etsi I Agapi", which further showcased her vocal style blending melodic verses with dance rhythms. The release of Tamta helped solidify her early fanbase, particularly among young listeners in Greece and Cyprus, where her Super Idol exposure had already built anticipation.[13] That same year, she received the Best New Artist award at both the MAD Video Music Awards and the Arion Music Awards, recognizing her rapid rise and contributions to Greek pop music.[4]2007–2009: Agapise Me, soundtracks, and advertising
In 2007, Tamta released her second studio album, Agapise Me, through Minos EMI on May 16. The album featured 14 tracks, blending pop and ethnic elements, with production credits including Erick Benzi and Greek musicians like Haris Papadopoulos on keyboards. Key singles from the record, such as the title track "Agapise Me" and "Pame Parea," contributed to its commercial reception in Greece and neighboring markets.[15] That same year, Tamta competed in the Greek national selection for the Eurovision Song Contest 2007 with the ballad "With Love," composed by Nikos Terzis and featuring ethnic instrumentation.[16] Performed at the Ellinikos Telikos alongside entries from Sarbel and Christos Dantis, the song secured third place based on a combination of jury and televote results, preventing her advancement to represent Greece in Helsinki.[16] Tamta expanded her presence in media during this period through soundtrack contributions. She provided the song "Mia Stigmi Esy Ki Ego" for the 2008 Greek comedy film Just Broke Up (original title: Molis Horisa), directed by Markos Siotopoulos, enhancing her visibility in cinematic projects. Additionally, she recorded "Ela Sto Rhythmo" for the popular Greek TV series Latremenoi Mou Geitones (My Beloved Neighbors), further integrating her music into television narratives.[17] Complementing her musical output, Tamta engaged in live performances that bolstered her rising status as a pop artist. She performed at the 2007 MAD Video Music Awards, delivering medleys including "Relax (Take It Easy)" and "Agapise Me," which showcased her stage energy to a wide audience.[18] In 2008, she embarked on a tour across Greece and Cyprus, with notable concerts at venues like the Municipal Gardens Theater in Limassol and the Medieval Castle in Paphos, drawing crowds and solidifying her appeal in both countries.[19] These appearances, often featuring high-energy sets from Agapise Me, helped establish her as a prominent live act in the Greek-speaking music scene.[4]2010–2013: Tharros I Alitheia, Rent musical, and singles
In 2010, Tamta released her third studio album, Tharros I Alitheia, through Minos EMI, marking a continuation of her pop sound with elements of Europop and ballads. The 11-track album featured a duet on the title song with fellow Greek artist Sakis Rouvas, composed by Dimitris Kontopoulos, and included lead singles "Egoista" and "Fotia," which highlighted her vocal range and dance-oriented style.[20] These releases helped maintain her visibility on Greek radio and charts, building on the success of her previous works.[21] During the 2010–2011 season, Tamta expanded into musical theater by portraying the role of Mimi in the Greek production of the Broadway hit Rent at the Pallas Theatre in Athens.[22] Her performance as the HIV-positive artist was noted for its emotional depth and strong stage presence, earning positive reception for bridging her pop persona with live dramatic acting.[23] This debut run of over 100 shows represented a pivotal diversification in her career, introducing her to theater audiences.[22] Tamta continued issuing standalone singles in the ensuing years, including the 2011 track "Zise To Apistefto (Oblivion)," a Greek adaptation of the international standard originally associated with Astor Piazzolla, which provided broader exposure beyond Greece through its multilingual appeal and cover versions.[24] Later singles like 2012's "Niose Tin Kardia" and 2013's "Pare Me" featured collaborations with producers blending electronic and pop elements, enhancing her regional profile in Cyprus and select international markets.[24] In 2013, she participated in the MadWalk Athens Fashion Music Project, performing remixed versions of her hits such as "Pare Me" alongside international tracks like Icona Pop's "I Love It," fusing music with high-fashion runway shows sponsored by Coca-Cola Light.[25]2014–2019: The X Factor judging, Cabaret, fashion, and Eurovision
In 2016, Tamta joined the judging panel of The X Factor Greece for its fourth season, marking her entry into television mentorship alongside judges such as Giorgos Theofanous and Peggy Zina. She continued in this role through season 5 in 2017, typically overseeing the girls' category and providing guidance to emerging talents, which helped solidify her status as a prominent figure in Greek pop culture. Her tenure on the show, produced by Antenna TV, not only showcased her expertise as a performer but also amplified her public profile, leading to increased media appearances and fan engagement during this period.) Building on her prior theater experience with Rent, Tamta took on the lead role of Sally Bowles in the Greek production of the musical Cabaret at the Pallas Theater in Athens. The production ran from February 3 to March 31, 2018, directed by Kelly Yiannakopoulou, with Takis Zacharatos portraying the Emcee. Tamta's portrayal of the iconic cabaret singer was praised for its energy and emotional depth, drawing audiences to the venue and earning positive reviews for her vocal delivery of songs like "Maybe This Time" and "Cabaret." This role highlighted her versatility in musical theater and contributed to a sold-out run, further diversifying her career beyond music. In late 2018, Tamta ventured into fashion by launching a clothing collaboration with the Greek brand Attrattivo, releasing her first collection featuring swimwear and casual pieces inspired by her personal style. The line, presented during Athens Xclusive Designers Week, emphasized bold prints and summer-ready designs, aligning with her image as a trendsetter. This partnership marked her initial foray into branded apparel, blending her influence in entertainment with commercial fashion endeavors. Tamta represented Cyprus at the Eurovision Song Contest 2019 with the dance-pop track "Replay," written by Ioannis Papadopoulos and produced by Iasonas Ioannou. Selected internally by the Cyprus Broadcasting Corporation in December 2018, the song was released on March 5, 2019. Performing 11th in the grand final in Tel Aviv, Israel, on May 18, Tamta earned 109 points (including 12 from Greece), finishing 13th overall among 26 entries. In the first semi-final on May 14, "Replay" qualified with 149 points, placing 9th. The upbeat entry, known for its catchy chorus and vibrant staging, achieved commercial success post-contest, topping charts in Cyprus and Greece.2020–2025: AWAKE, Identity Crisis, The Villain Heroine, and genre shift
In 2020, amid the global COVID-19 pandemic, Tamta released her EP AWAKE, which featured singles emphasizing themes of resilience and introspection during isolation. The project marked a pivot toward more vulnerable songwriting, reflecting the challenges of the era while showcasing her adaptability in a disrupted music industry.[26] Following a period of relative quiet, Tamta returned in June 2023 with her album Identity Crisis, an exploration of personal identity through darker pop aesthetics and introspective lyrics.[27] The record incorporated modern dark pop orchestrations alongside dynamic ballads, signaling a departure from her earlier upbeat styles toward more emotional depth and self-examination.[28] A deluxe version followed in April 2024, expanding on these themes with remixes that amplified the album's shadowy, transformative vibe.[29] Building on this evolution, Tamta issued the EP The Villain in 2024, introducing bolder, rebellious elements in her sound.[30] This led to the full-length album THE VILLAIN HEROINE on June 17, 2025, which combined The Villain with the subsequent EP THE HEROINE (released April 4, 2025) into a dual-concept project examining duality, rebellion, and empowerment.[31] The album blended hyperpop, J-pop, techno, and left-field electronic influences, with tracks like "KHORUMI" fusing the rhythms of traditional Georgian war dance and folk elements with pulsating electronic production to honor her cultural roots.[32][33] This genre-blurring approach highlighted her shift toward experimental pop, incorporating rave-inspired textures and multilingual lyrics in Greek and Georgian.[34] Throughout 2025, Tamta promoted the album with singles such as "OOH AHH" and "Fever Ride," which further exemplified her innovative fusion of pop subgenres.[35] She headlined a show at Colours Hoxton in London on May 2, 2025, delivering a high-energy performance that previewed the album's themes amid an intimate club setting.[36] Complementing her mainstream releases, Tamta embraced underground club residencies, transitioning from Eurovision stages to intimate venues where she tested boundary-pushing sets blending techno and hyperpop.[37] This period solidified her status as a queer icon, with THE VILLAIN HEROINE celebrated for its fearless representation of fluidity and defiance in pop music.[38] In commentary on the Eurovision Song Contest 2025, Tamta expressed admiration for Albania's entry by Shkodra Elektronike, praising its vibrant energy while reflecting on her own 2019 experience.[39]Personal life
Family and early marriage
Tamta married at the age of 14 in Georgia to her 16-year-old boyfriend, whom she had met during her dance rehearsals; he persistently pursued her despite her mother's initial advice to slow down, leading to an unplanned overnight stay at a friend's house outside Tbilisi that resulted in the marriage.[40][41] Ten months into the marriage, she gave birth to their daughter, Annie, in 1995, becoming a teenage mother who balanced adolescence with parenting responsibilities.[40][41] The marriage lasted six years, after which Tamta divorced her husband, citing an incompatible situation, though he opposed the decision; she later described the early union as "shocking" in the context of her youth and societal norms at the time.[40][41] As a single mother, she faced significant challenges, including economic hardships in post-Soviet Georgia, where she attended night school and university while raising Annie alone after her own mother relocated to Greece due to unemployment.[40] These difficulties were compounded by societal judgment and the demands of single parenthood, which she navigated by working odd jobs and prioritizing survival for her daughter.[40][42] Annie was raised across Georgia and Greece, accompanying her mother during the immigration to Athens around age six as an escape from their circumstances.[40] Now 30 years old as of 2025, Annie has pursued an independent career, studying and working while maintaining a strong, protective bond with Tamta, whom she often supports emotionally and practically.[43] Their relationship, marked by only a 14-year age difference, resembles a close friendship, with Tamta describing Annie as her "greatest love" and crediting her as a driving force in life; they have shared public moments, such as joint trips to Japan and tender social media posts on occasions like Annie's birthday.[42][44][43] Tamta has not remarried since her early divorce, instead focusing on her role as a single mother and her long-term partnership without formal union.[42][40]Citizenship and residence
Tamta, born Tamta Goduadze in Tbilisi, Georgia, on January 10, 1981, holds Georgian citizenship by birth as a native of the country. She relocated permanently to Athens, Greece, in 2003 at the age of 22, initially working as a housekeeper while pursuing opportunities in the music industry, and has maintained her primary residence there ever since.[45] After connections to Greece beginning around 1999 and nearly two decades of continuous residency, Tamta acquired Greek citizenship in December 2022, a milestone she described as a profound personal achievement after approximately 23 years of ties to the country.[46][10] This dual nationality underscores her deep integration into Greek society while preserving her Georgian roots. Tamta continues to nurture strong connections to Georgia through regular visits to her family in Tbilisi, including a notable trip in July 2023 where she returned to her childhood home and shared glimpses of her heritage with the public.[47][48] She participates in cultural events tied to her origins during these trips but has expressed no intention of permanently relocating back to Georgia. Her daughter, born in 1995, also benefits from dual Georgian-Greek heritage, mirroring Tamta's own background.[49] As of 2025, Tamta's primary base remains in Athens, where she balances her personal life with periodic international travel.[50]Artistry
Musical style and evolution
Tamta's musical style in the 2000s was characterized by dance-pop and Europop, drawing on upbeat rhythms and melodic hooks typical of mainstream Greek pop with Western influences, as showcased in her self-titled debut album of 2006 and follow-up Agapise Me in 2009. These early works emphasized accessible, radio-friendly tracks that blended pop structures with light electronic elements, reflecting the era's dominant trends in Mediterranean pop music.[24] By the 2020s, Tamta's sound shifted to a bolder, electronic-infused pop aesthetic, incorporating hyperpop's glitchy textures, J-pop's vibrant synths, and techno undertones for a more experimental edge, evident in her EP AWAKE (2020) and album The Villain Heroine (2025). This evolution prioritized layered production and genre fusion over conventional pop formulas, allowing for greater sonic innovation and thematic exploration in her discography.[32] A key element of this progression has been the incorporation of Georgian folk traditions into modern frameworks, most prominently in the 2025 single "Khorumi," which fuses the rhythmic patterns of the traditional Georgian war dance with contemporary electronic beats and percussion. This approach not only highlights cultural roots but also enriches her pop sound with authentic ethnic motifs.[33] Tamta's collaborations with producers like Boombamontana on AWAKE and artists such as Salome on tracks reimagining Georgian elements have underscored her vocal versatility, enabling shifts from soaring pop melodies to introspective, layered deliveries that deepen thematic resonance across her evolving catalog.[51][34]Public image and influences
Tamta has solidified her status as a queer icon in the 2020s, leveraging bold fashion statements and inclusive narratives in her music to challenge norms and resonate with diverse audiences. Her electro-pop aesthetic, characterized by avant-garde visuals and unapologetic self-expression, has positioned her as a fashion-forward trailblazer, particularly evident in promotions for her 2025 album The Villain Heroine. This emergence aligns with her broader public persona as a daring artist who defies categorization, earning acclaim from outlets highlighting her impact on queer representation in pop culture. Her influences draw deeply from her Georgian heritage, which she integrates into her sound through fusions of traditional elements like the rhythmic doli drum and war dance inspirations in tracks such as "Khorumi," blending them with contemporary pop, techno, and hyperpop. Songs like "Shen Da Me," performed in Georgian, serve as a personal homage to her roots, allowing her to explore cultural identity amid her Greek-based career. Shaped by Greek pop culture since her breakthrough on Super Idol Greece in 2004, Tamta's style also reflects the vibrant, expressive traditions of 1980s and 1990s global pop icons, emphasizing artistic freedom without judgment for eccentric visuals or performances. Central to her recent work are themes of empowerment, identity exploration, and the duality of villainy and heroism, as seen in The Villain Heroine, a 2025 album that unites earlier EPs into a narrative probing the blurred boundaries between good and evil while encouraging ownership of one's complex self. This builds on her 2023 album Identity Crisis, delving into personal and perceptual conflicts to foster resilience and self-acceptance. In 2024–2025 interviews, Tamta has advocated for cultural fusion by discussing her dual Georgian-Greek identity as a source of artistic innovation, refusing to be confined to a single cultural box and promoting unity through her multilingual, heritage-infused releases.Discography
Studio albums and EPs
Tamta's debut studio album, Tamta, was released on February 14, 2006, by Minos EMI.[52] The project marked her entry into the Greek pop scene following her runner-up finish on Super Idol Greece, featuring 10 tracks blending pop and dance elements produced primarily in Greece and Romania.[53] Her second studio album, Agapise Me, arrived on May 16, 2007, under the EMI label. This 14-track release shifted toward more emotional ballads and Europop, with production handled by Greek collaborators like Nikos Terzis, and it achieved commercial success in Greece.[54] Tharros I Alitheia, Tamta's third studio album, was issued in March 2010 by EMI.[55] Comprising 11 songs, it incorporated dance-pop influences and featured a duet with Sakis Rouvas on the title track, emphasizing themes of courage and truth in relationships.[20] After a decade-long hiatus from full-length releases, Tamta returned with the studio album Identity Crisis on June 2, 2023, via Minos-EMI.[56] The 10-track effort explored personal and cultural identity through multilingual songs in Greek, English, and Georgian, produced with a mix of electronic and pop production.[28] Her fifth studio album, THE VILLAIN HEROINE, debuted on June 17, 2025, under her independent label Kiki Music Group with exclusive distribution by Minos EMI.[57] This 15-song concept album delves into duality and self-empowerment, divided into "The Villain" and "The Heroine" thematic sides, blending electropop, hyperpop, and Georgian folk elements.[58] Tamta's first EP, AWAKE, was released on July 3, 2020. The seven-track collection compiles English-language singles from 2019–2020, focusing on themes of empowerment and nightlife with dance-pop production, including collaborations like "Yala" featuring Stephane Legar.[59] The EP The Villain was released on November 29, 2024, under Kiki Music Group. This six-track project introduces the darker, rebellious side of her THE VILLAIN HEROINE narrative, featuring experimental electronic sounds and tracks like "KHORUMI."[30] Tamta released the EP THE HEROINE on April 4, 2025, under Kiki Music Group. This three-track EP continues the THE VILLAIN HEROINE concept, focusing on empowerment themes with electropop and additional Georgian influences.[60]| Title | Type | Release Date | Label | Selected Tracks |
|---|---|---|---|---|
| Tamta | Studio album | February 14, 2006 | Minos EMI | "Anapnoi," "Poli Kala" |
| Agapise Me | Studio album | May 16, 2007 | EMI | "With Love," "Agapise Me" |
| Tharros I Alitheia | Studio album | March 2010 | EMI | "Tharros I Alitheia" (feat. Sakis Rouvas), "Kita Me" |
| Identity Crisis | Studio album | June 2, 2023 | Minos-EMI | "Identity Crisis," "Autapati" |
| THE VILLAIN HEROINE | Studio album | June 17, 2025 | Kiki Music Group / Minos EMI | "KHORUMI," "ANAKATA," "XAI5-V" |
| AWAKE | EP | July 3, 2020 | Independent | "Awake," "Hold On," "Yala" (feat. Stephane Legar) |
| The Villain | EP | November 29, 2024 | Kiki Music Group | "KHORUMI," additional unreleased tracks |
| THE HEROINE | EP | April 4, 2025 | Kiki Music Group | Tracks from empowerment side of concept |
Singles
Tamta's early solo singles established her presence in the Greek pop scene, beginning with "Φταίς (Faraway)" in 2006, a bilingual track that served as her debut release and featured a music video, blending emotional balladry with pop elements. This was followed in 2007 by "Μια Στιγμή Εσύ Κι Εγώ," a upbeat dance-pop single that highlighted her vocal range and contributed to her growing radio play in Greece and Cyprus.[24] During this period, she also ventured into soundtrack contributions, including "Mia Stigmi Esi Ki Ego" for the 2008 film Just Broke Up, a cover that captured themes of heartbreak and received airplay on Greek television.[61] Another notable soundtrack release was "Na Me Paris Makria" in 2018, composed for the Greek reality series The Bachelor season 3, which emphasized romantic longing and was promoted through the show's episodes.[62] In 2010, Tamta released "Θάρρος Ή Αλήθεια," a collaboration with Sakis Rouvas that fused dance rhythms with playful lyrics, marking one of her first major duet singles and achieving significant airplay in Greece.[24] This era saw further international features, such as "Tonight" in 2011 with Playmen and Claydee, an electronic dance track that expanded her reach into club scenes across Europe.[24] By 2019, her Eurovision entry "Replay," representing Cyprus, became a standout, topping charts in Cyprus and reaching number two on the Greek charts, with its music video showcasing dynamic choreography and modern pop production.[63] The bilingual single, blending English and Greek, also garnered over 50 million YouTube views and led to collaborations like "Señorita" with SNIK, a trap-influenced track that reinforced her crossover appeal.[24] Tamta's recent output reflects a genre shift toward electronic and experimental sounds. "KHORUMI," released on November 29, 2024, emerged as a bold single inspired by the traditional Georgian war dance of the same name, fusing techno beats with cultural motifs and released alongside remixes by artists like SALOME and Die Arkitekt; its music video, directed by Yorgos Gavalos and released March 5, 2025, featured high-energy visuals celebrating her heritage.[64] Similarly, "Pandora," released in 2022, explored themes of temptation through synth-driven pop, with production by Ody Icons and Teo Pouzbouris, and a video emphasizing dramatic narrative elements.[65] These releases, often tied to her EPs, underscore her evolution while maintaining chart success in Greece and Cyprus.[66] In 2025, additional singles from THE HEROINE EP included "CHROME HEARTS," blending hyperpop with personal themes, further expanding her experimental sound.[67]| Title | Year | Notes |
|---|---|---|
| Φταίς (Faraway) | 2006 | Debut single; bilingual pop ballad with music video. |
| With Love | 2007 | Eurovision national final entry for Greece; soulful ballad.[24] |
| Μια Στιγμή Εσύ Κι Εγώ | 2007 | Dance-pop single promoting her album Agapise Me.[24] |
| Θάρρος Ή Αλήθεια (feat. Sakis Rouvas) | 2010 | Collaborative dance track; major radio hit.[24] |
| Tonight (with Playmen & Claydee) | 2011 | Electronic dance collaboration; international club release.[24] |
| Replay | 2019 | Eurovision entry for Cyprus; #1 in Cyprus, #2 in Greece; over 50M YouTube views.[63] |
| Señorita (with SNIK) | 2019 | Trap-pop feature; bilingual crossover hit.[24] |
| KHORUMI | 2024 | Electronic fusion with Georgian influences; multiple remixes released; video 2025.[64] |
| Pandora | 2022 | Synth-pop single exploring mythological themes; video by Yorgos Gavalos.[65] |
| CHROME HEARTS | 2025 | Hyperpop single from THE HEROINE EP. |