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Ted Key

Theodore Keyser, known professionally as Ted Key (August 25, 1912 – May 3, 2008), was an American cartoonist and writer renowned for creating the single-panel comic featuring the sassy housekeeper Hazel, which debuted in The Saturday Evening Post in 1943, ran there for over 25 years, and became one of the publication's most popular features, surpassing even the illustrations of Norman Rockwell in readership.^[1]^[2] The strip was syndicated by King Features starting in 1969, producing over 9,000 episodes until Key's retirement in 1993, and inspired a CBS/NBC television series (1961–1966) starring Shirley Booth, who won two Emmy Awards for her portrayal.^[3]^[4]^[2] Born Theodore Keyser in Fresno, California, to Latvian immigrant father Simon Keyser (originally Katseff, changed during World War I), a change Ted legally adopted as Key in the 1950s—Key grew up in a modest household and developed an early interest in art and writing.^[4]^[2] He attended the University of California, Berkeley, where he graduated in 1933 after serving as editor of the school and campus newspapers, honing his skills in illustration and humor.^[3]^[4] Relocating to New York City that same year, Key quickly established himself as a freelance gag cartoonist, selling work to major magazines including The New Yorker, while also working as a staff writer at the J. Walter Thompson advertising agency and penning the NBC radio play The Clinic (1939–1940).^[3]^[4] Key's Hazel originated from a dream in 1943, evolving into a cultural staple that captured middle-class domestic life through the character's witty, no-nonsense personality; the first collection of strips sold over 500,000 copies in 1946–1947, and twelve book volumes followed.^[3]^[2] Beyond Hazel, he created the time-traveling duo Mr. Peabody and Sherman for the animated Rocky and His Friends (later The Rocky and Bullwinkle Show, 1959–1964), contributed screenplays and ideas to Walt Disney Productions—including the films The Million Dollar Duck (1971), Gus (1976), and The Cat from Outer Space (1978, which he novelized)—and developed the children's comic Diz and Liz for Jack and Jill magazine (1961–1972).^[3]^[4]^[2] His versatile output extended to advertising illustrations, motivational posters in the Positive Attitude series for Economics Press, and books like So'm I, Phyllis, and The Biggest Dog in the World (adapted into the 1973 film Digby).^[3]^[4] In his later years, Key continued producing cartoons from his home in Tredyffrin Township, Pennsylvania, where he died at age 95; he was survived by his second wife, Bonnie, three sons—Peter, Stephen, and David—and three grandchildren.^[2] His archives, spanning 1942–1977, are preserved at Syracuse University Libraries, underscoring his enduring influence on American humor and illustration.^[3]

Early life

Birth and family background

Theodore Keyser, known professionally as Ted Key, was born on August 25, 1912, in Fresno, California.^[5]^[6] His family background was shaped by his father's immigration from Latvia; Simon Keyser had originally borne the surname Katseff before anglicizing it to Keyser, possibly during a period in South Africa, and later shortening it to Key amid anti-German sentiment during World War I.^[7]^[8] Ted Key officially adopted the surname "Key" in the 1950s.^[4] Key grew up in Fresno, where the immigrant heritage of his household provided a foundational environment for his early years.^[5]

Education

Ted Key, raised in Fresno, California, attended the University of California, Berkeley.^[3] There, he pursued studies in art, graduating in 1933 with a bachelor's degree in the field.^[9] During his undergraduate years, Key immersed himself in campus journalism, serving as art editor of the student newspaper The Daily Californian and associate editor of the college humor magazine.^[5] These roles allowed him to contribute early cartoons and illustrations to university publications, where he refined his abilities in satirical drawing and visual humor.^[4] While still a student, he began submitting and selling gag cartoons to national magazines, gaining initial professional experience that built on his academic training.^[7] Upon receiving his degree, Key resolved to dedicate himself to cartooning as a full-time career, relocating shortly thereafter to New York City to seek opportunities in the publishing industry.^[2]

Career beginnings

Freelance work in New York

After graduating from the University of California at Berkeley in 1933, Ted Key relocated to New York City to pursue a career as a freelance cartoonist, aiming to sell his gag cartoons and illustrations to major magazines.^[3]^[10] His Berkeley education provided foundational training in drawing and humor that informed his early submissions.^[4] In the late 1930s, Key began securing regular contributions to prominent periodicals, establishing himself as one of the most published gag cartoonists in America by that decade's end.^[3] He sold cartoons to outlets such as Collier's Weekly, where he had made his first sale even before graduation, as well as The New Yorker, Ladies' Home Journal, Good Housekeeping, Cosmopolitan, Look, Judge, and Better Homes and Gardens.^[4]^[5] These early paid sales, often single-panel gag cartoons featuring everyday humor and illustrations, allowed him to build a diverse portfolio amid the competitive New York magazine market, where freelancers submitted batches weekly in hopes of acceptance.^[2]^[11] The freelance lifestyle in New York during this period involved financial uncertainty and high rejection rates typical of the era's cartooning scene, as Key navigated inconsistent income before achieving steady publication.^[10] Despite these hurdles, his persistent efforts in crafting witty, relatable vignettes led to growing recognition, setting the stage for more significant opportunities in the 1940s.^[3]

Radio writing and military service

In the late 1930s, Ted Key expanded into radio writing, crafting plays and gags for broadcast. One notable work was his drama The Clinic, produced on an NBC network in 1939 and selected for inclusion in Max Wylie's anthology Best Broadcasts of 1939-40.^[3]^[12] Key supplemented his income through freelance magazine cartoons while employed as a staff writer at the J. Walter Thompson advertising agency in New York City, where he produced humor pieces and scripts for commercial broadcasts.^[5]^[3] In 1943, Key enlisted in the U.S. Army and served until 1946, primarily in a public relations role with the Signal Corps, attaining the rank of master sergeant.^[2]^[5] During this period, he created cartoons and other materials to boost troop morale, often highlighting the absurdities of everyday military life.^[7]

Hazel

Creation and publication history

In 1943, during World War II, Ted Key conceived the character Hazel after awakening from a dream featuring a sassy, independent-minded maid who bossed around her employers. He sketched the single-panel gag the next morning and submitted it to The Saturday Evening Post, which promptly accepted it for publication.^[2] This inspiration drew from Key's observations of domestic workers amid wartime labor shifts, blending humor with the era's social dynamics.^[13] Hazel debuted as a single-panel black-and-white cartoon in The Saturday Evening Post on February 13, 1943, quickly becoming a recurring feature that showcased the maid's witty, irreverent interactions with the Baxter family.^[14] The strip appeared weekly in the magazine, which boasted a circulation exceeding 4 million copies by the late 1940s, making Hazel one of the most popular cartoon features of the time and reaching an estimated readership of over 29 million.^[15]^[16] Key's gag-style humor, honed from his freelance experience, emphasized concise, humorous vignettes without ongoing storylines. The strip continued in The Saturday Evening Post until the magazine's final issue on February 8, 1969, after which Key acquired the rights and transitioned it to newspaper syndication.^[14] Starting June 16, 1969, King Features Syndicate distributed Hazel as a daily single-panel feature, with Key producing original content until his retirement in 1993.^[14] The syndicated version maintained the black-and-white format and saw widespread adoption in newspapers across the United States, contributing to its enduring presence in print media for decades.

Characters, style, and cultural impact

Hazel Burke, the protagonist of Ted Key's comic strip, is depicted as a wisecracking, independent live-in maid employed by the middle-class Baxter family, where she serves not only as a domestic worker but also as a nanny to the children, often using her sharp wit to navigate and subtly dominate household affairs.^[17] Her character embodies a no-nonsense attitude, frequently outmaneuvering her employers with clever retorts that underscore her resourcefulness and autonomy in a subservient role.^[18] Supporting characters reinforce the strip's exploration of class dynamics and domestic humor, with George Baxter portrayed as the perpetually frustrated employer and ostensible head of the household, a lawyer whose authority is continually undermined by Hazel's practicality.^[17] His wife, Dorothy Baxter, represents the more passive middle-class homemaker, while their son Harold and daughter Kathy add layers of family chaos that Hazel deftly manages, highlighting the humorous tensions between working-class efficiency and upper-middle-class pretensions in everyday scenarios.^[18] These interactions often revolve around ironic reversals, where Hazel's blue-collar perspective exposes the absurdities of her employers' lives, emphasizing themes of labor and social hierarchy without overt preachiness.^[13] The strip's style features concise single-panel gags, typically captioned, that capture irony, wit, and the banal absurdities of suburban domesticity through Key's clean, expressive line drawings, which prioritize character expressions and situational punch over elaborate backgrounds.^[13] This format allowed for quick, relatable humor that resonated with readers navigating post-World War II social changes, portraying Hazel's working-class resilience amid shifting gender and labor roles in American households.^[17] Hazel's cultural impact lies in its reflection of mid-20th-century societal tensions, particularly the portrayal of domestic labor as a site of quiet empowerment for working-class women during the post-WWII economic boom, when suburban expansion and traditional roles clashed with emerging independence.^[13] The strip's popularity was evident in its status as a flagship feature in The Saturday Evening Post from 1943 to 1969, where it drew millions of readers, and in the rapid sales of its first collection, which sold 500,000 copies across five printings in 1946–1947.^[19]^[3] Syndicated by King Features starting in 1969, it produced over 3,925 panels until Key's retirement in 1993 and earned the National Cartoonists Society's Best Newspaper Panel award in 1977, underscoring its enduring appeal in capturing universal family frictions.^[5]

Other works

Additional comic strips and books

In addition to Hazel, Ted Key created the comic strip Diz and Liz, which ran as a two-page feature in Jack and Jill magazine from 1961 to 1972.^[4] The strip followed the humorous adventures of a brother-and-sister duo and their family, capturing everyday mischief and domestic antics in a style similar to Key's work on Hazel.^[3] Compilations of Diz and Liz appeared in book form, including Ted Key's Diz and Liz (Wonder Books, 1966), illustrated by Colin Allen, which adapted the magazine panels into a children's picture book format.^[3] Key also contributed to other print formats, including the Positive Attitude series of motivational panels published by Economics Press, featuring his gag cartoons on themes of optimism and perseverance.^[4] Earlier concepts like Johnny Daydream and Beware the Dog—time-traveling characters involving a boy and his canine companion—originated as ideas for comic features but evolved into animated segments for The Rocky and Bullwinkle Show.^[20] Key authored three children's books, drawing on his cartooning expertise to blend humor and lighthearted storytelling. So'm I (E. P. Dutton, 1954), illustrated by Frank Owen, explored whimsical family scenarios through illustrated vignettes.^[3] Phyllis (E. P. Dutton, 1957), illustrated by Shanks, centered on a field sparrow who builds her nest amid a chaotic baseball game, emphasizing themes of determination and unexpected joy.^[3] His third book, The Biggest Dog in the World (E. P. Dutton, 1960), which Key illustrated himself, followed a boy's oversized pet causing comedic havoc and was later adapted into the 1973 British film Digby, the Biggest Dog in the World, with screenplay by Michael Pertwee and story by Charles Isaacs, based on Key's 1960 novel.^[3]^[21] The success of Hazel enabled Key to expand into book publishing, with over a dozen collections of its single-panel cartoons released between 1946 and the 1980s. The inaugural volume, Hazel (E. P. Dutton, 1946), sold 500,000 copies across five printings and set the tone for subsequent compilations like The Hazel Jubilee (E. P. Dutton, 1959), which gathered sixteen years of strips from The Saturday Evening Post.^[3] These books, often featuring Key's original artwork, preserved the character's sassy wit and domestic satire for broader audiences.^[20]

Screenplays and television contributions

Ted Key contributed several screenplays and story ideas to Walt Disney Productions, focusing on lighthearted, family-friendly comedies often centered around anthropomorphic animals and absurd situations. His first major film credit came with the 1971 live-action comedy The Million Dollar Duck, for which he provided the original story titled "Mr. Webfoot Waddle." In the film, a cash-strapped college professor adopts a seemingly ordinary duck from his research lab, only to discover it lays golden eggs, sparking a series of frantic schemes to capitalize on the phenomenon while evading government scrutiny.^[22]^[23] Key followed this with a story credit for Gus (1976), a sports-themed farce directed by Vincent McEveety. The plot revolves around a young Yugoslavian immigrant and his extraordinary mule, which possesses an uncanny ability to kick footballs with pinpoint accuracy, transforming a perennial loser professional team into contenders amid escalating chaos and rival sabotage.^[24]^[25] His full screenplay for The Cat from Outer Space (1978) featured an extraterrestrial feline named Jake who crash-lands on Earth with a damaged spaceship, enlisting a team of bumbling scientists and evading military interference in a race to return home, blending sci-fi elements with slapstick humor.^[26]^[27] In television, Key wrote for the animated series Rocky and His Friends (later The Adventures of Rocky and Bullwinkle and Friends), airing from 1959 to 1961 on ABC and NBC. He created the recurring "Peabody's Improbable History" segments, featuring the genius dog Mr. Peabody and his boy Sherman using a time machine called the WABAC to visit historical events, injecting satirical puns and anachronistic gags into figures like Leonardo da Vinci or the Wright brothers.^[28]^[29] These shorts, voiced by Bill Scott as Peabody, established Key's knack for witty, educational humor in animation. His foundational work on the characters earned a posthumous "based upon the characters and format created by" credit in the 2014 DreamWorks animated feature Mr. Peabody & Sherman, directed by Rob Minkoff, which expanded the duo's adventures into a full-length story of time-travel mishaps threatening the fabric of history.^[30]^[31]

Personal life

Marriages and family

Ted Key was married twice. His first wife was Anne Key, with whom he shared a marriage until her death in 1984; the couple had three sons together.^[2] He later married Bonnie Key, who survived him.^[2] Key's sons were Stephen, who lived in Providence, Rhode Island; David, based in Philadelphia; and Peter, also of Philadelphia, a journalist and gag writer who managed aspects of his father's intellectual property.^[2]^[32] During his early career, Key resided in New York City while working as a freelance cartoonist. In later years, he made his home in Tredyffrin Township, Pennsylvania, a suburb near Philadelphia, where he raised his family and continued his creative work.^[10]^[2]

Later years and death

In 1993, at the age of 81, Ted Key retired from creating new installments of his long-running comic strip Hazel, marking the end of over four decades of daily production.^[33] Following his retirement, King Features Syndicate continued to distribute Hazel using a backlog of strips that Key had prepared in advance, allowing the feature to persist in newspapers without his direct involvement.^[34] Key shifted his focus to overseeing the reprints and reflecting on his career's highlights, including the strip's evolution from a single-panel gag in The Saturday Evening Post to a syndicated mainstay.^[14] Key's health began to decline in his mid-90s. He was diagnosed with bladder cancer in late 2006, which was followed by a stroke in September 2007, contributing to a period of progressively worsening condition.^[11] His family provided support during this time of illness.^[35] Ted Key died on May 3, 2008, at his home in Tredyffrin Township, Pennsylvania, at the age of 95, from complications related to cancer and the effects of his stroke.^[36]

Legacy

Awards and honors

In 1977, Ted Key received the National Cartoonists Society's Division Award for Newspaper Panel Cartoon for his work on Hazel, recognizing the strip's enduring humor and widespread appeal in syndication.^[37] Earlier in his career, Key earned recognition as a radio writer when his play The Clinic, broadcast on NBC in 1940, was selected for inclusion in Max Wylie's anthology Best Broadcasts of 1939-40.^[3] These honors underscored Key's versatility, with Hazel—which debuted in The Saturday Evening Post in 1943 and became one of the magazine's most popular features by mid-century—serving as the foundation for his later syndicated success and industry acclaim.^[1]

Posthumous recognition and Hazel's continuation

Following Ted Key's death on May 3, 2008, at the age of 95 from complications of bladder cancer and a stroke, major publications published obituaries that celebrated his creation of Hazel as a cornerstone of American cartooning. The New York Times obituary, for instance, emphasized Hazel's depiction of a "bossy but lovable" maid who subverted middle-class domestic norms through her sharp wit and independence, underscoring the strip's lasting cultural resonance that extended from its 1943 debut in The Saturday Evening Post to its adaptation as a television series starring Shirley Booth.^[2] Other tributes, such as those in Variety and the Los Angeles Times, highlighted Key's influence on humorous portrayals of household dynamics, noting how Hazel captured the era's social tensions around gender roles and labor in a way that remained relatable decades later.^[35]^[10] After Key's retirement from drawing new Hazel panels in 1993, King Features Syndicate continued distributing reprints of his earlier work to over 50 newspapers, ensuring the character's presence in daily syndication for 10 years following his death.^[2] This phase preserved Hazel's signature single-panel format, which blended domestic satire with affectionate humor about class and family life. However, on September 29, 2018, King Features Syndicate retired the feature entirely, marking the end of its nearly 50-year run in syndication and concluding a 75-year legacy that had introduced millions to Key's observational style of everyday comedy.^[14] Key's family played a key role in managing his estate and safeguarding his work posthumously, with his youngest son, Peter Key, confirming details of his father's passing and actively contributing to archival efforts. Peter donated additional materials to institutions holding Key's collections, helping to maintain copyrights and promote awareness of Hazel's contributions to mid-20th-century humor.^[2]^[20] A significant aspect of Key's enduring legacy is the preservation of his archives at Syracuse University's Special Collections Research Center, where the Ted Key Papers—spanning 1937 to 2008 and comprising 46 linear feet—include over 4,500 original artworks, correspondence, scripts for the Hazel TV series and Disney films, and proofs of syndicated panels. Donated in part by Key himself between 1963 and 2000, and supplemented by Peter Key's contributions from 2009 to 2010, this collection ensures scholarly access to Hazel's evolution and its influence on depictions of domestic labor and humor in American media. Scholars have since analyzed Hazel as an allegory for postwar social shifts, particularly how it navigated tensions in white middle-class households through the lens of a working-class maid's perspective.^[5]^[13]

References

[1]
Ted Key Archives | The Saturday Evening Post
Ted Key was born Theodore Keyser in 1912. By the middle of the 20th century, his Hazel cartoons were arguably the most popular single feature in The ...Missing: biography | Show results with:biography
[2]
Ted Key, 95, Creator of 'Hazel' Cartoon - The New York Times
May 6, 2008 · He graduated from the University of California, Berkeley, and moved to New York to begin a career as a freelance cartoonist. From 1943 to 1946, ...Missing: biography | Show results with:biography
[3]
Ted Key
Born and raised in Fresno, Calif., Key graduated from the University of California at Berkeley in 1933 and moved to New York to try to sell his cartoons to ...
[4]
Ted Key - Lambiek Comiclopedia
Ted Key was born in 1912 in Fresno, California, as the son of a Latvian immigrant. Although his father had changed his family name from Keyser to Key during ...Missing: biography | Show results with:biography
[5]
Ted Key Papers An inventory of his papers at Syracuse University
Oct 10, 1979 · Ted Key was born on August 25, 1912 in Fresno, California as Theodore Keyser. His father, a Latvian immigrant, changed the family name ( ...Missing: background | Show results with:background
[6]
Ted Key - Biography - IMDb
Ted Key was born on August 25, 1912 in Fresno, California, USA. He was a writer, known for Mr. Peabody & Sherman (2014), Hazel (1961) and Do-cheong.Missing: background | Show results with:background
[7]
Artist Biography & Facts Ted Key - askART
Born in Fresno, CA on Aug. 25, 1912. "Ted" Key studied art while at UC Berkeley, graduating in 1933. By 1940 he was a resident of New York City and ...
[8]
Hazel cartoonist Ted Key dies at 95 | CBC News
May 6, 2008 · Key was born Theodore Keyser in Fresno on Aug. 25, 1912. His father was a Latvian immigrant who changed his last name from Katseff while ...Missing: background | Show results with:background<|control11|><|separator|>
[9]
Hazel, the Cartoon Maid Created by Ted Key, Takes the Stage in ...
Apr 3, 2016 · script by a new writer. Key was born in Fresno, Calif., in 1912. He graduated from the. University of California, Berkeley with a major in art ...
[10]
Magazine cartoonist created maid Hazel - Los Angeles Times
May 6, 2008 · After graduating from UC Berkeley in 1933, Key moved to New York to freelance as a cartoonist. While turning out magazine cartoons, he also did ...Missing: relocation | Show results with:relocation
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'Hazel' creator Ted Key passes at age 95 - The Daily Cartoonist
May 5, 2008 · Key graduated from the University of California at Berkeley and moved to New York to freelance cartoons to the many magazines then based there.Missing: relocation | Show results with:relocation
[12]
[PDF] Best Broadcasts of - World Radio History
—The Radio Guild of the National. Broadcasting Company has brought you a first play by Ted. Key called “The Clinic.” Page 120. Page 121. BEST COMEDIES. Page 122 ...
[13]
Working Cartoons: Ted Key's Hazel and Domestic Labor Across Media
Aug 12, 2025 · The cartoon's creator is Ted Key, born in 1912 in Fresno, California, and a graduate of the University of California, Berkeley, where he worked ...
[14]
Hazel Makes Her Bed, Lies in it - The Daily Cartoonist
Oct 1, 2018 · Ted's son Peter Key on the early Hazel: [Dad] drew up the cartoon and it sold. Soon he was selling cartoons with this maid character to The Post ...
[15]
The Press: Post Time
Riding Hibbs's editorial revolution and the postwar boom in magazines, Post circulation touched 4,000,000 in 1947. Curtis profits climbed from $2,059,656 in ...
[16]
Hazel - ComicStripFan.com
It quickly became the most successful magazine cartoon of that time, enjoying a readership of over 29 million readers.Missing: peak | Show results with:peak
[17]
Hazel - Don Markstein's Toonopedia
Hazel, the domestic servant who more-or-less rules the household, began in 1943, as a recurring character in cartoons Ted Key drew for The Saturday Evening Post ...
[18]
Ted Key's Hazel Cartoons - The Saturday Evening Post
May 15, 2013 · Ted Key's cartoon character Hazel graced the pages of The Saturday Evening Post as the Baxter family's maid. But readers knew who really ruled the roost.
[19]
'Hazel' cartoonist Ted Key dies at 95 - thereporteronline
May 6, 2008 · Key acquired the rights to “Hazel” in 1969 and the comic was picked up for syndication by King Features. King still distributes the cartoon ...
[20]
The Man Behind Hazel | The Saturday Evening Post
Apr 11, 2014 · The story of Ted Key, creator of the Post's most famous cartoon series, Hazel, as told by his son Peter.Missing: early | Show results with:early
[21]
Digby, The Biggest Dog in the World (1973) - Moria Reviews
Jul 15, 2001 · It is based on The Biggest Dog in the World (1960), a children's book by American cartoonist Ted Key, best known for the popular newspaper comic ...
[22]
The Million Dollar Duck (1971) - Turner Classic Movies - TCM
According to news items, the title of Ted Key's original, unpublished screen story was "Mr. Webfoot Waddle." Key was the creator of the popular comic strip " ...
[23]
The Million Dollar Duck (1971) - IMDb
Rating 5.8/10 (2,889) Professor Dooley takes home a duck from his research laboratory as a pet for his son, but soon finds out that it lays golden eggs.
[24]
Gus (1976) - IMDb
Rating 5.7/10 (2,332) Gus ; Director. Vincent McEveety ; Writers. Ted Key · Arthur Alsberg · Don Nelson ; Stars · Edward Asner · Don Knotts · Gary Grimes ; STREAMING.Missing: screenplay | Show results with:screenplay
[25]
Gus | Disney Movies
Release Date: July 7, 1976. Directed By. Vincent McEveety. Written By. Ted Key. Cast. Tim Conway, Dick Butkus, Harold Gould, Liam Dunn, Titos ...Missing: screenplay | Show results with:screenplay
[26]
The Cat from Outer Space (1978) - IMDb
Rating 6/10 (6,608) Three scientists help an Alien feline, stranded on Earth, to repair its damaged spacecraft in order to return home but their efforts are hampered by inept army ...Full cast & crew · Filming & production · Ronnie Schell as Jake - voice... · Quotes
[27]
The Cat from Outer Space | Disney Movies
Jun 9, 1978 · The Cat from Outer Space ; Directed By. Norman Tokar ; Written By. Ted Key ; Cast. Hank Jones, Harry Morgan, Ralph Manza, Rick Hurst, Alan Young, ...
[28]
Digby: The Biggest Dog in the World (1973) - IMDb
Rating 5.4/10 (853) Digby consumes a bowl of a liquid growth formula called Project X. Soon he becomes a sheepdog of gigantic size.
[29]
Digby: The Biggest Dog in the World (1973) - cult faction
Sep 15, 2017 · Directed by Joseph McGrath, and based on the novel by Ted Key, Digby – The Biggest Dog in the World follows Digby, an Old English Sheepdog ...
[30]
Repairing History and Other Dog Tricks - The New York Times
Mar 5, 2014 · “Peabody's Improbable History” was created by the cartoonist and writer Ted Key, best known as the man behind the cartoon panel “Hazel ...
[31]
Mr. Peabody and Sherman: The Complete Collection
Aug 26, 2025 · ... the majority of show, cartoonist Ted Key conceived Peabody's Improbable History. Key was, and is, best known as the creator of Hazel but his ...
[32]
Mr. Peabody & Sherman (2014) - Full cast & crew - IMDb
Mr. Peabody & Sherman (2014) - Cast and crew credits, including actors, actresses, directors, writers and more ... Ted Key. based upon the characters and format ...
[33]
Ted Key, Famous for Creating Hazel, Also Was the Man behind Mr ...
Feb 25, 2014 · The reason was “Hazel,” his comic panel about a bossy-but-warm-hearted maid that appeared in The Saturday Evening Post, a weekly general- ...<|control11|><|separator|>
[34]
Interview: Peter Key – Son of Ted Key, Creator of “Mr. Peabody and ...
Mar 6, 2014 · Ted Key was a cartoonist almost from ... Soon he was selling cartoons with this maid character to The Post and Colliers, until the PostMissing: sale | Show results with:sale
[35]
Ted Key 'Hazel' Cartoonist - The Washington Post
May 8, 2008 · Ted Key, 95, whose comic strip "Hazel" about a bossy maid went from magazine page to TV screen, died May 3 at his home in the Philadelphia ...
[36]
Ted Key, R.I.P. – News From ME - Mark Evanier
May 5, 2008 · In 1933, he graduated from the University of California at Berkeley and relocated to New York where he freelanced cartoons for magazine and ...Missing: education | Show results with:education
[37]
Ted Key, cartoonist, dies at 95 - Variety
May 5, 2008 · His son Peter Key said four movies were made featuring characters conceived by his father, including Walt Disney productions of “The Million ...Missing: family siblings influences Simon<|control11|><|separator|>
[38]
'Hazel,' 'Mr. Peabody' creator Ted Key
### Summary of Ted Key's Later Years, Retirement, Health Issues, Death, and Career Reflections
[39]
Division Awards - National Cartoonists Society
1976 Paul Frehm (Ripley's Believe It Or Not!) 1977 Ted Key (Hazel) 1978 Brad Anderson (Marmaduke) 1979 Bob Dunn & Al Scaduto (They'll Do It Every Time) 1980 ...