The Afterimage
The Afterimage was a Canadian progressive metalcore band from Barrie, Ontario, formed in December 2011 by vocalist Kyle Anderson and bassist Dallas Bricker, who remained the project's core members throughout its run.[1] Drawing from prior local acts like Centuries Apart, the group quickly established itself in the contemporary metal scene through intricate technicality, djent-influenced riffs, and soaring melodic passages.[2] Signed to Tragic Hero Records, they blended heavy, dynamic instrumentation with emotionally charged lyrics exploring themes of isolation, loss, and substance abuse, setting them apart in the progressive metalcore genre.[3] The band's discography began with the debut EP Formless in 2012,[4] followed by the critically acclaimed Lumiere EP in 2015, which earned a 4/5 rating from New Noise Magazine for its ambitious songwriting and production.[5] Their sole full-length album, Eve, arrived in May 2018 via Tragic Hero Records, featuring tracks like "Cerulean" and "Amethyst" that highlighted their evolution toward more groove-oriented and atmospheric elements while retaining metalcore aggression.[6] Throughout their career, The Afterimage toured extensively across North America, sharing stages with acts such as ERRA and Invent Animate, building a dedicated fanbase for their high-energy live performances and genre-transcending sound.[3] Despite promising momentum with Eve, The Afterimage disbanded in September 2018 after seven years, citing a waning passion for the project as a key factor in their decision to pursue new projects.[7][8] Several members transitioned to other bands, including the deathcore outfit Brand of Sacrifice, marking the end of the group's active era but leaving a lasting impact on the progressive metalcore landscape through their innovative compositions and raw emotional depth.[7]History
Formation
The Afterimage was formed in December 2011 in Barrie, Ontario, by vocalist Kyle Anderson and guitarist Alex Lappano, both of whom had previously been involved in the local band Centuries Apart.[2][1] After the dissolution of that project, Anderson and Lappano sought to create a new outlet for their progressive metalcore ideas, drawing inspiration from the technical and atmospheric elements of Ontario's heavy music scene.[2] The duo quickly assembled an initial lineup that included drummer Nick McCaslin and bassist Dallas Bricker, with guitarist Mike Ticar joining shortly thereafter to solidify the group.[2] This core configuration reflected the band's roots in Barrie's tight-knit metal community, where members had connections to other local acts like The Prologue.[9] Early rehearsals took place in informal settings around Barrie, focusing on Lappano's intricate riff-writing, which emphasized dissonant, chromatic structures and dynamic shifts to define their emerging sound.[2] The band honed these elements through repeated practice sessions, refining material that would later form the basis of their debut work, while experimenting with vocal deliveries and instrumental interplay to capture a sense of emotional intensity. Local performances followed soon after, with the group playing small venues and shows within Ontario's underground circuit, often alongside other regional acts to build a grassroots following.[1] These gigs helped establish their presence in Barrie's scene, where the band drew from the DIY ethos of prior local bands to connect with audiences familiar with progressive and metalcore styles. Assembling a stable lineup proved challenging in the band's nascent stages, as the transition from Centuries Apart brought uncertainties about personnel commitment and creative direction.[2][1] Frequent adjustments, including Ticar's integration to handle lead guitar duties, tested the group's cohesion amid limited resources typical of a small-town startup. Gaining traction locally was equally demanding; despite the vibrant Ontario heavy music environment, breaking through the saturation of similar acts required persistent networking and standout live energy to differentiate themselves.[2] Over time, these efforts laid the groundwork for broader recognition, though the band remained deeply tied to their Barrie origins.Formless and early career
The Afterimage self-released their debut EP Formless on August 14, 2012, via Bandcamp in association with Famined Records. The four-track release, produced and engineered by Jordan Valeriote at Sundown Studio and mastered by Troy Glessner at Spectre Studio, featured the instrumental opener "Prologue," followed by "Reverie," "Shallows," and "The Void."[4][10] In the wake of the EP's launch, the band initiated promotional activities through early live performances across Canada, particularly in Ontario, to cultivate a regional following. Their debut festival appearance came at the KOI Music Festival in Kitchener on September 15, 2012, where they shared billing with prominent acts including Silverstein, Counterparts, and Northlane, marking an early step in gaining visibility within the metalcore community.[11] The group continued building momentum with support slots on regional bills throughout 2013. A notable example was their opening performance for Beheading of a King at Club Saw in Ottawa on March 6, 2013, alongside acts like Take the Earth Beneath Us and All Fallen Angels, which helped expand their audience in eastern Ontario. These initial tours emphasized high-energy sets drawn heavily from Formless, fostering grassroots support in the province's underground scene.[12] Post-formation lineup adjustments stabilized the band for these activities. Originating from the Barrie local scene in late 2011 with vocalist Kyle Anderson and guitarist Alex Lappano at the core, they recruited drummer Nick McCaslin and bassist Dallas Bricker soon after to round out the rhythm section. Following the Formless recording sessions, guitarist Mike Ticar joined as a second axeman in late 2012, enhancing their live dynamics. By 2013–2014, further refinements included the addition of guitarist Sam Jacobs, who contributed to the band's evolving sound during this formative period.[2][13][14]Lumière
In August 2015, The Afterimage signed with Tragic Hero Records, a move that facilitated broader distribution and marked their transition to a label-backed entity.[15] This partnership built on the band's independent releases, including the 2014 single "O N Y X," allowing them to reach a wider audience in the progressive metalcore scene.[16] The signing was announced alongside a preview of new material, signaling a professional escalation in their career trajectory. The Lumière EP was released on August 28, 2015, through Tragic Hero Records, comprising eight tracks that showcased the band's evolving sound.[17] Key songs included re-recorded versions of earlier singles like "O N Y X" and new compositions such as "Reach" and "Unseen," with production handled by Jordan Valeriote alongside Kyle Anderson, Michael Leo Valeri, and engineer Nick Sampson, recorded at Sundown Studios and Metro 37 Studios. The EP's production highlighted intricate guitar work and technical riffs, reflecting the band's commitment to complex arrangements within metalcore structures.[18] Following the EP's release, The Afterimage promoted Lumière through extensive touring across North America, including support slots on the ERRA headline tour with Polyphia and Invent Animate in September 2015, as well as additional Canadian dates with labelmates Three Crowns from October to November.[19] They also performed headline shows at venues like Heirloom Arts Theatre in Danbury, Connecticut, and Upstate Concert Hall in Clifton Park, New York, solidifying their presence in 2015-2016.[20] Promotion extended to visual media, with official streams for tracks like "Reach" and "Without You" on YouTube, plus a guitar playthrough video for "Reach" premiered via Guitar World.[21] During this phase, the band's lineup stabilized, featuring Michael Leo Valeri on guitars since 2013, alongside Kyle Anderson on vocals, Dallas Bricker on bass, Robert Zalischi on drums, and Samuel Jacobs on guitars.[22]Eve
Eve, released on May 18, 2018, via Tragic Hero Records, marked The Afterimage's debut full-length album and elicited mixed-to-positive reviews within the progressive metalcore community. Critics praised its ambitious technicality and intricate compositions, particularly on tracks like "Wrath," which was highlighted for its heavy, intricate riffing and percussive intensity that represented the band's technical peaks.[23][24] However, some reviewers noted pacing issues, with the album's dense layering of progressive elements and electronic flourishes occasionally feeling overwhelming or disjointed, leading to critiques of uneven flow across its 11 tracks.[25] Commercially, Eve underperformed relative to the band's ambitions, achieving only 150 units in first-week sales according to industry tracking. This figure fell short of the thresholds needed for viable touring and promotion, as independent acts like The Afterimage relied heavily on strong initial sales to fund operations and sustain momentum.[26] The modest commercial reception amplified financial pressures on the band, contributing to broader discussions about sustainability in the underground metal scene. Among fans, Eve sparked a divide: many appreciated its mature evolution toward sophisticated, genre-blending structures that showcased emotional depth and instrumental prowess, earning an average user rating of 3.18 out of 5 on Rate Your Music from over 100 ratings.[27] Others expressed disappointment in its reduced accessibility compared to earlier EPs, citing the ambitious experimentation as occasionally alienating for listeners seeking more straightforward metalcore aggression. This polarization fueled online discourse in the months following release, intertwining with the band's internal reflections on passion and viability, and playing a role in the escalating tensions leading to their 2018 dissolution.[25][7]Breakup
The Afterimage officially announced their disbandment on September 22, 2018, through a post on social media, where they expressed that after nearly seven years, the collective passion for the project had waned, leading them to conclude it would be a disservice to continue without full commitment.[7] The statement highlighted financial struggles as a key factor, particularly the unmet sales thresholds for their 2018 album Eve, which had been tied to funding a planned tour earlier that year; despite a pre-release campaign urging fans to meet specific preorder goals to sustain the band, the targets were not achieved, exacerbating the economic pressures on the independent act signed to Tragic Hero Records.[8] No bad blood existed among members, who described the decision as mutual and emphasized their ongoing familial bonds.[7] The band's final live performances occurred earlier in 2018, with a notable headline slot at a 10-band concert in Ottawa in June, marking one of their last major outings before the announcement and serving as an unofficial farewell amid mounting challenges.[20] Following the dissolution reveal, all scheduled tours were canceled, halting momentum from Eve's promotion and leaving supporters without anticipated North American dates.[8] In the immediate aftermath, the metalcore community reacted with widespread disappointment, as fans mourned the loss of a promising progressive act and shared tributes highlighting the impact of releases like Eve on the genre's evolving sound.[7] The abrupt end prompted discussions on the viability of mid-tier bands in the scene, underscoring broader issues of financial sustainability for unsigned or label-supported groups reliant on album sales and touring revenue.[8]Musical style
Characteristics
The Afterimage's music is characterized by a progressive metalcore style that blends technical guitar riffs, heavy breakdowns, and melodic clean vocals, creating a dynamic interplay between aggression and accessibility. Guitarists Liam Beeson and Michael Valeri deliver intricate, chugging palm-muted riffs and brutalizing leads that support explosive breakdowns, often anchored by bassist Dallas Bricker's thick, groove-oriented tones. Frontman Kyle Anderson employs multifaceted vocals, shifting from high-pitched, soaring clean singing in choruses to aggressive screams and bellows in heavier sections, adding emotional depth to the compositions.[23][24][3] Atmospheric elements, including twinkling synthesizers and piano underscoring, enhance the band's ethereal and immersive soundscapes, while electronic beats and vocal manipulations introduce subtle layers of texture. These components facilitate dynamic shifts from chaotic, frantic guitar-driven rhythms to groovy, melodic releases, balancing pummeling intensity with moments of calming respite. Drummer Rob Zalischi's precise footwork and sharp snare work further propel these transitions, ensuring rhythmic drive without overwhelming the overall structure.[23][24][3] The band's songwriting emphasizes technical complexity through layered instrumentation and immersive arrangements, yet maintains accessibility via captivating melodies and recurring thematic motifs that unify tracks across releases. This approach results in compositions that oscillate between aggressive onslaughts and poignant, sing-along choruses, showcasing the group's precision and musicianship in fusing heavy passages with emotional nuance. While this core style remained consistent from their early EPs to later works like Eve, subtle evolutions in vocal experimentation and textural detail refined their sound over time.[23][24][3]Influences
The Afterimage drew heavily from the progressive metal and djent scenes, with Meshuggah serving as a primary influence for their technical precision, djent-style riffs, and polyrhythmic complexity, which vocalist Kyle Anderson cited as foundational to the band's heavy sound, along with other technical acts like Ion Dissonance and The Tony Danza Tapdance Extravaganza.[2] Post-hardcore elements, particularly melodic vocal lines and dynamic shifts, were inspired by Dance Gavin Dance, whose groove-oriented approach influenced The Afterimage's blend of aggression and catchiness, as highlighted in multiple band statements during their Lumière era.[21][28] This melodic sensibility extended to influences like The Fall of Troy and Protest the Hero, the latter of which the band members grew up admiring for its technical chaos balanced with soaring harmonies on albums like Kezia.[28] Progressive metal bands such as TesseracT and The Contortionist shaped the group's atmospheric builds and intricate layering, contributing to their incorporation of metalcore staples like expansive breakdowns and ambient interludes while blending in subtle electronic and R&B touches drawn from acts like The 1975 and broader indie influences.[21][1] These elements informed lineup decisions, including the use of dual guitars by early members like Lappano and Mike Ticar to execute complex harmonies and polyrhythms, allowing for the progressive experimentation central to the band's career.[2][28]Critical reception
Early releases
The Afterimage's debut EP, Formless (2012), received positive critical attention for its technical guitar work and melodic complexity, earning a 4.0/5 rating from Sputnikmusic reviewer AtomicShane, who praised the band's ability to blend intricate time signatures, harsh tapping sections, and layered melodic guitars with fast chugging riffs while maintaining an engaging listenability.[29] Despite these strengths, the EP faced critiques for relying on familiar "spacey djent" tropes common in metalcore, such as standard chug-heavy structures that echoed many contemporaries in the genre.[29] Reviews also highlighted the release's raw, chaotic energy, with The Circle Pit noting its interlaced breakdowns and technical flair that delivered a visceral, high-octane progressive metalcore sound.[30] The band's follow-up EP, Lumière (2015), built on this foundation and garnered stronger acclaim, particularly for its refined songwriting and execution. New Noise Magazine described the release as having a remarkable sound, with each track standing alone worthy of praise through the combination of catchy choruses, intricate guitar work, and technical drumming that made the EP an absolute treat.[5] The review emphasized the EP's intricate yet accessible riffs that showcased the band's technical prowess, alongside crisp, polished production that elevated every instrumental layer and made each track stand out independently.[5] These early releases generated significant buzz within progressive metalcore circles, positioning The Afterimage as a rising act capable of monumental impact in the contemporary metal scene, according to their label Tragic Hero Records.[3]Eve
Eve, released on May 18, 2018, via Tragic Hero Records, marked The Afterimage's debut full-length album and elicited mixed-to-positive reviews within the progressive metalcore community. Critics praised its ambitious technicality and intricate compositions, particularly on tracks like "Wrath," which was highlighted for its heavy, intricate riffing and percussive intensity that represented the band's technical peaks.[23][24] However, some reviewers noted pacing issues, with the album's dense layering of progressive elements and electronic flourishes occasionally feeling overwhelming or disjointed, leading to critiques of uneven flow across its 11 tracks.[25] Commercially, Eve underperformed relative to the band's ambitions, achieving only 150 units in first-week sales according to industry tracking. This figure fell short of the thresholds needed for viable touring and promotion, as independent acts like The Afterimage relied heavily on strong initial sales to fund operations and sustain momentum.[26] The modest commercial reception amplified financial pressures on the band, contributing to broader discussions about sustainability in the underground metal scene. Among fans, Eve sparked a divide: many appreciated its mature evolution toward sophisticated, genre-blending structures that showcased emotional depth and instrumental prowess, earning an average user rating of 3.18 out of 5 on Rate Your Music from over 100 ratings.[27] Others expressed disappointment in its reduced accessibility compared to earlier EPs, citing the ambitious experimentation as occasionally alienating for listeners seeking more straightforward metalcore aggression. This polarization fueled online discourse in the months following release, intertwining with the band's internal reflections on passion and viability, and playing a role in the escalating tensions leading to their 2018 dissolution.[25][7]Legacy
Impact on the metalcore scene
The Afterimage played a pivotal role in elevating technical metalcore within Canada's 2010s scene, particularly in Ontario, where they emerged as a fusion of complex riffing and melodic structures that inspired emerging bands to explore progressive elements. Formed in Barrie in 2011, the band quickly gained traction locally through their debut EP Formless, blending chaotic heavy passages with atmospheric melodies, drawing from the province's vibrant heavy music community. Their technical proficiency, including intricate guitar work and dynamic rhythms, set a benchmark for Canadian acts seeking to innovate beyond standard metalcore tropes, as evidenced by their rapid expansion from regional shows to international tours.[1][23] As part of Tragic Hero Records' roster starting with their 2015 EP Lumière, The Afterimage contributed to bridging djent's polyrhythmic precision with post-hardcore's emotive melodies, helping the label expand its influence in the progressive metalcore subgenre. Their releases, such as Lumière and the 2018 album Eve, showcased sludgy tones, spastic rhythms, and ambient compositions that pushed genre boundaries, earning praise for polished production and captivating songcraft. This integration of technical metal with melodic hardcore elements solidified Tragic Hero's reputation for fostering innovative acts, with The Afterimage's multidimensional sound—incorporating rock and R&B influences—distinguishing them in an expanding contemporary metal landscape.[3][5][1] The band's enduring fanbase legacy persists through online music communities, where their technical prowess and genre-blending innovation are frequently cited as a benchmark for progressive metalcore evolution, even post their 2018 disbandment. Reviews highlight Eve as a forward-thinking work that offers inspiration for bands navigating similar sounds, emphasizing recurring themes and cohesive technicality that continue to resonate in discussions of 2010s metalcore advancements. Their ability to deliver infectious hooks alongside complex instrumentation has maintained a dedicated following, underscoring their lasting impact on the scene's creative trajectory.[23][31]Members' subsequent projects
Following the band's dissolution in 2018, several key members formed the deathcore outfit Brand of Sacrifice, initially comprising vocalist Kyle Anderson, guitarist Michael Leo Valeri, drummer Rob Zalischi, with guitarist Liam Beeson and bassist Dallas Bricker joining shortly thereafter.[32] The group released their debut EP The Interstice in September 2018, followed by studio albums God Hand (2019) and Lifeblood (2021), and the EP Between Death and Dreams (2023). As of July 2025, the band completed recording sessions for their third studio album. They have since toured extensively with prominent acts such as Carnifex, Cattle Decapitation, Rings of Saturn, Shadow of Intent, August Burns Red, Spiritbox, We Came as Romans, Motionless in White, and Fit for a King, including appearances on the Summer Slaughter Tour.[33][34] Guitarist Michael Leo Valeri has remained active in Brand of Sacrifice as lead guitarist and producer, contributing to the band's thematic explorations inspired by manga and anime like Berserk.[35] In August 2025, Valeri co-founded the artist-focused record label Papercut Recordings with Fit for a King bassist Ryan O'Leary, signing acts like Blackshape and Limbs to emphasize transparent funding and musician empowerment.[36] Some former members, including those from earlier lineups, have contributed to side projects like the metalcore EP 1135 (2019) under the name Earthshatter, which featured elements of the final Afterimage roster alongside affiliates from Brand of Sacrifice and The Parallel.[37]Discography
EPs
The Afterimage released two extended plays during their career, establishing their progressive metalcore sound through shorter-form collections of intricate compositions. Formless is the band's debut EP, released on August 14, 2012, through Famined Records.[4] It features four tracks: "Prologue," "Reverie," "Shallows," and "The Void," with a total runtime of 13 minutes.[38] Key highlights include the atmospheric opener "Prologue," which sets a cinematic tone, and the dynamic closer "The Void," showcasing the band's early blend of technical riffs and melodic elements.[4] Lumière, the band's second EP, was released on August 28, 2015, through Tragic Hero Records following their signing with the label.[3][17] The EP comprises eight tracks: "Lumiere," "Seeking," "Follow," "Unseen," "Onyx," "Distance," "Without You," and "Reach," totaling approximately 27 minutes. Standout tracks include the title track "Lumiere," noted for its soaring choruses and progressive structures, and "Onyx," which highlights aggressive breakdowns and electronic influences.[17]Studio albums
The Afterimage's sole studio album, Eve, was released on May 18, 2018, via Tragic Hero Records.[6][39] The album was co-produced and mixed by Jordan Valeriote and Michael Leo Valeriote, in collaboration with the band.[39] Eve consists of 11 tracks with a total runtime of approximately 36 minutes.[39][40] The tracklist is as follows:| No. | Title | Duration |
|---|---|---|
| 1 | Aquamarine | 1:30 |
| 2 | Cerulean | 3:20 |
| 3 | Deadlines | 3:51 |
| 4 | Amethyst (featuring Kennedy Lapenna) | 3:23 |
| 5 | Floodgates | 3:26 |
| 6 | Secrets | 4:32 |
| 7 | Eve | 2:07 |
| 8 | Mirrors | 3:27 |
| 9 | Sapphire | 3:11 |
| 10 | Wrath | 3:49 |
| 11 | Violator | 3:20 |
Singles
The Afterimage released several standalone singles throughout their career, often as promotional material or previews for upcoming EPs and albums. These tracks showcased the band's evolving progressive metalcore sound, blending technical riffs with melodic elements.[41]| Title | Release Date | Notes |
|---|---|---|
| The Seeking | December 17, 2012 | Debut single associated with the Formless EP; self-released and produced by Jordan Valeriote at Sundown Studio.[42][43] |
| Pathogen | February 21, 2013 | Promotional single featuring guest vocals by Fred Beaulieu of Beheading of a King; released via Famined Records.[44][45][46] |
| The Unseen | July 1, 2013 | Promotional single released through Famined Records, emphasizing technical and atmospheric elements.[47][48][49] |
| O N Y X | April 13, 2014 | Standalone single preceding the Lumière EP, featuring Eric Almeida of AURAS; produced by Jordan Valeriote.[50][51] |
| Pursue | March 15, 2017 | First single since the 2015 Lumière EP, serving as a precursor to the full-length album Eve; released via Tragic Hero Records.[52][53][54] |
| Cerulean | May 18, 2018 | Lead single from the album Eve, highlighting the band's matured melodic and progressive style; released via Tragic Hero Records.[55][24] |
Band members
Final lineup
The final lineup of The Afterimage, active until the band's breakup in 2018, consisted of the following members:- Kyle Anderson – lead vocals (2011–2018)[1]
- Liam Beeson – guitars, backing vocals (2017–2018)[9]
- Michael Leo Valeri – guitars (2013–2015, 2018)[9]
- Dallas Bricker – bass (2011–2018)[1]
- Rob Zalischi – drums (2013–2018)[9][8]
Former members
The Afterimage experienced several lineup changes during its early years, particularly following the release of their debut EP Formless in 2013, as the band sought greater stability for touring and recording commitments. These adjustments involved the departure of founding members and the addition of new guitarists and drummers to refine their progressive metalcore sound.[2][14] Key former members who departed prior to the band's 2018 breakup include:| Name | Role | Tenure | Notes |
|---|---|---|---|
| Mike Ticar | Guitar | 2011–2012 | Founding member who contributed to early songwriting and the Formless EP.[14][2] |
| Nick McCaslin | Drums | 2011–2012 | Performed on the Formless EP and early live shows before leaving during the band's initial touring phase.[14][56] |
| Alex Lappano | Guitar | 2011–2015 | Co-founder alongside vocalist Kyle Anderson; played a central role in the band's formation from remnants of prior projects like Centuries Apart.[1][8] |
| Samuel Jacobs | Guitar | 2013–2015 | Joined post-Formless to bolster the guitar section; later pursued solo and collaborative work in progressive metal.[57][8] |
| Asher Ally | Guitar | 2016–2017 | Joined as new guitarist around 2016; contributed to singles like "Pursue" (2017); departed ahead of the final recording sessions for Eve.[58][8] |
| Andrew Wilson | Guitar | 2013 | Brief contribution during early transitional period post-Formless.[8][22] |