Polyphia
Polyphia is an American instrumental progressive rock band formed in 2010 in Plano, Texas, renowned for their genre-blending sound that combines intricate math rock rhythms, virtuosic guitar performances, and influences from hip-hop, R&B, and electronic music.[1][2] The band was founded by guitarists Tim Henson and Scott LePage, who met as high school students and began collaborating on music inspired by progressive metal and modern production techniques.[1] Bassist Clay Gober joined in 2012, followed by drummer Clay Aeschliman in 2016, solidifying the current lineup that emphasizes technical precision and innovative songwriting without vocals.[2][1] Polyphia's discography includes their self-released debut EP Muse (2014), the progressive EP The Most Hated (2017), and full-length releases such as Renaissance (2016) and New Levels New Devils (2018), followed by the live album Live at the Factory in Deep Ellum (2023), which showcased their evolution toward more accessible, pop-infused structures while retaining complex instrumentation.[1] Their 2022 album Remember That You Will Die, released via Rise Records, marked a commercial breakthrough, debuting at No. 1 on the Billboard Top Hard Rock Albums chart and featuring guest appearances from artists like Steve Vai, Chino Moreno of Deftones, and rapper Sophia Black.[2][3] The band's rise gained momentum through viral YouTube videos, such as their track "Playing God" (2022), which has garnered over 50 million views and highlighted Henson's signature tapping and hybrid picking techniques on custom nylon-string guitars.[2][4] Polyphia has toured extensively, sharing stages with acts like Animals as Leaders and Babymetal, and in 2025, guitarist Tim Henson contributed to Hans Zimmer's score for the film F1, further elevating their profile in film and collaborative projects.[1][2] Critically, Polyphia is celebrated for pushing boundaries in instrumental music, with Henson's playing often ranked among the most innovative by outlets like Rolling Stone, though they have faced occasional debate over their fusion of shred techniques with contemporary beats.[5] Their influence extends to gear endorsements, including Fender's Artist Series signature models for Henson, underscoring their impact on modern guitar culture.[1]History
Formation and early career (2010–2016)
Polyphia was formed in 2010 in Plano, Texas, by guitarists Tim Henson and Scott LePage during their high school years.[6] The duo initially drew from death metal and deathcore influences, focusing on technical guitar work.[6] The band's debut release, the self-produced EP Resurrect, arrived in November 2011 and marked their only recording to feature vocals.[7][6] Recorded when Henson was 17 and LePage 18, the four-track EP showcased intricate riffs and aggressive rhythms rooted in their early metal sound.[6] Following the departure of their vocalist in 2012, the band shifted to an all-instrumental format and added bassist Clay Gober to the lineup.[8] Their second EP, Inspire, was released independently in April 2013 and incorporated more progressive and technical metal elements, including a guest appearance by guitarist Aaron Marshall of Intervals on the track "Persevere."[9] The EP's closing track, "Impassion," gained significant online attention through a guitar playthrough video that amassed over 2 million views on YouTube.[6][10] Drummer Brandon Burkhalter, an original member, left the band in 2014 and was temporarily replaced by Randy Methe, before briefly returning in 2015.[11] Polyphia's self-released debut full-length album, Muse, followed in September 2014, featuring collaborations such as Nick Johnston on "Champagne" and further highlighting their evolving blend of melody and technicality.[12] The album's promotion relied heavily on YouTube content, building a growing fanbase through playthroughs and performance videos.[6] Buoyed by their online buzz, Polyphia signed with Equal Vision Records' imprint Headphone Music in March 2015, leading to a remastered reissue of Muse.[13] This deal stabilized the band's early career trajectory. In 2016, drummer Clay Aeschliman joined as a permanent member, replacing Burkhalter.[14] The group released their label debut, the album Renaissance, in March 2016, which signaled a departure from their metalcore origins toward a more accessible progressive rock style.[15][6]Breakthrough and growth (2017–2022)
In July 2017, Polyphia released their EP The Most Hated, a self-released project that marked a bold experimental shift incorporating trap beats, future bass elements, and hip-hop production influences across its six tracks.[16] Produced in collaboration with notable electronic producers like Y2K and JUDGE, the EP showcased the band's willingness to blend progressive rock with contemporary urban sounds, generating buzz despite initial fan division over its departure from traditional instrumental styles.[17] The band's commercial momentum accelerated with their third studio album, New Levels New Devils, released on October 12, 2018, via Equal Vision Records.[18] The album debuted at No. 61 on the Billboard 200 and No. 7 on the Top Rock Albums chart, propelled by singles such as "G.O.A.T.," released in May 2018 with an accompanying music video that highlighted the band's intricate guitar work.[19] Featuring guest guitar appearances from artists like Jason Richardson and Ichika on tracks such as "Nasty" and "Death Note," the record fused math rock precision with electronic and trap textures, solidifying Polyphia's reputation for genre-blending innovation.[18] From 2018 to 2020, Polyphia expanded their live presence through extensive touring, including support slots for progressive metal acts like Animals as Leaders and Periphery, as well as headlining their own U.S. and European shows to promote New Levels New Devils.[20] The COVID-19 pandemic disrupted these efforts in 2020, leading to the postponement of tours such as the North American run with Circa Survive and Gouge Away, prompting the band to pivot toward online fan engagement through virtual performances, social media challenges, and behind-the-scenes content to maintain momentum.[21] In 2021, Polyphia signed with Rise Records, transitioning from Equal Vision to align with a label known for supporting genre-crossing rock acts.[22] This move paved the way for their fourth studio album, Remember That You Will Die, released on October 28, 2022, which debuted at No. 33 on the Billboard 200, No. 1 on the Top Hard Rock Albums chart, No. 72 on the ARIA Albums Chart in Australia, and No. 73 on the Canadian Albums Chart. Featuring high-profile guests including guitarist Steve Vai on "Ego Death," Deftones frontman Chino Moreno on "Bloodbath," rapper $NOT on "Reverie," and singer Sophia Black on "ABC.," the album expanded the band's sonic palette with pop, electronic, and hip-hop infusions while retaining their signature technical guitar interplay.[23] Critics praised Remember That You Will Die for its technical virtuosity and seamless genre fusion, with outlets like Sputnikmusic noting the band's prodigious musicianship and Everything Is Noise highlighting its enchanting, dynamic frequencies that pushed instrumental rock boundaries.[24] The album achieved streaming milestones, amassing over 50 million Spotify streams in its first year and underscoring Polyphia's growing mainstream appeal through viral tracks like "Playing God."[25]Recent activities (2023–present)
In November 2023, Polyphia released their first live album, Live at the Factory in Deep Ellum, via Rise Records, capturing a performance from April 14, 2023, at the venue in Dallas, Texas.[26][27] The 16-track recording showcased the band's dynamic stage energy, drawing from material across their catalog up to that point.[28] Building on the momentum of their 2022 studio album Remember That You Will Die, Polyphia embarked on extensive headlining tours in 2024, including a European run in June with stops in cities like Strasbourg and Vauréal, alongside festival appearances at events such as Hellfest in Clisson, France, and Download Festival in the UK.[29][30] These performances highlighted the band's growing international appeal and technical prowess in live settings.[31] In February 2025, guitarist Tim Henson announced that Polyphia was developing their fifth studio album, describing it as "brutal" and heavier in tone compared to prior releases, with confirmed guest collaborations including System of a Down's Serj Tankian and Babymetal, among others.[32][33][34] As of July 2025, the band aimed to complete recording by late October 2025.[35] This project signals a continued evolution toward incorporating heavier elements in their instrumental style.[36] In July 2025, Henson collaborated with composer Hans Zimmer on the score for the film F1, contributing guitar elements inspired by Polyphia's innovative techniques to enhance the soundtrack's high-energy sequences.[1] Later that month, during an interview, Henson addressed a critique from Metallica's Kirk Hammett regarding modern guitar techniques like "boomer bends," affirming Polyphia's commitment to pushing boundaries in the instrument's expression.[37] Polyphia supported major acts on a high-profile stadium tour in August and September 2025, opening for System of a Down alongside Korn, Avenged Sevenfold, and Deftones at venues including MetLife Stadium in East Rutherford, New Jersey (August 28), Soldier Field in Chicago (August 31), and BMO Stadium in Los Angeles (September 3).[38] These dates marked the band's exposure to larger audiences in the metal and alternative scenes.[39] Throughout this period, Polyphia maintained strong fan engagement through their official YouTube channel and social media, sharing tour recaps, behind-the-scenes content, and performance clips, with no reported changes to the band's lineup.[40][41]Musical style and influences
Core characteristics
Polyphia is an instrumental progressive rock band renowned for their genre-blending sound that fuses math rock precision with djent riffs and shred guitar solos.[42][43] Their core style incorporates angular rhythms and complex structures, drawing from progressive metal while integrating elements of EDM drops, funk grooves, hip-hop beats, and pop melodies to create dynamic, hook-driven compositions.[42][43] Central to their identity is the virtuosic guitar interplay between Tim Henson and Scott LePage, who employ advanced techniques such as tapping, slapping, hybrid picking, sweep picking, and natural harmonics to deliver intricate riffs and soaring solos.[44][42][43] The band's arrangements often feature complex time signatures and polyrhythms, layered with electronic production elements like trap beats and atmospheric textures for a modern, multifaceted depth.[43][45] While predominantly instrumental, Polyphia occasionally incorporates guest vocals to add melodic variety in select works.[46] Their production emphasizes clean, high-fidelity mixes that spotlight technical dexterity and cohesive grooves over raw aggression, achieved through collaborations with hip-hop and electronic producers for a polished, genre-defying finish.[44][43][45]Evolution and influences
Polyphia's early sound, formed between 2010 and 2016, was rooted in instrumental metalcore and progressive metal, drawing heavily from technical and djent-influenced acts. The band's debut EP Inspire (2013) and album Muse (2014) emphasized intricate guitar acrobatics and heavy riffs, inspired by groups like Animals as Leaders and Periphery, which shaped their initial focus on extended-range techniques and complex rhythms.[42][6] Guitarists Tim Henson and Scott LePage cited influences such as Tosin Abasi's innovative eight-string playing in Animals as Leaders, blending technical death metal elements with progressive structures during this formative period.[6] From 2017 to 2022, Polyphia shifted toward greater genre fusion, incorporating pop, R&B-adjacent grooves, trap beats, and electronic elements while dialing back the intensity of shred-focused passages for broader melodic appeal. This evolution was evident in The Most Hated EP (2017), which introduced math-rock melodies, and peaked with New Levels New Devils (2018), where producers like Y2K and Judge infused trap and EDM production, as heard in the hit "G.O.A.T."[42] By Remember That You Will Die (2022), the band further experimented with flamenco-inspired nylon-string acoustics alongside trap rhythms in tracks like "Playing God," prioritizing accessibility and collaboration over pure technicality.[42] This mid-period marked a deliberate move away from metalcore dominance, reflecting Henson and LePage's interest in modern rap and electronica to create "rap music through guitars."[47] In their recent direction from 2023 onward, Polyphia has teased a return to heavier territories for their untitled fifth album, described as "brutal" with increased distortion, eight-string riffs, and baritone guitars to energize live performances.[32] Tim Henson noted this shift aims for a more focused, deeper exploration of sound compared to the eclectic Remember That You Will Die, blending progressive rock with metal extremes through collaborations like those with Serj Tankian of System of a Down and Babymetal.[32] Influences from rap producer Mike Dean, known for work with Kanye West, have informed the album's sound design during jam sessions.[32] Key artistic influences on Polyphia span guitar virtuosos and diverse genres, including Henson's admiration for Jimi Hendrix's pentatonic phrasing and LePage's affinity for Stevie Ray Vaughan's blues-rock drive, alongside broader draws from jazz fusion, modern rap producers, electronic artists, and technical metal bands such as Within the Ruins and Job for a Cowboy that informed their early extreme riffing.[6] The band's genre-blurring approach evolved from these roots, incorporating trap and lo-fi elements to appeal to contemporary listeners.[42] YouTube and social media have profoundly impacted Polyphia's style experimentation, enabling fan-driven evolution through viral playthroughs and covers that encouraged boundary-pushing fusions. Tracks like "Playing God" amassed over 33 million YouTube views by 2022, amplifying their shift toward hip-hop-infused instrumentals and inspiring a new wave of guitarists to blend genres online.[48] This digital feedback loop, reflective of modern fans' genre-agnostic tastes, propelled Polyphia from niche prog-metal to mainstream instrumental innovators.[47]Band members
Current members
Tim Henson serves as the lead guitarist of Polyphia since the band's formation in 2010. Born on November 19, 1993, in Plano, Texas, Henson is renowned for his innovative guitar techniques, including advanced two-hand tapping and extensive use of effects pedals to create layered, atmospheric sounds.[2] He has developed signature guitar models with Ibanez, such as the TOD10, which incorporate his preferred specifications for playability and tone in progressive rock contexts.[49] As the band's primary composer, Henson drives much of Polyphia's songwriting, blending intricate riffs with hip-hop and R&B influences, and he maintains a prominent YouTube presence where he shares tutorials and performances that have garnered millions of views. Scott LePage, the rhythm guitarist and co-founder, has been with Polyphia since 2010 alongside Henson. A Plano native, LePage contributes to the band's harmonic complexity through sophisticated chord progressions and counterpoint lines that complement Henson's leads.[50] His role emphasizes dynamic live performances, where he provides rhythmic drive and textural depth using a mix of clean tones and distortion. LePage also endorses Ibanez guitars, including his signature SLM10 model designed for versatility across the band's genre-blending style. Clay Gober joined Polyphia on bass in 2012, bringing a groovy, funk-influenced approach to the rhythm section that anchors the band's propulsive grooves. His bass lines often feature slap techniques and melodic phrasing, drawing from artists like Thundercat to add soulful elements to Polyphia's instrumental tracks.[51] Gober also plays a key role in the band's recording process, contributing to engineering and production duties for albums like New Levels New Devils and Remember That You Will Die. Clay Aeschliman has been Polyphia's drummer since 2016, providing stability to the lineup following the release of the band's debut album Muse. His playing specializes in odd time signatures and polyrhythms, which are central to Polyphia's progressive sound, often augmented with electronic percussion and samples for a modern, hybrid feel.[52] Aeschliman endorses Evans drumheads and focuses on precision in live settings, enabling the band to execute complex arrangements with electronic integration.[53]Former members
Lane Duskin served as Polyphia's original vocalist from 2010 to 2012, providing harsh vocals featured on the band's debut EP Resurrect, released in 2011.[7] Brandon Burkhalter was a founding member who handled drums and clean vocals from 2010 to 2011, with a brief return from 2015 to 2016; he contributed percussion to the early EPs Inspire and Resurrect, as well as drums on the full-length album Muse in 2014.[54] His initial departure in 2014 stemmed from artistic differences with the band, and his second stint concluded upon the arrival of permanent drummer Clay Aeschliman in 2016. Randy Methe joined as an interim drummer in 2014, supporting the band during touring for Muse, though he did not perform on any studio releases.[55] He parted ways with Polyphia in early 2015 amid lineup transitions.[56]Equipment
Guitars and basses
Polyphia's guitarists and bassist rely on signature and premium instruments from Ibanez, tailored for their intricate, high-gain progressive style. Lead guitarist Tim Henson primarily uses the Ibanez TOD10 signature model, featuring an American basswood body for lightweight playability, an AZ Oval C roasted maple neck for fast action, and an ebony fretboard with Tree of Death inlays.[57] Equipped with Fishman Fluence Tim Henson Signature Series active humbucker pickups, it delivers versatile tones from articulate cleans to aggressive leads, supporting Henson's tapping and hybrid techniques.[57] The guitar includes Gotoh MG-T locking machine heads for tuning stability during aggressive tremolo use and a Gotoh T1502 double-locking tremolo bridge.[57] Henson also employs extended-range guitars, such as the Ibanez TOD70 signature 7-string model, which mirrors the TOD10's construction with a basswood body, roasted maple neck, ebony fretboard, and Fishman Fluence pickups adapted for lower tunings, enabling deeper polyrhythmic explorations in Polyphia's compositions. For his signature nylon-string work, Henson uses the Ibanez TOD10N, a thin FR hollowbody acoustic-electric with a solid Sitka spruce top, sapele back and sides, roasted maple neck, ebony fretboard, and Fishman Sonicore pickup, ideal for hybrid picking and tapping techniques as heard in tracks like "Playing God."[59] Additionally, as of 2025, Henson endorses Fender's Artist Series signature models, expanding his versatile setup for both electric and acoustic applications.[1] Rhythm guitarist Scott LePage centers his setup around the Ibanez KRYS10 signature, built with an ash body for enhanced sustain and brightness, an AZ Oval C roasted maple neck for ergonomic speed, and an ebony fretboard featuring offset white block inlays.[60] Its Fishman Fluence Scott LePage Custom Series humbuckers offer multiple voicings, including vintage PAF-inspired warmth and clear single-coil chime, ideal for LePage's clean, ambient rhythms and sustained leads.[60] Like Henson's model, it incorporates Gotoh MG-T locking machine heads and a Gotoh T1502 tremolo for reliable performance.[60] LePage has occasionally incorporated Suhr guitars in earlier recordings, valuing their precise craftsmanship for clean tone applications.[2] Bassist Clay Gober favors Ibanez SR-series instruments, particularly 5-string models like the SR5005 Prestige and SR4605 Prestige, which provide low-B extension for the band's complex polyrhythms and groovy low-end foundations.[61] These basses feature slim SR necks for rapid playing, active electronics with humbucking pickups for punchy, versatile output, and lightweight mahogany or ash bodies to facilitate extended live sets.[61] Gober's choices emphasize ergonomic design and tonal flexibility, often seen in Polyphia's music videos and playthroughs such as "O.D." and "Ego Death."[61] Across their setups, lightweight body woods like basswood and ash reduce fatigue, while locking tuners on the guitars ensure stability amid frequent bends and dives, contributing to the band's precise, high-energy sound.[57][60]Drums and percussion
Clay Aeschliman, Polyphia's current drummer since 2016, employs a Tama Starclassic kit featuring maple or birch shells for a balanced tone suitable to the band's intricate progressive rock sound.[62] His setup includes a 22" x 18" bass drum, 10" x 8" and 12" x 9" rack toms, a 16" x 14" floor tom, and a 14" x 6.5" SLP G-Walnut snare drum, providing versatility for rapid fills and dynamic grooves.[63] Aeschliman also uses a signature Tama 12" x 7" S.L.P. Mod Bubinga snare for its rich, low-end resonance in live and studio performances.[64] Complementing the kit, Aeschliman's cymbal setup draws from Meinl's Byzance and Classics Custom series, emphasizing dark, responsive tones that cut through the band's layered guitar work.[65] Hardware supports high-speed execution, with Tama Iron Cobra 900 Power Glide double bass pedals enabling the fast, double-kick patterns central to Polyphia's rhythmic complexity.[52] Previous drummers, including Brandon Burkhalter (2010–2014, 2015–2016) and Randy Methe (2014–2015), utilized more basic configurations with brands like ddrum for Burkhalter, focusing on standard acoustic kits without the specialized endorsements Aeschliman later adopted due to their shorter tenures.[66] These setups supported early recordings but evolved as the band refined its percussion approach.[52] This percussion approach underpins the band's complex polyrhythms, with Aeschliman's primary rig remaining predominantly acoustic.Discography
Studio albums
Polyphia's debut studio album, Muse, was self-released on September 2, 2014, and consists of 11 instrumental tracks emphasizing technical progressive metal with complex guitar arrangements and guest solos from artists like Aaron Marshall of Intervals on "Sweet Tea" and Jason Richardson on "Aviator".[12][54] The album highlights the band's early focus on virtuosic shredding and melodic hooks, as showcased in tracks like "Champagne", without achieving positions on major charts.[67] The follow-up, Renaissance, arrived on March 11, 2016, through Equal Vision Records, featuring 12 tracks that introduced a broader genre-blending approach incorporating math rock rhythms, jazz harmonies, and pop accessibility.[68] Key highlights include the upbeat "Culture Shock" and the intricate "Nightmare", which demonstrate the band's shift toward more dynamic compositions.[69] It peaked at No. 4 on Billboard's Top Hard Rock Albums chart but did not enter the Billboard 200.[3] New Levels New Devils, released October 12, 2018, also on Equal Vision Records, contains 10 tracks that expand the band's sound with hip-hop beats, trap percussion, and electronic elements, featuring guests such as Jason Richardson on "Nasty" and Ichika Nito on "Death Note".[70] Standout tracks like "O.D." and "Saucy" exemplify this fusion, blending aggressive riffs with groovy, modern production.[71] The album marked their commercial breakthrough, debuting at No. 61 on the Billboard 200 and No. 7 on Top Rock Albums.[72] Their fourth studio effort, Remember That You Will Die, was issued on October 28, 2022, by Rise Records, with 13 tracks delving deeper into experimental territory through collaborations with hip-hop producers and guest vocalists, including Steve Vai on "Ego Death" and Chino Moreno of Deftones on "Bloodbath".[73] Highlights such as "Playing God" and "ABC" (featuring Sophia Black) fuse rock instrumentation with trap and R&B influences for a polished, genre-defying vibe.[74] It debuted at No. 33 on the Billboard 200 and topped the Top Hard Rock Albums chart.[3]Live albums
Polyphia's sole live album to date, Live at the Factory in Deep Ellum, captures the band's energetic performance during their 2023 tour stop in Dallas, Texas. Recorded on April 14, 2023, at The Factory in Deep Ellum venue, the album features 16 tracks spanning their discography, highlighting their intricate instrumental compositions and crowd interaction. Released on November 24, 2023, via Rise Records, it provides fans with a high-fidelity document of the group's live prowess, including extended improvisations and seamless transitions between songs.[75] The setlist draws heavily from their 2022 studio album Remember That You Will Die, with standout renditions of fan favorites such as "G.O.A.T." and "Ego Death," alongside earlier tracks like "Genesis" and "Playing God." Notable for its raw energy and technical precision, the recording showcases guitarist Tim Henson's signature tapping techniques and the rhythm section's tight synchronization, distinguishing it as a testament to Polyphia's evolution as a live act. The album clocks in at approximately 67 minutes, offering an immersive experience without overdubs or studio enhancements.[26][76]| No. | Title | Length |
|---|---|---|
| 1. | Genesis | 4:26 |
| 2. | Neurotica | 3:18 |
| 3. | O.D. | 3:17 |
| 4. | Goose | 4:28 |
| 5. | 40oz | 3:54 |
| 6. | Icronic | 7:09 |
| 7. | Champagne | 5:00 |
| 8. | All Falls Apart | 3:32 |
| 9. | Ego Death | 4:55 |
| 10. | The Worst | 3:02 |
| 11. | Reverie | 4:35 |
| 12. | G.O.A.T. | 3:15 |
| 13. | Playing God | 4:20 |
| 14. | Watch Me Work | 3:45 |
| 15. | Bloodbath | 5:10 |
| 16. | Remember That You Will Die | 6:30 |