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Djent

Djent is a subgenre of progressive metal characterized by its signature palm-muted, low-tuned guitar tone—onomatopoeically named "djent"—along with complex polyrhythms, syncopated rhythms, and heavily distorted power chords played in unusual time signatures.^[1]^[2] Emerging in the late 1990s and early 2000s, the style emphasizes rhythmic complexity over melodic flow, often featuring extended-range guitars tuned to drop tunings like D standard or lower to achieve a thick, percussive crunch.^[3]^[4] The term "djent" originated within the Swedish band Meshuggah, widely regarded as the pioneers of the sound, when guitarist Fredrik Thordendal drunkenly described their palm-muted guitar riffing during a late-night session in the early 1990s.^[5]^[6] Meshuggah's 2002 album Nothing solidified these elements, blending technical precision with groove-oriented heaviness, influencing a wave of bands in the progressive and math metal scenes.^[7] By the mid-2000s, the style spread through online communities and guitar forums, evolving from an experimental technique into a defined subgenre.^[8] Key characteristics of djent include high-gain, compressed guitar tones achieved via active pickups and effects pedals, creating a "watertight" snare-like attack on downstrokes, often paired with double-kick drumming and ambient clean sections for contrast.^[4]^[1] Vocals typically range from harsh screams to melodic cleans, while the genre's polyrhythmic structures—such as 4/4 over 3/4 feels—demand precision from all instruments.^[3] Notable bands defining djent include Periphery, known for intricate songwriting and electronic elements; Tesseract, blending atmospheric prog with djent riffs; Animals as Leaders, focusing on instrumental virtuosity; and Vildhjarta, incorporating black metal influences.^[9]^[10] Djent's influence extends beyond metal, inspiring hybrid styles in mathcore, post-metal, and even electronic music, with festivals like Euroblast and technical advancements in guitar gear further popularizing it among modern musicians.^[11] Despite debates over whether it constitutes a full genre or merely a riffing technique, djent remains a cornerstone of progressive heavy music in the 2020s.^[12]

Definition and Etymology

Terminology

The term "djent" originated as an onomatopoeic representation of the sharp, staccato "chug" produced by palm-muted low guitar strings, a sound emblematic of complex, rhythmically dense riffing. This auditory imitation was first articulated by Meshuggah guitarist Fredrik Thordendal to describe the distinctive tone achieved through extended-range guitars and precise muting techniques.^[4] Popularized through Meshuggah's influential riffs in the early 2000s, particularly on albums such as Nothing (2002) and obZen (2008), the term initially circulated among guitarists seeking to replicate the band's mechanical, groove-oriented heaviness. According to Meshuggah rhythm guitarist Mårten Hagström, the word emerged from a "drunken misunderstanding" when their lead guitarist Fredrik Thordendal, intoxicated after a show, tried to explain the tone to a fan, slurring an approximation of the noise as "djent."^[13]^[14] By the mid-2000s, "djent" had evolved from a niche descriptor in online guitar forums and Meshuggah fan communities into a broader label applied to a constellation of bands emulating the style, such as Periphery and Animals as Leaders. This shift marked its transition into an informal genre identifier within progressive metal circles, though its adoption was organic and driven by internet dissemination rather than formal music industry categorization.^[6] Debates persist within the metal community over whether "djent" denotes merely a sonic technique—centered on the guitar riff—or a complete subgenre encompassing full band arrangements, polyrhythms, and production aesthetics. Meshuggah members have repeatedly disavowed the genre label, with Hagström humorously apologizing for its creation and emphasizing that the band views it as an unintended byproduct of their experimentation, not a defining category.^[15]^[16]

Genre Classification

Djent is widely classified as a subgenre of progressive metal, characterized by its integration of complex rhythmic structures and technical proficiency within the broader heavy metal framework.^[17] This positioning distinguishes it from more straightforward heavy metal styles by prioritizing intricate compositions and polyrhythmic elements over raw aggression or speed.^[18] Emerging in the mid-2000s through online communities of musicians experimenting with extended-range guitars and syncopated riffs, djent quickly aligned with progressive metal's emphasis on innovation and musicianship.^[19] The genre also exhibits ties to mathcore, particularly in its rhythmic complexity and dissonant textures, though djent leans more toward melodic and atmospheric explorations compared to mathcore's punk-influenced intensity.^[20] Similarly, connections to alternative metal appear in bands that blend djent's signature guitar tones with experimental songwriting and less conventional structures, broadening its appeal beyond traditional metal audiences.^[21] These relationships highlight djent's hybrid nature, drawing from multiple streams while maintaining a core focus on technical execution that sets it apart from aggression-driven subgenres like thrash or death metal.^[22] By the early 2010s, djent had evolved from a niche online descriptor—coined onomatopoeically for the sharp, palm-muted guitar chug—into a recognized genre in music journalism, with publications documenting its rise as a distinct progressive metal offshoot.^[17] This formal acknowledgment, around 2011, reflected its growing influence through influential releases and tours by key acts, solidifying its place in the metal taxonomy despite ongoing debates about its boundaries.^[22]

Musical Characteristics

Guitar Techniques and Riffing

Djent guitar techniques revolve around the utilization of extended-range guitars, commonly 7- or 8-string instruments, tuned to low pitches such as drop A (A–E–A–D–G–B–E for a 7-string) or even lower, enabling the production of deep, resonant chugs that define the genre's heavy, mechanical timbre.^[4] This low-end emphasis allows guitarists to explore subsonic frequencies while maintaining clarity in riffing, distinguishing djent from traditional metal tunings like standard E.^[23] Central to achieving the percussive "djent" sound is the palm-muting technique, where the edge of the picking hand rests lightly on the strings over the bridge pickup to mute unwanted resonance, combined with staccato picking for sharp, articulated notes.^[4] Down-picking predominates in these applications, providing a consistent, aggressive attack that enhances the riff's tightness and groove, often requiring rigorous practice to sustain precision across complex patterns.^[24] Riff construction in djent emphasizes power chords—root-fifth dyads played on adjacent strings—for their simplicity and punch, frequently incorporating dissonant intervals like the tritone or augmented fourth to add tension and harmonic ambiguity.^[25] These elements form the basis of groove-oriented, syncopated structures that prioritize rhythmic displacement and interlocking accents over rapid scalar runs, fostering a hypnotic, propulsive quality in the music.^[26]

Rhythm and Structure

Djent rhythms are defined by the integration of polyrhythms and odd time signatures, such as 7/8 or 5/4 layered over a foundational 4/4, which generate tension through conflicting metric layers and release upon resolution.^[27] This approach draws from polymetric techniques that recast metal's rhythmic foundation, employing large-scale odd-meter cycles to disrupt listener expectations and create intricate temporal frameworks.^[28] In djent-style progressive metal, these elements contribute to a sense of controlled chaos, where overlapping pulses foster a hypnotic yet disorienting pulse. Syncopation plays a central role in djent's groove-based structures, accentuating off-beats to blend the precision of math metal with a palpable heaviness that remains accessible.^[27] This rhythmic displacement enhances the genre's technical depth, allowing for dynamic variations that maintain forward momentum while emphasizing percussive drive. The result is a hybrid feel that prioritizes interlocking patterns over straightforward pulse, evoking both intellectual rigor and visceral impact. Djent song forms frequently diverge from traditional verse-chorus paradigms, favoring extended compositions built around breakdowns and riff layering to build intensity through accumulation.^[29] Breakdowns serve as pivotal moments of convergence, where layered riffs converge into slower, heavier sections that amplify structural tension before transitioning to more fluid developments.^[27] This organization emphasizes modular riff construction, enabling seamless extensions and variations that prioritize rhythmic evolution over linear narrative.

Instrumentation and Production

Djent ensembles typically feature extended-range guitars, often seven- or eight-string models tuned to low registers like drop A or B standard, which enable the genre's signature chugging riffs and polyrhythmic complexity.^[4] Bass guitars mirror this setup with extended-range instruments to reinforce the subsonic frequencies, while drums emphasize double bass patterns for propulsive grooves that underpin the intricate rhythms.^[30] Vocals alternate between growled or screamed deliveries for aggression and clean, melodic lines for atmospheric contrast, creating dynamic shifts within tracks.^[3] Production in djent prioritizes a dense, aggressive sonic palette achieved through high-gain amplification, which saturates the signal for the characteristic palm-muted attack and sustain.^[31] Heavy compression is applied across guitars, bass, and drums to tighten transients and ensure every element punches through the mix, while EQ sculpts the low-end for authoritative thump—often boosting around 80-120 Hz on bass and kick—without muddiness, and carving mids (300-500 Hz) for riff clarity amid layered guitars.^[32] This approach maintains separation in complex arrangements, enhancing the percussive quality of polyrhythms. Digital amp modelers, such as those from Fractal Audio (e.g., Axe-Fx series), play a pivotal role in djent production by simulating high-gain tones with precise control over gain staging, cab simulation, and effects, allowing for a massive "wall of sound" via multi-layered DI tracking without the inconsistencies of traditional analog setups.^[4] These tools facilitate home and studio recording by providing consistent, editable tones that blend seamlessly in the digital domain, often bypassing tube amp warmth in favor of sterile precision suited to the genre's mechanical edge.^[30]

History

Precursors and Early Influences

The roots of djent lie in the progressive metal and mathcore movements of the 1990s, where musicians pushed boundaries with intricate rhythms, unconventional time signatures, and heavily distorted, low-tuned guitar work. Swedish band Meshuggah emerged as a pivotal force in this evolution, transitioning from thrash-influenced origins to a signature sound defined by mechanical precision and rhythmic complexity. Their 1995 album Destroy Erase Improve marked a breakthrough, featuring downtuned eight-string guitars and polyrhythmic patterns that emphasized groove over traditional speed, laying essential groundwork for djent's core aesthetics.^[33]^[34] Meshuggah further refined these innovations on their 1998 release Chaosphere, intensifying the use of odd-meter riffs and syncopated drumming to create a disorienting yet hypnotic intensity that influenced subsequent extreme metal subgenres. Heralded as progenitors of djent, the band's approach to rhythm as a structural element—treating it like a mathematical puzzle—directly inspired the genre's emphasis on technical groove and tonal aggression.^[35]^[34] In the late 1990s, bands like the UK's SikTh and Canada's Strapping Young Lad amplified these ideas, introducing greater polyrhythmic complexity and groove-oriented heaviness within mathcore and extreme metal frameworks. SikTh, formed in 1999, blended chaotic vocal interplay with angular riffs and shifting meters, exerting a substantial influence on the progressive elements that would coalesce into djent.^[36]^[37] Similarly, Strapping Young Lad's aggressive, wall-of-sound production and polyrhythmic guitar work under Devin Townsend's direction contributed to the fusion of industrial-like precision with metal intensity, rippling into djent's development.^[38] Broader precursors include the technical death metal of Cynic, whose 1993 debut Focus integrated jazz fusion's harmonic sophistication and improvisational flair into brutal riffing, providing a template for djent's blend of virtuosity and extremity. This merged with industrial metal's mechanical rhythms and synthetic textures from the era, emphasizing programmed-like groove and sonic density as foundational to djent's rhythmic innovations.^[39]^[37]

Emergence in the 2000s

The term "djent" originated in the early 1990s within Meshuggah, when guitarist Fredrik Thordendal used it onomatopoeically to describe the band's palm-muted, low-pitched guitar chug. It gained widespread recognition in the mid-2000s as an onomatopoeic descriptor for the distinctive palm-muted, low-pitched guitar chug, popularized by guitarist Misha Mansoor during online discussions on the SevenString.org forum, where he shared home-recorded demos inspired by Meshuggah's polyrhythmic style. These forums became central to the genre's grassroots popularization, allowing musicians to exchange techniques, riffs, and production tips among extended-range guitar enthusiasts, fostering a burgeoning online community around the sound's mechanical, staccato aesthetic. Building on precursors from the 1990s like Meshuggah's earlier albums, this digital exchange marked the shift from isolated experimentation to collective scene-building.^[40] A pivotal catalyst arrived with Swedish band Meshuggah's sixth studio album, ObZen, released on March 7, 2008, in Europe and March 11 in North America, which amplified the djent sound's visibility through its unrelenting polyrhythms and eight-string guitar aggression, inspiring a wave of imitators and elevating the style beyond niche circles.^[41] The album's tracks, such as "Bleed," exemplified the intricate, groove-oriented riffing that defined the emerging genre, drawing increased attention from international metal audiences and solidifying Meshuggah's role as inadvertent architects.^[42] In the United States, the djent scene gained momentum through bands like Periphery, formed in 2005 by Misha Mansoor in Washington, D.C., who leveraged platforms such as MySpace and early YouTube uploads to distribute demo tracks, amassing a dedicated following via viral sharing among prog-metal fans.^[43] Periphery's self-released EPs, including Periphery I (2008) and Periphery II (2010), showcased the fusion of djent riffs with progressive structures and clean vocals, helping to establish a transatlantic "djent scene" that emphasized technical proficiency and home production.^[40] A significant evolution occurred with the release of Animals as Leaders' self-titled instrumental debut on April 28, 2009, via Prosthetic Records, which highlighted virtuosic, non-vocal djent through guitarist Tosin Abasi's thumping techniques and Javier Reyes' complementary riffing, diverging from vocal-driven acts to prioritize jazz-infused complexity and melody.^[44] The album's tracks, like "Tennyson," demonstrated a refined, exploratory approach to the genre's core tonality, influencing subsequent instrumental projects and broadening djent's appeal in progressive circles.^[45]

Evolution Post-2010

Following the initial surge of djent in the late 2000s, the genre began incorporating more melodic and progressive elements in the 2010s, moving beyond its rhythmic core toward atmospheric and structurally complex compositions. TesseracT's 2013 album Altered State exemplified this shift, blending polyrhythmic djent riffs with ethereal atmospheres, reverb-laden high-note guitars, and harmonious vocals that emphasized dynamic transitions and melodic depth over pure heaviness.^[46] This evolution integrated influences from post-metal, creating expansive, moody soundscapes that prioritized ambiance and progression. Similarly, Periphery’s 2023 release Periphery V: Djent Is Not a Genre further diversified the style, fusing djent grooves with pop, jazz, orchestral arrangements, and hyper-dynamic structures, signaling a deliberate expansion into broader progressive metal territories.^[47] By the mid-2010s, djent spawned substyles that hybridized it with other extreme metal forms, particularly "core-djent" variants incorporating deathcore's aggression and breakdowns. Rivers of Nihil, for instance, softened their early deathcore and djent-infused progressive death metal on albums like The Work (2021), layering technical riffs with atmospheric interludes and thematic cohesion around seasonal cycles.^[48] In the 2020s, electronic infusions became prominent, with acts like The Algorithm and Mechina merging djent's palm-muted chugs and odd-time signatures with synth-heavy production, glitchy beats, and cybernetic textures to create hybrid electronic-metal soundscapes.^[49] As of November 2025, djent maintains a foothold in mainstream metal festivals, such as Download Festival 2025, with lineups featuring Green Day, Sleep Token, and Korn. In 2025, Rivers of Nihil released a self-titled album on May 30, continuing to blend djent elements with progressive death metal.^[50] However, critiques of oversaturation persist, with observers noting the genre's proliferation of similar-sounding acts has led to perceptions of it as a fad bordering on outdated since the early 2020s.^[51] Despite this, djent continues to evolve through streaming platforms, where algorithmic recommendations and independent releases enable ongoing experimentation and cross-genre fusions.^[52]

Notable Artists and Bands

Pioneers

Meshuggah, formed in 1987 in Umeå, Sweden, are widely regarded as the core innovators of djent, with their complex polyrhythmic structures and low-tuned, palm-muted guitar riffs laying the foundational elements of the genre.^[53] Guitarist Fredrik Thordendal's distinctive riffing style, characterized by staccato, down-tuned chugs and intricate odd-time signatures, became a hallmark that influenced the djent sound.^[54] The term "djent" itself originated from Thordendal imitating the sharp, metallic guitar tone with the onomatopoeic sound "djent" during a drunken conversation after a show with Tim Stevenson, founder of the Tandjent Forum.^[55] Their 2008 album obZen, released on Nuclear Blast Records, exemplifies this innovation through tracks like "Bleed," which feature relentless, machine-like drumming and interlocking guitar patterns that pushed technical metal boundaries.^[56] Periphery emerged as a pivotal force in djent's early development, largely through the efforts of guitarist and founder Misha Mansoor, who popularized the term and scene via online platforms in the late 2000s.^[57] Mansoor, initially posting home-recorded demos on forums like The Chop Shop under the alias Bulb, described his clips as "djenty" in a tongue-in-cheek manner, which fans quickly adopted to denote the genre's signature palm-muted, low-string riffing.^[57] These demos, shared starting around 2006, garnered a cult following and helped coalesce the online djent community, bridging Meshuggah's heaviness with more melodic prog elements.^[58] Periphery's self-titled debut album, released in 2010 on Sumerian Records and entirely written, programmed, produced, and mixed by Mansoor, served as a blueprint for the genre, blending extended-range guitars, clean vocals, and progressive song structures in tracks like "Icarus Lives!"^[58] Animals as Leaders marked a significant evolution in djent as instrumental pioneers, emphasizing virtuosic guitar work without vocals to highlight technical prowess.^[53] Led by guitarist Tosin Abasi, formerly of Reflux, the project originated as his solo outlet encouraged by Prosthetic Records, focusing on innovative extended-range playing.^[59] Abasi's techniques, including two-handed tapping for fluid arpeggios and hybrid picking—which combines pick and fingers for enhanced speed and articulation—defined the band's intricate, math-rock-infused sound.^[60]^[61] Their self-titled debut album, released in 2009 on Prosthetic Records, showcased these elements through compositions like "Tempting Time," establishing an all-instrumental template that expanded djent's possibilities beyond vocal-driven aggression.^[53] These pioneers' early works collectively shaped djent's core aesthetics, influencing subsequent acts in the progressive metal landscape.^[57]

Contemporary and Derivative Acts

Tesseract, a UK-based band formed in 2007, emerged in the 2010s as a key act expanding djent through intricate progressive structures blended with post-hardcore dynamics, evident in their 2013 album Altered State, which layers atmospheric cleans and aggressive breakdowns over signature low-end riffs.^[62] Similarly, U.S. band Volumes, hailing from Los Angeles and active since 2009, incorporated djent's polyrhythmic grooves with post-hardcore melodies and occasional rap-infused vocal deliveries on their 2011 debut Via, as heard in tracks like "Affair of the Heart," marking an early hybridization that broadened the genre's appeal beyond pure instrumentalism.^[63] Building on the foundational techniques of djent pioneers, these acts from the early 2010s introduced more emotive vocal interplay and thematic depth, fostering a more accessible sound for broader audiences. By the late 2010s and into the 2020s, djent's international footprint grew, with U.S. instrumental outfit Polyphia—formed in 2010—fusing the subgenre's precise riffing with progressive metal, hip-hop beats, and jazz-like improvisation, as showcased on their 2018 album New Levels New Devils, where virtuosic guitar work drives tracks without relying on vocals.^[64] In the UK, Liverpool's Loathe, established in 2014, pioneered shoegaze-djent hybrids by the 2020s, blending hazy, reverb-drenched atmospheres with djent's mechanical rhythms and black metal intensity on their 2020 album I Let It In and It Took Everything, creating immersive, genre-defying soundscapes that evoke Deftones while grounding in heavy, down-tuned distortion.^[65] These developments highlighted djent's adaptability across borders, attracting diverse influences from North America and Europe. Derivative scenes like "djentcore" further evolved the style in the 2020s, with Canadian band Spiritbox—formed in 2017—merging djent's syncopated chugs and breakdowns with nu-metal aggression, electronic synth layers, and progressive metalcore hooks on their 2021 debut Eternal Blue, which earned a Juno Award nomination for Metal/Hard Music Album of the Year, followed by their second album Tsunami Sea in 2025, and propelled the band's crossover success.^[66]^[67] This fusion, exemplified in tracks like "Holy Roller," exemplifies how contemporary acts have revitalized djent by integrating pop-oriented production and atmospheric electronics, influencing a new wave of hybrid metal.^[68]

Reception and Influence

Critical Reception

Djent has received praise from music critics for its innovative approach to progressive metal, particularly highlighting the technical prowess and rhythmic complexity that distinguish it from traditional heavy metal subgenres. Outlets like Metal Hammer have praised bands such as Periphery for being "consistently a cut above the rest" in progressive metal, emphasizing their boundary-pushing experimentation in albums like Periphery V: Djent Is Not a Genre (2023), which blends heavy riffs with atmospheric and synth elements to create a dynamic soundscape.^[69] Similarly, Premier Guitar has described Periphery as "prog-metal pioneers" who raise the bar for the style through alchemic ambition and genre-defying ambition.^[70] However, the genre has faced criticisms, especially during the 2010s, for its perceived formulaic repetition and overly polished production, which some reviewers argued led to oversaturation and a loss of emotional depth. The Guardian noted in a 2011 profile that djent's elastic, syncopated riffs appealed primarily to a niche of "metal geeks," implying limited broader resonance, while a 2022 review of Meshuggah, key influencers in the style, critiqued their "machine-like precision" as potentially tiring and mechanical.^[17]^[71] VICE went further in 2014, decrying the subgenre's proliferation as unleashing a "revolting freak" upon metal, born from misguided attempts to blend metalcore with technical elements, resulting in homogenized aesthetics often derided as "bro-metal" for their association with gym-centric, superficial heaviness.^[72] By the mid-2020s, critical opinions had evolved toward greater recognition of djent as a matured subgenre, with academic analyses framing it within broader metal discourses. The Cambridge Companion to Metal Music (2023) dedicates a chapter to "Djent and the Aesthetics of Post-Digital Metal," exploring its development through musical, technological, and environmental lenses, positioning it as a significant evolution in post-digital heavy music rather than a fleeting trend.^[22] This shift underscores a growing appreciation for djent's contributions to progressive metal's technical and sonic innovations.

Cultural and Broader Impact

Djent has cultivated a vibrant fan community primarily through online platforms, where enthusiasts connect to discuss the genre's technical aspects and share resources for self-produced music. These digital spaces have been instrumental in the genre's grassroots growth since the early 2010s, enabling fans to experiment with home recording setups tailored to djent's low-tuned guitars and polyrhythmic structures. For instance, forums dedicated to audio production often feature threads on achieving the signature "djent" tone using accessible software and gear, empowering amateur musicians to create professional-sounding tracks without major label support.^[73]^[17] The genre's influence extends to cross-genre fusions, particularly in EDM-metal hybrids, as seen in Bring Me the Horizon's post-2015 output, which integrates electronic production with heavy riffs and breakdowns reminiscent of djent's rhythmic complexity. Albums like amo (2019) exemplify this blend, incorporating synth-driven elements and drop-tuned guitars to bridge metalcore's aggression with dance music's accessibility, broadening djent's appeal to wider audiences. Additionally, djent-inspired elements have permeated video game soundtracks, notably in Doom Eternal (2020), where composer Mick Gordon employs syncopated, palm-muted guitar riffs and industrial electronics to evoke the genre's mechanical intensity during gameplay.^[74]^[75]^[76] Beyond Western markets, djent has achieved global reach by inspiring non-Western metal scenes, particularly in Japan, where bands like Crystal Lake incorporate its polyrhythms and extended-range guitar techniques into local J-rock and metalcore frameworks. By the 2020s, such acts have blended djent's precision with anime-influenced aesthetics and high-energy performances, contributing to a burgeoning progressive metal subculture that adapts the style to cultural contexts like intense live shows and thematic storytelling. This adoption highlights djent's versatility in fostering international innovation within heavy music.^[77]

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Tomas Haake Weighs in on Djent Godfathers' Classic Albums
Jul 13, 2022 · Formed in Umeå, Sweden, in 1987, Meshuggah started as young thrash enthusiasts with a mild jazz-fusion streak, but by the mid-Nineties they were ...
[34]
15 Great Bands That Sound Totally Different From Their Debut Albums
Mar 21, 2022 · Meshuggah - Contradictions Collapse Today, they're heralded as the progenitors of djent and recognized as one of the most singular bands in ...
[35]
Fan Poll: Top 5 Meshuggah Songs - Revolver Magazine
Feb 2, 2022 · ... influential on the legions of bands who'd call themselves djent in the decade that followed. Crucially, “Straws Pulled at Random” not only ...
[36]
Sikth come out of the shadows - Louder Sound
Nov 10, 2015 · After all, the djent genre – a movement to which Sikth's ... Sikth's huge influence on modern metal goes far beyond their own music…
[37]
10 essential tech metal albums - Louder Sound
Jun 1, 2020 · Prog metal/djent pioneers Periphery have spent the better part of a decade influencing a whole host of rising and established acts, as well ...
[38]
The Faceless: Autotheism - Louder Sound
Rating 4.0 · Review by Amit SharmaOct 16, 2012 · They took elements of Opeth, Cynic, Death and Strapping Young Lad to spawn a sound of their very own, sending ripples across the deathcore and ...
[39]
The 20 greatest prog metal bands of all time - Louder Sound
Nov 5, 2022 · 18. Cynic. In 1993, Florida's Cynic released their debut album through Roadrunner: a time, place and label obsessed with death metal. Focus was ...
[40]
Misha Mansoor, Jake Bowen, Plini and Jakub Zytecki go deep on ...
Dec 12, 2019 · Misha Mansoor, Jake Bowen, Plini and Jakub Zytecki go deep on gear, technique and the future of djent ; Read more · Australian guitarist Plini ...
[41]
Meshuggah Showed Djent Bands True Brutality With 'obZen'
Mar 9, 2018 · Meshuggah Showed the Djent Bands the Meaning of Brutal With 'obZen' ... By 2002, Meshuggah had smashed their way out of the metal underground.
[42]
Why I Love Meshuggah's 'obZen' - Revolver Magazine
Mar 6, 2018 · We definitely wear our Meshuggah influences on our sleeves, and they had a profound impact on us at this time.
[43]
Misha Mansoor of Periphery interview, July 2012 - PlanetMosh
Jul 24, 2012 · When and how did Periphery form? I formed Periphery in 2005 after dropping out of school to pursue my dream and start a band. I went home, got a ...
[44]
Animals as Leaders: A Different Breed - Premier Guitar
Jan 10, 2012 · Many got their first introduction to Abasi's virtuosic style on Animals as Leaders' self-titled 2009 debut, which garnered intense praise from ...
[45]
Animals As Leaders: Leading The Pack - Distorted Sound Magazine -
May 7, 2022 · Their history is a rich one. The band's 2009 self-titled starting gun put the instrumental djent lords leaps and bounds ahead of their ...
[46]
Album Review: TESSERACT Altered State - Metal Injection
Their djent sound is one of the major driving forces in their trademark sound and on this album as well. And just as in any self-respective progressive album, ...
[47]
Periphery - "Periphery V: Djent Is Not A Genre" - Everything Is Noise
Mar 9, 2023 · Periphery V: Djent is Not A Genre is Periphery's most fearless foray yet, diving into metal, pop, jazz, orchestral music and more.
[48]
Rivers of Nihil - The Work Review | Angry Metal Guy
Sep 20, 2021 · Following Kronos' law of increasing hippietude, Rivers of Nihil have slowly softened their deathcore- and djent- influenced progressive death ...
[49]
Top artists of Electronic Djent music genre - Chosic
Popular electronic djent Songs ; floating point. The Algorithm ; Cryoshock (feat. Mel Rose). Mechina ; The Only Thing They Fear Is You. Anup Sastry ; Rip & Tear.Missing: acts | Show results with:acts
[50]
22 New Bands for Download Festival 2025 : Opeth, Myles Kennedy ...
Feb 19, 2025 · Download Festival 2025 just announced the second wave of ... Parrhesia Tour : Djent Heavyweights Animals As Leaders Gear Up for India.<|separator|>
[51]
Opinion: Is DJent over? - Soundsphere magazine
Sep 26, 2020 · Is Djent just a fad and is near its life expectancy? Is the once favoured heavy alternative genre over, and now seemly outdated, ...
[52]
Metal in the Post-2010s: Evolution, Resilience, and the Future
Aug 30, 2025 · By the mid-2010s metalcore and djent dominated US festivals, with bands like Periphery and Animals as Leaders pushing technical boundaries ...
[53]
How Animals As Leaders are challenging the foundations of prog
Nov 30, 2016 · Their 2009 self-titled debut album was a de facto Abasi solo project, but since then the band has evolved, and Abasi says the music on The ...
[54]
MESHUGGAH's MÅRTEN HAGSTRÖM Explains The Drunken ...
Yes, the oft debated—sometimes heatedly—sound of djent has been a hot topic; and no one contests its origins in Meshuggah. But in a new interview with guitarist ...Missing: origin | Show results with:origin
[55]
Inside 'obZen': How Meshuggah Pushed Themselves to the Limit to ...
Apr 1, 2008 · Meshuggah, 2008 ... It took Haake nearly five months to nail the machine-gun burst kicks on “Bleed,” and Hagstrom and guitarist Fredrik Thordendal ...
[56]
PERIPHERY's Misha Mansoor: 10 essential DJENT albums
Apr 10, 2023 · The upbeat and thoughtful Mansoor gave Revolver his picks for the 10 essential djent albums that make up this genre ... that is not a genre.Missing: 2010 | Show results with:2010
[57]
Misha Mansoor: Periphery Founder & Guitarist - Produce Like A Pro
Apr 29, 2021 · The sound was perfected on Periphery's self-titled debut album from 2010, which he wrote, programmed, produced and mixed all by himself. Besides ...Missing: origins | Show results with:origins
[58]
Animals as Leaders : Pioneers of Djent and Progressive Metal
Encouraged by Prosthetic Records to create a solo album, Abasi crafted what would become the self-titled debut in 2009. The album was a revelation ...
[59]
Selective picking: learn Tosin Abasi's groundbreaking technique
Feb 2, 2024 · First pick two notes, then hammer-on two notes, starting the string with a fretting-hand tap. Example 2 combines fretting-hand tapping with ...
[60]
https://www.guitarworld.com/lessons/tosin-abasi-guitar-technique-workshop
[61]
TesseracT: Altered State - Louder Sound
Rating 4.5 · Review by Dom LawsonMay 29, 2013 · TesseracT in 2010. When TesseracT introduced themselves and explained the djent movement · UK prog metal band TesseracT. TesseracT announce new ...
[62]
Album Review: Volumes - Different Animals - New Noise Magazine
Jun 22, 2017 · Via featured too many chugs and too little melody, while No Sleep was haphazard in its mixture of pit-starters and djent slow jams. The ...
[63]
Polyphia Are Giving Prog Metal A Much Needed Kick In The Ass
Apr 16, 2019 · Stage banter is rarely any instrumental band's strong suit, but bassist Clay Gober does his best to rile up the crowd, inviting fans to crowd ...
[64]
The 50 best albums of 2020 in alternative, pop punk, metal and ...
Dec 7, 2020 · LOATHE. From a distance, it may seem like an elegant network connecting hardcore, shoegaze, black metal and djent like little dots on a map.
[65]
Grammy-nominated Metal Band Spiritbox and Jann Arden ...
Nov 22, 2024 · Spiritbox broke through in 2021 with their Juno-nominated debut studio album Eternal Blue, which hit #1 on the Billboard Canadian rock and hard ...Missing: djentcore nu- electronic merge
[66]
See Spiritbox Crush "Holy Roller" With Lorna Shore's Will Ramos
Mar 22, 2022 · Less than a year ago, Lorna Shore's animalistic frontman Will Ramos posted a studio cover of Spiritbox's crushing djent-core banger, "Holy ...
[67]
Periphery V: Djent Is Not A Genre album review - Louder Sound
Rating 4.0 · Review by Adam BrennanMar 8, 2023 · Tech metal pioneers Periphery continue to push boundaries with their seventh album V: Djent Is Not A Genre.Missing: critical | Show results with:critical
[68]
Prog-Metal Pioneers Periphery Raise the Bar for Djent - Premier Guitar
Sep 14, 2023 · Prog-metal disruptors Periphery are making a bit of a tongue-in-cheek statement with the title of their latest record: Periphery V: Djent Is Not a Genre.
[69]
Meshuggah review – mechanical Swedish metallers in need of ...
May 30, 2022 · Effectively summoning moods of burning heat and freezing cold, the djent pioneers' machine-like precision can be tiring.Missing: repetition bro-
[70]
It's Time for Djent to Djie - VICE
Oct 8, 2014 · Djent is what happens after years of trolls tell metalcore kids in YouTube comment sections they should listen to “real metal.”
[71]
Recording Djent/Metalcore and the gear to do it - Gearspace
Apr 24, 2021 · My advice there would be to purchase a good amp, a nice mic, and experiment with getting the best recording.
[72]
Bring Me The Horizon Releases Heavily EDM-Infused Album, amo
Jan 25, 2019 · The English quintet just released an album titled amo that derives significant influence from contemporary electronic music. Plenty of the ...
[73]
After a Genre-Defining Classic, They Shocked Fans by (Mostly ...
Sep 10, 2025 · Released in 2013, "Sempiternal" was a culmination of BMTH's metalcore sound, with strong influences from nu metal, electronica, pop, and ambient ...
[74]
If you needed reminding that Doom Eternal has the most metal ...
Feb 15, 2023 · If you needed reminding that Doom Eternal has the most metal game soundtrack ever, the man behind it has just posted this ripper of a video.
[75]
5 Japanese bands to look out for in 2018 - Louder Sound
Mar 12, 2018 · Who else is about to break out of Japan and into the wider metal world? Here are five bands you should check out immediately.