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The Cats

The Cats were a Dutch pop-rock band formed in the fishing town of in 1964, best known for their harmonious, English-language ballads and as pioneers of the Palingsound genre, a melodic style originating from Volendam artists. Comprising lead vocalists and guitarists (born March 1, 1943) and Cees Veerman (born October 6, 1943; died 2014), bassist (born January 28, 1944), guitarist and pianist Jaap Schilder (born January 9, 1943), and drummer Theo Klouwer (1947–2001), the band evolved from two local duos that merged in the mid-1960s. They rose to prominence in the late , achieving five number-one singles in the , including "" (1968), "Marian" (1970), and "One Way Wind" (1971), alongside thirteen gold albums and one platinum certification in their home country. Their 1971 single "One Way Wind" became their biggest international success, topping charts in the and while selling over a million copies across , solidifying their status as one of the most commercially successful acts of the era. The group was particularly popular in the Netherlands and Germany, releasing over a dozen studio albums and maintaining a string of Top 10 hits through the 1970s, such as "Why" (1972), "Be My Day" (1974), and "Marian" (1972). After disbanding in 1985 following lineup changes and solo pursuits—most notably Piet Veerman's hit "Sailin' Home" (1987)—the surviving members (without Klouwer, who died in 2001) briefly reunited in 2006 to record two new songs, marking the end of their recording career. The Cats' legacy endures through tribute acts and their influence on subsequent Volendam musicians, with their music continuing to be performed and streamed widely as of 2025.

Formation and Early Years

Origins in Volendam

, a small in , emerged as a significant hub for Dutch pop music during the , largely due to its tight-knit community and cultural heritage tied to the local fishing industry. The village's musical scene was characterized by amateur groups and duos performing in community halls and local events, fostering a distinctive sound known as "palingsound"—a style of featuring close harmonies and melodic arrangements, often evoking ' influence. This genre drew from the area's seafaring traditions, with artists frequently incorporating themes of home and nostalgia, and it became synonymous with Volendam's output, influencing subsequent bands like BZN. In the early 1960s, the music scene was vibrant with young locals forming groups inspired by 'n' roll and . Cees Veerman and began as a skiffle duo, performing simple acoustic sets that evolved into more structured , while cousins and Jaap Schilder operated another duo modeled after the harmonious style, occasionally known in local circles by playful names reflecting their energetic performances. These acts honed their skills at informal gatherings and village venues, building a foundation for collaborative efforts amid the fishing community's emphasis on communal activities. The palingsound aesthetic solidified through these early endeavors, with Volendam's isolation from major urban centers like encouraging a self-contained scene where heritage intertwined with —evidenced by traditions like bands bringing local eels to radio appearances as a nod to their roots. In 1964, these duos merged to form the initial band, setting the stage for formal band formations under names like The Mystic Four and later The Blue Cats, though their initial outings remained rooted in Volendam's grassroots performances that prioritized vocal blend over instrumental complexity.

Initial Lineup and First Recordings

The band was formed in 1964 in when two pre-existing duos merged, initially named The Mystic Four, later changing to The Blue Cats in 1965, and finally to The Cats in 1966, adding drummer Theo Klouwer to complete the quintet. This step formalized their transition from earlier incarnations like The Mystic Four and The Blue Cats, setting the stage for their professional career in the music scene. The original lineup consisted of Cees Veerman (vocals and guitar, 1943–2014), his cousin Piet Veerman (vocals and guitar, born 1943), Jaap Schilder (guitar and piano, born 1943), Arnold Mühren (bass, born 1944), and Theo Klouwer (drums, 1947–2001). Cees and Piet handled lead vocals interchangeably in the early days, with the group's harmonies becoming a signature element rooted in their shared Volendam background. In 1966, the band signed with Imperial Records, a subsidiary of Bovema, and released their debut single under the label: "What a Crazy Life" backed with "Hopeless Try." This release captured their initial sound, which blended upbeat beat rhythms with folk-inspired melodies, drawing from the local Palingsound tradition of accessible, harmony-driven pop. Earlier singles under Durlaphone in 1965, such as "Ave Maria no Morro" / "A Fool Never Learns," had been recorded prior to the name change but laid groundwork for their evolving style. The group supported these efforts with initial performances on regional tours across the Netherlands, performing at local clubs and venues to cultivate a grassroots audience.

Rise to Fame

Breakthrough Hits in the Late 1960s

The Cats achieved their initial commercial breakthrough in the with the 1968 single "Times Were When," which peaked at number 2 on the chart. This was followed by "," which peaked at number 1 on the chart and remained on the chart for 18 weeks. This melancholic , dedicated to a fan who had died in a car accident, marked the band's first major national hit and established their harmonious, emotive style. The success of "Lea" propelled The Cats into the spotlight, signaling the start of their rise as a prominent act in the Dutch pop scene. Accompanying this single was the band's second studio album, Cats, released in 1968 on Imperial Records, which featured a -rock sound characterized by acoustic instrumentation, close-knit vocal harmonies, and introspective lyrics. The album captured the group's early influences from American and beat music, providing a cohesive introduction to their songcraft and setting the stage for subsequent releases. The momentum continued into 1969 with a string of successful singles that solidified their domestic popularity. "Why?," penned by bassist , topped the for one week and charted for 12 weeks overall. Later that year, "Scarlet Ribbons" reached number 2, entering the Top 10 and exemplifying their ability to adapt traditional tunes into accessible pop arrangements. "Marian" followed suit, achieving number 1 status and further demonstrating the band's knack for crafting relatable, heartfelt ballads. These tracks not only drove strong sales in the but also earned The Cats their first national television appearances on Dutch programs, enhancing their visibility among a broadening . To capitalize on this wave of success, The Cats embarked on tours across the in and , performing their emerging hits to enthusiastic crowds and cultivating a dedicated fanbase throughout the region. These live shows, often in intimate venues and regional halls, helped transform their chart achievements into a tangible cultural presence, laying the groundwork for sustained popularity in the area.

International Expansion in the Early 1970s

Following their breakthrough domestic hits in the late , The Cats began to achieve significant international recognition in the early , particularly through the release of their single "One Way Wind" in July 1971. Written by band member , the song became a major export hit, peaking at number 3 on the charts and remaining on the chart for 14 weeks. Internationally, it topped the charts for 17 weeks starting in May 1972, reached number 4 in , and entered the top 5 in Belgium's region for 12 weeks. The track's widespread appeal was underscored by its release in multiple European markets, including versions adapted for local audiences, such as a German-language rendition. The commercial impact of "One Way Wind" was substantial, contributing to over 1 million copies sold across and establishing The Cats as a viable act beyond the . This success facilitated label arrangements for international distribution, including partnerships with for releases across , which helped amplify their visibility. The single's performance not only solidified their presence in key markets like , , and but also paved the way for broader European exposure, with chart entries in neighboring countries reflecting growing demand. To capitalize on this momentum, The Cats embarked on extensive tours from 1971 to 1973, extending their reach to overseas territories and . They performed in and the , where the song's inspiration reportedly emerged during travels, and undertook a notable tour of in 1971, documented in footage from shows. Additional performances took place in and , aligning with the single's chart runs and drawing large audiences to support their rising profile. The 1972 album Signed by the Cats, released on Records with international variants through partners like , further propelled their export achievements. Featuring tracks like "Trying to Explain" and "The End of the Show," the album reinforced their melodic pop style and contributed to sustained sales abroad, particularly in and , where it complemented the momentum from "One Way Wind" and helped cement their status as an international draw in the early .

Peak Success and Evolution

Major Albums and Tours

During their commercial peak in the mid-1970s, The Cats released several key albums that solidified their status as one of the ' leading pop acts. The 1974 album Love in Your Eyes, issued by , showcased the band's evolving sound with melodic pop arrangements and became a chart-topping success, reaching number one on the Dutch album charts and spending 12 weeks there. The record featured tracks like "Be My Day" and highlighted their ability to blend heartfelt lyrics with orchestral elements, contributing to their widespread appeal in . The band's live performances during this era expanded to major venues, reflecting their growing international profile. In 1974, they headlined a concert at the Ahoy , a large-scale arena that hosted thousands and exemplified their ability to draw substantial crowds in their home country. From 1974 to 1976, The Cats focused on European tours, building on their breakthroughs in markets like and performing to diverse audiences amid their peak popularity. These outings, often featuring hits from recent albums, helped cement their status beyond the , with select releases achieving sales exceeding 500,000 units in key markets.

Internal Changes and Challenges

During the mid-1970s, The Cats experienced significant internal shifts as the demands of their success began to strain the band's dynamics. In 1975, co-founder and lead vocalist Cees Veerman temporarily left the group due to persistent voice problems exacerbated by an intense touring schedule. This departure highlighted the physical toll of their activities, which, while boosting their profile in markets like , disrupted group cohesion and forced adjustments in performance roles. Veerman was replaced for approximately one year by , a former roadie who had joined as second guitarist in 1974, allowing the band to maintain operations amid the uncertainty. Creative tensions emerged between Veerman brothers Cees and Piet, particularly over vocal responsibilities and musical direction, as Piet increasingly handled lead vocals, altering the band's harmonic texture to a more dramatic style. These differences contributed to a brief split attempt in 1976, when Cees pursued a solo career with the release of his album Another Side of Me, signaling potential permanent dissolution. However, the band reconciled temporarily, reuniting for further recordings, though the episode underscored growing frustrations from the pressures of fame and travel. The international recording of their 1974 album Love in Your Eyes at Larrabee Sound Studios in , for instance, represented an ambitious push toward a polished sound. From 1975 to 1977, The Cats experimented with pop ballads and festive material, releasing the holiday We Wish You a Merry Christmas in 1975, followed by Homerun in 1976, which leaned into sentimental, orchestral arrangements and reached number 13 on the charts. This period marked a stylistic evolution toward more introspective and nostalgic themes, culminating in the 1977 release Like the Old Days, an that reflected on their earlier sound amid ongoing tensions and served as a bridge to stability before further disruptions. The album's title evoked a return to roots, yet it was produced under the shadow of unresolved challenges, including the earlier announced in May 1974 that the group ultimately postponed.

Disbandment and Reunions

Breakup in the 1980s

Following their initial disbandment at the end of the 1970s, The Cats reformed in 1982 for a brief period of activity. The band released the album Third Life in 1983, which included tracks such as "Rosie" and "Stay in My Life," marking a short-lived return to recording. In 1985, lead singer Piet Veerman departed the group to focus on his solo endeavors, effectively ending the band's lineup as it had been known. This led to a Cees Veerman-led version of the band that persisted only until later that year, culminating in the release of their final album, Flyin' High, and the single "She's So In Love" on April 1, 1985. The group's last live performance took place on August 28, 1985, at Café De Vriendschap in 't Veld, , closing out their active era amid ongoing challenges from earlier decades.

Revivals and Later Activities

Following the band's initial disbandment, surviving members reunited briefly in 2006, recording two new songs, "The Best Years Of My Life" and "Those Were The Days," for inclusion on the compilation album Those Were The Days, which achieved gold status in the Netherlands. This one-off collaboration marked a nostalgic return but did not lead to sustained activity. In the 2010s, occasional performances occurred through projects like The Cats Aglow Band, featuring Piet Veerman and, until his death, Cees Veerman, including live shows such as a 2010 concert in Venlo where they performed hits like "One Way Wind." These sporadic events honored the band's legacy amid personal losses, with no full reunions of the original lineup possible after the passing of key members. Tragically, the group faced significant losses in the early 2000s and 2010s. Drummer Theo Klouwer died on February 8, 2001, in at age 53, succumbing to heart failure following complications from a liver transplant. Guitarist and co-vocalist Cees Veerman passed away on March 15, 2014, at age 70, dying peacefully in his sleep while in , . These deaths, combined with earlier departures, prevented further complete reunions. On March 23, 2006, the surviving members—, Jaap Schilder, and —were honored as Members of the by the Dutch monarchy for their contributions to . In recognition of their enduring impact, The Cats received the Lifetime Achievement Award on February 16, 2025, at the Volendams Museum in , initiated by pop journalist Martin Reitsma on behalf of 100 supporting musicians and presented by Mell Jonk, granddaughter of ; the award was accepted by surviving members , Jaap Schilder, and . As of 2025, these members remain active in tribute and commemorative efforts, with occasionally performing solo renditions of Cats songs, while Jaap Schilder and participate in legacy events. No full band reunion has occurred since the due to the irreplaceable losses. Tribute acts, such as the Tribute to the Cats Band from , continue to tour extensively, with scheduled performances throughout 2025, including dates in March, November, and December across Dutch venues like and .

Musical Style and Legacy

Genre Characteristics

The Cats' music exemplified the Palingsound genre, a style originating from that blended melodic with close-harmony vocals and acoustic elements for a polished, radio-friendly sound. This approach featured gentle , including clean-toned electric and 12-string guitars, light percussion, and warm keyboards, often layered with sentimental, nostalgic lyrics delivered in tight two- to four-part harmonies using diatonic progressions like I–V–vi–IV in major keys. Their sound drew from mid-1960s and British-American pop influences, creating mid-tempo grooves around 85–110 that emphasized emotional storytelling over aggressive rhythms. The band's style evolved from upbeat beat-driven tracks, such as their early covers and originals with rhythmic guitar riffs, to more ballad-heavy compositions in the 1970s that prioritized lush vocal arrangements and bittersweet melodies. This shift reflected broader Nederpop trends, with The Cats transitioning to softer, harmony-focused that appealed to international audiences, as seen in hits like "" (1968) and "One Way Wind" (1971). Central to this development was bassist , who served as the band's primary songwriter, composing key tracks including "," "Marian," and "One Way Wind," which formed the core of their chart successes. Lyrically, The Cats frequently used English for broader appeal while incorporating occasional Dutch phrases, enhancing their accessible, romantic themes. In production, they employed multi-tracking techniques to achieve their signature layered vocals, adding depth to choruses without overpowering the melodic structure, a method common in Volendam's recording during the . The "eel sound" nickname for Palingsound stemmed from Volendam's heritage, where smoked (paling) were a local staple, tying the genre's smooth, flowing quality to the town's . This distinctive style positioned The Cats alongside European contemporaries like Middle of the Road, sharing an emphasis on harmonious pop with easy-listening appeal.

Cultural Impact and Influence

The Cats played a pivotal role as pioneers of palingsound, the distinctive pop-rock style originating from that blended melodic hooks with folk-infused harmonies, laying the foundation for a lineage of local artists including Jan Smit, whose career echoed the band's accessible, heartfelt sound. Their commercial success underscored this impact, establishing them as one of the ' earliest international pop exports. This achievement highlighted their contribution to the Dutch music boom, where acts like The Cats helped elevate Nederpop beyond national borders through hits charting in multiple European countries. The band's legacy endures particularly in , where "One Way Wind" sold over a million copies and topped regional charts, fostering a lasting that keeps their music in rotation on radio and at events decades later. Covers by prominent artists, such as Demis Roussos's rendition of "One Way Wind" in , further amplified their influence, introducing the songs to new generations while preserving the original's emotional resonance. Media portrayals, including the 1983 Veronica documentary The Story of The Cats, have chronicled their rise, emphasizing their role in shaping Volendam's musical identity and pop history. In 2025, tribute events underscore this ongoing cultural relevance, with performances by drawing packed audiences, such as the sold-out dinner show at Hotel Zuiderduin on January 17 and December 6, reflecting sustained fan devotion and the timeless appeal of their catalog.

Members and Solo Careers

Core Members

The core members of The Cats, a Dutch pop-rock band formed in Volendam in 1964, consisted of five musicians all hailing from that fishing village in , where tight-knit family and community ties influenced their harmonious sound. The lineup included brothers and Cees Veerman on vocals and guitar, Jaap Schilder on guitar and piano, on bass, and Theo Klouwer on drums, establishing the group's classic configuration from 1966 onward. Their collaborative roles emphasized vocal interplay, melodic songwriting, and steady instrumentation, contributing to the band's success in the and during the late 1960s and 1970s. Piet Veerman, born on 1 March 1943 in , served as the band's primary lead vocalist and rhythm guitarist, delivering the emotive, clear-toned deliveries that became synonymous with The Cats' hits. As the younger brother of co-founder Cees, Piet's role evolved to front the group after , often sharing vocal duties in their signature close harmonies inspired by acts like . His contributions helped shape the band's accessible, folk-inflected pop style, with his voice anchoring tracks that blended English lyrics with universal appeal. Cees Veerman, born on 6 October 1943 in Volendam and passing away on 15 March 2014, was a co-founder, lead vocalist, guitarist, and occasional percussionist who helped initiate the band from its early days as a skiffle and folk outfit. Alongside his brother Piet, Cees provided the stacked vocal harmonies that defined The Cats' lush, layered sound, drawing comparisons to British harmony groups while rooting it in Volendam's local music tradition. His songwriting and arrangement input further solidified the band's early identity before health issues led to his reduced involvement in later years. Jaap Schilder, born on 9 January 1943 in , handled guitar and piano duties, adding melodic textures and keyboard fills that enriched the band's arrangements. As a cousin to , Schilder brought familial synergy to the group, contributing to their shift from covers to original material through his instrumental support on albums like The Cats (1967). His versatile playing underpinned the pop sensibilities that propelled singles such as "Times Were When" to chart success. Arnold Mühren, born on 28 January 1944 in , played and emerged as the band's chief songwriter, penning several of their biggest hits including the 1971 international smash "One Way Wind," which showcased his knack for wistful, hook-driven ballads. Mühren's compositions often featured simple yet evocative structures, blending and pop elements that resonated widely in , with "One Way Wind" alone selling millions and becoming a staple of music heritage. His lines provided a steady, melodic foundation, complementing the vocal front line and elevating the group's songcraft. Theo Klouwer, born on 30 June 1947 in and deceased on 8 February 2001 in , joined as in 1966 and remained a member until the band's disbandment in 1985, delivering the rhythmic drive that anchored The Cats' live performances and studio recordings during their breakthrough era.) His solid, unobtrusive drumming formed the backbone of the band's polished sound, supporting dynamic shifts in songs like "" and enabling the Veermans' harmonies to shine without overpowering the mix. Klouwer's tenure coincided with the group's most commercially active period, contributing to over a dozen albums and tours that solidified their status as 's premier export.

Post-Band Pursuits

Following the band's final disbandment in 1985, lead singer established a prominent solo career, releasing multiple albums and achieving commercial success with the single "Sailin' Home," which reached number one on the chart in 1987. This track, a cover of a Yugoslavian song adapted with new lyrics, marked a significant milestone in his post-Cats endeavors and was featured on his self-titled third solo album. Veerman continued issuing studio albums throughout the late 1980s and 1990s, including Cry of Freedom (1988) and (1990), often blending pop and easy-listening styles reflective of his earlier work. Cees Veerman, the band's co-founder, lead vocalist, and guitarist, had ventured into solo territory prior to the split with his 1976 album Another Side of Me, which included the single "Sailor, Sail On (Dreamer, Dream On).") He passed away in his sleep on 15 March 2014 in , , at the age of 70. Guitarist Jaap Schilder also explored solo output around the same pre-split period with his 1976 album Stay Ashore. In the years after 1985, bassist contributed to various music projects and remained engaged with the band's legacy, participating in 2024 interviews where he reflected on The Cats' history and compositions during promotional events for theater productions like The Story of The Cats. Both Mühren and Schilder occasionally took on session work for other artists, supporting recordings in the pop and folk genres. No major band reunions have taken place since Cees Veerman's death in 2014, though individual members like have sustained live performances into the 2020s. As of 2025, at age 82, Veerman continues to be active, with recent compilations such as the 2020 Top 40: Piet Veerman collection highlighting his enduring solo catalog.

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