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The In Between

The In Between is a directed by Arie Posin and written by Marc Klein, starring and as the leads in a story about young love tested by tragedy and the . The film is based on Klein's 2021 novel of the same name, which he wrote alongside the screenplay, drawing inspiration from personal experiences of loss. The narrative centers on , a teenager who has endured a childhood marked by instability in and harbors deep distrust toward others, until she forms a profound connection with Skylar, a compassionate newcomer to her life. Following a devastating accident, Tessa awakens in the hospital under the belief that she has died, only to grapple with visions and signs she interprets as attempts by Skylar—who perished in the crash—to reach her from beyond while she remains in a . The story blends elements of romance, suspense, and phenomena to explore themes of , , and the enduring . In addition to King and Allen, the cast includes notable supporting performances by Kim Dickens as Tessa's foster mother, John Ortiz as a family friend, and Reid Miller in a key role. Production was handled by , with the film shot primarily in , Georgia, to capture its atmospheric tone blending everyday realism with ethereal visuals. The In Between was released exclusively on Paramount+ on February 11, 2022, later becoming available on internationally on April 8, 2022. It garnered mixed , with praise for the emotional authenticity of the central romance and the young leads' chemistry, but criticism for its formulaic tropes and occasional pacing issues. On , the film holds a 64% approval rating from critics based on 11 reviews, alongside a 77% audience score (as of November 2025).

Synopsis

Plot Summary

After surviving a devastating car accident that claims the life of her boyfriend Skylar, high school student Tessa undergoes emergency for a ruptured heart and awakens in the hospital to the devastating news of his death. The film intercuts flashbacks of their budding romance, where the aspiring photographer Tessa and athlete Skylar share tender moments, including late-night drives and promises of forever, building the foundation of their deep bond before the tragedy. Devastated by , Tessa struggles to cope in her adoptive home with parents Mel and Vickie, withdrawing from friends and school while haunted by memories. Encouraged by Vickie, she reluctantly attends a , where she feels isolated among others differently but begins opening up to her best friend about her lingering connection to Skylar. occurrences soon intensify: lights flicker inexplicably in her room, objects like a move on their own, and she glimpses Skylar's in reflections and hears faint whispers of his voice calling her name. These signs convince Tessa that Skylar is reaching out from the , prompting her to research phenomena. She meets , a woman in the hospital who shares her and introduces the concept of "the in-between"—a brief window post-death when spirits can communicate with the living. As delves deeper, she discovers a hidden letter from Skylar tucked in his , penned before the , in which he expresses his eternal love and urges her to embrace life if anything happens to him. Convinced these events are messages, she experiments with rituals like playing their favorite song to summon responses, experiencing visions of Skylar in a liminal space between worlds, with support from . Her research leads her to consult online forums and books on near-death experiences, reinforcing her belief in Skylar's unfinished business. The supernatural escalations peak when Tessa suffers a cardiac episode triggered by stress, collapsing and being rushed to where she flatlines during . In this near- state, she enters the in-between realm, reuniting with Skylar in a ethereal version of their crash site; they share a poignant embrace, and Skylar reveals he was trapped trying to save her, but now implores her to return to life, affirming their transcends . Revived by doctors, Tessa awakens with renewed clarity. In the resolution, she honors Skylar's memory by pursuing her passion and finding peace in the belief that their connection endures beyond the physical world.

Themes and Motifs

The film The In Between explores central themes of and the stages of , as protagonist navigates , , and eventual following the tragic loss of her boyfriend Skylar in a car accident. This process is intertwined with the blurred line between , where Tessa's visions and encounters challenge the boundaries of reality and the . Young love's transcendence is depicted as a force that persists beyond physical separation, emphasizing emotional connection as a bridge across realms. Additionally, the narrative contrasts toward the —embodied by Tessa's initial doubt—with growing belief, highlighting personal transformation through inexplicable experiences. Recurring motifs reinforce these ideas, with symbolizing transition and emotional flux, evident in the rain-slicked roads during the fateful and intimate scenes that evoke vulnerability and renewal. and shadows serve as representations of the , where ethereal glows illuminate Skylar's apparitions amid encroaching darkness that mirrors Tessa's . Recurring dreams function as portals to , allowing to relive moments with Skylar and confront unresolved feelings in a dreamlike . A unique concept in the film is the portrayal of the "in between" as a space for unresolved emotions, where characters linger to process loss before moving forward, evoking the ambiguity of near-death experiences without delving into clinical parallels. This ties into the genre's blend of romance and , using elements to critique modern in digital-age relationships, where physical absence amplifies emotional disconnection yet underscores enduring power.

Cast and Characters

Principal Cast

Joey King portrays , the central grieving protagonist who survives a tragic and begins seeking signs from her deceased boyfriend in the . At the age of 22 during filming in 2021, King leveraged her established background in romantic dramas, notably her lead role as in the trilogy (2018–2021), to infuse Tessa's character with emotional depth and vulnerability. Kyle Allen plays Skylar, Tessa's boyfriend whose death drives the story's supernatural elements. Allen was 26 years old at the time of production, marking a significant step in his rising career following his breakout supporting role as Balkan, a member of the Jets gang, in Steven Spielberg's 2021 remake of . To authentically depict Skylar's athletic persona and the physical demands of key scenes, including those involving the accident, Allen underwent intensive physical training, focusing on as part of his character's rower identity for nearly four months. King's preparation for the role emphasized emotional authenticity, allowing her to deliver a nuanced performance centered on Tessa's internal struggle without relying on overt supernatural tropes. Allen complemented this by building on-set chemistry with King, ensuring their portrayals of the central romance felt genuine and heartfelt.

Supporting Cast

Kim Dickens portrays Vickie, Tessa's foster mother, providing a grounding presence in the story. Dickens is known for her roles in television series such as Deadwood (2004–2006) and Fear the Walking Dead (2015–2018). John Ortiz plays Mel, a family friend who offers support to Tessa. Ortiz has appeared in films like American Gangster (2007) and Fast & Furious (2009), and series including Luck (2011–2012). Celeste O'Connor portrays Shannon, a friend of Tessa. O'Connor gained recognition for her role as MJ in Spider-Man: No Way Home (2021). Other supporting roles include Donna Biscoe as Doris and April Parker Jones as Jasmine. Casting decisions prioritized performers with experience in dramatic and emotional roles to enhance the film's themes of grief and connection.

Production

Development and Writing

The project for The In Between originated from an original idea by screenwriter Marc Klein, who adapted it into both a young adult novel and the film's screenplay. In February 2019, Poppy, an imprint of Little, Brown and Company, acquired the rights to Klein's debut novel The In Between, described as a supernatural love story in dual timelines about a teenage girl grappling with loss after a car accident. The novel, which draws on post-Twilight trends in young adult paranormal romance by blending grief, first love, and supernatural elements similar to works like If I Stay and Five Feet Apart, was published on June 1, 2021. Development on the film adaptation began earlier, entering active status in August 2018 under Paramount Players. Klein penned the , developing it over roughly two years alongside the , with a focus on emotional authenticity and the psychological process of rather than elements or scares. Drawing from his personal experiences at age 17, including the sudden death of an ex-girlfriend in a car accident, Klein emphasized themes of , , and , stating that the story explores "how we deal with " and "how we move on, and how we don’t move on." Arie Posin collaborated closely with Klein during this period, helping to flesh out the overall concept for both the book and script to heighten its romantic and introspective tone. Posin, known for his work in dramatic features like (2005) and The Face of Love (2013), was officially attached to direct in early 2021. Key pre-production decisions included setting a modest of $10 million, tailored for streaming release to prioritize character-driven storytelling over high-effects spectacle. The project was greenlit as a original movie on February 24, 2021, alongside announcements for other genre films like a sequel and prequel, positioning The In Between as part of Paramount's push into supernatural content for the platform. This timeline aligned with the ongoing , during which the script's themes of isolation and emotional disconnection resonated with contemporary experiences, though commenced shortly after the greenlight.

Filming and Locations

Principal photography for The In Between commenced on March 23, 2021, and wrapped on May 13, 2021, primarily in , including Tybee Island near Savannah, , , and other locations, with some scenes in , , and the production operating under stringent protocols that restricted crew size to minimize health risks on set. Interiors for the high school and hospital scenes were filmed at soundstages, while the pivotal car accident exterior was shot on rural roads to capture authentic Georgia landscapes. The production emphasized practical effects for supernatural elements, including wind machines to simulate ethereal visions and apparitions, which added tangible intensity to the otherworldly sequences without relying heavily on digital augmentation during principal photography. Night shoots presented logistical challenges, particularly for the film's more emotionally charged confrontations, requiring extended hours under artificial lighting to maintain continuity and actor performance. Filming encountered unique hurdles, such as weather delays that impacted the rain-soaked sequences essential to the narrative's tone, forcing rescheduling to avoid compromising the visuals. For the crash recreation, extensive safety measures were implemented, including coordination by professional teams to choreograph the high-risk action while prioritizing cast and crew protection in line with industry standards.

Post-Production

The post-production phase of The In Between involved refining the raw footage captured during in and , to create a cohesive romance narrative. Editor assembled the film, resulting in a final of 116 minutes that emphasized the story's emotional core of and otherworldly connection. Visual effects work focused on subtle enhancements for the film's paranormal elements, including ethereal representations of afterlife visions through CGI overlays on key sequences. The VFX team, supervised by Thomas Tannenberger and including compositor Eric Kim, integrated these effects to blend seamlessly with practical footage, such as glows and spectral apparitions during dream-like encounters. Ron Barr contributed to the overall visual effects pipeline, ensuring the supernatural aspects supported the realistic tone of the car accident reconstruction without overpowering the human drama. Sound design incorporated layered audio to heighten tension in transitional scenes between reality and the , with the final mix completed ahead of the February 2022 . The original score, composed by J.J. Pfeifer, featured atmospheric motifs that underscored themes of loss and longing, using minimalist instrumentation to evoke echoing, introspective moods during pivotal emotional beats. With a of $10 million, allocated resources to these technical elements while addressing the challenge of harmonizing grounded accident visuals with overlays, resulting in a polished release for Paramount+.

Release

Premiere and Distribution

The In Between premiered exclusively on Paramount+ in the United States on February 11, 2022, bypassing a traditional theatrical release in favor of a direct-to-streaming model. Distribution was managed by , with the film made available as a Paramount+ original in the U.S. market. Internationally, acquired the rights and began releasing the film starting March 25, 2022, in select regions, with a wider rollout on April 8, 2022, in most markets, reaching audiences in over 190 countries where the platform operates, including dubbed and subtitled versions in multiple languages to accommodate global viewers. Key rollout events included the debut of an official trailer and on , 2022, accompanied by virtual press screenings in late January to build anticipation ahead of the launch. The film was featured prominently in Paramount+'s February 2022 lineup of original content, alongside other new releases on the platform. At launch, no physical media options were available, though a digital purchase and rental release followed later on September 27, 2022, via Paramount Home Entertainment.

Marketing and Promotion

The marketing campaign for The In Between was spearheaded by Paramount+ to generate buzz for its exclusive streaming premiere, focusing on the film's blend of romance, mystery, and supernatural themes to appeal to a young adult audience. The official trailer debuted on January 12, 2022, showcasing protagonist Tessa's emotional journey after a tragic loss and her connection to a boy who may be reaching from beyond, distributed across YouTube and social media platforms. Key promotional efforts centered on lead actress , who conducted interviews on outlets like and during a New York City press day visiting multiple talk shows in early February 2022, where she highlighted the film's inspirations from classics like and its exploration of grief and love. To enhance audience engagement, Paramount+ launched "The In Between: The Official Mixtape" on , a curated playlist featuring tracks that echo the movie's score and emotional tone, such as songs by and . The strategy emphasized digital outreach, including cast interviews shared on and to foster fan interaction ahead of the February 11 release, aligning with Paramount+'s broader push for original content targeting streaming subscribers.

Reception

Critical Response

The In Between received mixed reviews from critics upon its release. On , the film holds a 64% approval rating based on 11 critic reviews. The site's consensus describes it as a teen romantic tragedy that "aims to up the ante on a familiar with grander artistic aspirations, more sophisticated characters, and elements." On Metacritic, the film lacks a weighted Metascore due to fewer than four reviews but features individual critic scores including 50/100 from Variety, 42/100 from IndieWire, and 20/100 from The New York Times. It has an average user rating of 5.9/10 on IMDb, based on 11,727 votes. Critics frequently praised Joey King's emotional performance as the grieving protagonist Tessa, noting her chemistry with co-star Kyle Allen in conveying the tenderness of their romance. The film's atmospheric cinematography was highlighted for capturing the haze of grief through its visual style and flashback sequences, effectively blending romance with supernatural elements. For instance, Variety described the leads as making "an appealing couple" in a supernatural romance pitched at adolescents. However, many reviews criticized the film for relying on clichéd plot tropes and predictable twists that lack originality, often comparing it to , , and Twilight. Supporting characters were seen as underdeveloped, with the narrative suffering from baffling choices like a misplaced PG-13 sex scene and a patronizing, sugar-coated ending that undermined the story's tragic tone. IndieWire called it "(Another) 'Ghost' Ripoff for Gen Z," emphasizing its formulaic nature despite King's charms. The New York Times critiqued the depiction of a "pedantic girl in a supernatural world who's willing to die for her boyfriend," likening it to Twilight. Specific reviews underscored this divide: deemed it a "tearjerker with ghostly charm" but faulted the finale as feeling like a cheat. Common Sense Media rated it 3/5, appreciating the exploration of love and loss but noting its tragic teen romance elements may feel heavy for younger viewers. These assessments, primarily from 2022, have not seen major reevaluations in subsequent years, with reception metrics remaining stable as of November 2025.

Audience and Commercial Performance

"The In Between" garnered a generally positive response from audiences, earning a 77% audience score on based on over 250 ratings, reflecting appreciation for its heartfelt exploration of and young . Viewer comments frequently praised the film's emotional depth, with many highlighting scenes that evoked strong feelings of loss and connection, such as one reviewer stating it "made me laugh and cry" while commending its blend of and romance. On , particularly , users shared personal reactions to the movie's themes of bereavement and the , creating short videos that analyzed its elements and relatability for teens dealing with similar emotions; these posts contributed to organic discussions and trends around processing in YA storytelling. Polls and informal surveys among younger viewers, including those on platforms like , gave high marks for the film's relatability to adolescent experiences of and , though it scored lower on perceptions of originality. As a Paramount+ original released directly to streaming on February 11, 2022, the film bypassed traditional earnings but aligned with the platform's focus on YA-targeted content, demonstrating strong viewer retention within that demographic through sustained engagement post-release. Specific global streaming metrics are limited, but its expansion to internationally in April 2022 broadened accessibility, supporting moderate commercial viability via licensing deals rather than theatrical revenue. Following its debut, "The In Between" cultivated a minor in 2023 online fan communities, where enthusiasts debated interpretations of its theories and character arcs, though interest remained niche without notable spikes in 2024 or 2025. In contrast to critical aggregates averaging around 64% on , audience metrics underscored its appeal as an emotionally resonant entry in the romance for everyday viewers.

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