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The Moog Cookbook

The Moog Cookbook is an American electronic music duo formed in the 1990s by keyboardists Roger Joseph Manning Jr. (as Meco Eno) and Brian Kehew (as Uli Nomi), renowned for their instrumental covers of rock and alternative songs performed using vintage analog synthesizers, particularly Moog models, in a style evoking the space-age pop and lounge sounds of the 1960s and 1970s. The project's name derives from Moog's Musical Eatery: A Cookbook for Carefree Entertaining, a 1978 publication by Shirleigh Moog, the first wife of synthesizer pioneer , which featured recipes alongside contributions from musicians like and . Manning, formerly of the power pop bands and Imperial Drag, and Kehew, an engineer and producer who worked with acts like , met in when Manning responded to Kehew's classified ad selling vintage keyboards; their mutual passion for analog synths and early electronic music, including Wendy Carlos's Switched-On Bach, inspired the concept of reinterpreting contemporary rock tracks through instrumentation as a playful counterpoint to the dominant sound of the era. The duo's self-titled debut album, released in 1996 on the indie label Restless Records, included Moog renditions of hits like Nirvana's "Smells Like Teen Spirit," Soundgarden's "Rusty Cage," and Pearl Jam's "Porch," earning critical acclaim for its innovative fusion of modern rock with retro synth textures; it was even used in a University of California, Berkeley synthesizer course as an example of "how not to play the synth." Their follow-up, Ye Olde Space Bande Plays the Classic Rock Hits (1997), shifted to classic rock covers such as Steppenwolf's "Born to Be Wild" and Lynyrd Skynyrd's "Sweet Home Alabama," featuring guest contributions from Devo's Mark Mothersbaugh and MC5's Wayne Kramer, and received praise from artists including Tom Petty and Weezer for revitalizing interest in analog synthesis. Though primarily a 1990s endeavor, The Moog Cookbook continued sporadically with later releases like the rarities compilation Bartell (2005) and the holiday-themed Xmas Recipes (Y Mas) (2014), while Manning and Kehew pursued individual careers—Manning in collaborations with Beck and Air, and Kehew in analog preservation projects—cementing the duo's legacy in sparking the analog synth revival of the late 1990s and early 2000s.

History

Formation

The Moog Cookbook was formed in in 1995 by Roger Manning Jr. and Brian Kehew, shortly after the breakup of Manning's band . Manning, seeking new creative outlets following Jellyfish's dissolution in 1994, connected with Kehew through a classified ad in , a for secondhand goods; Kehew was selling an keyboard, and the two bonded immediately over their shared interest in vintage gear during an in-person meeting at Kehew's apartment. Conceived as a , the duo's initial motivation centered on experimenting with analog synthesizers at a time when production tools were dominating the music landscape, allowing them to acquire affordable vintage equipment like s and ARPs that had fallen out of favor amid the and eras. Inspired by the novelty Moog records of the and —which reinterpreted popular songs using early synthesizers—they aimed to update the concept by covering contemporary hits in a purely , synthesizer-driven style, emphasizing the organic warmth and unpredictability of analog sounds over precision. The project quickly gained traction, leading to a signing with shortly after its inception. Early recording sessions took place in 1995 at Cal State Dominguez Hills' studio, where Manning and Kehew focused exclusively on cover versions—such as renditions of Green Day's "Basket Case" and Soundgarden's ""—to highlight the novelty of their all-analog approach rather than developing original material, resulting in syrupy, exaggerated arrangements that parodied modern hits through retro electronic lenses.

Early career

The Moog Cookbook, consisting of Roger Manning Jr. and Brian Kehew, released their self-titled debut album in 1996 on the label, featuring instrumental covers of prominent 1990s tracks such as Soundgarden's "" and Weezer's "," all reimagined using vintage synthesizers like and ARPs to evoke a retro space-age aesthetic. The project originated as a creative outlet amid the guitar-dominated era, with the duo drawing inspiration from 1960s novelty records to blend humor and technical prowess. In 1997, they followed with Ye Olde Space Bande Plays the Classic Rock Hits, shifting focus to covers of 1970s staples like Steppenwolf's "Born to Be Wild" and Led Zeppelin's "Whole Lotta Love," again rendered exclusively on analog synthesizers including organs and Optigans, with guest contributions from of on a Van Halen track. This release maintained the project's playful parody of electronic reinterpretations while expanding to influences. Promotional efforts included a live performance on , where Manning and Kehew appeared in full space regalia to showcase their arrangements, helping to build a despite the niche format. The albums garnered positive responses from artists like and , and tracks were used in radio promos and videos by bands such as and , though public reception often grappled with the blend of comedy and musicianship. The project faced challenges from its novelty-driven approach, achieving modest underground success and stronger sales overseas but struggling commercially in the U.S. due to limited mainstream appeal for synthesizer covers without original material. By 1998, Manning and Kehew disbanded the Moog Cookbook, citing financial unviability and insufficient demand to pursue originals, as the duo shifted to other session and production work.

Hiatus and reunions

Following the release of their second studio album, Ye Olde Space Bande, in 1997, The Moog Cookbook entered a period of hiatus lasting until 2004, during which Roger Manning Jr. and Brian Kehew focused on individual pursuits in music production, engineering, and performance, including Kehew's work as a touring keyboardist with Air and Manning's collaborations with Beck and Air. In 2004, Manning and Kehew briefly reunited to record the original track "Bob's Funk," which they contributed to the soundtrack for the documentary film Moog, directed by Hans Fjellestad and chronicling the life and innovations of synthesizer pioneer . The duo's next project came in 2005 with the independent release of Bartell, a featuring unreleased rarities, outtakes, remixes, and covers from their earlier sessions, issued on their own Cookbook Kitschen Records label. In December 2014, The Moog Cookbook released the limited-edition EP Xmas Recipes (Y Mas) digitally. As of 2025, the project has not released a full studio album since 1997 and has not undertaken any reported live performances following these sporadic reunions.

Members

Roger Manning Jr.

was born on May 27, 1966. He gained prominence as a and keyboardist in the power pop band , which he co-founded in 1989 and which remained active until its dissolution in 1994; the band's lush, orchestral arrangements and use of vintage keyboards during this period helped cultivate Manning's deep interest in synthesizers. In The Moog Cookbook, served as the primary keyboardist and arranger, performing under the Meco Eno alongside Kehew's Uli Nomi; he was responsible for the lead lines and innovative vocal effects that defined the project's retro-futuristic sound. The duo's concept of reinterpreting rock songs through s drew from 's enthusiasm, allowing him to explore analog instrumentation in a playful, experimental context. Manning co-supervised production on both of the project's main albums, The Moog Cookbook (1996) and Ye Olde Space Bande Plays the Classic Rock Hits (1997), ensuring a meticulous focus on vintage equipment for their cover versions. He played a key role in track selection, favoring songs with strong melodies adaptable to instrumental synth arrangements, such as Soundgarden's "" on the debut album, which he chose for its evocative structure that lent itself to a bossa nova-inflected reinterpretation. Following The Moog Cookbook, Manning continued his synthesizer-focused work through notable collaborations, including contributions to the French electronic Air's album 10 000 Hz Legend (2001), where he provided keyboards and vocals on several tracks. He also served as a longtime in Beck's backing from the late 1990s onward, contributing to live performances and recordings that highlighted his expertise in blending synthesizers with arrangements, including their 2025 orchestral tour.

Brian Kehew

Brian Kehew, born September 22, 1964, is an American and enthusiast known for his expertise in techniques. He earned a B.A. magna cum laude in Audio Recording and Music Synthesis from in 1987. Kehew has amassed a significant collection of vintage equipment and archival materials, including a framed 1967 Moog catalog and hundreds of pages of Moog-related paperwork, reflecting his deep passion for early history. In 1995, Kehew co-founded The Moog Cookbook with Roger Manning Jr. after connecting through a classified ad for vintage instruments. Performing under the pseudonym Uli Nomi, he served as the project's lead engineer and , with a primary focus on and analog effects to recreate rock covers using only vintage synthesizers. Kehew engineered the distinctive Moog-heavy production across the duo's albums, emphasizing authentic analog textures and effects. He also contributed to track arrangements. Following The Moog Cookbook, Kehew collaborated with Devo's Mark Mothersbaugh at Mutato Muzika on synthesizer programming and production. He provided synthesizer programming for Dave Grohl's Foo Fighters sessions, integrating vintage analog elements into modern rock recordings. Additionally, Kehew has contributed to synthesizer history through his role as Archives Historian for the Bob Moog Foundation and co-authorship of Recording the Beatles (2006), which examines studio techniques including early electronic instrumentation used by the band. As of 2025, he continues in this role with the Foundation and provides backstage blogs for The Who's tours.

Musical style

Concept and influences

The Moog Cookbook was conceived as an all-covers project that served as both a parody and a tribute to the novelty Moog synthesizer records of the late 1960s and early 1970s, eschewing original compositions entirely to preserve the retro purity of the format. The duo aimed to revive the instrumental trend of that era, where artists repurposed classical or popular pieces on analog synthesizers, by applying the same approach to contemporary material in a deliberately cheesy, exaggerated style. This concept emerged from a shared passion for vintage gear, with the project positioned as a "1969 Moog album of the modern day" to update the genre for 1990s listeners. Key influences included pioneering Moog albums such as Wendy Carlos's (1968), which popularized the synthesizer through Bach interpretations, and similar works like Carlos's Switched-On Bacharach, alongside early demonstrations by himself. Additional inspirations drew from synth-heavy artists like , Kraftwerk, and niche recordings such as Neil Young's and George Harrison's , which highlighted the instrument's experimental potential. The project sought to homage these sources by recasting them through a lens of ironic , emphasizing the Moog's warm, analog tones without modern digital interventions. Song selection focused on popular rock tracks ripe for subversion, prioritizing those with strong, memorable melodies that could withstand "bastardization" via syrupy, over-the-top synth arrangements. The debut album targeted hits from bands like Nirvana and , transforming their intensity into lighthearted, saccharine interpretations to "sugar-coat" the masculine edge of the originals. For the follow-up, the process shifted to staples from acts like , Led Zeppelin, and The Who, broadening the scope while maintaining the core homage. Thematically, the project evolved from a modern, alt-rock-centric on the first album to a more expansive, retro-futuristic vibe on the second, incorporating "spacey" elements like and influences to evoke a broader cosmic whimsy. This progression allowed the duo to explore varied stylistic parodies while staying true to the vintage aesthetic, ensuring each release felt like a distinct chapter in their tribute to history.

Instrumentation and production

The Moog Cookbook's sound was built exclusively around analog synthesizers, centering on instruments such as the and modular systems, supplemented by other vintage models including synthesizers. This approach ensured a purely palette, avoiding guitars, drums, or conventional band elements to reinterpret songs through blips, bloops, and oscillating tones. Production emphasized multi-tracking of these synthesizers to simulate full band arrangements, layering bass lines, melodies, and rhythmic elements from a limited setup of keyboards. Recordings took place in home studios during the mid-1990s, relying entirely on analog gear without digital plugins or processing to preserve an organic, unpolished quality reminiscent of electronic experiments. Sessions incorporated live between Roger Manning Jr. and Brian Kehew, capturing spontaneous interactions to generate the project's characteristic "blips and bloops" and unpredictable textures. This technical framework paid brief homage to 1960s records by prioritizing raw analog warmth over modern precision, evoking the era's pioneering synth novelty albums.

Discography

Studio albums

The Moog Cookbook released two studio albums on in the late , both consisting of instrumental cover versions performed exclusively on analog synthesizers. Their self-titled debut, The Moog Cookbook, arrived in 1996 and features 10 tracks reinterpreting songs from the era, such as "Smells Like Teen Spirit" and "Heart-Shaped Box" by Nirvana. The album showcases the duo's playful approach to transforming and pop-rock hits into lounge-like electronic arrangements. The follow-up, Ye Olde Space Bande Plays the Classic Rock Hits, was issued in 1997 with 10 tracks drawing from classic rock staples, including "Whole Lotta Love" by Led Zeppelin and "Roxanne" by The Police, emphasizing lush orchestral synth layers for a retro-futuristic sound. This release marked a shift from contemporary alternative covers to reinterpretations of 1960s and 1970s rock anthems. Both albums were originally available on CD and limited promotional pressings, reflecting their niche appeal within and retro music circles, with no major reissues since the original runs.

Other releases

In 2004, following a brief reunion, The Cookbook contributed the original track "Bob's Funk," a 5:11 described as a funky jam, to the Moog (Original Film Soundtrack) compilation for the documentary on synthesizer pioneer . The following year, the duo self-released Bartell on Cookbook Kitschen Records as a CD compilation featuring 19 tracks of assorted material, including Moog Cookbook remixes of songs by artists such as Shonen Knife ("Twist Barbie"), AIR ("Kelly Watch the Stars!"), and Klaus Nomi, alongside original covers and new recordings; the final five tracks comprise a holiday-themed EP with synth arrangements of classics like "Silent Night." In December 2014, The Moog Cookbook issued the digital-only EP Xmas Recipes (Y Mas) exclusively on as a limited-time release available for five days, containing five holiday-themed covers rendered in synthesizer style, including "." No additional full-length releases have appeared as of , though the project has sporadically contributed es to other artists' works, such as the Moog Cookbook remix of "To Live for What Once Was."

Reception

Critical response

The debut album The Moog Cookbook (1996) was critically acclaimed for its witty deconstruction of and hits through vintage synthesizers, offering a fresh and humorous take on covers such as Weezer's "" and Soundgarden's "." rated it 4 out of 5 stars, praising its entrancing electronic restructurings that transcended mere novelty. Lollipop Magazine hailed it as "the perfect soundtrack to your quadraphonic future-schlock dreams," emphasizing the sci-fi-inspired robotic vocals and cyberfunk elements that blended humor with musical creativity. Stereo Review lauded its "delicious nastiness" in taking "sacred-cow songs down a few pegs.") The record became an underground hit, appreciated for transforming angst into playful, retro-futuristic instrumentals. The follow-up Ye Olde Space Bande (1997), which escalated the concept by applying the same treatment to classic rock staples like Steppenwolf's "Born to Be Wild" and Kiss's "Rock and Roll All Night," received positive reviews but with less enthusiasm, often noted for its repetitive nature despite strong musicianship. awarded it 4 out of 5 stars, while PopEntertainment.com described the covers as enjoyable Kraftwerk-style reinterpretations that lose appeal toward the end. Ink 19 celebrated its "Moog-drag regalia" and creative synth breaks, calling it a fun project for those with a sense of musical humor. Later releases, including the 2005 rarities compilation Bartell, were praised by niche fans for their archival value, gathering remixes for artists like Air and Shonen Knife alongside out-of-print tracks. The limited-edition 2014 Christmas EP Xmas Recipes (y mas) generated enthusiastic online buzz for its surprise release and mellifluous synth holiday covers, delighting fans with the duo's signature whimsy. Overall, The Moog Cookbook's output earned cult classic status for its innovative parody of 1960s Moog novelty records, influencing the synth revival—much like pioneers Jean-Jacques Perrey and Gershon Kingsley—while remaining commercially overlooked despite critical love and contributions to acts like Daft Punk and Air.

Cultural impact

The Moog Cookbook significantly contributed to the revival of vintage synthesizers during the boom, when analog instruments were regaining popularity amid a guitar-dominated rock landscape. Formed in 1994 by Roger Manning Jr. and Brian Kehew, the duo reimagined contemporary hits—such as Nirvana's "" and Soundgarden's ""—exclusively using mid-20th-century gear, transforming them into retro-futuristic instrumental tracks that highlighted the synthesizers' warm, expressive tones. This approach not only paid homage to and novelty Moog albums but also helped reintroduce the technology to younger musicians experimenting with electronic sounds. Their efforts extended into the 2000s through appearances in media that amplified the 's cultural resurgence. In 2004, the duo recorded "Bob's Funk" for the soundtrack of Moog, which chronicled inventor Moog's life and legacy, featuring the track alongside contributions from artists like and . This exposure underscored the project's role in bridging historical analog experimentation with modern electronic music. Additionally, of the , a noted fan, commissioned a Muzak-style cover of "" by the Moog Cookbook for the 1997 "," illustrating a crossover between rock and synth aesthetics that broadened the instrument's appeal beyond niche circles. The Moog Cookbook influenced subsequent artists and projects by inspiring a wave of synth-based reinterpretations and fostering connections to mainstream synth-pop. Emerging just before Daft Punk's 1997 debut, the duo's space-age visuals and vintage Moog sound caught the attention of the French electronic pair, who visited them in a Los Angeles music store and shared mutual influences like Devo; Manning and Kehew later toured with Air—close associates of Daft Punk—and remixed the band's "Kelly Watch the Stars," blending novelty covers with sophisticated production techniques. These ties helped transition the project's playful concept from underground curiosity to a foundational element in the analog synth revival, paving the way for similar cover-oriented endeavors in electronic music. As of , The Moog Cookbook endures as a favorite among synth enthusiasts, with its albums maintaining steady streams on platforms like and , reflecting ongoing appreciation for its pioneering role in analog revival without recent large-scale reunions or commercial revamps.

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