The Real Testament
The Real Testament is the debut studio album by American rapper Plies, released on August 7, 2007, by Big Gates Records, Slip-n-Slide Records, and Atlantic Records.[1] The album features guest appearances from T-Pain, Akon, and Tank, and was primarily produced by Jonathan "J.R." Rotem, Drumma Boy, and others.[1] It includes 15 tracks, with the lead single "Shawty" featuring T-Pain peaking at number 9 on the US Billboard Hot 100 and number 2 on the Hot R&B/Hip-Hop Songs chart.[2] Upon release, The Real Testament debuted at number 2 on the US Billboard 200 chart, selling 96,000 copies in its first week.[3] The album's success was bolstered by Plies' prior mixtape buzz and the street anthem style of tracks like "I'm Da Man" and "100 Years," which emphasized themes of Southern hip-hop bravado and authenticity.[4] By 2008, it had sold 498,000 copies in the United States, and on April 8, 2019, it received platinum certification from the Recording Industry Association of America (RIAA) for shipments of one million units.[5][6] The project marked Plies' major-label breakthrough following his independent mixtapes under Big Gates Records, establishing him as a prominent voice in Florida's rap scene with explicit lyrics focused on street life, relationships, and hustling.[4] While critically mixed due to its raw, unpolished production, the album's commercial performance paved the way for Plies' subsequent releases, including Definition of Real (2008) and Da Realist (2008).[7]Background and recording
Development
Plies established Big Gates Records with his older brother and stepfather figure, Ronell "Big Gates" Levatte, in the late 1990s, providing an independent platform for his early music endeavors.[8] After signing to the South Florida-based Slip-n-Slide Records in 2004, he released four mixtapes that built significant regional buzz in the underground hip-hop scene.[9] This grassroots momentum led to a pivotal joint venture deal with Atlantic Records in 2006, positioning The Real Testament as his major-label debut under the imprints of Big Gates Records, Slip-n-Slide Records, and Atlantic Records.[9][1] The album's development, spanning 2006 to early 2007, drew heavily from Plies' street-oriented roots, shaped by the phenomenal underground presence he cultivated through mixtapes and live performances.[4] This foundation emphasized authentic, gritty narratives reflective of his Fort Myers upbringing and experiences in the Florida rap circuit. Key collaborations were integral to the project, including features from Akon on "Hypnotized," Tank on "You," and T-Pain on "Shawty," enhancing its commercial appeal amid his rising profile.[1]Recording and production
Recording sessions for The Real Testament primarily took place in Florida studios affiliated with Slip-n-Slide Records, including 4 Star Studios in Miami Beach, Circle House Studios in Miami, The Hit Factory-Criteria in Miami, Deep-Productions Studio in Tampa, and The Vault Studios in Miami, with supplementary work at Chalice Recording Studios and Paramount Recording Studios in Hollywood, California.[7] These sessions extended from mid-2006 into early 2007, aligning with the album's development following Plies' mixtape releases.[1] Key producers shaped the album's sound, with Jonathan "J.R." Rotem handling tracks like "Shawty" featuring T-Pain, where he performed and arranged all instruments to blend hip-hop beats with melodic hooks.[1] Akon produced "Hypnotized," contributing to its rhythmic, club-oriented vibe, while Drumma Boy collaborated on beats for "Worth Goin Fed Fo," incorporating heavy bass and trap-influenced percussion.[1] Midnight Black provided production for the opener "100 Years," emphasizing gritty, street-focused instrumentation, and other contributors like The Runners and Jay E added layered synths and samples across multiple tracks.[1] Plies adopted a raw, unpolished recording approach to maintain street authenticity, delivering vocals with minimal refinement to capture his distinctive gritty timbre.[10] This included strategic use of ad-libs and vocal layering to enhance energy without overproduction, preserving the album's direct, unfiltered hip-hop essence.[7] The production integrated R&B elements through featured artists, notably T-Pain's Auto-Tune-infused hook on "Shawty," which fused Plies' rap verses with smooth, melodic R&B crossover appeal.[1] This hip-hop/R&B hybrid resulted in an overall runtime of 57:27, balancing hard-edged tracks with accessible, radio-friendly moments.[7]Release and promotion
Singles
The lead single from The Real Testament, "Shawty" featuring T-Pain, was released on July 10, 2007.[11] Produced by Drumma Boy and Ensayne Wayne, the track samples "Fantasy" by Earth, Wind & Fire and blends crunk beats with T-Pain's Auto-Tune hook to celebrate an idealized romantic partner.[12] It peaked at number 9 on the Billboard Hot 100 chart and number 1 on the Hot Rap Songs chart.[13] The song earned Gold certification from the RIAA in 2008 and Platinum certification in 2016 for sales and streaming exceeding 1,000,000 units.[14] Its music video, directed by Edwin Decena, was filmed in Orlando, Florida, featuring cameo appearances by Rick Ross, Rich Boy, Lil Scrappy, and others in urban club and street scenes to emphasize the song's party vibe.[15] Following the album's release, the second single "Hypnotized" featuring Akon was issued on September 11, 2007. Produced by Akon under his Konvict Muzik banner, the track adopts a hypnotic, mid-tempo rhythm with Akon's melodic chorus complementing Plies' verses on infatuation and street life. It reached number 14 on the Billboard Hot 100 and number 3 on the Hot Rap Songs chart.[16] A remix version surfaced featuring Rick Ross, Flo Rida, and Webbie, altering the beat for a more layered ensemble flow while retaining the original's seductive theme. The song achieved Gold certification from the RIAA in 2016 for over 500,000 units sold and streamed.[17] The official music video portrays club environments and dance sequences, highlighting the track's trance-like appeal through neon-lit settings and group choreography.[18] The promotional rollout for these singles in 2007 leveraged Plies' prior mixtapes, such as 3000 Suits (2006), to generate underground momentum before mainstream breakthrough.[19] Heavy rotation on urban radio stations and in Southern clubs amplified their exposure, with "Shawty" dominating airplay lists and earning a win for Best Rap/R&B Collaboration at the 2007 Ozone Awards.[20] This strategy built significant first-week buzz for The Real Testament, influencing its strong commercial debut.[20]Packaging and editions
The Real Testament was released in standard edition on August 7, 2007, comprising 15 tracks and available in both explicit and clean versions on compact disc and digital download formats.[21][4][22] The album's original artwork features rapper Plies standing with arms crossed in a street setting, wearing a white tank top and gold chain against an urban backdrop.[1] Distribution was handled by Big Gates Records, Slip-n-Slide Records, and Atlantic Records.[23] Several retailer-specific and promotional editions included bonus content. The Best Buy exclusive added three bonus tracks—"Water," "Ain’t Slippin’," and "Got 'Em Hatin'"—expanding the tracklist to 18 songs.[24][25] The Target edition featured a bonus DVD with additional video content alongside the standard 15 tracks.[26] European and Canadian releases followed the standard configuration without noted bonuses, while U.S. variations emphasized these promotional tie-ins.[21] A post-release digital deluxe edition, issued in 2007 on platforms including iTunes and Apple Music, incorporated the bonus track "Bid Long" for a total of 16 tracks.[27][28] This version provided exclusive access to the additional content digitally.[27]Critical reception
Reviews
Upon its release in 2007, The Real Testament received generally positive to mixed reviews from critics, who praised its energetic Southern rap style and street authenticity while noting limitations in lyrical depth and repetition. AllMusic's David Jeffries awarded the album 3.5 out of 5 stars, commending the infectious beats and standout singles such as "Shawty" for their crossover appeal, but critiquing the redundant focus on street themes that occasionally overshadowed the project's strengths.[7] DJBooth's review highlighted the contrast between Plies' unpolished flow and the album's polished production, appreciating the raw delivery on tracks emphasizing realness, yet pointing out limited wordplay and a lack of sophisticated metaphors or punchlines that kept it from broader artistic elevation.[10] Similarly, RapReviews gave it a 7 out of 10 score (7.5 for music, 6.5 for lyrics), lauding Plies' authentic portrayal of Fort Myers street life and effective features from artists like Akon on "Hypnotized" and T-Pain on "Shawty," though it identified several filler tracks centered on repetitive themes as detracting from the overall cohesion.[29] Critics reached a consensus that The Real Testament excelled in capturing Southern rap's gritty appeal and Plies' undeniable street credibility, with its memorable hooks positioning it for mainstream crossover potential amid the mid-2000s crunk and snap music landscape. The singles played a key role in bolstering this reception, driving much of the positive buzz. Overall, reviewers viewed the debut as a solid introduction to Plies' no-frills approach, prioritizing visceral energy over refined lyricism.Accolades
The album garnered recognition in hip-hop award categories shortly after its release, including a win for its lead single "Shawty" featuring T-Pain in the Best Rap/R&B Collaboration category at the 2007 Ozone Awards.[30] It received a nomination for Best Rap Album at the 2008 Ozone Awards.[31] Its lasting impact on Plies' career is reflected in the release of a sequel mixtape, The Real Testament 2, on January 31, 2020, which paid homage to the original project's legacy.[32]Commercial performance
Chart positions
The Real Testament debuted at number 2 on the US Billboard 200 chart dated August 25, 2007, with first-week sales of 96,000 copies.[3] The album peaked at number 2 on the chart and spent a total of 38 weeks on the list.[33] It also reached number 2 on the Top R&B/Hip-Hop Albums chart.[34] The strong performance of lead single "Shawty" featuring T-Pain contributed to the album's visibility on these charts.[35] On the year-end Billboard 200 for 2007, The Real Testament ranked at number 157, underscoring its sustained radio play and sales momentum throughout the year.[36]| Chart (2007) | Peak position |
|---|---|
| US Billboard 200 | 2 |
| US Top R&B/Hip-Hop Albums | 2 |
| US Top Rap Albums | 2 |
Sales and certifications
The Real Testament sold 96,000 units in the United States during its first week of release on August 7, 2007.[3] This debut performance helped propel the album to number two on the Billboard 200 chart. By April 8, 2019, it had reached 1,000,000 certified units, earning a Platinum certification from the Recording Industry Association of America (RIAA).[38] No international certifications have been reported for the album. Initial shipments in 2007 were dominated by physical CD sales, reflecting the era's market trends before widespread digital streaming.[3] In the post-2010s period, equivalent units from streaming on platforms such as Spotify and Apple Music significantly boosted its long-tail performance, contributing to the eventual Platinum status under the RIAA's updated methodology that counts 1,500 on-demand audio/video streams as one album unit.Musical content
Track listing
The standard edition of The Real Testament is an explicit album consisting of 15 tracks with a total runtime of 57:35.[1][39]| No. | Title | Featuring | Duration | Producer(s) |
|---|---|---|---|---|
| 1 | "The Real Testament" (Intro) | — | 2:09 | PapaDuck |
| 2 | "100 Years" | — | 3:50 | Midnight Black |
| 3 | "I Kno U Workin" | — | 4:16 | Hen & Ro |
| 4 | "On My Dick" | — | 3:54 | Goldru$h |
| 5 | "1 Mo Time" | — | 3:47 | J.R. Rotem |
| 6 | "I Am the Club" | — | 3:44 | J.R. Rotem |
| 7 | "Runnin My Momma Crazy" | — | 4:15 | DVS Productions |
| 8 | "Shawty" | T-Pain | 4:15 | Drumma Boy, Ensayne |
| 9 | "Friday" | — | 3:39 | J.R. Rotem |
| 10 | "Goons Lurkin" | — | 3:52 | Midnight Black |
| 11 | "Kept It Too Real" | — | 4:55 | The Beat Eaters |
| 12 | "You" | Tank | 3:38 | Jay E |
| 13 | "Money Straight" | — | 4:23 | Hen & Ro |
| 14 | "Hypnotized" | Akon | 3:08 | Akon |
| 15 | "Murkin Season" | — | 3:50 | Hen & Ro |
Personnel
Lead ArtistThe lead artist on The Real Testament is Plies, born Algernod Lanier Washington on July 1, 1976, who performs as the primary rapper and serves as co-executive producer.[40][41] Featured Vocalists
Featured vocalists include T-Pain, who provides Auto-Tune hooks on "Shawty"; Akon, contributing vocals and co-production on "Hypnotized"; and Tank, delivering R&B features on "You".[41][42] Producers and Engineers
Key producers encompass Jonathan "J.R." Rotem, responsible for multiple tracks including "1 Mo Time", "I Am the Club", and "Friday"; Drumma Boy (with Ensayne Wayne) for "Shawty"; Akon for "Hypnotized"; Papa Duck for the intro; Midnight Black for "100 Years", "Goons Lurkin"; Hen & Ro for "I Kno U Workin", "Money Straight", and "Murkin Season"; Goldr$h for "On My Dick"; DVS Productions for "Runnin' My Momma Crazy"; The Beat Eaters for "Kept It Too Real"; and Jason "Jay E" Eperson for "You".[41][1] Mixing was handled primarily by Ray Seay at The Vault Studios in Miami, FL, with additional mixing by Fabian Marasciullo on "Shawty" and Leslie Brathwaite on "Hypnotized".[42] The album was mastered by Brian "Big Bass" Gardner at Bernie Grundman Mastering.[43][1] Additional Credits
A&R direction was provided by the Big Gates team, led by Ronell "Big Gates" Levatte as executive producer, alongside Ted "Touche" Lucas of Slip-n-Slide Records; Plies also co-executive produced.[41][43] Other contributions include guitar by Erick Coomes on select tracks, background vocals by Philip Lawrence on "You", and photography by Daniel Mandell.[41][1]