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The Tomorrow Man

The Tomorrow Man is a romantic drama film written and directed by Noble Jones in his feature directorial debut. It stars as Ed Hemsler, a divorced retiree fixated on preparing for a , and as Ronnie Meisner, a widowed compulsive shopper who accumulates unused goods. The story follows their chance encounter in a small town and the tentative romance that develops as they navigate each other's idiosyncratic lifestyles. The film premiered at the on January 30, 2019, and received a in the United States on May 22, 2019, distributed by . Supporting roles are played by actors including , , , and , who portray family members and friends influencing the protagonists' lives. With a runtime of 94 minutes and a PG-13 rating, it explores themes of aging, , and human connection in later life. Critically, The Tomorrow Man garnered mixed reviews, with praise centered on the chemistry and nuanced performances of Lithgow and Danner, though some critics found the script predictable and the pacing uneven. On Rotten Tomatoes, it holds a 43% approval rating from 56 critics, with the consensus noting that "John Lithgow and Blythe Danner are almost enough to save The Tomorrow Man, but their efforts are overwhelmed by a problematic story." The film earned $354,103 at the North American box office and became available for streaming on platforms like Netflix in subsequent years.

Synopsis

Plot summary

Ed Hemsler is a retired from a ball-bearing factory living alone in a small town, where he maintains a rigid routine centered on preparing for an apocalyptic event he believes is imminent. Each morning, he watches the local news obsessively, interpreting reports as signs of , and sends daily emails to his adult children detailing theories and urgent warnings. He drives his old to stockpile non-perishable food, water, and supplies in a hidden basement bunker, while eating lunch every day at the same local . At the , Ed notices Ronnie Meisner, a widow in her seventies who also frequents the spot but sits alone, quietly managing her life as a compulsive shopper. Ronnie fills her home and garage with unused appliances, clothing, and gadgets bought on impulse as a way to cope with the loss of her husband and daughter. After several encounters, Ed musters the courage to speak with Ronnie, leading to flirtatious conversations that evolve into a , where they bond over shared loneliness and small-town familiarity. As their romance progresses through casual dinners and drives, conflicts emerge from their contrasting coping mechanisms: Ed's disciplined prepping clashes with Ronnie's chaotic . Ed invites Ronnie to see his meticulously organized , which overwhelms her with its stark , while Ronnie shows Ed her garage overflowing with untouched purchases, prompting his disapproval of the wastefulness. Ed's daughter, , and teenage granddaughter, Jeanine, arrive for a visit, alarmed by his and ; they encourage him to embrace the relationship and tone down his focus. Tensions culminate during a Thanksgiving dinner at Ed's son Brian's house, where Ronnie attends as Ed's guest and Ed's insistence on contingency plans for potential disasters sparks an argument with the family, exposing insecurities and leading to a breakup as both retreat to their solitary habits. However, when Ed suffers a health scare that lands him in the hospital, he reaches out to Ronnie for support, and they navigate the situation together. This shared experience fosters mutual understanding and compromise; Ed begins to appreciate Ronnie's warmth amid his preparations, while Ronnie values his reliability. In the end, they reaffirm their commitment, choosing to invest in their partnership over their individual obsessions.

Cast and characters

The film stars as Ed Hemsler, a retired factory worker and divorced father who obsessively prepares for an impending , driven by his belief in various conspiracy theories and a desire for self-sufficiency. Lithgow, known for his dramatic roles in films like Terms of Endearment and television series such as , brings a nuanced portrayal to Ed's isolation and rigid worldview, emphasizing the character's vulnerability beneath his preparedness routine. Blythe Danner portrays Ronnie Meisner, a widowed retiree and compulsive shopper who hoards items as a way to cope with personal loss, frequenting local diners and maintaining an emotionally guarded demeanor. Danner's subtle expressiveness, honed through her stage work and roles in films like , captures Ronnie's quiet resilience and reluctance to form deep connections, contributing to the film's exploration of late-life romance.
ActorCharacterDescription
Ed HemslerRetired prepper and conspiracy enthusiast, isolated by his obsessive planning.
Ronnie MeisnerWidowed hoarder and diner regular, guarded due to past emotional trauma.
BrianEd's adult son, pragmatic and frustrated by his father's extreme views.
JanetEd's daughter, concerned and practical, often intervening in family matters.
JeanineEd's teenage granddaughter, tech-savvy and rebellious, representing younger generational perspectives.
TinaRonnie's young employee at a local , offering modern advice on relationships.
BeverlyEd's ex-wife, appearing briefly to underscore past family dynamics.
The supporting characters enrich the ensemble by highlighting generational conflicts, with Ed's son Brian and daughter Janet pushing against his doomsday preparations through their more grounded approaches to life, fostering opportunities for his personal growth. Similarly, granddaughter Jeanine introduces tech-driven generational clashes, contrasting Ed's analog with contemporary . Ronnie's interactions with employee Tina reveal subtle tensions between traditional emotional restraint and youthful openness, while Beverly's limited presence evokes the lingering impacts of on . These dynamics underscore the film's focus on how familial pressures catalyze change in the protagonists' isolated lives.

Production

Development

The screenplay for The Tomorrow Man was written by Noble Jones, who drew inspiration from online articles about preppers and personal observations of self-reliant communities during a visit to , contrasting these with behaviors rooted in . This formed the basis for a character study centered on late-life romance between a retired prepper, Ed Hemsler, and a compulsive shopper, Ronnie Meisner. Jones developed the script over several years, culminating in a feature debut that drew inspiration from Western films and John Ford's blended with contemporary American eccentricity. Noble Jones, a veteran director of commercials and music videos, transitioned to feature filmmaking with The Tomorrow Man, marking his narrative directorial debut after years of gaining recognition in advertising agencies. His prior experience included serving as second unit on high-profile projects such as David Fincher's , which honed his visual storytelling skills applied here as , , and director of photography. The film was produced by , Meridian Entertainment, and Symbolic Exchange, with international distribution handled by . Key producers included Nicolaas Bertelsen, , Tony Lipp, and Luke Rivett, who supported the low-budget independent production estimated in the mid-range for such projects, funded through private backers and industry partnerships. Development spanned approximately four to five years from initial writing to completion, with the project gaining momentum toward a in the mid-2010s leading to . Early casting focused on securing leads with natural rapport for the central romance, beginning with as Ed, whose involvement attracted further support including from producer . was cast as Ronnie, leveraging their shared theater backgrounds and evident on-screen chemistry as veteran performers capable of portraying nuanced elderly dynamics without prior on-screen collaboration. Supporting roles, emphasizing family tensions, were filled through auditions prioritizing actors like as Lithgow's son and as his daughter-in-law to underscore generational contrasts.

Filming

Principal photography for The Tomorrow Man took place over approximately six weeks in August and September 2017. The production was primarily based in the area, which served as a for a generic Midwestern small town, reflecting the film's themes of everyday American life. Specific locations included the Gates Big M supermarket at 1520 Spencerport Road in , where key scenes of the protagonists meeting were filmed; the town of Lyons, about an hour west of Syracuse; suburban homes in ; and wooded areas around for exterior shots evoking isolation. These choices leveraged the region's unassuming, nostalgic suburban landscapes to enhance the intimate, character-driven tone. Director and cinematographer Noble Jones employed David Fincher's custom RED Xenomorph camera to capture the film in a 2.40:1 , aiming for a warm, textured visual style that complemented the story's focus on aging and routine. The camera, loaned directly from Fincher—a mentor to Jones—was a pivotal asset for the low-budget independent production, allowing for high-quality digital capture without compromising mobility. Jones emphasized meticulous preparation, conducting 20 to 30 rehearsals per scene to foster natural performances from leads and , who incorporated light improvisation to achieve authentic dialogue in their intimate exchanges. Production faced logistical challenges typical of upstate New York shoots, including variable weather that occasionally delayed outdoor sequences in the wooded and suburban settings. Jones balanced his roles as , , and by hiring an experienced , which helped manage the demanding schedule while maintaining a collaborative on-set environment. Set design, led by production designer Patrick M. Sullivan Jr., required sourcing numerous props for the hoarding sequences in Ronnie's home, contrasting sharply with the organized prepper bunker to visually underscore character differences. The local economy benefited from the shoot, with hires including an on-set to support the cast and crew during the extended days. In , editor Zimo Huang worked closely with Jones to refine the footage into the film's 94-minute runtime, tightening pacing through multiple passes to preserve the naturalistic rhythm established during . Composer contributed a subtle score that integrated seamlessly with the on-location , enhancing the film's understated emotional depth without overpowering the dialogue-heavy scenes.

Release

Premiere

The Tomorrow Man had its world premiere on January 30, 2019, at the in the Premieres section. The screening took place at the Eccles Theatre in , marking director Noble Jones' feature debut and drawing attention to the lead performances of and . Cast and crew, including Lithgow and Danner, attended the event, participating in post-screening discussions that highlighted the film's quirky romantic elements. Ahead of the premiere, acquired North American distribution rights to the film on January 17, 2019, in a deal that positioned it for a planned spring release. The acquisition generated early industry interest, with initial festival responses praising the chemistry between the leads and the script's blend of humor and introspection. Following Sundance, the film screened at additional independent festivals, including the RiverRun International Film Festival on April 14, 2019, and the on April 26, 2019. There were no major international premieres, keeping the focus on U.S. circuits. Promotional efforts included the release of the official trailer on March 27, 2019, which emphasized the central romance and offbeat character dynamics. This festival run, coming after wrapped in 2018, built anticipation leading into the film's limited theatrical rollout.

Distribution and box office

Media acquired North American distribution rights to The Tomorrow Man ahead of its premiere at the and handled the film's theatrical rollout. The film received a PG-13 rating from the of America for brief strong language and some suggestive material. In the United States, it had a on May 22, , opening in four theaters before expanding to a maximum of 211 screens. Internationally, the film saw releases in select markets, including a limited run in on June 7, 2019, and on August 2, 2019, while in the it became available primarily through streaming platforms. Marketing efforts by emphasized the pairing of stars and through posters and trailers that highlighted the film's themes of eccentricity and late-life romance, with promotional cast interviews appearing in outlets such as and . At the , The Tomorrow Man earned $18,281 during its opening weekend and ultimately grossed $354,103 domestically, matching its worldwide total, with modest returns attributed to its limited screen count and competition from major blockbusters like Avengers: Endgame. For home media, Universal Pictures Home Entertainment released the film on DVD and Blu-ray in the United States on August 20, 2019. By 2020, it became available for streaming on , and as of 2025, it remains accessible on platforms including and , with no significant re-releases reported.

Reception

Critical response

The Tomorrow Man received mixed reviews from critics, with praise centered on the performances of its leads but criticism directed at the screenplay and pacing. On , the film holds a 43% approval rating based on 56 reviews, with an average score of 5.6/10. The site's consensus describes it as: "John and are almost enough to save The Tomorrow Man, but their efforts are overwhelmed by a problematic story." On , it scores 49 out of 100 based on 18 critics, indicating "mixed or average" reviews. Audience reception was similarly middling, with an IMDb user rating of 5.9/10 from over 2,600 votes. Positive responses highlighted the authentic chemistry between Lithgow and Danner, portraying the challenges of aging with nuance and tenderness. of awarded it 2 out of 4 stars, commending the "heartfelt moments" and the leads' ability to convey vulnerability amid uncertainty. Variety's noted the subtle humor in the characters' quirks, praising how the stars avoided cutesy stereotypes in favor of a wry tone that grounded the romance. Critics frequently pointed to the predictable script and underdeveloped supporting roles as weaknesses, with complaints about slow pacing and shallow exploration of family dynamics. David Rooney of called it a "mundane, relatively uneventful" drama that, despite an earnest core, feels slight and unmemorable. Jeannette Catsoulis in described it as "cloying" and occasionally disturbing, faulting the uneven blend of whimsy and eccentricity. Overall, the film earned a mixed as a charming but uneven , elevated by its veteran performers yet limited by writer-director Noble Jones's inexperience in his feature debut. Reviewers often compared it to , seeing parallels in its focus on elderly romance but noting The Tomorrow Man's lesser emotional depth. Despite these artistic reservations, it found some appeal across generations for its relatable take on later-life relationships, as Tara McNamara of observed in her review, rating it 2 out of 5 stars but appreciating its potential to spark discussions on aging. The modest earnings of $354,103 domestically underscored its niche status.

Themes and analysis

The Tomorrow Man explores the theme of late-life romance through the unlikely connection between protagonists Ed Hemsler and Ronnie Meisner, two octogenarians whose foster amid personal eccentricities. Director Noble Jones highlights how their relationship evolves from a chance encounter, emphasizing openness in later years despite societal tendencies to overlook seniors' emotional needs. This portrayal underscores vulnerability as a catalyst for genuine bonds, contrasting with isolation often faced by the elderly. Central to the narrative are the contrasting coping mechanisms of the leads: Ed's future-oriented prepping, symbolizing a quest for control through stockpiling supplies for anticipated disasters, versus Ronnie's past-focused , representing emotional attachment to possessions as a shield against loss. Jones draws from real-life observations of such behaviors, using to illuminate how these habits reflect deeper insecurities—Ed's driven by conspiracy-laden consumption and Ronnie's by widowhood. This duality critiques how individuals navigate uncertainty, with prepping as self-sufficiency and hoarding as nostalgic clinging. The film delves into aging and by depicting seniors confronting , widowhood, and perceived societal irrelevance, often exacerbated by generational clashes with adult children who prioritize over . Ed's solitary routine of monitoring online forums and Ronnie's reclusive habits illustrate the of later life, yet their budding romance offers a of and mutual support. Jones, informed by his family's psychiatric background, portrays these struggles as akin to neuroses like , advocating acceptance of harmless quirks to combat . A satirical critique of American emerges through the characters' excessive stockpiling, lampooning material excess and the influence of media-driven fears. Ed's garage filled with canned goods and Ronnie's cluttered home satirize prepping as an overreaction to perceived threats, subtly commenting on conspiracy culture via Ed's obsession with news and forums. This theme ties into broader cultural excess, portraying accumulation as both a personal crutch and a societal symptom. Symbolic elements enrich the film's motifs, with the title The Tomorrow Man referring to Ed's foresight-oriented mindset, embodying preparedness as a form of foresight amid uncertainty. The diner serves as a neutral meeting ground where their worlds intersect without the baggage of their homes, facilitating honest dialogue. The resolution emphasizes balance over perfection, as the couple learns to temper their extremes, suggesting harmony in imperfection for enduring connections. In broader analysis, Jones intended the film to examine and American identity in "flyover country," drawing inspiration from directors like for its character-driven depth. It addresses underrepresented issues in elders, such as anxiety manifesting in compulsive behaviors. With 2020s hindsight, the prepping and motifs parallel pandemic-era stockpiling, rendering the 2019 film prescient in highlighting societal divides during crises.

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