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Torpedo Run

Torpedo Run is a 1958 American directed by Joseph Pevney and produced by , starring as Barney Doyle, the captain of the U.S. Greyfish during in the South Pacific. The story centers on Doyle's relentless pursuit of the Shinaru, which led the , complicated by the discovery that his wife and daughter are among the civilian prisoners aboard a transport ship used by the enemy as a . Released on October 24, 1958, the film runs 98 minutes and was nominated for an Academy Award for Best at the . The , written by William Wister Haines and Richard Sale, draws on the psychological and tactical tensions of , with Doyle facing moral dilemmas while navigating minefields and employing innovative strategies to complete his mission. Supporting roles include as Lieutenant Archer Sloan, Doyle's executive officer; as his wife Jane; Dean Jones as Lieutenant Jake Foley; and as crewman "Hash" Benson, alongside as Admiral Samuel Setton. Cinematography was handled by George J. Folsey, capturing the film's 2.35:1 in Metrocolor, with benefiting from U.S. cooperation to ensure technical accuracy in depicting submarine operations, including a rare portrayal of evacuation using Momsen lungs. Critically, Torpedo Run received mixed reviews, praised for its suspenseful and realistic portrayal of naval but critiqued for formulaic elements in its narrative. It holds an audience score of 49% on based on over 100 ratings, with viewers noting its engaging simulation of WWII submarine tactics despite some dated aspects. The film contributes to the postwar cycle of Hollywood submarine movies, emphasizing themes of duty, sacrifice, and the personal costs of war in the Pacific theater.

Film overview

Plot

Torpedo Run is set in October 1942 in the South Pacific during , where Barney Doyle commands the USS Grayfish on a critical mission to sink the aircraft carrier Shinaru, the vessel that led the . During reconnaissance, the crew discovers a transport ship positioned as a ahead of the Shinaru, carrying over 1,400 American prisoners of war, including Doyle's wife Jane and their young daughter. The transport's placement reveals the enemy's tactic to deter an attack on the carrier, forcing Doyle to confront the devastating personal implications of his objective. Grappling with profound moral anguish, Doyle weighs his duty to the war effort against the certain loss of his family, ultimately ordering the torpedo launch on the transport despite the heartbreaking cost. The explosion sinks the ship, claiming the lives of the POWs including his loved ones, leaving Doyle wracked with guilt that fuels his unyielding determination to complete the mission. The submarine then pursues the fleeing Shinaru through hazardous waters, launching a blind torpedo attack that strikes the carrier amid evasive maneuvers and aerial assaults. Depth charge barrages from pursuing destroyers force the Grayfish to dive deep, testing the crew's endurance as they employ Momsen lungs—emergency breathing devices—to survive toxic fumes and flooding. In the resolution, Doyle and the surviving crew escape to the surface, with the commander reflecting on the irreconcilable tension between personal sacrifice and military obligation, affirming his resolve in the face of irreversible loss.

Cast

The principal cast of Torpedo Run is led by as Barney , the determined submarine commander haunted by personal stakes. plays Lieutenant Archer "Archie" Sloan, 's loyal who provides comic relief and support. portrays Jane , Barney's wife captured on the transport ship. appears as Lieutenant Jake "Fuzz" Foley, a young officer handling communications and . is cast as "Hash" Benson, a crew member involved in technical operations. takes the role of Admiral Samuel Setton, a senior officer with strategic input. The production received full cooperation from the U.S. Navy, aiding authentic depictions of crew portrayals.
ActorRole
Lt. Cmdr. Barney Doyle
Lt. Archer "Archie" Sloan
Jane Doyle
Dean JonesLt. Jake "Fuzz" Foley
"Hash" Benson
Adm. Samuel Setton
Richard CarlyleCmdr.
Orville "Goldy" Goldstein
Ens. Ron Milligan
Lt. Redley
Lt. Burt Fisher
Kimberly BeckDede Doyle
Oliver CrossNightclub Patron
Sam EdwardsSub Radio Operator
Lt. Paul Buckeye
Al Freeman Jr.Sam Baker
Sub Crewman
Norman GrabowskiSub Crewman
Crewman Metcalf
Captain of the Bluefin
Frank LondonAl Garrity
Hallert

Production

Development

The screenplay for Torpedo Run originated from stories by Richard Sale, who also penned the script alongside William Wister Haines, drawing on common tropes of in the Pacific theater during rather than any particular historical incident. () developed the project as a color war in Metrocolor during 1957–1958, with production commencing in early April and wrapping by early May of that year. The film's initial working title was , a nod to earlier submarine dramas, but it was retitled Torpedo Run to better suit marketing as a high-stakes naval pursuit story. MGM allocated a budget of $1.5 million to the production, positioning it amid a wave of post-war that capitalized on public fascination with naval combat narratives. Director Joseph Pevney, a veteran of the U.S. Army Signal Corps during , was selected to helm the project, bringing his firsthand military insights to underscore authentic depictions of submarine command pressures. The production secured complete cooperation from the U.S. Department of Defense and the U.S. Navy, as acknowledged in the film's credits, ensuring accurate representation of , terminology, and operational procedures. To amplify the visual impact of underwater maneuvers and tense action sequences, the film was planned for production in and Metrocolor from the outset. Early script iterations incorporated moral dilemmas pitting military duty against personal family loyalties, setting the thematic foundation for the protagonist's central conflict.

Filming

for Torpedo Run took place primarily at the (MGM) Studios in , beginning on April 7, 1958, and lasting approximately 30 days through early May. The production utilized soundstages to construct detailed submarine interiors, capturing the confined spaces essential to the film's tension, while exteriors relied heavily on scale models to depict the USS Greyfish and other vessels. To achieve authenticity in key action sequences, the filmmakers incorporated footage shot with U.S. submarines for surface exteriors, supplemented by from naval archives. The U.S. provided full cooperation, including advisors to ensure procedural accuracy in operations. supervisor A. Arnold Gillespie oversaw the creation of models, including a 27-foot Japanese carrier, models at 1/24 and 1/12 scales, and 1/12-scale torpedoes, which were filmed in MGM's Lot 3 outdoor water tank for surface scenes and specialized setups for underwater sequences. Simulating the film's intense underwater torpedo runs and attacks presented significant technical challenges, addressed through practical effects such as controlled explosions on miniatures and dynamic shots in water tanks to mimic submerged pursuits. Some reshoots were conducted to refine dialogue delivery within the tight sets, enhancing realism in crew interactions. No major accidents were reported during , reflecting the controlled studio environment and oversight. Actors underwent on submarine procedures to deliver convincing performances in the high-stakes operational scenes.

Release

Theatrical release

Torpedo Run had its opening on October 24, 1958, at the Loew's Capitol Theatre. The film received a wide U.S. release the next day, October 25, 1958, distributed by (MGM). Produced in and with a running time of 98 minutes, the film was rated Approved by the Motion Picture Production Code, suitable for general audiences without any noted censorship concerns. promoted Torpedo Run as a gripping emphasizing high-stakes and the commander's moral dilemmas, starring as the lead, and targeted fans of contemporaneous war dramas such as . Marketing materials, including one-sheet posters, highlighted tense underwater sequences and the film's basis in naval combat, leveraging cooperation from the U.S. Department of Defense and Navy Department for authenticity. Internationally, the rolled out in 1959, with releases in the on January 11, on January 2, and on January 1, among others; European markets featured dubbed versions, such as in , to broaden accessibility.

Box office

Torpedo Run was produced on a of $1.5 million. The earned a worldwide gross of $2.6 million, leading to a net loss of $195,000 based on MGM's internal financial . Domestic earnings in the U.S. totaled approximately $1.8 million, with markets accounting for the balance, marking an underperformance relative to similar war films of the era such as . Several factors contributed to this outcome, including intense competition from other war-themed productions released in and the film's mid-budget positioning, which constrained its potential for broader audience appeal. MGM estimated the break-even threshold at $3.1 million after accounting for distribution expenses, a figure the film failed to reach during its initial run. Over the longer term, revenue from film rentals assisted in partially recouping the initial shortfall.

Reception

Critical response

Upon its release in October 1958, Torpedo Run elicited mixed critical responses, with praise for its action-oriented elements tempered by complaints of formulaic storytelling. , writing in , dismissed the film as "stale and hackneyed," lambasting its reliance on stereotypical tropes—such as sightings, torpedo launches, depth-charge evasions, and the obligatory rift between the captain and that resolves during the climax—and its predictable dramatic beats, including the crew's escape using Momsen lungs in sub-Arctic waters. Trade publications offered more favorable takes on the film's technical and performative strengths. Retrospective assessments have noted the film's mixed reception, with its realism enhanced by full U.S. Navy cooperation in depicting operations, though some , such as miniatures, have drawn criticism. As of November 2025, the film maintains a 6.4/10 aggregate user rating on , drawn from 2,646 votes, reflecting its enduring appeal as a solid if unremarkable WWII entry.

Awards and nominations

Torpedo Run received one Academy Award nomination at the in 1959 for Best Special Effects, credited to visual effects supervisor A. Arnold Gillespie and audible effects specialist Harold Humbrock for their innovative model work and integration in depicting sequences. The film did not win the award, which went to for Tom Howard's effects. Torpedo Run earned no nominations from major awards bodies such as the Golden Globes, BAFTA, or .

Legacy

Home media

The film was initially released on by in 1990. A DVD edition followed as a manufactured-on-demand title through the , released on July 29, 2014, presenting the film in a 16:9 format that preserves the original aspect ratio of 2.35:1 and the Metrocolor process for modern viewers. This release features a sharp transfer with rich colors but includes no supplemental extras or commentary tracks. As of 2025, Torpedo Run is available for digital rental or purchase on platforms including , , and at Home, though availability rotates and it is not included in standard subscription tiers. No UHD edition has been released. Internationally, older PAL-format DVDs have been distributed in regions such as Europe, including Region 2 editions in and . Collector's editions remain limited to the standard Warner Archive packaging without additional content.

Cultural impact

Torpedo Run is regarded as a minor yet representative entry among 1950s , exemplifying the genre's focus on tense underwater pursuits and crew dynamics during the Pacific Theater. The film contributes to established naval cinema tropes, particularly the commander's moral dilemmas in high-stakes decisions, such as prioritizing mission objectives over personal losses, which underscore the psychological pressures of . While it lacks significant pop culture references, remakes, or direct adaptations, its portrayal of these ethical conflicts has echoed in broader discussions of leadership in wartime naval narratives. The film's plot is fictional, loosely inspired by real U.S. tactics in the Pacific, including attacks on enemy screened by transports, though no documented events precisely match the subplot involving the commander's family. Debates in naval histories highlight how such dramatizations reflect authentic operational challenges, like balancing precision strikes against collateral risks, without altering the verified unreliability of early-war or hunt strategies. Occasional airings on , including during the 2023 Summer Under the Stars event, have helped sustain its visibility among classic film enthusiasts. Its archival value lies in documenting U.S. Navy cooperation with productions, which facilitated accurate depictions of submarine service and contributed to public understanding of WWII naval efforts. The uncredited score further enhances tension in viewings, amplifying the film's enduring atmospheric impact.

References

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