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Troll 2

Troll 2 is a 1990 Italian-American comedy film directed by and co-written by Fragasso and Rossella Drudi. The plot follows 11-year-old Joshua Waits (Michael Stephenson), who receives warnings from the of his deceased grandfather about goblins inhabiting the rural town of Nilbog, where his family has relocated; the goblins, who are vegetarian and despise all human food, disguise themselves as locals to lure victims and transform them into plants for consumption. Although marketed as a sequel to the 1986 fantasy film Troll, Troll 2 has no narrative or thematic connection to its predecessor and substitutes goblins for trolls. Produced by the Italian company Filmirage International on a modest budget, the movie was primarily shot over three weeks in Park City, Utah, and surrounding areas, using a mostly non-professional American cast including firefighter George Hardy as Joshua's father and English teacher Margo Prey as his mother, alongside Italian crew members. Fragasso, who used the pseudonym "Drake Floyd" for directing credits in the U.S. market, envisioned the story as an ecological horror tale warning against unhealthy eating habits, but language barriers and improvisational acting led to notoriously awkward dialogue and performances. Released theatrically in in 1990 and later in the United States on , Troll 2 bombed commercially and earned scathing reviews for its inept scripting, , and acting, with a Rotten Tomatoes Tomatometer score of 13% based on 24 critic reviews. However, starting in the mid-2000s, it achieved unexpected cult status through ironic appreciation and midnight screenings at festivals like the New York Underground Film Festival, where audiences began reciting lines and mocking its flaws in a celebratory manner. This resurgence was amplified by the 2009 documentary , directed by child star Michael Stephenson, which chronicles the film's troubled production and examines how its "so-bad-it's-good" appeal transformed it into a phenomenon, drawing crowds to Q&A sessions with the cast and even inspiring fan events. Today, Troll 2 is frequently ranked among the worst films ever made while being embraced as a staple, with its green-faced goblins and infamous lines like "They're eating her! And then? They're gonna eat me... raw!" emblematic of unintentional comedy in B-horror cinema.

Synopsis

Plot

The film opens with young Joshua Waits being visited by the ghost of his deceased grandfather, , who warns him about the dangers of —vegetarian creatures that transform humans into plants using a green potion so they can consume them without violating their dietary beliefs. Despite Joshua's protests, his family—father Michael, mother Diana, and sister Holly—relocates from the city to the rural town of Nilbog for what they believe is a peaceful house-swap , highlighting the family's initial skepticism toward Joshua's seemingly childish fears. Upon arrival, Joshua notices peculiar signs, such as the town's name spelled backward in a mirror revealing "Goblin," confirming Seth's warnings about the community's true nature. As the family settles in, the goblins, disguised as friendly human residents, begin their scheme to lure and transform outsiders. Holly's boyfriend, , and his friend attend a welcoming party where the goblins, led by the witch-like Creedence Leonore Gielgud, offer poisoned food and drink; Arnold is tricked into consuming the green potion, turning him into a plant-hybrid that the goblins devour with relish, underscoring the ironic of their "ethical" . Joshua attempts to alert his family, but they dismiss his visions of , who continues to him psychically—appearing in mirrors and dreams to provide strategies against the goblins. Meanwhile, the goblins more victims: one is force-fed toxic that causes fatal bloating and , while narrowly escapes a similar fate during a nighttime encounter in the fields. The tension escalates as the goblins converge on the Waits home for a final feast, transforming the local into a tree-like figure. Joshua, empowered by Seth's spirit, uses a to coat himself in meat, rendering him poisonous to the plant-dependent goblins, and confronts Creedence at the ancient Stonehenge-like Magic Stone. In the climax, Joshua destroys the stone, unleashing a purifying power that incinerates the goblins and saves his family, emphasizing the young protagonist's pivotal role in bridging warnings and real-world survival against rural deception. The family returns home relieved, but the goblins' influence lingers; they discover their pantry stocked with the same green , and Diana unwittingly consumes it, transforming and being eaten by lingering goblins, leaving Joshua to face ongoing terror.

Cast

The cast of Troll 2 was composed almost entirely of non-professional actors, a deliberate choice by the Italian director to capture an authentic American feel on a low budget, recruiting locals and amateurs during filming in . This approach resulted in raw, improvisational performances, particularly as the Italian crew's limited command of English often led actors to ad-lib lines to clarify or improve the poorly translated script. The principal roles were filled by the following performers:
ActorRoleNotes
Michael StephensonJoshua Waits12-year-old lead portraying the family's young son; a novice child actor whose performance centered on wide-eyed reactions.
George HardyMichael WaitsThe family patriarch; Hardy, a practicing dentist from Alabama, brought an over-the-top enthusiastic energy to his scenes.
Margo PreyDiana WaitsThe mother; a non-professional with no prior acting experience.
Connie McFarlandHolly WaitsThe sister; another amateur cast member.
Darren EwingArnoldFriend of Holly's boyfriend; amateur who undergoes transformation.
Gary F. CarlstonSheriff Gene FreakA menacing local authority figure; local resident.
Jason WrightElliot CooperHolly's boyfriend; non-professional.
Deborah ReedCreedence Leonore GielgudThe goblin leader; Reed had some prior experience but delivered an over-the-top performance.
The film's monsters, known as goblins, were portrayed by local residents, including makeup artists and crew members who doubled as extras in green body paint and rudimentary costumes. With no major stars involved, the ensemble's unpolished delivery contributed to the movie's distinctive, unintentionally comedic tone.

Production

Development

The script for Troll 2 was penned in by husband-and-wife team and Rossella Drudi, originally under the title Goblins. Intended as a standalone story featuring vegetarian goblins who transform humans into plant matter to consume them in a twisted eco- , the arose from Drudi's personal dismay at friends embracing , serving as an explicit anti-vegetarian critiquing dietary trends and . Despite its lack of any or thematic ties to the 1986 film Troll, the title was altered to Troll 2 purely for commercial appeal, aiming to exploit the earlier movie's minor recognition in the low-budget fantasy market. Production was spearheaded by Filmirage, the company founded by prolific exploitation producer Aristide Massaccesi (professionally known as ), renowned for churning out inexpensive genre films. With a shoestring budget of approximately $100,000, the project was designed from the outset to target American audiences, leading to the key decision to film entirely in English—despite Fragasso and Drudi's limited proficiency in the language—to facilitate direct U.S. distribution without costs. Fragasso took the using the Drake Floyd, a common practice for filmmakers entering markets to anglicize their profiles. To keep expenses minimal, the recruited actors from local communities in , prioritizing cost savings over professional casting and infusing the film with an authentic, if unpolished, small-town American feel.

Filming

Principal photography for Troll 2 occurred over three weeks in the summer of 1989, in several rural areas near , , including , Porterville, Park City, and Heber City, where local farms, homes, and businesses stood in for the fictional community of Nilbog. The low-budget production, spearheaded by Italian director under the pseudonym Drake Floyd, utilized these everyday locations to create the film's eerie small-town setting, often shooting in a guerrilla style without formal permits to keep costs down and maintain a fast pace. The shoot was marked by significant logistical challenges, foremost among them a profound between the predominantly crew and the American cast, who spoke little to no . Fragasso and his team communicated directions through a mix of , gestures, and occasional translations, leading to frequent misunderstandings and frustration on set. This cultural and linguistic divide exacerbated issues with the script, originally written in and poorly translated, prompting some cast members to suggest improvising dialogue for natural flow, though Fragasso strictly forbade ad-libbing to preserve his vision. The cast, composed mostly of non-professional actors including locals and an Alabama dentist (George Hardy) as the father, struggled with the demanding conditions, resulting in uneven performances that ranged from overly theatrical to wooden. Child actors, such as 12-year-old lead Michael Paul Stephenson, endured long hours and intense scenes, contributing to discomfort amid the chaotic environment. Fragasso's hands-on directing style relied on practical effects, incorporating real animals like goats for goblin rituals and rudimentary props such as green slime to simulate transformations, often improvised on the spot due to limited resources. Further complications arose with the goblin costumes and makeup, which used inexpensive, store-bought latex masks purchased from a local costume shop and hastily modified for the production; these required reshoots when initial applications failed to meet expectations, straining the tight schedule. Equipment issues, including a malfunctioning camera that delayed scenes, added to the on-set tensions, forcing the crew to adapt quickly with minimal backups. Despite these hurdles, the production wrapped within its abbreviated timeline, capturing the raw, unpolished energy that would later define the film's cult appeal.

Soundtrack

The soundtrack of Troll 2 was composed in 1990 for the film by musician Carlo Maria Cordio, a frequent collaborator on low-budget films such as Absurd (1981) and Pieces (1982). The commercial soundtrack was released in 2017 by Lunaris Records, eschewing licensed tracks in favor of all-original material, blending synth-driven motifs with unexpected folk elements like riffs and guitar rock interludes to underscore the film's bizarre tone. This eclectic style draws from the tradition of genre cinema soundtracks, echoing the atmospheric synth work of bands like on films such as (1977), though adapted to the movie's rural American setting and vegetarian premise. Key cues include the pulsating "Goblins Are Coming," which heightens tension during goblin transformation and pursuit sequences, and the whimsical "Like an Emerald Green," serving as the main theme to evoke the eerie Nilbog environment. Other notable tracks, such as "Wrapped in Dreams" and "Green Nightmare," incorporate layered synthesizers to mimic supernatural dread, often using Roland D-50 and Korg M1 keyboards for their era-defining digital tones. The music was recorded in Italy amid the film's post-production, where budget limitations—typical of Filmirage's $100,000 productions—restricted it to minimal electronic instrumentation without live orchestras or extensive session musicians. Sound design complements the score with improvised elements, including goblin vocalizations created through basic foley techniques, though the overall audio mix reveals low-budget challenges like inconsistent levels and wind interference on location footage. Post-filming, much of the dialogue underwent dubbing in Italy to address unintelligible on-set recordings, resulting in a distinctive, slightly off-kilter synchronization that amplifies the film's unintentionally comedic effect. These technical aspects, born from hasty post-production under financial strain, contribute to the soundtrack's raw, unpolished character.

Release

Distribution

Troll 2 received a limited theatrical release in the United States on October 12, 1990. It also had limited theatrical screenings in select international markets. The film's marketing capitalized on its title change from the original Goblins to Troll 2, positioning it as an unofficial sequel to the 1986 film Troll despite the two having no narrative or production connections, which created confusion between trolls and goblins. Promotional posters highlighted horror elements like monstrous creatures and family peril to appeal to low-budget horror fans, but the minimal advertising budget contributed to its initial obscurity. The campaign treated the movie as a straightforward horror entry rather than the unintentional comedy it became known as. Commercially, Troll 2 underperformed, grossing just $1,263 worldwide from its limited theatrical engagements. Video rentals were similarly poor, hampered by negative word-of-mouth from disappointed viewers expecting a direct continuation of the earlier Troll. International distribution occurred in parts of , such as via Splendid Film, and Asia, including through NEC Avenue Ltd., though sales remained negligible. With a of $100,000, the film's low returns marked it as a financial disappointment from the outset.

Home media

The initial home video release of Troll 2 occurred on in the United States in 1992, distributed by Epic Home Video under Columbia TriStar Home Video. International editions followed shortly thereafter, including a 1991 release by Avenue Ltd. in and various dubbed versions in languages such as (under the title Goblins) and , often featuring altered dialogue and localized packaging to appeal to regional markets. The film's transition to digital formats began with a 2003 DVD release from MGM Home Entertainment, packaged as a double feature with the unrelated 1986 film Troll, which included basic subtitles but no additional extras. This was followed by MGM's standalone 20th Anniversary Nilbog Edition in 2010, available on both DVD and Blu-ray, featuring improved video transfer, audio commentary by director Claudio Fragasso and cast members including Michael Stephenson and George Hardy, as well as interviews and a featurette on the production. In 2015, Shout! Factory issued a limited-edition Blu-ray double feature pairing Troll 2 with Troll, supplemented by a DVD of the 2010 documentary Best Worst Movie, which explores the film's unexpected cult following. Further special editions emerged internationally, such as Eureka Entertainment's 2018 Troll: The Complete Collection Blu-ray box set in the UK, containing restored prints, reversible artwork, and booklets with essays on the franchise's history. As of November 2025, no 4K UHD restoration has been officially released for the 1990 film. In terms of digital availability, as of November 2025, Troll 2 streams for free on platforms including Tubi, Pluto TV, and The Roku Channel, while options to rent or purchase are offered on Amazon Prime Video. It remains absent from Netflix, where the title now refers to the unrelated 2025 Norwegian sequel to the 2022 film Troll. Fan-subtitled versions and bootleg uploads occasionally appear on sites like YouTube, though these are not authorized distributions. The growing demand from its cult status has sustained these reissues, ensuring ongoing accessibility across formats.

Reception

Initial reviews

Upon its limited release in 1990, Troll 2 garnered minimal critical attention, primarily due to its low-budget origins and distribution primarily on outside , but the sparse contemporary reviews were uniformly scathing. Critics lambasted the film's amateurish , nonsensical , and rudimentary , often rating it around 2/10 or lower. The film holds a 13% approval rating on based on 24 reviews. Audience response mirrored this negativity, with video rental performance underwhelming and viewers complaining of the story's incoherence, absence of genuine scares, and overall ineptitude, though a minority noted its accidental comedic value. The film's period context in horror circles reinforced its status as a flop, as it earned no awards or nominations and was overlooked in major publications. Low-budget constraints, such as non-professional cast and hasty filming, were frequently cited as exacerbating these flaws.

Cult status

Despite its initial critical disdain, Troll 2 emerged as a quintessential "so bad it's good" in the 2000s, largely through online rediscovery and ironic appreciation. The film's notoriety began to build in early 2000 when published a scathing yet hilarious review by contributor , highlighting its absurd and inept execution, which sparked widespread sharing among users and laid the groundwork for its status. This online buzz intensified in 2007 with a commentary featuring former stars Mike Nelson, Kevin Murphy, and , along with founder Rich Kyanka, turning the film into a staple for riffing enthusiasts and boosting its visibility on forums and early video-sharing sites. Annual screenings further solidified its cult appeal, with venues like the Alamo Drafthouse hosting regular events starting in the late 2000s, including themed festivals such as the 2009 debut of related programming and ongoing midnight showings that encourage audience participation. Fans have embraced iconic elements like the line "Nilbog is Goblin spelled backwards," delivered by young protagonist Joshua Waits, which has become a hallmark for the film's bizarre logic, inspiring at conventions—such as goblins in green face paint and popcorn-munching trolls—and extensive fan art shared on platforms like and . The film's influence extends to analyses of cinematic failures, where it is frequently cited for exemplifying unintentional through poor , nonsensical dialogue, and low-budget effects. Post-2020, Troll 2 experienced renewed virality on , with Gen Z creators posting reaction videos and skits recreating scenes, often praising its earnest weirdness as peak "bad movie" entertainment.

Legacy

Documentary

Best Worst Movie is a 2009 American documentary directed by Michael Paul Stephenson, the child actor who played Joshua Waits in Troll 2. The film had its world premiere at the SXSW Film Festival in March 2009, where it received enthusiastic audience response for chronicling the improbable rise of Troll 2 from obscurity to cult phenomenon. It focuses on reunions with the original cast and crew, capturing their reflections on the film's creation and the surreal fandom that emerged years later. Central to the documentary's content are in-depth interviews with key figures, including Italian director , who defends his vision for , and lead actor George Hardy, whose earnest performance as the family patriarch became a fan favorite. Stephenson himself appears, providing personal insights into his experiences on set as a child. The narrative weaves in behind-the-scenes anecdotes about the low-budget production in , such as improvised props and non-English-speaking crew challenges, alongside footage of modern fan screenings where audiences recite lines and celebrate the film's absurdities. Running 93 minutes, was distributed theatrically by Abramorama, opening in limited release on April 23, 2010. The documentary played a pivotal role in amplifying Troll 2's legacy, transforming initial disdain into widespread appreciation and inspiring screenings and conventions. It earned strong critical praise, achieving a 94% Tomatometer score on from 72 reviews, highlighting its heartfelt examination of unintended fame. By profiling the cast's lives after —such as Hardy's ongoing career as a community-oriented in who embraces fan interactions—the film humanizes the "so-bad-it's-good" genre and underscores the positive ripple effects of adoration. In , renewed digital availability has further extended its reach, allowing new generations to discover the story behind Troll 2's enduring appeal.

Planned sequel

Following the release of the 2009 documentary , which explored the making and of Troll 2, director announced plans for a follow-up titled Troll 2: The Sequel. The announcement came during a special screening at the Nilbog Invasion fan event, where Fragasso and co-writer Rossella Drudi polled the audience on potential titles, with Troll 2: Part 2 emerging as the winner. Fragasso expressed intent to involve the original cast, including George Hardy as Benjamin Waits and Michael Paul Stephenson as Joshua Waits, with early script concepts centering on the return of the vegetarian goblins from Nilbog. Hardy voiced enthusiasm for reprising his role, noting in interviews that he was open to participating if the project moved forward. Development faced significant hurdles, including persistent funding shortages that prevented from advancing beyond initial discussions. Stephenson, the original young lead, later expressed interest in directing the himself to honor the film's legacy, but no concrete progress had been made by amid ongoing logistical and financial barriers. As of November , the project remains stalled with no active , though fan-driven petitions continue to circulate urging its revival as an indie effort. The documentary's role in reigniting interest for the has been credited with inspiring these repeated attempts, yet none have materialized into a completed . Note that the Troll 2 is also used by an unrelated monster , scheduled for release on on December 1, , as a to the 2022 Troll.

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