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Two Bits

Two Bits is a 1995 American film directed by James Foley and written by . It stars as a dying grandfather, as his daughter, and Jerry Barone in his debut role as her son, a 12-year-old boy in 1933 during the . The story follows young Gennaro as he schemes to earn two bits (25 cents) to see the opening of a new neighborhood , while grappling with his grandfather's and a family secret. The film explores themes of coming-of-age, family bonds, and economic hardship, set against the backdrop of the . It received mixed reviews for its performances, particularly Pacino's, but was noted for its nostalgic and poignant tone. Released on July 26, 1996, by Films, it grossed approximately $26,698 at the U.S. box office.

Production

Development

The screenplay for Two Bits originated from writer Joseph 's autobiographical reflections on his childhood in during the , specifically capturing a formative moment on August 26, 1933. , best known for his work on , drew directly from personal reminiscences of growing up in an Italian-American immigrant family, adapting these experiences into an original script that emphasized familial bonds and economic hardship. As both and , shaped the narrative to evoke the everyday struggles and aspirations of working-class life in the era. Producer Arthur Cohn played a pivotal role in securing funding and advancing the project, leveraging his reputation for championing intimate dramas to assemble the necessary resources for this low-budget period piece. Executive producers, including himself, Willi Bär, and David Korda, supported Cohn in navigating the financial constraints inherent to recreating Philadelphia on screen, ensuring the film's modest scope aligned with its nostalgic tone. The attachment of director James Foley, who had previously collaborated with on , was instrumental in greenlighting the production, with Pacino joining as a personal favor to Foley. Pre-production occurred in the early 1990s, with commencing around 1993 to capture the film's intimate scale without extensive sets or effects. revisions focused on streamlining Stefano's reminiscences for cinematic pacing, balancing emotional depth with the practicalities of a limited budget that prioritized authentic period details over grand spectacle. Films acquired U.S. distribution rights in January 1994, providing additional backing that facilitated completion and . The film's setting in 1933 South Philadelphia necessitated research into Italian-American immigrant communities, drawing on historical accounts of Depression-era neighborhoods marked by close-knit families, street-level , and cultural traditions amid widespread . This groundwork informed the screenplay's depiction of daily life, from tenement housing to local rituals, ensuring fidelity to the socioeconomic textures of the time without broader political commentary.

Casting

Al Pacino was cast as the ailing grandfather Gitano Sabatoni after performing a script reading for director James Foley in early 1993, marking a reunion from their prior collaboration on (1992), for which Pacino earned an Academy Award nomination for Best Supporting Actor. Pacino joined the project as a personal favor to Foley, drawn to the intimate, character-driven drama set during the . Debut actor Jerry Barone was selected for the lead role of 12-year-old Gennaro, the story's young Italian-American protagonist navigating family hardships and personal dreams in 1933 South Philadelphia. The film's semi-autobiographical script, written by Joseph Stefano based on his own experiences, influenced the casting to prioritize cultural authenticity in depicting working-class Italian-American life. Mary Elizabeth Mastrantonio was attached to play Gennaro's widowed mother, Luisa Spirito, leveraging her prior experience in period dramas such as The Color of Money (1986) and Robin Hood: Prince of Thieves (1991), which showcased her ability to portray resilient characters in historical contexts. Casting the child roles, including Gennaro and supporting youth like Tullio (Patrick Borriello), presented challenges in sourcing young actors capable of conveying the nuances of Depression-era authenticity, including regional accents and the era's socioeconomic hardships, to align with the film's nostalgic yet grounded tone.

Filming

Principal photography for Two Bits took place from July 26, 1993, to October 2, 1993, spanning a total of ten weeks. The production filmed primarily on location in , , for seven weeks to authentically capture the neighborhoods central to the film's 1933 Depression-era setting. This choice allowed the crew to utilize historic streets and landmarks, such as shots of the Colonial Theater, enhancing the visual representation of the period. The remaining three weeks of shooting occurred at Astoria Studios in . Director James Foley emphasized a nostalgic and theatrical approach during filming, incorporating poignant monologues and contained one-set scenes to evoke warm remembrance of the . Juan Ruiz-Anchia employed rosy-hued lensing in to idealize the South Philly environment, while Jane Musky meticulously recreated aesthetics through period-accurate sets and costumes, though with a prettified quality. On-location work in overgrown gardens and neighborhood streets further grounded the visuals in historical context. In post-production, editor Howard Smith assembled the 85-minute , focusing on a rhythmic flow that supported the intimate . provided the musical score, complemented by sound mixer Drew Kunin's design, which enhanced immersion in atmosphere through period-appropriate audio elements.

Cast

Principal cast

Jerry Barone portrays Gennaro Spirito, the curious 12-year-old who navigates the challenges of life and personal temptations in 1933 . This marked Barone's debut as a young actor. Al Pacino plays Gitano Sabatoni, the dying patriarch known as Grandpa, who carries unfinished business from his past and shares a pivotal promise with his grandson involving "two bits." As a veteran with a career spanning decades, Pacino brings depth to the role of the ailing family elder. Mary Elizabeth Mastrantonio stars as Luisa Spirito, the widowed mother holding the family together amid hardship. Her performance draws on her established dramatic range, evident in earlier roles such as in The Color of Money (1986).

Supporting cast

The supporting cast of Two Bits features several actors who portray peripheral members of the 1933 Italian-American community, adding depth to the ensemble through their characterizations of everyday figures. Patrick Borriello plays Tullio, Gennaro's friend who participates in local neighborhood activities, contributing to the film's depiction of youthful camaraderie during the . Andy Romano portrays Dr. Bruna, the neighborhood physician who addresses family medical concerns, providing a grounded representation of professional support in a tight-knit working-class setting. appears as Uncle Joe, a relative offering familial guidance and stability, which underscores the communal bonds essential to the era's immigrant experience. Other notable supporting performers include Rosemary De Angelis as Mrs. Conte, whose role embodies the watchful presence of community matriarchs in period-specific attire and mannerisms, and as Dr. Wilson, delivering a portrayal that reflects the formal authority of medical professionals during . These roles collectively enhance the Depression-era atmosphere by illustrating the interconnected social fabric without dominating the central narrative.

Plot and themes

Synopsis

Set in South Philadelphia on a sweltering summer day in August 1933, during the height of the Great Depression, Two Bits follows 12-year-old Gennaro, an Italian-American boy living in a modest rowhouse with his widowed mother, Luisa, and his ailing grandfather. The story unfolds over a single day as Gennaro navigates the hardships of poverty and family illness, yearning to attend the grand opening of the new La Paloma movie theater, which requires a 25-cent ticket. His grandfather, a frail Italian immigrant confined to a backyard chair, declares that he will die before the day ends and promises Gennaro his last quarter—"two bits"—as an inheritance specifically for the movie ticket, but only claimable after his passing. This promise heightens the tension in their close-knit household, where Luisa struggles with grief over her late husband and the family's financial woes, sharing poignant reflections on their shared hardships. Eager to secure the ticket without delay, Gennaro ventures into the neighborhood to earn the money through odd jobs, reflecting the era's economic desperation. He sings and dances on the street corners, assists at the local by running errands, sweeps dingy cellars, and takes on other menial tasks, scraping together only 15 cents by midday. Along the way, he grapples with temptations that test his morals, encountering glimpses of adult themes like sexuality and budding romance with neighborhood children, as well as the harsh realities of loss and human frailty. His grandfather, sensing his own mortality, entrusts Gennaro with unfinished business from his past: delivering a message to a he wronged years earlier—possibly a former acquaintance or lover—seeking her to achieve before , offering an additional dime as incentive. Gennaro undertakes this difficult errand, navigating awkward confrontations that force him to confront themes of and amid his own frustrations. The day's climax builds as bad news compounds Gennaro's challenges: the La Paloma raises its ticket price to 50 cents, dashing his hopes just as he nears success with his earnings and the promised dime. Returning home disheartened, he finds his grandfather on the brink of death, where the old man imparts final wisdom about life's desires—"the belly needs, the heart wants"—urging Gennaro to hold onto his dreams despite hardships. The grandfather passes away peacefully, fulfilling his earlier pronouncement. In the resolution, Gennaro receives the inherited quarter, honoring his family's legacy of resilience and Italian immigrant perseverance. With a newfound coming-of-age realization that transcends the simple thrill of the movies—embracing forgiveness, family bonds, and the passage from childhood—he uses the money to attend the theater, stepping into a broader understanding of the world.

Themes

"Two Bits" explores the theme of coming-of-age amid economic hardship, as young Gennaro navigates the challenges of the in 1933 , striving to earn 25 cents for a movie ticket while confronting the loss of innocence through his quests for money and independence. Set against the backdrop of widespread , the film depicts Gennaro's small-scale hustles and temptations as metaphors for broader struggles of survival and self-reliance in an Italian-American immigrant community. This motif underscores how economic scarcity accelerates maturity, forcing the boy to balance youthful dreams with harsh realities. Central to the narrative are family bonds and mortality, symbolized by the grandfather's promise of "two bits" and his impending death, which highlight the fragility of life and the immigrant heritage's enduring struggles. The grandfather's wisdom, encapsulated in lines like "The belly needs, the heart wants," reinforces intergenerational ties and the emotional weight of loss within a tight-knit household. These elements evoke the pain of separation and the comfort derived from familial rituals, particularly in a Depression-era context where community and heritage provide solace against isolation. The film delves into moral dilemmas of survival, including temptations like and the tension between and necessity, all framed by strong community ties in the Italian-American enclave of . Gennaro's encounters test his , reflecting broader ethical conflicts of the era where economic desperation challenges personal values and neighborly obligations. Director James Foley's style employs nostalgic visuals, such as golden lighting and period details evoking ambiance, to blend melancholy with subtle humor and warmth, creating a bittersweet tone that tempers hardship with tenderness. This approach, informed by screenwriter Joseph Stefano's semi-autobiographical influences, lends authenticity to the portrayal of childhood wonder and loss. The movie theater itself serves briefly as a symbol of escape from daily woes.

Release and reception

Distribution and box office

Two Bits was released theatrically in a limited capacity by Films on November 22, 1995, in select U.S. markets, following an earlier premiere on October 12, 1995. The film's strategy emphasized its niche appeal as a period drama, with efforts highlighting Al Pacino's starring role to attract audiences interested in character-driven stories. International distribution was handled by Capella International, with releases in markets such as on February 1, 1996, and on August 14, 1996. The film achieved modest box office performance, grossing $26,282 domestically during its brief run, which opened with $9,299 and played in only two theaters. This outcome reflected the constraints of its limited release and targeted promotion, underscoring its status as an production with specialized rather than broad commercial ambitions. Home media availability began with an initial release by Home Video in 1996, making the film accessible to home viewers shortly after its theatrical debut. Subsequent formats included a DVD edition released in 2002, followed by digital streaming options; for instance, it became available on in the early and, as of November 2025, remains accessible on platforms like , , and .

Critical response

"Two Bits" received mixed reviews from critics, with an aggregated score of 40% on based on 10 reviews, reflecting a general consensus of modest appreciation tempered by reservations about its scope. Critics frequently praised the film's strong performances, particularly Al Pacino's understated portrayal of the dying grandfather, which brought emotional depth and sympathy to the role through his low-key delivery and convincing physicality. Jerry Barone also earned acclaim for his natural and engaging depiction of the young protagonist Gennaro, avoiding clichés in a role that demanded authenticity. The film's authentic recreation of 1930s was highlighted for its nostalgic ethnic milieu, with James Foley's understanding of the setting contributing to a honest, if idealized, period atmosphere. Emotional family moments, especially between grandfather and grandson, were noted for their warmth and resonance. However, the narrative was widely criticized as too slight and underdeveloped to sustain a feature-length , often feeling like an extended rather than a fully realized . Reviewers pointed out a lack of dramatic tension, with the boy's quest for the movie ticket coming across as unarresting and the overall story insufficiently layered to explore its Depression-era themes in depth. The film's brevity, at just 85 minutes, was seen as exposing its "," rendering it more suitable for than theatrical release. In , commended the solid acting but critiqued the predictable plot and minimal impact, describing it as "a mere wisp of a film" akin to a . The labeled it "flimsy," faulting its arid feel and underdeveloped characters despite Pacino's efforts. Smaller outlets offered more positive notes on Foley's direction, appreciating its honesty and emotional accessibility over nostalgic excess. The lukewarm critical buzz contributed to the film's underwhelming performance.

Awards and nominations

Two Bits received two nominations at the 17th Young Artist Awards in 1996. The film was nominated for Best Family Feature – Drama, recognizing its family-oriented storytelling. Jerry Barone earned a nomination for Best Performance by a Young Actor Starring in a Motion Picture for his portrayal of the young protagonist Gennaro. The film achieved no major wins at prestigious events such as the or the , reflecting its limited visibility beyond niche youth-focused accolades. While there may have been submissions to circuits, no additional honors have been confirmed.

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