Unforgettable... with Love
Unforgettable... with Love is the twelfth studio album by American singer Natalie Cole, released on June 11, 1991, by Elektra Records.[1] It serves as a tribute to her late father, Nat King Cole, featuring Cole's interpretations of 22 standards from his repertoire, including a groundbreaking virtual duet on the title track "Unforgettable," where her vocals are digitally blended with his original 1951 recording.[2] The album marked Cole's debut with Elektra and was produced by David Foster, with recording sessions spanning November 1990 to April 1991 at studios such as Capitol Studios in Hollywood.[3] The project originated from Cole's desire to honor her father's legacy after initially declining similar opportunities earlier in her career, transforming her sound toward lush, orchestral arrangements of American popular song standards.[1] Key tracks include "Unforgettable," "Walkin' My Baby Back Home," "Straighten Up and Fly Right," and "L-O-V-E," blending swing, jazz, and pop elements with contributions from musicians like horn sections and string ensembles.[4] The album's innovative use of technology for the duet garnered significant attention, positioning it as a bridge between past and present vocal traditions.[5] Unforgettable... with Love achieved massive commercial success, selling over 7 million copies in the United States alone and more than 8.6 million worldwide, making it Cole's best-selling release.[6] It topped the Billboard 200 chart and was certified 7× Platinum by the RIAA.[6] Critically acclaimed for its emotional depth and production quality, the album won seven Grammy Awards in 1992, including Album of the Year—making Cole the first African-American woman to receive this honor—Record of the Year and Best Traditional Pop Performance for "Unforgettable," as well as Best Engineered Album, Non-Classical.[7] Its enduring impact revitalized interest in Nat King Cole's catalog and solidified Cole's status as a versatile artist capable of bridging generations.[8]Background and development
Concept and inspiration
Natalie Cole conceived Unforgettable... with Love as a tribute album covering standards from her father Nat King Cole's catalog, marking a significant career pivot following her personal and professional challenges in the 1980s, including battles with heroin addiction that had derailed her earlier success.[9] After achieving sobriety through rehabilitation and a 12-step program in the mid-1980s, Cole sought a project that would reconnect her with her musical roots and revive her trajectory, viewing the album as a "comeback" that allowed her to step into standards rather than contemporary R&B.[10] The inspiration drew deeply from Cole's childhood experiences performing alongside her father, whom she remembered for his "very special sound" that she had inherited, fostering a desire to posthumously celebrate his legacy after his death in 1965 when she was just 15 and away at boarding school.[9] She described the project as her way of "saying goodbye" to him, having been unable to collaborate directly due to his passing during her formative years, while observing his example of resilience amid racial barriers in the music industry.[10] This emotional drive was amplified by familial influences, including musical input from her uncle Ike Cole, who provided piano accompaniment on several tracks and helped bridge the generational gap in honoring Nat King Cole's style.[11] Ideas for the album began solidifying around 1989, shortly after Cole's previous release Good to Be Back (EMI Records), before signing with her new label Elektra Records, where she began selecting key songs from her father's repertoire, such as "Unforgettable" and "The Very Thought of You," to evoke his elegant jazz-pop era.[12][13] The project ultimately served as a profound reconciliation with her father's heritage, intertwining her recovery journey with a renewed embrace of family legacy, transforming personal loss into a celebratory homage.[10]Pre-production planning
The selection of the 22 tracks for Unforgettable... with Love drew from Nat King Cole's extensive repertoire of standards, with producers prioritizing songs that evoked emotional depth and held broad commercial appeal, such as the title track "Unforgettable" for its duet potential.[14] Producers David Foster, Tommy LiPuma, and André Fischer collaboratively chose the tracks during an informal lunch meeting, focusing on pieces that allowed Natalie Cole to reinterpret her father's hits while incorporating modern orchestral elements.[14] Following the release of Good to Be Back (EMI, 1989) and after Everlasting (Manhattan, 1987), Cole signed with Elektra Records, marking her transition from EMI/Capitol-affiliated labels—the label greenlit the project amid initial skepticism from executives who viewed the tribute concept as risky.[15][13] Natalie Cole later recalled that colleagues "thought I was out of my mind" for proposing to cover her father's music in such a personal way, echoing doubts similar to those she faced earlier in her career.[16] Budget provisions were allocated specifically for lavish orchestral arrangements, enabling recreations of the lush, big-band sounds from Nat King Cole's era to support the album's 22 selections.[17] Early collaboration among producers André Fischer (Natalie's then-husband), Tommy LiPuma (executive producer and Elektra executive), and David Foster centered on integrating archival Nat King Cole vocals with Cole's new performances, dividing production duties across tracks to blend contemporary production techniques with vintage aesthetics.[14][17] This setup facilitated decisions on vocal blending, with Foster handling key tracks like the title song to ensure seamless harmony between eras.[14] The duet concept, particularly for "Unforgettable," originated from Cole's idea to pair her vocals with her father's 1951 recording, prompting technical pre-production planning to overlay the archival track.[14] Engineers isolated Nat King Cole's vocal from its original three-track tape at Capitol Studios, filtering out orchestral bleed and adjusting tempo variations with a human click track added by session drummer Sol Gubin.[17] Arranger Johnny Mandel then adapted Nelson Riddle's original orchestration to accommodate the integration, while pre-production tests involved sampling and repositioning the elder Cole's vocal for natural back-and-forth phrasing with Natalie's live recording, captured using a Neumann U67 microphone to match the original's tone.[17] Foster described the process as involving "a lot of trickery," but emphasized efforts to authentically recreate a shared performance space through echo and limiting adjustments.[14]Recording and production
Studio sessions
The recording sessions for Unforgettable... with Love took place from November 1990 to April 1991.[3] Primary sessions took place at Pacifique Recording Studios in North Hollywood, California, a facility favored for its intimate acoustic environment suitable for vocal and orchestral work, though additional recording occurred at various Los Angeles-area studios including Capitol Studios, Ocean Way Recording, and Schnee Studios to accommodate specific tracks and overdubs.[3] A key technical challenge arose in integrating archival vocal stems from Nat King Cole's original 1950s and 1960s recordings with Natalie Cole's contemporary performances, particularly for the title track duet "Unforgettable." Engineers isolated Cole's 1951 three-track tape vocal from its center track, minimizing filtering to preserve its natural tone while addressing orchestra bleed from the original sessions that required arranger Johnny Mandel to adapt the new orchestration accordingly.[17] Synchronization proved demanding, as technicians matched the acoustic room sound, echo characteristics, and even minor pitch adjustments between the decades-old stem and Cole's live vocals, employing early digital processing to create the illusion of real-time interaction in the duet.[17][14] During sessions, Natalie Cole often recorded vocals live with full orchestras to capture authentic swing and emotional depth, completing her part for "Unforgettable" in just three or four takes at Ocean Way Studios.[17] Anecdotes from the process highlight the emotional intensity, with some veteran musicians—many of whom had played on Nat King Cole's originals—visibly moved to tears upon hearing the blended duet playback, underscoring the project's personal resonance for Cole.[17] Orchestral overdubs involved live string sections tracked at facilities like Capitol's Studio A, where the venue's historic ambiance—once used by Nat King Cole—added to the sessions' evocative atmosphere.[17] Production decisions evolved during mixing phases to blend the album's jazz standards with contemporary R&B and pop sensibilities, such as enhancing select tracks with subtle rhythmic grooves and vocal layering to broaden appeal without overshadowing the originals' elegance.[14] This approach was tested iteratively, with engineers like Al Schmitt recording to analog tape at high levels (30 ips, +6 dB) for warmth before final digital transfers.[17]Key personnel contributions
The album's production was spearheaded by a trio of key figures, each bringing distinct expertise to the project. André Fischer, Natalie Cole's husband at the time, served as producer on the majority of tracks, including "The Very Thought of You," "Route 66," and "Straighten Up and Fly Right," where he handled arrangements and emphasized rhythmic drive to infuse the standards with contemporary energy.[18][19] Tommy LiPuma, acting as executive producer alongside Cole, oversaw tracks like "Paper Moon" and the medley "Orange Colored Sky/Too Young," drawing on his renowned jazz pedigree to ensure authentic swing and interpretive depth.[18][20] David Foster contributed pop-inflected polish to selections such as "When I Fall in Love," "Smile," and the title track "Unforgettable," co-arranging vocals and integrating modern production elements while preserving the emotional core.[18][14] Among the musicians, Ike Cole, Natalie Cole's uncle and brother of Nat King Cole, provided piano accompaniment on "Route 66," lending a layer of familial authenticity through his intimate knowledge of the repertoire and stylistic nuances.[1][18] His solo work on the track evoked the legacy of his brother's era while supporting Cole's fresh interpretations. The engineering team, led by Al Schmitt, played a crucial role in capturing the album's warm, intimate sound across multiple studios. Schmitt handled mixing duties, particularly for the title track, where he meticulously blended Cole's contemporary vocals with archival recordings of her father to create a seamless duet effect.[17] Natalie Cole exerted significant directorial influence throughout the sessions, shaping vocal phrasings to honor her father's delivery while infusing her own emotional timbre, and collaborating on arrangement tweaks to balance reverence with innovation.[1][21]Musical content
Composition and arrangements
Unforgettable... with Love primarily reinterprets traditional pop and jazz standards through a fusion of R&B and adult contemporary elements, creating a sound that honors Nat King Cole's legacy while appealing to contemporary audiences.[3][22] The album spans 72:47 across 22 tracks, drawing from the Great American Songbook to blend nostalgic jazz phrasing with smoother, more polished production techniques characteristic of adult contemporary music.[3] This genre fusion is evident in Natalie Cole's vocal delivery, which incorporates R&B-inflected warmth and subtle phrasing variations that bridge the gap between mid-20th-century jazz standards and 1990s pop sensibilities.[22] The arrangements emphasize lush orchestral swells, particularly in ballads such as "The Very Thought of You," where full strings and brass sections build emotional depth without overpowering the intimate vocal performances.[3] Duet mechanics on tracks like the title song "Unforgettable" layer archival Nat King Cole vocals with Natalie's contemporary recordings, creating a seamless emotional interplay where the father's voice appears to respond to his daughter's, achieved through advanced digital synchronization.[14] These orchestral elements, recorded with a full ensemble, provide a rich, cinematic backdrop that enhances the lyrical focus on love and nostalgia.[3] Thematically, the album maintains cohesion around intimacy and reminiscence, with tracks selected for their evocative portrayals of romance and longing, unified by Cole's interpretive choices that evoke personal connection.[3] Tempo variations contribute to this unity, ranging from languid slow ballads that underscore heartfelt vulnerability to mid-tempo swings that inject playful energy, allowing the collection to balance melancholy reflection with lighter, swinging optimism.[3] Innovations in production, such as precise vocal merging and faithful yet updated orchestral recreations, contrast the originals' big-band era sound by introducing cleaner, more intimate spatial dynamics suited to modern listening.[14]Track listing
Unforgettable... with Love is a single-disc compact disc album released in 1991 by Elektra Records, featuring 22 tracks with no bonus material in the original edition.[23] Several tracks incorporate duet vocals from archival recordings by Natalie Cole's father, Nat King Cole, including the title song and "Straighten Up and Fly Right."[1] International editions, such as the European release, maintain the same track listing and durations without significant variations.[4] The complete track listing, including songwriters, is presented below:| No. | Title | Duration | Songwriter(s) |
|---|---|---|---|
| 1 | "The Very Thought of You" | 4:15 | Ray Noble |
| 2 | "Paper Moon" | 3:24 | Harold Arlen, Billy Rose, E. Y. Harburg |
| 3 | "Route 66" | 3:00 | Bobby Troup |
| 4 | "Mona Lisa" | 3:45 | Ray Evans, Jay Livingston |
| 5 | "L-O-V-E" | 2:32 | Bert Kaempfert, Milt Gabler |
| 6 | "This Can't Be Love" | 2:13 | Richard Rodgers, Lorenz Hart |
| 7 | "Smile" | 3:37 | Charles Chaplin |
| 8 | "Lush Life" | 4:20 | Billy Strayhorn |
| 9 | "That Sunday, That Summer" | 3:31 | George David Weiss, Joe Sherman |
| 10 | "Orange Colored Sky" | 2:26 | Milton DeLugg, Willie Stein |
| 11 | "A Medley: For Sentimental Reasons / Tenderly / Autumn Leaves" | 7:26 | Various (Deek Watson, William Best / Walter Gross, Jack Lawrence / Joseph Kosma, Jacques Prévert) |
| 12 | "Straighten Up and Fly Right" | 2:40 | Nat King Cole, Irving Mills |
| 13 | "Avalon" | 1:51 | Al Jolson, Buddy DeSylva, Vincent Rose |
| 14 | "Don't Get Around Much Anymore" | 2:34 | Duke Ellington, Bob Russell |
| 15 | "Too Young" | 4:32 | Sid Lippman, Sylvia Dee |
| 16 | "Nature Boy" | 3:23 | Eden Ahbez |
| 17 | "Darling, Je Vous Aime Beaucoup" | 3:24 | Anna Sosenko |
| 18 | "Almost Like Being in Love" | 2:11 | Alan Jay Lerner, Frederick Loewe |
| 19 | "Thou Swell" | 1:50 | Richard Rodgers, Lorenz Hart |
| 20 | "Non Dimenticar (Don't Forget)" | 2:56 | P. G. Redi, Michele Galdieri, Shelly Dobbins |
| 21 | "Our Love Is Here to Stay" | 3:28 | George Gershwin, Ira Gershwin |
| 22 | "Unforgettable" | 3:29 | Irving Gordon |
Release and promotion
Singles and marketing
The lead single from Unforgettable... with Love, "Unforgettable", was released on June 10, 1991, and became a major hit, peaking at number 14 on the Billboard Hot 100 chart.[24] The track, a virtual duet incorporating archival vocals from her father Nat King Cole, exemplified the album's innovative posthumous collaboration concept. A follow-up single, "The Very Thought of You", followed in 1992, further extending the album's reach with another nostalgic arrangement of a standard from her father's repertoire.[25] Marketing efforts centered on the emotional father-daughter reunion theme, positioning the album as a heartfelt tribute that bridged generations through technology-enabled duets.[26] Promotional tactics included high-profile television appearances that drew widespread attention to the project. The campaign emphasized nostalgia and family legacy, with Elektra Records leveraging media interviews and previews to underscore Cole's personal connection to her father's catalog. The music video for "Unforgettable", directed by Steve Barron, reinforced this sentimental narrative by interweaving contemporary footage of Natalie Cole with archival clips of Nat King Cole, creating a visual illusion of shared performance that evoked deep emotional resonance.[27] Released as a promotional tool, the video aired on MTV and other outlets, amplifying the single's impact and contributing to its chart success. To support the album's launch, Natalie Cole participated in initial rollout events throughout 1991, featuring live performances of key tracks like "The Very Thought of You" and "Straighten Up and Fly Right" at major venues, including a tribute-focused concert reviewed in the Los Angeles Times that showcased the material in a live setting.[28] These appearances, often at jazz-influenced gatherings, helped build momentum ahead of the album's full commercial release.Commercial rollout
Unforgettable... with Love was released on June 11, 1991, by Elektra Records, marking Natalie Cole's debut album with the label. The album was made available in several formats, including compact disc (CD), cassette, and double vinyl LP, to cater to diverse consumer preferences in the early 1990s music market.[4][3] The rollout featured a simultaneous global release strategy, with editions distributed in key international markets such as Europe, Australia, Canada, and the United Kingdom in 1991, ensuring broad accessibility shortly after the U.S. launch.[4] This approach leveraged Elektra's international network to capitalize on the album's tribute theme, connecting Natalie Cole's interpretations to her father Nat King Cole's enduring legacy. Initial launch activities included press conferences held in Los Angeles, where Cole discussed the personal significance of reinterpreting her father's standards. The timing of the release, just days before Father's Day on June 16, 1991, facilitated media tie-ins that highlighted the album's familial homage, aligning promotional efforts with the holiday's emotional resonance.[29] The album's packaging reinforced its tribute theme through evocative artwork featuring imagery of both Natalie Cole and Nat King Cole, evoking a sense of continuity and reverence. The liner notes included personal essays penned by Natalie Cole, alongside contributions from producer David Foster and writer Louis Andre Fischer, providing intimate insights into the project's conception and emotional depth.[18]Critical reception
Contemporary reviews
Upon its release in mid-1991, Unforgettable... with Love received widespread praise from critics for Natalie Cole's interpretive prowess on the classic standards associated with her father, Nat King Cole, as well as the emotional resonance of the virtual duets, though some noted the polished production occasionally overshadowed the material's jazz roots.[30][28] In a November 1991 review, The New York Times lauded Cole's vocal maturity and polished diction, describing her as an "accomplished pop-jazz singer" who brought swing and exuberance to uptempo tracks like "Orange Colored Sky" and "Thou Swell," while her approach to ballads such as "Too Young" and "Mona Lisa" was "cool and decorous." The publication highlighted the title track's duet with a televised image of Nat King Cole as a poignant highlight, positioning Cole as having found her place "in the space between Nat (King) Cole and Aretha Franklin." However, the review critiqued her ballad singing as overly reserved and less distinctive, lacking her father's "supreme relaxation and bonhomie" due to her lighter voice and interpretive frills.[30] A contemporaneous Los Angeles Times assessment of Cole's live performance tied to the album emphasized its romantic depth and joyful celebration of her father's catalog, with her voice "flawlessly suited" to ballads like "For Sentimental Reasons" and "Tenderly," and displaying jazz flair on "Route 66" and "Avalon." The duet on "Unforgettable," featuring a film clip of Nat King Cole, was singled out for its emotional impact, drawing a standing ovation and underscoring the album's innovative appeal. Yet, the critique pointed to overproduction issues, such as "syrupy strings" on tracks like "Nature Boy," which sometimes felt "too glutinous" and allowed the large orchestra to overwhelm subtler elements, diluting the jazz purity in favor of pop gloss.[28] Overall, period reviews celebrated Cole's emotional delivery on the standards while occasionally questioning the glossy arrangements' effect on authenticity.Retrospective assessments
In later assessments, Unforgettable... with Love has been widely praised as a definitive tribute to Nat King Cole, earning a four-star rating from AllMusic for its seamless blend of reverence and innovation in reinterpreting his catalog.[3] Retrospectives in the 2010s and beyond, such as a 2021 PopMatters analysis, highlight the album's pivotal role in revitalizing interest in vocal jazz standards, crediting its lush arrangements and Cole's interpretive depth for bridging generational divides in jazz appreciation.[5] Critical opinions have evolved significantly since the album's release, shifting from mixed contemporary reactions to near-unanimous acclaim following Natalie Cole's death in 2015, as evidenced in a 2016 NPR tribute that described it as a "barnstorming" career-defining work that fused soulful R&B roots with jazz elegance.[31] This reevaluation often frames the project as an elegant conversation with her father's legacy, as noted in a 2025 New York Times reflection on Black women's Grammy achievements.[32] Scholarly discussions in musicology emphasize the album's pioneering use of archival vocals, particularly the virtual duet on the title track, as a groundbreaking technique in posthumous collaboration that influenced subsequent digital audio manipulations in popular music.[33] In the 2012 essay "Deadness: Technologies of the Intermundane," authors Jason Stanyek and Benjamin Piekut position the Coles' "Unforgettable" as a foundational example of intermundane recording practices, blending live and archival elements to create emotionally resonant narratives across time.[34] Unforgettable... with Love stands out among tribute albums to the Great American Songbook, incorporating intimate familial elements in its interpretations of the classic repertoire, as discussed in a 2024 JazzTimes column on the genre's revival.[35][36]Commercial performance
Chart achievements
Unforgettable... with Love achieved significant commercial success on music charts worldwide upon its release in 1991. In the United States, the album debuted on the Billboard 200 at number 25 in late June 1991 and ascended to the top position on July 27, holding number one for five consecutive weeks through August. It also peaked at number 5 on the Top R&B/Hip-Hop Albums chart. The album's strong performance contributed to its ranking at number 24 on the 1991 Billboard 200 year-end chart and number 47 on the decade-end Billboard 200 chart for the 1990s. Internationally, the album topped several national charts, reflecting its broad appeal. It peaked at number one on the ARIA Albums Chart in Australia and on the Recorded Music NZ Top 40 Albums in New Zealand. In the United Kingdom, it reached number 11 on the Official Albums Chart, spending a total of 29 weeks on the listing. The album entered the Dutch Album Top 100 at number 19 and charted for 24 weeks. It also reached number 1 on the RPM Top Albums chart in Canada. The lead single, "Unforgettable" (featuring a virtual duet with Nat King Cole), integrated into the album's chart success by peaking at number 14 on the Billboard Hot 100 for one week in August 1991 and number 3 on the Adult Contemporary chart.| Chart (1991) | Peak Position | Weeks on Chart |
|---|---|---|
| Billboard 200 (US) | 1 | 110 |
| Top R&B/Hip-Hop Albums (US) | 5 | 37 |
| ARIA Albums (Australia) | 1 | 32 |
| Recorded Music NZ (New Zealand) | 1 | Unknown |
| RPM Top Albums (Canada) | 1 | Unknown |
| UK Albums (OCC) | 11 | 29 |
| Dutch Albums (MegaCharts) | 19 | 24 |
Sales and certifications
In the United States, Unforgettable... with Love achieved significant commercial success, selling 6.2 million copies as of 2016 according to Nielsen SoundScan data.[37] The album was certified 7× Platinum by the Recording Industry Association of America (RIAA) in 1998, denoting shipments of seven million units, following an initial Platinum certification in 1991.[38] This marked a substantial increase from its early sales momentum, with ongoing purchases boosted by its sweep of seven Grammy Awards in 1992, including Album of the Year. Internationally, the album received strong recognition, earning 5× Platinum certification from the Australian Recording Industry Association (ARIA) in 1992 for 350,000 units shipped.[6] In Canada, it was certified 4× Platinum by Music Canada for 400,000 units. The British Phonographic Industry (BPI) awarded it Gold status for 100,000 units. Additional certifications include Platinum in Japan (200,000 units) and Platinum in New Zealand (15,000 units).| Country | Certification | Certified Units | Certifier | Date |
|---|---|---|---|---|
| Australia | 5× Platinum | 350,000 | ARIA | 1992 |
| Canada | 4× Platinum | 400,000 | Music Canada | N/A |
| Japan | Platinum | 200,000 | RIAJ | N/A |
| New Zealand | Platinum | 15,000 | RMNZ | N/A |
| United Kingdom | Gold | 100,000 | BPI | N/A |
| United States | 7× Platinum | 7,000,000 | RIAA | 1998 |