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Vampire Sisters

Vampire Sisters (: Die Vampirschwestern) is a children's book series written by Franziska Gehm and published by Loewe Verlag, beginning with the first installment Eine Freundin zum Anbeißen in 2008. The series centers on the half-vampire sisters Dakaria ("Daka") and Silvania, who navigate the challenges of , family life, and while concealing their abilities in a human world after moving from to . Gehm's humorous storytelling targets readers aged 10 and older, blending fantasy elements with relatable teen experiences across 13 volumes. The franchise expanded into film adaptations, with the 2012 feature Vampire Sisters, directed by Wolfgang Groos and written by Ursula Gruber, which draws from the early books and follows the sisters' adjustment to life in their mother's German hometown. Starring Laura Antonia Roge as Daka and Marta Martin as Silvania, alongside Christiane Paul and Stipe Erceg as their parents, the 97-minute family adventure-comedy was produced by Deutsche Columbia Pictures Filmproduktion and Claussen Wöbke Putz Filmproduktion. A sequel, Vampire Sisters 2: Bats in the Belly, released in 2014 and also directed by Groos, continues the story with the sisters facing new supernatural threats involving a rock singer vampire and dark forces. The Vampire Sisters series has garnered attention for its lighthearted take on vampire lore, appealing to young audiences through themes of , friendship, and family dynamics in a fantastical setting. The books and films emphasize empowerment and humor, with the protagonists using their unique abilities to solve problems while maintaining secrecy about their heritage.

Background and development

Source material

The "Die Vampirschwestern" (Vampire Sisters) book series was created by German children's book author Franziska Gehm, born in 1974 in Sondershausen, , who studied English, , and in , , and before settling in with her family to pursue writing and translation. Gehm's works, including this series, are known for their humorous fantasy elements targeted at young readers aged 10 and up, blending everyday teen challenges with themes. The series began with the first novel, Eine Freundin zum Anbeißen, published in 2008 by Loewe Verlag, an imprint specializing in children's and youth literature. Subsequent volumes followed regularly, establishing a core narrative framework that explores the lives of half- sisters Dakaria (Daka) and Silvania as they balance their Transylvanian roots with integration into the human world. Central to the books are family dynamics—featuring a and human mother—and recurring themes of identity, friendship, and cultural duality, which provide a lighthearted examination of belonging for young audiences. By 2025, the main series encompasses 13 volumes, supplemented by spin-off lines like Die Vampirschwestern black & pink, totaling over 20 titles in related formats. The books have achieved significant popularity in youth literature, becoming bestsellers with translations into multiple languages and praised for revitalizing stories through witty, relatable prose. This acclaim directly inspired the film adaptation, highlighting the series' enduring appeal.

Pre-production

The adaptation of Franziska Gehm's "Die Vampirschwestern" book series into a film began in the early stages of , driven by the novels' rapid success, with over 400,000 copies sold since their debut in 2008 and translations into 18 languages. The rights to the literary source material, published by Loewe Verlag, were secured by producers at Claussen+Wöbke+Putz Filmproduktion to develop a family-oriented fantasy-comedy targeted at young audiences. Screenplay development was led by Ursula Gruber, who crafted the script to capture the whimsical adventures of the half- sisters while prioritizing lighthearted, child-friendly humor over darker horror elements typical of tales. Wolfgang Groos was brought on board, selected for his proven track record in helming engaging family films, including the successful children's adventure "The Crocodiles: All for One" (2011). The production team, headed by Uli Putz, assembled key collaborators early, securing financial support from major German funding bodies such as the Film- und Medienstiftung NRW (€500,000), FilmFernsehFonds Bayern (€750,000), and the German Federal Film Board (€500,000) to facilitate the project's advancement. Casting efforts focused on discovering talented young German performers for the central roles, with open calls emphasizing natural chemistry and comedic timing suitable for the twin protagonists. After auditions, Marta Martin was cast as the more reserved Silvania Tepes, and Laura Roge as the adventurous Dakaria Tepes, marking their breakout roles in a major feature. These selections underscored the production's commitment to authentic, relatable portrayals of childhood in a setting.

Production

Filming

Principal photography for Vampire Sisters commenced on September 26, 2011, and concluded on November 21, 2011, encompassing 39 shooting days across various locations in . The production utilized the area in as a primary filming hub, doubling for the story's fictional German town, while scenes in , , captured urban and school environments; exterior shots drew on rural Bavarian landscapes to evoke a Transylvania-inspired atmosphere. Working with child actors, such as leads Marta Martin and Laura Roge, presented logistical challenges due to Germany's stringent youth labor protections under the , which restrict minors under 15 to no more than 3–4 hours of actual filming per day, mandate school schedule compliance, and require on-set safety supervisors—particularly crucial for fantasy sequences involving heights or simulated supernatural actions. Practical effects played a key role in realizing the vampire transformations and supernatural feats, including prosthetic fangs, flowing capes for dramatic flair, and coordinated stunt work; notably, a Skywalker wire rig system was employed to simulate flight for the young vampire sisters and their father during aerial scenes. Director Wolfgang Groos emphasized a playful of and fantasy, tailoring the shoot to encourage natural, energetic performances from the young cast while staying true to the whimsical tone of the source novels, allowing room for spontaneous moments amid the structured shot lists developed in .

Post-production

Following the completion of principal photography on November 21, 2011, post-production for Vampire Sisters (original title: Die Vampirschwestern) took place primarily in 2012 at Claussen + Wöbke + Putz Filmproduktion studios in Munich, encompassing digital dailies, digital intermediate (DI), HD mastering, film FX, sound mixing, and laboratory work. The editing process, led by editor Stefan Essl, refined the raw footage into a cohesive narrative suitable for its young audience, resulting in a final cut completed by late 2012 ahead of the December 27 theatrical release in Germany. Sound design and audio were handled by Toruspost, with foley artistry by Wilmont Schulze and final mixing supervised by Falk Möller at Bildschnittplatz, focusing on immersive effects to enhance the film's fantastical and comedic elements. , managed by the firm Toruspost under VFX Sinje Gebauer and Nils Engler, involved subtle by artists including Steffen Kaus and Denis Cesek, with technical direction from Christian Schnellhammer and Martin Saechsinger, primarily for creature enhancements and atmospheric details. The score was composed by Helmut Zerlett, incorporating orchestral and playful motifs to underscore the family-friendly adventure tone. Final adjustments trimmed the runtime to 97 minutes, securing an FSK 0 rating in , making it accessible for without restrictions.

Plot and characters

Plot summary

The half-vampire sisters Dakaria and Silvania, along with their family, relocate from to , seeking a more normal life away from their roots. Upon arrival, the sisters must navigate the challenges of enrolling in a local human school, where they struggle to conceal their abilities—such as flying at night and heightened sensitivity to —while using everyday disguises like and to blend in. This central conflict highlights their efforts to adapt to mundane routines and forge friendships amid the fear of exposure. As the story unfolds, the sisters' differing aspirations create further tension: one desires to embrace her full vampire heritage, while the other longs to become entirely . An accidental swap of their wishes leads to transformative chaos, amplifying their differences and complicating their daily lives at school and home. Supporting plotlines involve budding interactions with classmates, who draw the sisters into social adventures, alongside the gradual revelation of family secrets that test their bonds. These elements drive a series of comedic mishaps, blending fantasy with relatable tween experiences. The narrative progresses through distinct acts, beginning with the relocation and initial school integration, shifting to chaotic home-based escapades amid the wish repercussions, and culminating in a climactic reversal that restores balance. Overall, the film maintains a light-hearted comedic tone infused with whimsical fantasy, resolving on uplifting themes of and the value of familial and communal support.

Cast

The principal roles in Vampire Sisters are played by young German actresses Marta Martin and Laura Antonia Roge, who portray the half-vampire sisters at the center of the story. Martin, aged 13 during filming, stars as Silvania Tepes, the shy and more reserved sister who struggles with her dual nature. Roge, aged 14 at the time of production, plays Dakaria Tepes, the outgoing and adventurous half-vampire who embraces her supernatural heritage. The casting emphasized emerging German talent for the lead roles, highlighting the film's focus on youthful performers to capture the fantasy-comedy elements driven by the sisters' contrasting personalities. Supporting the leads are as Elvira Tepes, the mother who provides emotional grounding for the family, and as Mihai Tepes, the father whose heritage influences the sisters' lives. Michael Kessler portrays Dirk van Kombast, a comedic supporting figure who adds humor to the ensemble. Jamie Bick plays Helene Steinbrück, a key friend whose perspective contrasts with the protagonists' traits. In minor roles, Hans-Peter Deppe appears as Opa Gustav Tepes, the paternal grandfather representing family ties to vampire lore, while Régine Vergeen plays Oma Rose, the maternal grandmother offering additional familial support. The production featured no major voice work or celebrity cameos, keeping the focus on its core cast of German actors.

Release and reception

Theatrical release

The film premiered in Germany on December 16, 2012, at a special event in Munich. It received a wide theatrical release in Germany on December 27, 2012, distributed by Sony Pictures Releasing Germany. The production earned an FSK 6 rating from the German film board, permitting viewing by children aged 6 and older with parental guidance. International distribution followed in select markets, including a release in the in 2013 and screenings at festivals such as the Kids International & Video . Marketing campaigns targeted family audiences through promotional trailers emphasizing the film's comedic fantasy elements and adventure for young viewers. Tie-in merchandise was developed alongside the bestselling by Franziska Gehm, including , apparel, and related publications to capitalize on the source material's popularity among children. At the , Vampire Sisters grossed approximately €5.8 million ($6.96 million) in and $7.9 million worldwide, performing strongly in the family film category for 2012.

Critical reception

Vampire Sisters received mixed reviews upon release, with critics appreciating its approach while noting limitations in depth and originality. On , the film holds an average rating of 5.6/10 based on 1,026 user ratings. German press highlighted the film's engaging qualities for children, praising the strong performances by the young leads, Marta Martin and Laura Antonia Roge, as well as its successful blend of humor and mild scares. For instance, epd Film commended the sympathetic depiction of the and the integration of fantastical elements into everyday school life, emphasizing themes of inclusion and diversity among the characters. Similarly, Programmkino.de described it as a well-executed alternative to more intense vampire stories like Twilight, suitable for younger audiences seeking lighthearted fantasy. Criticisms focused on the predictable plot and limited appeal to adults, with some reviewers pointing to shallow vampire lore and contrived resolutions. Filmstarts.de awarded it 2.5/5, noting overly harmless tone, crude humor elements, and dramaturgic inconsistencies that undermined the narrative flow. Audience reception showed a divide, with higher approval from families; users on Filmstarts.de rated it 3.6/5 from 38 reviews, reflecting stronger endorsement for its entertainment value among children and parents compared to professional critics.

Franchise

Sequels

The success of the original Vampire Sisters prompted the production of two direct sequels, continuing the adventures of the half-vampire sisters Dakaria and Silvania while building on the family's fantastical challenges. Vampire Sisters 2: Bats in the Belly (Die Vampirschwestern 2 - Fledermäuse im Bauch), directed by Groos, was released theatrically in on October 16, . The film centers on Dakaria's budding romance with Murdo, the lead singer of a , as the sisters and their family confront a new with ominous plans. It grossed $5.2 million worldwide. The trilogy concluded with Vampire Sisters 3: Journey to Transylvania (Die Vampirschwestern 3 - Reise nach Transsilvanien), directed by Tim Trachte and released in Germany on December 8, 2016. The story shifts back to the family's n origins, with the sisters undertaking a perilous adventure to rescue their infant half-vampire brother from the clutches of the malevolent vampire queen Antanasia. This installment heightens the emphasis on familial bonds and exploratory fantasy. The film earned about $5.9 million globally. Both sequels retained core cast members, including Laura Roge as Dakaria, Marta Martin as Silvania, and as their mother, under the stewardship of the original production team at Claussen + Putz Filmproduktion. The series escalated its stakes—from intrigue to high-stakes rescue—while sustaining its draw for young audiences, though overall figures trended slightly downward from the first film's performance before a modest rebound.

Related media

The franchise, based on Franziska Gehm's , has expanded beyond the films through books that adapt and incorporate events from the movie adaptations. Publisher Loewe Verlag released novelizations such as Die Vampirschwestern – Das Buch zum Film in 2012, Die Vampirschwestern 2 – Das Buch zum Film in 2014, and Die Vampirschwestern 3 – Das Buch zum Film in 2017, allowing fans to revisit the sisters' adventures in print form while blending original book elements with cinematic plot developments. The core consists of 13 volumes, concluding in 2016, while the overall franchise encompasses 20 volumes including tie-ins and specials as of 2020. Soundtrack albums accompany each installment of the film trilogy, featuring original compositions and songs that capture the whimsical vampire theme. For the first film, key tracks like the title song "" by Mobilée were released in 2012, highlighting the blend of pop and orchestral elements. The second film's soundtrack, released in 2014, includes songs such as "Transsylvania Evolution" by Laura Roge and "Rodna" performed by Tim Oliver Schultz, alongside score pieces by Helmut Zerlett. Similarly, the 2016 for the third film, Die Vampirschwestern 3 (Original Soundtrack) by Helmut Zerlett, comprises instrumental tracks like "Reise nach Transsylvanien" and "Das schwarze Schloss," emphasizing adventurous and folk-inspired motifs. No television series or international remakes of the franchise exist as of 2025, maintaining its primary footprint in German-language media. The series has contributed to the appeal of lighthearted vampire stories in German children's fantasy, alongside similar properties like the animated .

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